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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #359D59 it is the complementary color #CA62A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #359D59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #359D59 shade: #3A9D54, #4BAF67, #5CC17A, #6DD38D and #7EE5A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #359D59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #359D59 shade: #359D59, #248B46, #137933, #026720 and #00550D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #359D59 shade: #349C58, #349C3C, #489C34, #649C34 and #809C34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #359D59 shade: #349C58, #349C74, #349C90, #348C9C and #34709C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #359D59 shade matches the following richer shades: #349C58, #23AD53, #12BE4E and #01CF48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #359D59 shade: #349C58, #458B5D, #567A62, #676A68 and #77596D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #359D59 shade: #499C34, #349C3B, #349C57, #349C73 and #349C8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #359D59 shade: #1F5E35, #297D47, #349C58, #3EBB69 and #5BC881

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #359D59 shade: #359D59, #34659C and #9C343B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #359D59 shade: #359D59, #57349C and #9C5734

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #359D59 shade: #359D59, #34659C, #9C3479 and #9C6C34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #359D59 shade: #359D59, #34459C, #9C3479 and #9C8B34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 43 / 38

HEX #359D59

RGB 53 157 89

HSL 140.77, 0.5%, 0.41%

LAB 57.65, -45.29, 27.05

 

Complementary color

CMYK 0 / 51 / 18 / 21

HEX #CA62A6

RGB 202 98 166

HSL 320.77, 0.5%, 0.59%

LAB 56.13, 49.53, -17.48

 

CMYK 63 / 0 / 46 / 38

HEX #3A9D54

RGB 58 157 84

HSL 135.76, 0.46%, 0.42%

LAB 57.71, -45.11, 29.81

 

CMYK 57 / 0 / 41 / 31

HEX #4BAF67

RGB 75 175 103

HSL 136.8, 0.4%, 0.49%

LAB 64.27, -45.26, 28.35

 

CMYK 52 / 0 / 37 / 24

HEX #5CC17A

RGB 92 193 122

HSL 137.82, 0.45%, 0.56%

LAB 70.75, -45.24, 26.99

 

CMYK 48 / 0 / 33 / 17

HEX #6DD38D

RGB 109 211 141

HSL 138.82, 0.54%, 0.63%

LAB 77.14, -45.11, 25.73

 

CMYK 45 / 0 / 30 / 10

HEX #7EE5A0

RGB 126 229 160

HSL 139.81, 0.66%, 0.7%

LAB 83.45, -44.92, 24.55

 

CMYK 66 / 0 / 43 / 38

HEX #359D59

RGB 53 157 89

HSL 140.77, 0.5%, 0.41%

LAB 57.65, -45.29, 27.05

 

CMYK 74 / 0 / 50 / 45

HEX #248B46

RGB 36 139 70

HSL 139.81, 0.59%, 0.34%

LAB 51.02, -44.72, 28.64

 

CMYK 84 / 0 / 58 / 53

HEX #137933

RGB 19 121 51

HSL 138.82, 0.73%, 0.27%

LAB 44.31, -43.57, 30.32

 

CMYK 98 / 0 / 69 / 60

HEX #026720

RGB 2 103 32

HSL 137.82, 0.96%, 0.21%

LAB 37.51, -41.63, 31.92

 

CMYK 100 / 0 / 85 / 67

HEX #00550D

RGB 0 85 13

HSL 129.18, 1%, 0.17%

LAB 30.7, -37.84, 32.95

 

CMYK 67 / 0 / 44 / 39

HEX #349C58

RGB 52 156 88

HSL 140.77, 0.5%, 0.41%

LAB 57.28, -45.27, 27.1

 

CMYK 67 / 0 / 62 / 39

HEX #349C3C

RGB 52 156 60

HSL 124.62, 0.5%, 0.41%

LAB 56.91, -49.47, 40.83

 

CMYK 54 / 0 / 67 / 39

HEX #489C34

RGB 72 156 52

HSL 108.46, 0.5%, 0.41%

LAB 57.47, -45.38, 45.22

 

CMYK 36 / 0 / 67 / 39

HEX #649C34

RGB 100 156 52

HSL 92.31, 0.5%, 0.41%

LAB 58.73, -36.23, 46.96

 

CMYK 18 / 0 / 67 / 39

HEX #809C34

RGB 128 156 52

HSL 76.15, 0.5%, 0.41%

LAB 60.44, -25.25, 49.29

 

CMYK 67 / 0 / 44 / 39

HEX #349C58

RGB 52 156 88

HSL 140.77, 0.5%, 0.41%

LAB 57.28, -45.27, 27.1

 

CMYK 67 / 0 / 26 / 39

HEX #349C74

RGB 52 156 116

HSL 156.92, 0.5%, 0.41%

LAB 57.82, -39.49, 12.4

 

CMYK 67 / 0 / 8 / 39

HEX #349C90

RGB 52 156 144

HSL 173.08, 0.5%, 0.41%

LAB 58.53, -32.32, -2.42

 

CMYK 67 / 10 / 0 / 39

HEX #348C9C

RGB 52 140 156

HSL 189.23, 0.5%, 0.41%

LAB 53.91, -20.74, -16.2

 

CMYK 67 / 28 / 0 / 39

HEX #34709C

RGB 52 112 156

HSL 205.38, 0.5%, 0.41%

LAB 45.25, -4.99, -29.55

 

CMYK 67 / 0 / 44 / 39

HEX #349C58

RGB 52 156 88

HSL 140.77, 0.5%, 0.41%

LAB 57.28, -45.27, 27.1

 

CMYK 80 / 0 / 52 / 32

HEX #23AD53

RGB 35 173 83

HSL 140.87, 0.66%, 0.41%

LAB 62.4, -55.11, 36.09

 

CMYK 91 / 0 / 59 / 25

HEX #12BE4E

RGB 18 190 78

HSL 140.93, 0.83%, 0.41%

LAB 67.65, -63, 44.77

 

CMYK 100 / 0 / 65 / 19

HEX #01CF48

RGB 1 207 72

HSL 140.68, 0.99%, 0.41%

LAB 72.96, -69.64, 53.41

 

CMYK 67 / 0 / 44 / 39

HEX #349C58

RGB 52 156 88

HSL 140.77, 0.5%, 0.41%

LAB 57.28, -45.27, 27.1

 

CMYK 50 / 0 / 33 / 45

HEX #458B5D

RGB 69 139 93

HSL 140.57, 0.34%, 0.41%

LAB 52.42, -33, 18

 

CMYK 30 / 0 / 20 / 52

HEX #567A62

RGB 86 122 98

HSL 140, 0.17%, 0.41%

LAB 47.98, -18.15, 9.11

 

CMYK 3 / 0 / 2 / 58

HEX #676A68

RGB 103 106 104

HSL 140, 0.01%, 0.41%

LAB 44.51, -1.57, 0.71

 

CMYK 0 / 25 / 8 / 53

HEX #77596D

RGB 119 89 109

HSL 320, 0.14%, 0.41%

LAB 41.49, 15.9, -6.61

 

CMYK 53 / 0 / 67 / 39

HEX #499C34

RGB 73 156 52

HSL 107.88, 0.5%, 0.41%

LAB 57.5, -45.09, 45.28

 

CMYK 67 / 0 / 62 / 39

HEX #349C3B

RGB 52 156 59

HSL 124.04, 0.5%, 0.41%

LAB 56.9, -49.59, 41.28

 

CMYK 67 / 0 / 44 / 39

HEX #349C57

RGB 52 156 87

HSL 140.19, 0.5%, 0.41%

LAB 57.27, -45.45, 27.61

 

CMYK 67 / 0 / 26 / 39

HEX #349C73

RGB 52 156 115

HSL 156.35, 0.5%, 0.41%

LAB 57.79, -39.72, 12.93

 

CMYK 67 / 0 / 9 / 39

HEX #349C8E

RGB 52 156 142

HSL 171.92, 0.5%, 0.41%

LAB 58.47, -32.87, -1.37

 

CMYK 67 / 0 / 44 / 63

HEX #1F5E35

RGB 31 94 53

HSL 140.95, 0.5%, 0.25%

LAB 35.11, -30.37, 17.74

 

CMYK 67 / 0 / 43 / 51

HEX #297D47

RGB 41 125 71

HSL 141.43, 0.51%, 0.33%

LAB 46.44, -38.02, 22.25

 

CMYK 67 / 0 / 44 / 39

HEX #349C58

RGB 52 156 88

HSL 140.77, 0.5%, 0.41%

LAB 57.28, -45.27, 27.1

 

CMYK 67 / 0 / 44 / 27

HEX #3EBB69

RGB 62 187 105

HSL 140.64, 0.5%, 0.49%

LAB 67.71, -52.42, 31.71

 

CMYK 55 / 0 / 36 / 22

HEX #5BC881

RGB 91 200 129

HSL 140.92, 0.5%, 0.57%

LAB 72.97, -47.15, 26.28

 

CMYK 66 / 0 / 43 / 38

HEX #359D59

RGB 53 157 89

HSL 140.77, 0.5%, 0.41%

LAB 57.65, -45.29, 27.05

 

CMYK 67 / 35 / 0 / 39

HEX #34659C

RGB 52 101 156

HSL 211.73, 0.5%, 0.41%

LAB 41.9, 1.74, -34.8

 

CMYK 0 / 67 / 62 / 39

HEX #9C343B

RGB 156 52 59

HSL 355.96, 0.5%, 0.41%

LAB 37.55, 43.67, 19.73

 

CMYK 66 / 0 / 43 / 38

HEX #359D59

RGB 53 157 89

HSL 140.77, 0.5%, 0.41%

LAB 57.65, -45.29, 27.05

 

CMYK 44 / 67 / 0 / 39

HEX #57349C

RGB 87 52 156

HSL 260.19, 0.5%, 0.41%

LAB 31.54, 39.93, -51.28

 

CMYK 0 / 44 / 67 / 39

HEX #9C5734

RGB 156 87 52

HSL 20.19, 0.5%, 0.41%

LAB 44.42, 25.29, 32.36

 

CMYK 66 / 0 / 43 / 38

HEX #359D59

RGB 53 157 89

HSL 140.77, 0.5%, 0.41%

LAB 57.65, -45.29, 27.05

 

CMYK 67 / 35 / 0 / 39

HEX #34659C

RGB 52 101 156

HSL 211.73, 0.5%, 0.41%

LAB 41.9, 1.74, -34.8

 

CMYK 0 / 67 / 22 / 39

HEX #9C3479

RGB 156 52 121

HSL 320.19, 0.5%, 0.41%

LAB 39.42, 50.31, -16.65

 

CMYK 0 / 31 / 67 / 39

HEX #9C6C34

RGB 156 108 52

HSL 32.31, 0.5%, 0.41%

LAB 49.55, 13.34, 38.22

 

CMYK 66 / 0 / 43 / 38

HEX #359D59

RGB 53 157 89

HSL 140.77, 0.5%, 0.41%

LAB 57.65, -45.29, 27.05

 

CMYK 67 / 56 / 0 / 39

HEX #34459C

RGB 52 69 156

HSL 230.19, 0.5%, 0.41%

LAB 32.67, 22.62, -49.57

 

CMYK 0 / 67 / 22 / 39

HEX #9C3479

RGB 156 52 121

HSL 320.19, 0.5%, 0.41%

LAB 39.42, 50.31, -16.65

 

CMYK 0 / 11 / 67 / 39

HEX #9C8B34

RGB 156 139 52

HSL 50.19, 0.5%, 0.41%

LAB 57.83, -4.13, 47.23

 

Description

Color code: HEX #359D59 | qconv.com Color code: HEX #359D59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 157 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 157 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 43 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 43% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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