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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35C9C0 it is the complementary color #CA363F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35C9C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35C9C0 shade: #3AC9BB, #4BDBCE, #5CEDE1, #6DFFF4 and #7EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35C9C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35C9C0 shade: #35C9C0, #24B7AD, #13A59A, #029387 and #008174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35C9C0 shade: #35C9C0, #35C998, #35C970, #35C948 and #4AC935

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35C9C0 shade: #35C9C0, #35AAC9, #3582C9, #355AC9 and #3535C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35C9C0 shade matches the following richer shades: #35C9C0, #20DED2 and #0CF2E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35C9C0 shade: #35C9C0, #4AB4AE, #5EA09C, #738B8A and #887677

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35C9C0 shade: #35C970, #35C998, #35C9BF, #35ABC9 and #3584C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35C9C0 shade: #248882, #2CA8A1, #35C9C0, #56D2CA and #76DAD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35C9C0 shade: #35C9C0, #4935C9 and #C98435

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35C9C0 shade: #35C9C0, #BF35C9 and #C9BF35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35C9C0 shade: #35C9C0, #4935C9, #C9353F and #B5C935

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35C9C0 shade: #35C9C0, #7535C9, #C9353F and #89C935

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 4 / 21

HEX #35C9C0

RGB 53 201 192

HSL 176.35, 0.58%, 0.5%

LAB 73.76, -39.55, -6.55

 

Complementary color

CMYK 0 / 73 / 69 / 21

HEX #CA363F

RGB 202 54 63

HSL 356.35, 0.58%, 0.5%

LAB 46.38, 58.05, 30.19

 

CMYK 71 / 0 / 7 / 21

HEX #3AC9BB

RGB 58 201 187

HSL 174.13, 0.57%, 0.51%

LAB 73.71, -40.32, -3.9

 

CMYK 66 / 0 / 6 / 14

HEX #4BDBCE

RGB 75 219 206

HSL 174.58, 0.67%, 0.58%

LAB 79.96, -40.9, -4.87

 

CMYK 61 / 0 / 5 / 7

HEX #5CEDE1

RGB 92 237 225

HSL 175.03, 0.8%, 0.65%

LAB 86.15, -41.32, -5.75

 

CMYK 57 / 0 / 4 / 0

HEX #6DFFF4

RGB 109 255 244

HSL 175.48, 1%, 0.71%

LAB 92.27, -41.6, -6.57

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 74 / 0 / 4 / 21

HEX #35C9C0

RGB 53 201 192

HSL 176.35, 0.58%, 0.5%

LAB 73.76, -39.55, -6.55

 

CMYK 80 / 0 / 5 / 28

HEX #24B7AD

RGB 36 183 173

HSL 175.92, 0.67%, 0.43%

LAB 67.47, -38.56, -5.5

 

CMYK 88 / 0 / 7 / 35

HEX #13A59A

RGB 19 165 154

HSL 175.48, 0.79%, 0.36%

LAB 61.12, -37.22, -4.32

 

CMYK 99 / 0 / 8 / 42

HEX #029387

RGB 2 147 135

HSL 175.03, 0.97%, 0.29%

LAB 54.69, -35.5, -3.01

 

CMYK 100 / 0 / 10 / 49

HEX #008174

RGB 0 129 116

HSL 173.95, 1%, 0.25%

LAB 48.21, -33.09, -1.48

 

CMYK 74 / 0 / 4 / 21

HEX #35C9C0

RGB 53 201 192

HSL 176.35, 0.58%, 0.5%

LAB 73.76, -39.55, -6.55

 

CMYK 74 / 0 / 24 / 21

HEX #35C998

RGB 53 201 152

HSL 160.14, 0.58%, 0.5%

LAB 72.76, -49.8, 13.62

 

CMYK 74 / 0 / 44 / 21

HEX #35C970

RGB 53 201 112

HSL 143.92, 0.58%, 0.5%

LAB 72.03, -57.88, 33.65

 

CMYK 74 / 0 / 64 / 21

HEX #35C948

RGB 53 201 72

HSL 127.7, 0.58%, 0.5%

LAB 71.55, -63.46, 51.99

 

CMYK 63 / 0 / 74 / 21

HEX #4AC935

RGB 74 201 53

HSL 111.49, 0.58%, 0.5%

LAB 71.88, -61.24, 59.87

 

CMYK 74 / 0 / 4 / 21

HEX #35C9C0

RGB 53 201 192

HSL 176.35, 0.58%, 0.5%

LAB 73.76, -39.55, -6.55

 

CMYK 74 / 15 / 0 / 21

HEX #35AAC9

RGB 53 170 201

HSL 192.57, 0.58%, 0.5%

LAB 64.74, -21.86, -25.1

 

CMYK 74 / 35 / 0 / 21

HEX #3582C9

RGB 53 130 201

HSL 208.78, 0.58%, 0.5%

LAB 52.88, 0.45, -43.59

 

CMYK 74 / 55 / 0 / 21

HEX #355AC9

RGB 53 90 201

HSL 225, 0.58%, 0.5%

LAB 41.67, 25.58, -61.58

 

CMYK 74 / 74 / 0 / 21

HEX #3535C9

RGB 53 53 201

HSL 240, 0.58%, 0.5%

LAB 32.96, 48.43, -75.83

 

CMYK 74 / 0 / 4 / 21

HEX #35C9C0

RGB 53 201 192

HSL 176.35, 0.58%, 0.5%

LAB 73.76, -39.55, -6.55

 

CMYK 86 / 0 / 5 / 13

HEX #20DED2

RGB 32 222 210

HSL 176.21, 0.75%, 0.5%

LAB 80.29, -45.59, -6.58

 

CMYK 95 / 0 / 6 / 5

HEX #0CF2E4

RGB 12 242 228

HSL 176.35, 0.91%, 0.5%

LAB 86.6, -49.92, -6.78

 

CMYK 74 / 0 / 4 / 21

HEX #35C9C0

RGB 53 201 192

HSL 176.35, 0.58%, 0.5%

LAB 73.76, -39.55, -6.55

 

CMYK 59 / 0 / 3 / 29

HEX #4AB4AE

RGB 74 180 174

HSL 176.6, 0.42%, 0.5%

LAB 67.39, -31.64, -6.08

 

CMYK 41 / 0 / 2 / 37

HEX #5EA09C

RGB 94 160 156

HSL 176.36, 0.26%, 0.5%

LAB 61.59, -22, -4.53

 

CMYK 17 / 0 / 1 / 45

HEX #738B8A

RGB 115 139 138

HSL 177.5, 0.09%, 0.5%

LAB 56.03, -8.74, -2.33

 

CMYK 0 / 13 / 13 / 47

HEX #887677

RGB 136 118 119

HSL 356.67, 0.07%, 0.5%

LAB 51.29, 7.15, 2.01

 

CMYK 74 / 0 / 44 / 21

HEX #35C970

RGB 53 201 112

HSL 143.92, 0.58%, 0.5%

LAB 72.03, -57.88, 33.65

 

CMYK 74 / 0 / 24 / 21

HEX #35C998

RGB 53 201 152

HSL 160.14, 0.58%, 0.5%

LAB 72.76, -49.8, 13.62

 

CMYK 74 / 0 / 5 / 21

HEX #35C9BF

RGB 53 201 191

HSL 175.95, 0.58%, 0.5%

LAB 73.73, -39.83, -6.05

 

CMYK 74 / 15 / 0 / 21

HEX #35ABC9

RGB 53 171 201

HSL 192.16, 0.58%, 0.5%

LAB 65.04, -22.37, -24.64

 

CMYK 74 / 34 / 0 / 21

HEX #3584C9

RGB 53 132 201

HSL 207.97, 0.58%, 0.5%

LAB 53.47, -0.74, -42.67

 

CMYK 74 / 0 / 4 / 47

HEX #248882

RGB 36 136 130

HSL 176.4, 0.58%, 0.34%

LAB 51.38, -29.15, -4.96

 

CMYK 74 / 0 / 4 / 34

HEX #2CA8A1

RGB 44 168 161

HSL 176.61, 0.58%, 0.42%

LAB 62.6, -34.28, -6.02

 

CMYK 74 / 0 / 4 / 21

HEX #35C9C0

RGB 53 201 192

HSL 176.35, 0.58%, 0.5%

LAB 73.76, -39.55, -6.55

 

CMYK 59 / 0 / 4 / 18

HEX #56D2CA

RGB 86 210 202

HSL 176.13, 0.58%, 0.58%

LAB 77.48, -36.07, -6.36

 

CMYK 46 / 0 / 3 / 15

HEX #76DAD4

RGB 118 218 212

HSL 176.4, 0.57%, 0.66%

LAB 81.15, -30.73, -6.16

 

CMYK 74 / 0 / 4 / 21

HEX #35C9C0

RGB 53 201 192

HSL 176.35, 0.58%, 0.5%

LAB 73.76, -39.55, -6.55

 

CMYK 64 / 74 / 0 / 21

HEX #4935C9

RGB 73 53 201

HSL 248.11, 0.58%, 0.5%

LAB 34.35, 50.51, -73.49

 

CMYK 0 / 34 / 74 / 21

HEX #C98435

RGB 201 132 53

HSL 32.03, 0.58%, 0.5%

LAB 60.94, 19.73, 51.54

 

CMYK 74 / 0 / 4 / 21

HEX #35C9C0

RGB 53 201 192

HSL 176.35, 0.58%, 0.5%

LAB 73.76, -39.55, -6.55

 

CMYK 5 / 74 / 0 / 21

HEX #BF35C9

RGB 191 53 201

HSL 295.95, 0.58%, 0.5%

LAB 49.3, 71.02, -48.55

 

CMYK 0 / 5 / 74 / 21

HEX #C9BF35

RGB 201 191 53

HSL 55.95, 0.58%, 0.5%

LAB 76.03, -11.77, 66.32

 

CMYK 74 / 0 / 4 / 21

HEX #35C9C0

RGB 53 201 192

HSL 176.35, 0.58%, 0.5%

LAB 73.76, -39.55, -6.55

 

CMYK 64 / 74 / 0 / 21

HEX #4935C9

RGB 73 53 201

HSL 248.11, 0.58%, 0.5%

LAB 34.35, 50.51, -73.49

 

CMYK 0 / 74 / 69 / 21

HEX #C9353F

RGB 201 53 63

HSL 355.95, 0.58%, 0.5%

LAB 46.07, 58.09, 29.76

 

CMYK 10 / 0 / 74 / 21

HEX #B5C935

RGB 181 201 53

HSL 68.11, 0.58%, 0.5%

LAB 77.19, -25.18, 66.86

 

CMYK 74 / 0 / 4 / 21

HEX #35C9C0

RGB 53 201 192

HSL 176.35, 0.58%, 0.5%

LAB 73.76, -39.55, -6.55

 

CMYK 42 / 74 / 0 / 21

HEX #7535C9

RGB 117 53 201

HSL 265.95, 0.58%, 0.5%

LAB 38.8, 56.91, -66.02

 

CMYK 0 / 74 / 69 / 21

HEX #C9353F

RGB 201 53 63

HSL 355.95, 0.58%, 0.5%

LAB 46.07, 58.09, 29.76

 

CMYK 32 / 0 / 74 / 21

HEX #89C935

RGB 137 201 53

HSL 85.95, 0.58%, 0.5%

LAB 74.41, -42.43, 63.22

 

Description

Color code: HEX #35C9C0 | qconv.com Color code: HEX #35C9C0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 201 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 201 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 4 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 4% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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