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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35A09A it is the complementary color #CA5F65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35A09A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35A09A shade: #3AA095, #4BB2A8, #5CC4BB, #6DD6CE and #7EE8E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35A09A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35A09A shade: #35A09A, #248E87, #137C74, #026A61 and #00584E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35A09A shade: #35A09A, #35A07D, #35A060, #35A044 and #43A035

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35A09A shade: #35A09A, #3589A0, #356CA0, #3550A0 and #3535A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35A09A shade matches the following richer shades: #35A09A, #24B1AA, #12C3B9 and #01D4C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35A09A shade: #35A09A, #468F8B, #587D7B, #696C6C and #7A5B5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35A09A shade: #35A060, #35A07C, #35A099, #358BA0 and #356EA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35A09A shade: #20625F, #2B817C, #35A09A, #40BFB8 and #5FC9C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35A09A shade: #35A09A, #4335A0 and #A06E35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35A09A shade: #35A09A, #9935A0 and #A09935

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35A09A shade: #35A09A, #4335A0, #A0353C and #92A035

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35A09A shade: #35A09A, #6335A0, #A0353C and #72A035

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 4 / 37

HEX #35A09A

RGB 53 160 154

HSL 176.64, 0.5%, 0.42%

LAB 60.1, -31.25, -5.77

 

Complementary color

CMYK 0 / 53 / 50 / 21

HEX #CA5F65

RGB 202 95 101

HSL 356.64, 0.5%, 0.58%

LAB 53.69, 43.05, 17.15

 

CMYK 64 / 0 / 7 / 37

HEX #3AA095

RGB 58 160 149

HSL 173.53, 0.47%, 0.43%

LAB 60.08, -31.82, -2.95

 

CMYK 58 / 0 / 6 / 30

HEX #4BB2A8

RGB 75 178 168

HSL 174.17, 0.41%, 0.5%

LAB 66.64, -32.11, -3.86

 

CMYK 53 / 0 / 5 / 23

HEX #5CC4BB

RGB 92 196 187

HSL 174.81, 0.47%, 0.56%

LAB 73.12, -32.27, -4.68

 

CMYK 49 / 0 / 4 / 16

HEX #6DD6CE

RGB 109 214 206

HSL 175.43, 0.56%, 0.63%

LAB 79.5, -32.34, -5.44

 

CMYK 46 / 0 / 3 / 9

HEX #7EE8E1

RGB 126 232 225

HSL 176.04, 0.7%, 0.7%

LAB 85.8, -32.35, -6.14

 

CMYK 67 / 0 / 4 / 37

HEX #35A09A

RGB 53 160 154

HSL 176.64, 0.5%, 0.42%

LAB 60.1, -31.25, -5.77

 

CMYK 75 / 0 / 5 / 44

HEX #248E87

RGB 36 142 135

HSL 176.04, 0.6%, 0.35%

LAB 53.46, -30.56, -4.78

 

CMYK 85 / 0 / 6 / 51

HEX #137C74

RGB 19 124 116

HSL 175.43, 0.73%, 0.28%

LAB 46.73, -29.5, -3.64

 

CMYK 98 / 0 / 8 / 58

HEX #026A61

RGB 2 106 97

HSL 174.81, 0.96%, 0.21%

LAB 39.89, -28.01, -2.33

 

CMYK 100 / 0 / 11 / 65

HEX #00584E

RGB 0 88 78

HSL 173.18, 1%, 0.17%

LAB 32.98, -25.49, -0.7

 

CMYK 67 / 0 / 4 / 37

HEX #35A09A

RGB 53 160 154

HSL 176.64, 0.5%, 0.42%

LAB 60.1, -31.25, -5.77

 

CMYK 67 / 0 / 22 / 37

HEX #35A07D

RGB 53 160 125

HSL 160.37, 0.5%, 0.42%

LAB 59.32, -38.92, 9.47

 

CMYK 67 / 0 / 40 / 37

HEX #35A060

RGB 53 160 96

HSL 144.11, 0.5%, 0.42%

LAB 58.74, -45.2, 24.7

 

CMYK 67 / 0 / 58 / 37

HEX #35A044

RGB 53 160 68

HSL 128.41, 0.5%, 0.42%

LAB 58.34, -49.72, 38.68

 

CMYK 58 / 0 / 67 / 37

HEX #43A035

RGB 67 160 53

HSL 112.15, 0.5%, 0.42%

LAB 58.59, -48.19, 45.97

 

CMYK 67 / 0 / 4 / 37

HEX #35A09A

RGB 53 160 154

HSL 176.64, 0.5%, 0.42%

LAB 60.1, -31.25, -5.77

 

CMYK 67 / 14 / 0 / 37

HEX #3589A0

RGB 53 137 160

HSL 192.9, 0.5%, 0.42%

LAB 53.15, -17.7, -19.66

 

CMYK 67 / 33 / 0 / 37

HEX #356CA0

RGB 53 108 160

HSL 209.16, 0.5%, 0.42%

LAB 44.26, -0.98, -33.45

 

CMYK 67 / 50 / 0 / 37

HEX #3550A0

RGB 53 80 160

HSL 224.86, 0.5%, 0.42%

LAB 36.05, 16.95, -46.53

 

CMYK 67 / 67 / 0 / 37

HEX #3535A0

RGB 53 53 160

HSL 240, 0.5%, 0.42%

LAB 29.01, 34.62, -57.96

 

CMYK 67 / 0 / 4 / 37

HEX #35A09A

RGB 53 160 154

HSL 176.64, 0.5%, 0.42%

LAB 60.1, -31.25, -5.77

 

CMYK 80 / 0 / 4 / 31

HEX #24B1AA

RGB 36 177 170

HSL 177.02, 0.66%, 0.42%

LAB 65.53, -36.7, -6.71

 

CMYK 91 / 0 / 5 / 24

HEX #12C3B9

RGB 18 195 185

HSL 176.61, 0.83%, 0.42%

LAB 71.32, -41.65, -6.4

 

CMYK 100 / 0 / 6 / 17

HEX #01D4C8

RGB 1 212 200

HSL 176.59, 0.99%, 0.42%

LAB 76.84, -45.29, -6.37

 

CMYK 67 / 0 / 4 / 37

HEX #35A09A

RGB 53 160 154

HSL 176.64, 0.5%, 0.42%

LAB 60.1, -31.25, -5.77

 

CMYK 51 / 0 / 3 / 44

HEX #468F8B

RGB 70 143 139

HSL 176.71, 0.34%, 0.42%

LAB 54.88, -23.75, -4.88

 

CMYK 30 / 0 / 2 / 51

HEX #587D7B

RGB 88 125 123

HSL 176.76, 0.17%, 0.42%

LAB 49.7, -13.41, -3.11

 

CMYK 3 / 0 / 0 / 58

HEX #696C6C

RGB 105 108 108

HSL 180, 0.01%, 0.42%

LAB 45.37, -1.15, -0.41

 

CMYK 0 / 25 / 24 / 52

HEX #7A5B5D

RGB 122 91 93

HSL 356.13, 0.15%, 0.42%

LAB 41.86, 13.03, 3.8

 

CMYK 67 / 0 / 40 / 37

HEX #35A060

RGB 53 160 96

HSL 144.11, 0.5%, 0.42%

LAB 58.74, -45.2, 24.7

 

CMYK 67 / 0 / 23 / 37

HEX #35A07C

RGB 53 160 124

HSL 159.81, 0.5%, 0.42%

LAB 59.3, -39.17, 10

 

CMYK 67 / 0 / 4 / 37

HEX #35A099

RGB 53 160 153

HSL 176.07, 0.5%, 0.42%

LAB 60.07, -31.53, -5.25

 

CMYK 67 / 13 / 0 / 37

HEX #358BA0

RGB 53 139 160

HSL 191.78, 0.5%, 0.42%

LAB 53.77, -18.77, -18.71

 

CMYK 67 / 31 / 0 / 37

HEX #356EA0

RGB 53 110 160

HSL 208.04, 0.5%, 0.42%

LAB 44.87, -2.2, -32.5

 

CMYK 67 / 0 / 3 / 62

HEX #20625F

RGB 32 98 95

HSL 177.27, 0.51%, 0.25%

LAB 37.61, -21.19, -4.42

 

CMYK 67 / 0 / 4 / 49

HEX #2B817C

RGB 43 129 124

HSL 176.51, 0.5%, 0.34%

LAB 49.09, -26.41, -4.81

 

CMYK 67 / 0 / 4 / 37

HEX #35A09A

RGB 53 160 154

HSL 176.64, 0.5%, 0.42%

LAB 60.1, -31.25, -5.77

 

CMYK 66 / 0 / 4 / 25

HEX #40BFB8

RGB 64 191 184

HSL 176.69, 0.5%, 0.5%

LAB 70.74, -35.75, -6.64

 

CMYK 53 / 0 / 3 / 21

HEX #5FC9C3

RGB 95 201 195

HSL 176.6, 0.5%, 0.58%

LAB 74.92, -31.95, -6.35

 

CMYK 67 / 0 / 4 / 37

HEX #35A09A

RGB 53 160 154

HSL 176.64, 0.5%, 0.42%

LAB 60.1, -31.25, -5.77

 

CMYK 58 / 67 / 0 / 37

HEX #4335A0

RGB 67 53 160

HSL 247.85, 0.5%, 0.42%

LAB 30.1, 36.8, -56.13

 

CMYK 0 / 31 / 67 / 37

HEX #A06E35

RGB 160 110 53

HSL 31.96, 0.5%, 0.42%

LAB 50.55, 14.05, 38.97

 

CMYK 67 / 0 / 4 / 37

HEX #35A09A

RGB 53 160 154

HSL 176.64, 0.5%, 0.42%

LAB 60.1, -31.25, -5.77

 

CMYK 4 / 67 / 0 / 37

HEX #9935A0

RGB 153 53 160

HSL 296.07, 0.5%, 0.42%

LAB 40.99, 55.46, -38.03

 

CMYK 0 / 4 / 67 / 37

HEX #A09935

RGB 160 153 53

HSL 56.07, 0.5%, 0.42%

LAB 62.09, -9.84, 51.37

 

CMYK 67 / 0 / 4 / 37

HEX #35A09A

RGB 53 160 154

HSL 176.64, 0.5%, 0.42%

LAB 60.1, -31.25, -5.77

 

CMYK 58 / 67 / 0 / 37

HEX #4335A0

RGB 67 53 160

HSL 247.85, 0.5%, 0.42%

LAB 30.1, 36.8, -56.13

 

CMYK 0 / 67 / 63 / 37

HEX #A0353C

RGB 160 53 60

HSL 356.07, 0.5%, 0.42%

LAB 38.46, 44.68, 20.42

 

CMYK 9 / 0 / 67 / 37

HEX #92A035

RGB 146 160 53

HSL 67.85, 0.5%, 0.42%

LAB 62.94, -19.59, 51.88

 

CMYK 67 / 0 / 4 / 37

HEX #35A09A

RGB 53 160 154

HSL 176.64, 0.5%, 0.42%

LAB 60.1, -31.25, -5.77

 

CMYK 38 / 67 / 0 / 37

HEX #6335A0

RGB 99 53 160

HSL 265.79, 0.5%, 0.42%

LAB 33.43, 42.99, -50.57

 

CMYK 0 / 67 / 63 / 37

HEX #A0353C

RGB 160 53 60

HSL 356.07, 0.5%, 0.42%

LAB 38.46, 44.68, 20.42

 

CMYK 29 / 0 / 67 / 37

HEX #72A035

RGB 114 160 53

HSL 85.79, 0.5%, 0.42%

LAB 60.76, -32.71, 48.93

 

Description

Color code: HEX #35A09A | qconv.com Color code: HEX #35A09A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 160 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 160 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 4 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 4% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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