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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35A08C it is the complementary color #CA5F73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35A08C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35A08C shade: #3AA087, #4BB29A, #5CC4AD, #6DD6C0 and #7EE8D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35A08C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35A08C shade: #35A08C, #248E79, #137C66, #026A53 and #005840

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35A08C shade: #35A08C, #35A06F, #35A052, #35A035 and #51A035

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35A08C shade: #35A08C, #3597A0, #357AA0, #355EA0 and #3541A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35A08C shade matches the following richer shades: #35A08C, #24B197, #12C3A2 and #01D4AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35A08C shade: #35A08C, #468F81, #587D76, #696C6C and #7A5B61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35A08C shade: #35A052, #35A06E, #35A08B, #3599A0 and #357CA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35A08C shade: #206256, #2B8171, #35A08C, #40BFA7 and #5FC9B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35A08C shade: #35A08C, #3535A0 and #A06035

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35A08C shade: #35A08C, #8B35A0 and #A08B35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35A08C shade: #35A08C, #3535A0, #A0354A and #A0A035

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35A08C shade: #35A08C, #5535A0, #A0354A and #80A035

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 13 / 37

HEX #35A08C

RGB 53 160 140

HSL 168.79, 0.5%, 0.42%

LAB 59.7, -35.11, 1.56

 

Complementary color

CMYK 0 / 53 / 43 / 21

HEX #CA5F73

RGB 202 95 115

HSL 348.79, 0.5%, 0.58%

LAB 54, 44.43, 9.33

 

CMYK 64 / 0 / 16 / 37

HEX #3AA087

RGB 58 160 135

HSL 165.29, 0.47%, 0.43%

LAB 59.7, -35.54, 4.4

 

CMYK 58 / 0 / 13 / 30

HEX #4BB29A

RGB 75 178 154

HSL 166.02, 0.41%, 0.5%

LAB 66.27, -35.72, 3.34

 

CMYK 53 / 0 / 12 / 23

HEX #5CC4AD

RGB 92 196 173

HSL 166.73, 0.47%, 0.56%

LAB 72.74, -35.78, 2.38

 

CMYK 49 / 0 / 10 / 16

HEX #6DD6C0

RGB 109 214 192

HSL 167.43, 0.56%, 0.63%

LAB 79.13, -35.75, 1.5

 

CMYK 46 / 0 / 9 / 9

HEX #7EE8D3

RGB 126 232 211

HSL 168.11, 0.7%, 0.7%

LAB 85.43, -35.68, 0.69

 

CMYK 67 / 0 / 13 / 37

HEX #35A08C

RGB 53 160 140

HSL 168.79, 0.5%, 0.42%

LAB 59.7, -35.11, 1.56

 

CMYK 75 / 0 / 15 / 44

HEX #248E79

RGB 36 142 121

HSL 168.11, 0.6%, 0.35%

LAB 53.06, -34.55, 2.73

 

CMYK 85 / 0 / 18 / 51

HEX #137C66

RGB 19 124 102

HSL 167.43, 0.73%, 0.28%

LAB 46.33, -33.61, 4.07

 

CMYK 98 / 0 / 22 / 58

HEX #026A53

RGB 2 106 83

HSL 166.73, 0.96%, 0.21%

LAB 39.49, -32.22, 5.61

 

CMYK 100 / 0 / 27 / 65

HEX #005840

RGB 0 88 64

HSL 163.64, 1%, 0.17%

LAB 32.59, -29.7, 7.51

 

CMYK 67 / 0 / 13 / 37

HEX #35A08C

RGB 53 160 140

HSL 168.79, 0.5%, 0.42%

LAB 59.7, -35.11, 1.56

 

CMYK 67 / 0 / 31 / 37

HEX #35A06F

RGB 53 160 111

HSL 152.52, 0.5%, 0.42%

LAB 59.02, -42.14, 16.86

 

CMYK 67 / 0 / 49 / 37

HEX #35A052

RGB 53 160 82

HSL 136.26, 0.5%, 0.42%

LAB 58.52, -47.65, 31.85

 

CMYK 67 / 0 / 67 / 37

HEX #35A035

RGB 53 160 53

HSL 120, 0.5%, 0.42%

LAB 58.18, -51.48, 45.4

 

CMYK 49 / 0 / 67 / 37

HEX #51A035

RGB 81 160 53

HSL 104.3, 0.5%, 0.42%

LAB 59.11, -44.23, 46.68

 

CMYK 67 / 0 / 13 / 37

HEX #35A08C

RGB 53 160 140

HSL 168.79, 0.5%, 0.42%

LAB 59.7, -35.11, 1.56

 

CMYK 67 / 6 / 0 / 37

HEX #3597A0

RGB 53 151 160

HSL 185.05, 0.5%, 0.42%

LAB 57.49, -25.03, -13.07

 

CMYK 67 / 24 / 0 / 37

HEX #357AA0

RGB 53 122 160

HSL 201.31, 0.5%, 0.42%

LAB 48.53, -9.31, -26.79

 

CMYK 67 / 41 / 0 / 37

HEX #355EA0

RGB 53 94 160

HSL 217.01, 0.5%, 0.42%

LAB 40.08, 7.81, -40.07

 

CMYK 67 / 59 / 0 / 37

HEX #3541A0

RGB 53 65 160

HSL 233.27, 0.5%, 0.42%

LAB 31.98, 26.88, -53.11

 

CMYK 67 / 0 / 13 / 37

HEX #35A08C

RGB 53 160 140

HSL 168.79, 0.5%, 0.42%

LAB 59.7, -35.11, 1.56

 

CMYK 80 / 0 / 15 / 31

HEX #24B197

RGB 36 177 151

HSL 168.94, 0.66%, 0.42%

LAB 65.01, -42, 3.07

 

CMYK 91 / 0 / 17 / 24

HEX #12C3A2

RGB 18 195 162

HSL 168.81, 0.83%, 0.42%

LAB 70.71, -47.99, 5.24

 

CMYK 100 / 0 / 18 / 17

HEX #01D4AD

RGB 1 212 173

HSL 168.91, 0.99%, 0.42%

LAB 76.14, -52.6, 7.1

 

CMYK 67 / 0 / 13 / 37

HEX #35A08C

RGB 53 160 140

HSL 168.79, 0.5%, 0.42%

LAB 59.7, -35.11, 1.56

 

CMYK 51 / 0 / 10 / 44

HEX #468F81

RGB 70 143 129

HSL 168.49, 0.34%, 0.42%

LAB 54.59, -26.4, 0.46

 

CMYK 30 / 0 / 6 / 51

HEX #587D76

RGB 88 125 118

HSL 168.65, 0.17%, 0.42%

LAB 49.56, -14.62, -0.38

 

CMYK 3 / 0 / 0 / 58

HEX #696C6C

RGB 105 108 108

HSL 180, 0.01%, 0.42%

LAB 45.37, -1.15, -0.41

 

CMYK 0 / 25 / 20 / 52

HEX #7A5B61

RGB 122 91 97

HSL 348.39, 0.15%, 0.42%

LAB 41.97, 13.7, 1.51

 

CMYK 67 / 0 / 49 / 37

HEX #35A052

RGB 53 160 82

HSL 136.26, 0.5%, 0.42%

LAB 58.52, -47.65, 31.85

 

CMYK 67 / 0 / 31 / 37

HEX #35A06E

RGB 53 160 110

HSL 151.96, 0.5%, 0.42%

LAB 59, -42.36, 17.39

 

CMYK 67 / 0 / 13 / 37

HEX #35A08B

RGB 53 160 139

HSL 168.22, 0.5%, 0.42%

LAB 59.67, -35.38, 2.09

 

CMYK 67 / 4 / 0 / 37

HEX #3599A0

RGB 53 153 160

HSL 183.93, 0.5%, 0.42%

LAB 58.11, -26.04, -12.14

 

CMYK 67 / 23 / 0 / 37

HEX #357CA0

RGB 53 124 160

HSL 200.19, 0.5%, 0.42%

LAB 49.14, -10.46, -25.83

 

CMYK 67 / 0 / 12 / 62

HEX #206256

RGB 32 98 86

HSL 169.09, 0.51%, 0.25%

LAB 37.32, -23.89, 0.72

 

CMYK 67 / 0 / 12 / 49

HEX #2B8171

RGB 43 129 113

HSL 168.84, 0.5%, 0.34%

LAB 48.77, -29.55, 1.18

 

CMYK 67 / 0 / 13 / 37

HEX #35A08C

RGB 53 160 140

HSL 168.79, 0.5%, 0.42%

LAB 59.7, -35.11, 1.56

 

CMYK 66 / 0 / 13 / 25

HEX #40BFA7

RGB 64 191 167

HSL 168.66, 0.5%, 0.5%

LAB 70.28, -40.29, 1.97

 

CMYK 53 / 0 / 10 / 21

HEX #5FC9B5

RGB 95 201 181

HSL 168.68, 0.5%, 0.58%

LAB 74.54, -35.49, 0.67

 

CMYK 67 / 0 / 13 / 37

HEX #35A08C

RGB 53 160 140

HSL 168.79, 0.5%, 0.42%

LAB 59.7, -35.11, 1.56

 

CMYK 67 / 67 / 0 / 37

HEX #3535A0

RGB 53 53 160

HSL 240, 0.5%, 0.42%

LAB 29.01, 34.62, -57.96

 

CMYK 0 / 40 / 67 / 37

HEX #A06035

RGB 160 96 53

HSL 24.11, 0.5%, 0.42%

LAB 47.1, 22.01, 35.06

 

CMYK 67 / 0 / 13 / 37

HEX #35A08C

RGB 53 160 140

HSL 168.79, 0.5%, 0.42%

LAB 59.7, -35.11, 1.56

 

CMYK 13 / 67 / 0 / 37

HEX #8B35A0

RGB 139 53 160

HSL 288.22, 0.5%, 0.42%

LAB 38.85, 52.11, -41.56

 

CMYK 0 / 13 / 67 / 37

HEX #A08B35

RGB 160 139 53

HSL 48.22, 0.5%, 0.42%

LAB 58.22, -2.27, 47.32

 

CMYK 67 / 0 / 13 / 37

HEX #35A08C

RGB 53 160 140

HSL 168.79, 0.5%, 0.42%

LAB 59.7, -35.11, 1.56

 

CMYK 67 / 67 / 0 / 37

HEX #3535A0

RGB 53 53 160

HSL 240, 0.5%, 0.42%

LAB 29.01, 34.62, -57.96

 

CMYK 0 / 67 / 54 / 37

HEX #A0354A

RGB 160 53 74

HSL 348.22, 0.5%, 0.42%

LAB 38.75, 45.76, 12.01

 

CMYK 0 / 0 / 67 / 37

HEX #A0A035

RGB 160 160 53

HSL 60, 0.5%, 0.42%

LAB 64.06, -13.53, 53.39

 

CMYK 67 / 0 / 13 / 37

HEX #35A08C

RGB 53 160 140

HSL 168.79, 0.5%, 0.42%

LAB 59.7, -35.11, 1.56

 

CMYK 47 / 67 / 0 / 37

HEX #5535A0

RGB 85 53 160

HSL 257.94, 0.5%, 0.42%

LAB 31.84, 40.11, -53.22

 

CMYK 0 / 67 / 54 / 37

HEX #A0354A

RGB 160 53 74

HSL 348.22, 0.5%, 0.42%

LAB 38.75, 45.76, 12.01

 

CMYK 20 / 0 / 67 / 37

HEX #80A035

RGB 128 160 53

HSL 77.94, 0.5%, 0.42%

LAB 61.64, -27.14, 50.13

 

Description

Color code: HEX #35A08C | qconv.com Color code: HEX #35A08C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 160 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 160 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 13 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 13% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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