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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35BFFA it is the complementary color #CA4005. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35BFFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35BFFA shade: #3ABFF5, #4BD1FF, #5CE3FF, #6DF5FF and #7EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35BFFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35BFFA shade: #35BFFA, #24ADE7, #139BD4, #0289C1 and #0077AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35BFFA shade: #33BEF9, #3388F9, #3353F9, #4833F9 and #7E33F9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35BFFA shade: #33BEF9, #3388F9, #3353F9 and #3333F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35BFFA shade matches the following richer shades: #33BEF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35BFFA shade: #33BEF9, #44B7E8, #54B0D7, #65A9C7 and #76A3B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35BFFA shade: #33F9C8, #33F6F9, #33C1F9, #338CF9 and #3357F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35BFFA shade: #0596D4, #0AB1F8, #33BEF9, #5BCBFA and #83D7FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35BFFA shade: #35BFFA, #9333F9 and #F9E233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35BFFA shade: #35BFFA, #F933C1 and #C1F933

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35BFFA shade: #35BFFA, #9333F9, #F96B33 and #99F933

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35BFFA shade: #35BFFA, #CE33F9, #F96B33 and #5EF933

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 24 / 0 / 2

HEX #35BFFA

RGB 53 191 250

HSL 197.97, 0.95%, 0.59%

LAB 72.84, -16.69, -39.37

 

Complementary color

CMYK 0 / 68 / 98 / 21

HEX #CA4005

RGB 202 64 5

HSL 17.97, 0.95%, 0.41%

LAB 47.28, 52.72, 57.27

 

CMYK 76 / 22 / 0 / 4

HEX #3ABFF5

RGB 58 191 245

HSL 197.33, 0.9%, 0.59%

LAB 72.73, -17.84, -36.83

 

CMYK 71 / 18 / 0 / 0

HEX #4BD1FF

RGB 75 209 255

HSL 195.33, 1%, 0.65%

LAB 78.65, -21.9, -33.01

 

CMYK 64 / 11 / 0 / 0

HEX #5CE3FF

RGB 92 227 255

HSL 190.31, 1%, 0.68%

LAB 84.19, -28.41, -24.48

 

CMYK 57 / 4 / 0 / 0

HEX #6DF5FF

RGB 109 245 255

HSL 184.11, 1%, 0.71%

LAB 89.76, -34.17, -16.03

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 79 / 24 / 0 / 2

HEX #35BFFA

RGB 53 191 250

HSL 197.97, 0.95%, 0.59%

LAB 72.84, -16.69, -39.37

 

CMYK 84 / 25 / 0 / 9

HEX #24ADE7

RGB 36 173 231

HSL 197.85, 0.8%, 0.52%

LAB 66.54, -15, -38.88

 

CMYK 91 / 27 / 0 / 17

HEX #139BD4

RGB 19 155 212

HSL 197.72, 0.84%, 0.45%

LAB 60.19, -12.93, -38.32

 

CMYK 99 / 29 / 0 / 24

HEX #0289C1

RGB 2 137 193

HSL 197.59, 0.98%, 0.38%

LAB 53.77, -10.45, -37.7

 

CMYK 100 / 32 / 0 / 32

HEX #0077AE

RGB 0 119 174

HSL 198.97, 1%, 0.34%

LAB 47.3, -7.31, -36.95

 

CMYK 80 / 24 / 0 / 2

HEX #33BEF9

RGB 51 190 249

HSL 197.88, 0.94%, 0.59%

LAB 72.48, -16.68, -39.4

 

CMYK 80 / 45 / 0 / 2

HEX #3388F9

RGB 51 136 249

HSL 214.24, 0.94%, 0.59%

LAB 57.22, 14.15, -63.54

 

CMYK 80 / 67 / 0 / 2

HEX #3353F9

RGB 51 83 249

HSL 230.3, 0.94%, 0.59%

LAB 43.84, 46.98, -85.31

 

CMYK 71 / 80 / 0 / 2

HEX #4833F9

RGB 72 51 249

HSL 246.36, 0.94%, 0.59%

LAB 38.87, 65.54, -93.48

 

CMYK 49 / 80 / 0 / 2

HEX #7E33F9

RGB 126 51 249

HSL 262.73, 0.94%, 0.59%

LAB 43.72, 70.83, -85.32

 

CMYK 80 / 24 / 0 / 2

HEX #33BEF9

RGB 51 190 249

HSL 197.88, 0.94%, 0.59%

LAB 72.48, -16.68, -39.4

 

CMYK 80 / 45 / 0 / 2

HEX #3388F9

RGB 51 136 249

HSL 214.24, 0.94%, 0.59%

LAB 57.22, 14.15, -63.54

 

CMYK 80 / 67 / 0 / 2

HEX #3353F9

RGB 51 83 249

HSL 230.3, 0.94%, 0.59%

LAB 43.84, 46.98, -85.31

 

CMYK 80 / 80 / 0 / 2

HEX #3333F9

RGB 51 51 249

HSL 240, 0.94%, 0.59%

LAB 37.68, 64.25, -95.49

 

CMYK 80 / 24 / 0 / 2

HEX #33BEF9

RGB 51 190 249

HSL 197.88, 0.94%, 0.59%

LAB 72.48, -16.68, -39.4

 

CMYK 80 / 24 / 0 / 2

HEX #33BEF9

RGB 51 190 249

HSL 197.88, 0.94%, 0.59%

LAB 72.48, -16.68, -39.4

 

CMYK 71 / 21 / 0 / 9

HEX #44B7E8

RGB 68 183 232

HSL 197.93, 0.78%, 0.59%

LAB 70.12, -16.68, -33.81

 

CMYK 61 / 18 / 0 / 16

HEX #54B0D7

RGB 84 176 215

HSL 197.86, 0.62%, 0.59%

LAB 67.9, -15.83, -27.9

 

CMYK 49 / 15 / 0 / 22

HEX #65A9C7

RGB 101 169 199

HSL 198.37, 0.47%, 0.59%

LAB 65.96, -13.34, -21.99

 

CMYK 35 / 10 / 0 / 29

HEX #76A3B6

RGB 118 163 182

HSL 197.81, 0.3%, 0.59%

LAB 64.5, -10.34, -14.65

 

CMYK 80 / 0 / 20 / 2

HEX #33F9C8

RGB 51 249 200

HSL 165.15, 0.94%, 0.59%

LAB 88.27, -57.82, 10.29

 

CMYK 80 / 1 / 0 / 2

HEX #33F6F9

RGB 51 246 249

HSL 180.91, 0.94%, 0.59%

LAB 88.66, -43.73, -14.65

 

CMYK 80 / 22 / 0 / 2

HEX #33C1F9

RGB 51 193 249

HSL 196.97, 0.94%, 0.59%

LAB 73.34, -18.25, -38.05

 

CMYK 80 / 44 / 0 / 2

HEX #338CF9

RGB 51 140 249

HSL 213.03, 0.94%, 0.59%

LAB 58.32, 11.72, -61.78

 

CMYK 80 / 65 / 0 / 2

HEX #3357F9

RGB 51 87 249

HSL 229.09, 0.94%, 0.59%

LAB 44.74, 44.57, -83.82

 

CMYK 98 / 29 / 0 / 17

HEX #0596D4

RGB 5 150 212

HSL 197.97, 0.95%, 0.43%

LAB 58.6, -10.64, -40.82

 

CMYK 96 / 29 / 0 / 3

HEX #0AB1F8

RGB 10 177 248

HSL 197.9, 0.94%, 0.51%

LAB 68.23, -12.39, -45.53

 

CMYK 80 / 24 / 0 / 2

HEX #33BEF9

RGB 51 190 249

HSL 197.88, 0.94%, 0.59%

LAB 72.48, -16.68, -39.4

 

CMYK 64 / 19 / 0 / 2

HEX #5BCBFA

RGB 91 203 250

HSL 197.74, 0.94%, 0.67%

LAB 77.18, -18.04, -32.56

 

CMYK 48 / 14 / 0 / 2

HEX #83D7FB

RGB 131 215 251

HSL 198, 0.94%, 0.75%

LAB 82.05, -16.14, -25.5

 

CMYK 79 / 24 / 0 / 2

HEX #35BFFA

RGB 53 191 250

HSL 197.97, 0.95%, 0.59%

LAB 72.84, -16.69, -39.37

 

CMYK 41 / 80 / 0 / 2

HEX #9333F9

RGB 147 51 249

HSL 269.09, 0.94%, 0.59%

LAB 46.19, 73.56, -81.16

 

CMYK 0 / 9 / 80 / 2

HEX #F9E233

RGB 249 226 51

HSL 53.03, 0.94%, 0.59%

LAB 89.29, -9.14, 80.49

 

CMYK 79 / 24 / 0 / 2

HEX #35BFFA

RGB 53 191 250

HSL 197.97, 0.95%, 0.59%

LAB 72.84, -16.69, -39.37

 

CMYK 0 / 80 / 22 / 2

HEX #F933C1

RGB 249 51 193

HSL 316.97, 0.94%, 0.59%

LAB 58.37, 82.71, -29.01

 

CMYK 22 / 0 / 80 / 2

HEX #C1F933

RGB 193 249 51

HSL 76.97, 0.94%, 0.59%

LAB 91.38, -42.53, 80.79

 

CMYK 79 / 24 / 0 / 2

HEX #35BFFA

RGB 53 191 250

HSL 197.97, 0.95%, 0.59%

LAB 72.84, -16.69, -39.37

 

CMYK 41 / 80 / 0 / 2

HEX #9333F9

RGB 147 51 249

HSL 269.09, 0.94%, 0.59%

LAB 46.19, 73.56, -81.16

 

CMYK 0 / 57 / 80 / 2

HEX #F96B33

RGB 249 107 51

HSL 16.97, 0.94%, 0.59%

LAB 62.42, 51.46, 56.14

 

CMYK 39 / 0 / 80 / 2

HEX #99F933

RGB 153 249 51

HSL 89.09, 0.94%, 0.59%

LAB 89.28, -56.71, 78.1

 

CMYK 79 / 24 / 0 / 2

HEX #35BFFA

RGB 53 191 250

HSL 197.97, 0.95%, 0.59%

LAB 72.84, -16.69, -39.37

 

CMYK 17 / 80 / 0 / 2

HEX #CE33F9

RGB 206 51 249

HSL 286.97, 0.94%, 0.59%

LAB 54.37, 82.68, -67.49

 

CMYK 0 / 57 / 80 / 2

HEX #F96B33

RGB 249 107 51

HSL 16.97, 0.94%, 0.59%

LAB 62.42, 51.46, 56.14

 

CMYK 62 / 0 / 80 / 2

HEX #5EF933

RGB 94 249 51

HSL 106.97, 0.94%, 0.59%

LAB 87.18, -72.9, 75.4

 

Description

Color code: HEX #35BFFA | qconv.com Color code: HEX #35BFFA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 191 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 191 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 24 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 24% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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