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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35D39E it is the complementary color #CA2C61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35D39E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35D39E shade: #3AD399, #4BE5AC, #5CF7BF, #6DFFD2 and #7EFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35D39E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35D39E shade: #35D39E, #24C18B, #13AF78, #029D65 and #008B52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35D39E shade: #36D29E, #36D274, #36D249, #4CD236 and #77D236

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35D39E shade: #36D29E, #36D2C8, #36B3D2, #3688D2 and #365ED2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35D39E shade matches the following richer shades: #36D29E, #22E6A4 and #0EFAAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35D39E shade: #36D29E, #4ABF97, #5DAB91, #71978A and #858384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35D39E shade: #36D248, #36D272, #36D29C, #36D2C5 and #36B6D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35D39E shade: #20956E, #28B787, #36D29E, #58DAAE and #79E1BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35D39E shade: #35D39E, #364DD2 and #D25D36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35D39E shade: #35D39E, #9C36D2 and #D29C36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35D39E shade: #35D39E, #364DD2, #D2366D and #D2BB36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35D39E shade: #35D39E, #4D36D2, #D2366D and #BBD236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 25 / 17

HEX #35D39E

RGB 53 211 158

HSL 159.87, 0.64%, 0.52%

LAB 75.95, -52.43, 14.91

 

Complementary color

CMYK 0 / 78 / 52 / 21

HEX #CA2C61

RGB 202 44 97

HSL 339.87, 0.64%, 0.48%

LAB 45.94, 63.4, 8.8

 

CMYK 73 / 0 / 27 / 17

HEX #3AD399

RGB 58 211 153

HSL 157.25, 0.63%, 0.53%

LAB 75.94, -52.9, 17.55

 

CMYK 67 / 0 / 25 / 10

HEX #4BE5AC

RGB 75 229 172

HSL 157.79, 0.75%, 0.6%

LAB 82.12, -53.39, 16.23

 

CMYK 63 / 0 / 23 / 3

HEX #5CF7BF

RGB 92 247 191

HSL 158.32, 0.91%, 0.66%

LAB 88.24, -53.69, 15.01

 

CMYK 57 / 0 / 18 / 0

HEX #6DFFD2

RGB 109 255 210

HSL 161.51, 1%, 0.71%

LAB 91.43, -49.7, 9.79

 

CMYK 51 / 0 / 10 / 0

HEX #7EFFE5

RGB 126 255 229

HSL 167.91, 1%, 0.75%

LAB 92.4, -41.93, 1.46

 

CMYK 75 / 0 / 25 / 17

HEX #35D39E

RGB 53 211 158

HSL 159.87, 0.64%, 0.52%

LAB 75.95, -52.43, 14.91

 

CMYK 81 / 0 / 28 / 24

HEX #24C18B

RGB 36 193 139

HSL 159.36, 0.69%, 0.45%

LAB 69.74, -51.54, 16.35

 

CMYK 89 / 0 / 31 / 31

HEX #13AF78

RGB 19 175 120

HSL 158.85, 0.8%, 0.38%

LAB 63.47, -50.25, 17.95

 

CMYK 99 / 0 / 36 / 38

HEX #029D65

RGB 2 157 101

HSL 158.32, 0.97%, 0.31%

LAB 57.14, -48.52, 19.71

 

CMYK 100 / 0 / 41 / 45

HEX #008B52

RGB 0 139 82

HSL 155.4, 1%, 0.27%

LAB 50.77, -45.98, 21.71

 

CMYK 74 / 0 / 25 / 18

HEX #36D29E

RGB 54 210 158

HSL 160, 0.63%, 0.52%

LAB 75.67, -51.91, 14.5

 

CMYK 74 / 0 / 45 / 18

HEX #36D274

RGB 54 210 116

HSL 143.85, 0.63%, 0.52%

LAB 74.91, -60.28, 35.34

 

CMYK 74 / 0 / 65 / 18

HEX #36D249

RGB 54 210 73

HSL 127.31, 0.63%, 0.52%

LAB 74.42, -66.12, 54.74

 

CMYK 64 / 0 / 74 / 18

HEX #4CD236

RGB 76 210 54

HSL 111.54, 0.63%, 0.52%

LAB 74.76, -63.77, 62.42

 

CMYK 43 / 0 / 74 / 18

HEX #77D236

RGB 119 210 54

HSL 95, 0.63%, 0.52%

LAB 76.24, -52.24, 64.38

 

CMYK 74 / 0 / 25 / 18

HEX #36D29E

RGB 54 210 158

HSL 160, 0.63%, 0.52%

LAB 75.67, -51.91, 14.5

 

CMYK 74 / 0 / 5 / 18

HEX #36D2C8

RGB 54 210 200

HSL 176.15, 0.63%, 0.52%

LAB 76.71, -41.24, -6.51

 

CMYK 74 / 15 / 0 / 18

HEX #36B3D2

RGB 54 179 210

HSL 191.92, 0.63%, 0.52%

LAB 67.78, -23.47, -25.41

 

CMYK 74 / 35 / 0 / 18

HEX #3688D2

RGB 54 136 210

HSL 208.46, 0.63%, 0.52%

LAB 55.12, 0.25, -45.14

 

CMYK 74 / 55 / 0 / 18

HEX #365ED2

RGB 54 94 210

HSL 224.62, 0.63%, 0.52%

LAB 43.42, 26.44, -63.91

 

CMYK 74 / 0 / 25 / 18

HEX #36D29E

RGB 54 210 158

HSL 160, 0.63%, 0.52%

LAB 75.67, -51.91, 14.5

 

CMYK 85 / 0 / 29 / 10

HEX #22E6A4

RGB 34 230 164

HSL 159.8, 0.8%, 0.52%

LAB 81.63, -60.2, 19.63

 

CMYK 94 / 0 / 32 / 2

HEX #0EFAAB

RGB 14 250 171

HSL 159.92, 0.96%, 0.52%

LAB 87.68, -66.92, 24.35

 

CMYK 74 / 0 / 25 / 18

HEX #36D29E

RGB 54 210 158

HSL 160, 0.63%, 0.52%

LAB 75.67, -51.91, 14.5

 

CMYK 61 / 0 / 21 / 25

HEX #4ABF97

RGB 74 191 151

HSL 159.49, 0.48%, 0.52%

LAB 70.14, -42.45, 10.54

 

CMYK 46 / 0 / 15 / 33

HEX #5DAB91

RGB 93 171 145

HSL 160, 0.32%, 0.52%

LAB 64.56, -30.4, 5.96

 

CMYK 25 / 0 / 9 / 41

HEX #71978A

RGB 113 151 138

HSL 159.47, 0.15%, 0.52%

LAB 59.42, -15.93, 2.59

 

CMYK 0 / 2 / 1 / 48

HEX #858384

RGB 133 131 132

HSL 330, 0.01%, 0.52%

LAB 54.95, 0.95, -0.28

 

CMYK 74 / 0 / 66 / 18

HEX #36D248

RGB 54 210 72

HSL 126.92, 0.63%, 0.52%

LAB 74.41, -66.22, 55.14

 

CMYK 74 / 0 / 46 / 18

HEX #36D272

RGB 54 210 114

HSL 143.08, 0.63%, 0.52%

LAB 74.88, -60.62, 36.31

 

CMYK 74 / 0 / 26 / 18

HEX #36D29C

RGB 54 210 156

HSL 159.23, 0.63%, 0.52%

LAB 75.62, -52.36, 15.51

 

CMYK 74 / 0 / 6 / 18

HEX #36D2C5

RGB 54 210 197

HSL 175, 0.63%, 0.52%

LAB 76.62, -42.07, -5.02

 

CMYK 74 / 13 / 0 / 18

HEX #36B6D2

RGB 54 182 210

HSL 190.77, 0.63%, 0.52%

LAB 68.67, -24.99, -24.04

 

CMYK 79 / 0 / 26 / 42

HEX #20956E

RGB 32 149 110

HSL 160, 0.65%, 0.35%

LAB 55, -40.98, 11.77

 

CMYK 78 / 0 / 26 / 28

HEX #28B787

RGB 40 183 135

HSL 159.86, 0.64%, 0.44%

LAB 66.57, -48.07, 14.11

 

CMYK 74 / 0 / 25 / 18

HEX #36D29E

RGB 54 210 158

HSL 160, 0.63%, 0.52%

LAB 75.67, -51.91, 14.5

 

CMYK 60 / 0 / 20 / 15

HEX #58DAAE

RGB 88 218 174

HSL 159.69, 0.64%, 0.6%

LAB 79.2, -46.13, 11.1

 

CMYK 46 / 0 / 16 / 12

HEX #79E1BE

RGB 121 225 190

HSL 159.81, 0.63%, 0.68%

LAB 82.72, -38.41, 7.81

 

CMYK 75 / 0 / 25 / 17

HEX #35D39E

RGB 53 211 158

HSL 159.87, 0.64%, 0.52%

LAB 75.95, -52.43, 14.91

 

CMYK 74 / 63 / 0 / 18

HEX #364DD2

RGB 54 77 210

HSL 231.15, 0.63%, 0.52%

LAB 39.15, 37.26, -70.88

 

CMYK 0 / 56 / 74 / 18

HEX #D25D36

RGB 210 93 54

HSL 15, 0.63%, 0.52%

LAB 53.81, 43.85, 44.02

 

CMYK 75 / 0 / 25 / 17

HEX #35D39E

RGB 53 211 158

HSL 159.87, 0.64%, 0.52%

LAB 75.95, -52.43, 14.91

 

CMYK 26 / 74 / 0 / 18

HEX #9C36D2

RGB 156 54 210

HSL 279.23, 0.63%, 0.52%

LAB 44.74, 65.48, -61.34

 

CMYK 0 / 26 / 74 / 18

HEX #D29C36

RGB 210 156 54

HSL 39.23, 0.63%, 0.52%

LAB 67.83, 10.62, 58.35

 

CMYK 75 / 0 / 25 / 17

HEX #35D39E

RGB 53 211 158

HSL 159.87, 0.64%, 0.52%

LAB 75.95, -52.43, 14.91

 

CMYK 74 / 63 / 0 / 18

HEX #364DD2

RGB 54 77 210

HSL 231.15, 0.63%, 0.52%

LAB 39.15, 37.26, -70.88

 

CMYK 0 / 74 / 48 / 18

HEX #D2366D

RGB 210 54 109

HSL 338.85, 0.63%, 0.52%

LAB 48.81, 63.53, 5.73

 

CMYK 0 / 11 / 74 / 18

HEX #D2BB36

RGB 210 187 54

HSL 51.15, 0.63%, 0.52%

LAB 75.77, -5.81, 66

 

CMYK 75 / 0 / 25 / 17

HEX #35D39E

RGB 53 211 158

HSL 159.87, 0.64%, 0.52%

LAB 75.95, -52.43, 14.91

 

CMYK 63 / 74 / 0 / 18

HEX #4D36D2

RGB 77 54 210

HSL 248.85, 0.63%, 0.52%

LAB 35.73, 53.17, -76.44

 

CMYK 0 / 74 / 48 / 18

HEX #D2366D

RGB 210 54 109

HSL 338.85, 0.63%, 0.52%

LAB 48.81, 63.53, 5.73

 

CMYK 11 / 0 / 74 / 18

HEX #BBD236

RGB 187 210 54

HSL 68.85, 0.63%, 0.52%

LAB 80.14, -26.99, 69.47

 

Description

Color code: HEX #35D39E | qconv.com Color code: HEX #35D39E | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 211 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 211 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 25 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 25% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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