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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35C30D it is the complementary color #CA3CF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35C30D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35C30D shade: #3AC308, #4BD51B, #5CE72E, #6DF941 and #7EFF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35C30D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35C30D shade: #35C30D, #24B100, #139F00, #028D00 and #007B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35C30D shade: #34C40C, #66C40C, #98C40C, #C4BF0C and #C48D0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35C30D shade: #34C40C, #0CC415, #0CC447, #0CC478 and #0CC4AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35C30D shade matches the following richer shades: #34C40C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35C30D shade: #34C40C, #3EB31D, #47A22E, #51913F and #5A8050

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35C30D shade: #99C40C, #68C40C, #37C40C, #0CC412 and #0CC443

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35C30D shade: #207607, #2A9D0A, #34C40C, #3FEB0F and #5BF131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35C30D shade: #35C30D, #0CC4BE and #C40C81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35C30D shade: #35C30D, #0C37C4 and #C40C37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35C30D shade: #35C30D, #0CC4BE, #990CC4 and #C40C12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35C30D shade: #35C30D, #0C93C4, #990CC4 and #C43D0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 93 / 24

HEX #35C30D

RGB 53 195 13

HSL 106.81, 0.88%, 0.41%

LAB 69.34, -65.3, 67.18

 

Complementary color

CMYK 17 / 75 / 0 / 5

HEX #CA3CF2

RGB 202 60 242

HSL 286.81, 0.88%, 0.59%

LAB 54.24, 78.09, -63.83

 

CMYK 70 / 0 / 96 / 24

HEX #3AC308

RGB 58 195 8

HSL 103.96, 0.92%, 0.4%

LAB 69.43, -64.52, 67.88

 

CMYK 65 / 0 / 87 / 16

HEX #4BD51B

RGB 75 213 27

HSL 104.52, 0.78%, 0.47%

LAB 75.55, -66.37, 70.38

 

CMYK 60 / 0 / 80 / 9

HEX #5CE72E

RGB 92 231 46

HSL 105.08, 0.79%, 0.54%

LAB 81.63, -67.71, 71.58

 

CMYK 56 / 0 / 74 / 2

HEX #6DF941

RGB 109 249 65

HSL 105.65, 0.94%, 0.62%

LAB 87.67, -68.65, 71.88

 

CMYK 51 / 0 / 67 / 0

HEX #7EFF54

RGB 126 255 84

HSL 105.26, 1%, 0.66%

LAB 90.14, -65.02, 67.9

 

CMYK 73 / 0 / 93 / 24

HEX #35C30D

RGB 53 195 13

HSL 106.81, 0.88%, 0.41%

LAB 69.34, -65.3, 67.18

 

CMYK 80 / 0 / 100 / 31

HEX #24B100

RGB 36 177 0

HSL 107.8, 1%, 0.35%

LAB 63.19, -62.71, 63.63

 

CMYK 88 / 0 / 100 / 38

HEX #139F00

RGB 19 159 0

HSL 112.83, 1%, 0.31%

LAB 57.01, -59.31, 58.6

 

CMYK 99 / 0 / 100 / 45

HEX #028D00

RGB 2 141 0

HSL 119.15, 1%, 0.28%

LAB 50.76, -55.31, 53.54

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 73 / 0 / 94 / 23

HEX #34C40C

RGB 52 196 12

HSL 106.96, 0.88%, 0.41%

LAB 69.64, -65.79, 67.55

 

CMYK 48 / 0 / 94 / 23

HEX #66C40C

RGB 102 196 12

HSL 90.65, 0.88%, 0.41%

LAB 71.1, -53.85, 69.35

 

CMYK 22 / 0 / 94 / 23

HEX #98C40C

RGB 152 196 12

HSL 74.35, 0.88%, 0.41%

LAB 73.66, -35.93, 72.48

 

CMYK 0 / 3 / 94 / 23

HEX #C4BF0C

RGB 196 191 12

HSL 58.37, 0.88%, 0.41%

LAB 75.47, -15.05, 75.26

 

CMYK 0 / 28 / 94 / 23

HEX #C48D0C

RGB 196 141 12

HSL 42.07, 0.88%, 0.41%

LAB 62.35, 11.41, 65.48

 

CMYK 73 / 0 / 94 / 23

HEX #34C40C

RGB 52 196 12

HSL 106.96, 0.88%, 0.41%

LAB 69.64, -65.79, 67.55

 

CMYK 94 / 0 / 89 / 23

HEX #0CC415

RGB 12 196 21

HSL 122.93, 0.88%, 0.41%

LAB 69.19, -69.68, 65.64

 

CMYK 94 / 0 / 64 / 23

HEX #0CC447

RGB 12 196 71

HSL 139.24, 0.88%, 0.41%

LAB 69.48, -66.03, 49.98

 

CMYK 94 / 0 / 39 / 23

HEX #0CC478

RGB 12 196 120

HSL 155.22, 0.88%, 0.41%

LAB 70.12, -58.34, 26.93

 

CMYK 94 / 0 / 13 / 23

HEX #0CC4AA

RGB 12 196 170

HSL 171.52, 0.88%, 0.41%

LAB 71.19, -46.53, 1.57

 

CMYK 73 / 0 / 94 / 23

HEX #34C40C

RGB 52 196 12

HSL 106.96, 0.88%, 0.41%

LAB 69.64, -65.79, 67.55

 

CMYK 73 / 0 / 94 / 23

HEX #34C40C

RGB 52 196 12

HSL 106.96, 0.88%, 0.41%

LAB 69.64, -65.79, 67.55

 

CMYK 65 / 0 / 84 / 30

HEX #3EB31D

RGB 62 179 29

HSL 106.8, 0.72%, 0.41%

LAB 64.45, -57.88, 60

 

CMYK 56 / 0 / 72 / 36

HEX #47A22E

RGB 71 162 46

HSL 107.07, 0.56%, 0.41%

LAB 59.32, -48.52, 49.65

 

CMYK 44 / 0 / 57 / 43

HEX #51913F

RGB 81 145 63

HSL 106.83, 0.39%, 0.41%

LAB 54.41, -36.83, 36.73

 

CMYK 30 / 0 / 38 / 50

HEX #5A8050

RGB 90 128 80

HSL 107.5, 0.23%, 0.41%

LAB 49.73, -23.18, 21.91

 

CMYK 22 / 0 / 94 / 23

HEX #99C40C

RGB 153 196 12

HSL 74.02, 0.88%, 0.41%

LAB 73.73, -35.53, 72.55

 

CMYK 47 / 0 / 94 / 23

HEX #68C40C

RGB 104 196 12

HSL 90, 0.88%, 0.41%

LAB 71.18, -53.23, 69.45

 

CMYK 72 / 0 / 94 / 23

HEX #37C40C

RGB 55 196 12

HSL 105.98, 0.88%, 0.41%

LAB 69.7, -65.29, 67.62

 

CMYK 94 / 0 / 91 / 23

HEX #0CC412

RGB 12 196 18

HSL 121.96, 0.88%, 0.41%

LAB 69.18, -69.78, 66.14

 

CMYK 94 / 0 / 66 / 23

HEX #0CC443

RGB 12 196 67

HSL 137.93, 0.88%, 0.41%

LAB 69.44, -66.48, 51.63

 

CMYK 73 / 0 / 94 / 54

HEX #207607

RGB 32 118 7

HSL 106.49, 0.89%, 0.25%

LAB 43.18, -44.39, 46.04

 

CMYK 73 / 0 / 94 / 38

HEX #2A9D0A

RGB 42 157 10

HSL 106.94, 0.88%, 0.33%

LAB 56.71, -55.36, 56.98

 

CMYK 73 / 0 / 94 / 23

HEX #34C40C

RGB 52 196 12

HSL 106.96, 0.88%, 0.41%

LAB 69.64, -65.79, 67.55

 

CMYK 73 / 0 / 94 / 8

HEX #3FEB0F

RGB 63 235 15

HSL 106.91, 0.88%, 0.49%

LAB 82.11, -75.63, 77.58

 

CMYK 62 / 0 / 80 / 5

HEX #5BF131

RGB 91 241 49

HSL 106.88, 0.87%, 0.57%

LAB 84.67, -71.06, 73.57

 

CMYK 73 / 0 / 93 / 24

HEX #35C30D

RGB 53 195 13

HSL 106.81, 0.88%, 0.41%

LAB 69.34, -65.3, 67.18

 

CMYK 94 / 0 / 3 / 23

HEX #0CC4BE

RGB 12 196 190

HSL 178.04, 0.88%, 0.41%

LAB 71.74, -40.87, -8.51

 

CMYK 0 / 94 / 34 / 23

HEX #C40C81

RGB 196 12 129

HSL 321.85, 0.88%, 0.41%

LAB 43.63, 71.08, -14.51

 

CMYK 73 / 0 / 93 / 24

HEX #35C30D

RGB 53 195 13

HSL 106.81, 0.88%, 0.41%

LAB 69.34, -65.3, 67.18

 

CMYK 94 / 72 / 0 / 23

HEX #0C37C4

RGB 12 55 196

HSL 225.98, 0.88%, 0.41%

LAB 31.34, 43.12, -75.64

 

CMYK 0 / 94 / 72 / 23

HEX #C40C37

RGB 196 12 55

HSL 345.98, 0.88%, 0.41%

LAB 41.65, 65.71, 29.04

 

CMYK 73 / 0 / 93 / 24

HEX #35C30D

RGB 53 195 13

HSL 106.81, 0.88%, 0.41%

LAB 69.34, -65.3, 67.18

 

CMYK 94 / 0 / 3 / 23

HEX #0CC4BE

RGB 12 196 190

HSL 178.04, 0.88%, 0.41%

LAB 71.74, -40.87, -8.51

 

CMYK 22 / 94 / 0 / 23

HEX #990CC4

RGB 153 12 196

HSL 285.98, 0.88%, 0.41%

LAB 39.62, 72.9, -61.56

 

CMYK 0 / 94 / 91 / 23

HEX #C40C12

RGB 196 12 18

HSL 358.04, 0.88%, 0.41%

LAB 41.28, 64.69, 48.93

 

CMYK 73 / 0 / 93 / 24

HEX #35C30D

RGB 53 195 13

HSL 106.81, 0.88%, 0.41%

LAB 69.34, -65.3, 67.18

 

CMYK 94 / 25 / 0 / 23

HEX #0C93C4

RGB 12 147 196

HSL 195.98, 0.88%, 0.41%

LAB 57.01, -14.6, -34.32

 

CMYK 22 / 94 / 0 / 23

HEX #990CC4

RGB 153 12 196

HSL 285.98, 0.88%, 0.41%

LAB 39.62, 72.9, -61.56

 

CMYK 0 / 69 / 94 / 23

HEX #C43D0C

RGB 196 61 12

HSL 15.98, 0.88%, 0.41%

LAB 45.77, 51.96, 53.99

 

Description

Color code: HEX #35C30D | qconv.com Color code: HEX #35C30D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 195 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 195 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 93 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 93% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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