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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #358929 it is the complementary color #CA76D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #358929. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #358929 shade: #3A8924, #4B9B37, #5CAD4A, #6DBF5D and #7ED170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #358929. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #358929 shade: #358929, #247716, #136503, #025300 and #004100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #358929 shade: #358929, #4F8929, #698929, #838929 and #897529

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #358929 shade: #358929, #298936, #298950, #29896A and #298984

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #358929 shade matches the following richer shades: #358929, #2A971A and #1FA60C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #358929 shade: #358929, #3F7B37, #4A6C45, #555E54 and #604F62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #358929 shade: #698929, #4F8929, #358929, #298935 and #29894F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #358929 shade: #1C4916, #28691F, #358929, #41A932 and #50C53F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #358929 shade: #358929, #298389 and #89295C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #358929 shade: #358929, #293589 and #892935

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #358929 shade: #358929, #298389, #7C2989 and #892F29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #358929 shade: #358929, #296689, #7C2989 and #894C29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 70 / 46

HEX #358929

RGB 53 137 41

HSL 112.5, 0.54%, 0.35%

LAB 50.46, -44.19, 42.22

 

Complementary color

CMYK 6 / 45 / 0 / 16

HEX #CA76D6

RGB 202 118 214

HSL 292.5, 0.54%, 0.65%

LAB 61.97, 47.68, -35.86

 

CMYK 58 / 0 / 74 / 46

HEX #3A8924

RGB 58 137 36

HSL 106.93, 0.58%, 0.34%

LAB 50.59, -43.3, 44.45

 

CMYK 52 / 0 / 65 / 39

HEX #4B9B37

RGB 75 155 55

HSL 108, 0.48%, 0.41%

LAB 57.28, -43.81, 43.74

 

CMYK 47 / 0 / 57 / 32

HEX #5CAD4A

RGB 92 173 74

HSL 109.09, 0.4%, 0.48%

LAB 63.88, -44.01, 42.65

 

CMYK 43 / 0 / 51 / 25

HEX #6DBF5D

RGB 109 191 93

HSL 110.2, 0.43%, 0.56%

LAB 70.39, -44.03, 41.44

 

CMYK 40 / 0 / 46 / 18

HEX #7ED170

RGB 126 209 112

HSL 111.34, 0.51%, 0.63%

LAB 76.8, -43.94, 40.2

 

CMYK 61 / 0 / 70 / 46

HEX #358929

RGB 53 137 41

HSL 112.5, 0.54%, 0.35%

LAB 50.46, -44.19, 42.22

 

CMYK 70 / 0 / 82 / 53

HEX #247716

RGB 36 119 22

HSL 111.34, 0.69%, 0.28%

LAB 43.69, -43.13, 42.54

 

CMYK 81 / 0 / 97 / 60

HEX #136503

RGB 19 101 3

HSL 110.2, 0.94%, 0.2%

LAB 36.84, -41.19, 41.61

 

CMYK 98 / 0 / 100 / 67

HEX #025300

RGB 2 83 0

HSL 118.55, 1%, 0.16%

LAB 29.91, -37.82, 36.83

 

CMYK 100 / 0 / 100 / 75

HEX #004100

RGB 0 65 0

HSL 120, 1%, 0.13%

LAB 22.93, -32.35, 30.53

 

CMYK 61 / 0 / 70 / 46

HEX #358929

RGB 53 137 41

HSL 112.5, 0.54%, 0.35%

LAB 50.46, -44.19, 42.22

 

CMYK 42 / 0 / 70 / 46

HEX #4F8929

RGB 79 137 41

HSL 96.25, 0.54%, 0.35%

LAB 51.51, -36.25, 43.65

 

CMYK 23 / 0 / 70 / 46

HEX #698929

RGB 105 137 41

HSL 80, 0.54%, 0.35%

LAB 53.01, -26.23, 45.67

 

CMYK 4 / 0 / 70 / 46

HEX #838929

RGB 131 137 41

HSL 63.75, 0.54%, 0.35%

LAB 54.95, -14.96, 48.26

 

CMYK 0 / 15 / 70 / 46

HEX #897529

RGB 137 117 41

HSL 47.5, 0.54%, 0.35%

LAB 49.74, -1.21, 43.13

 

CMYK 61 / 0 / 70 / 46

HEX #358929

RGB 53 137 41

HSL 112.5, 0.54%, 0.35%

LAB 50.46, -44.19, 42.22

 

CMYK 70 / 0 / 61 / 46

HEX #298936

RGB 41 137 54

HSL 128.13, 0.54%, 0.35%

LAB 50.25, -45.45, 35.94

 

CMYK 70 / 0 / 42 / 46

HEX #298950

RGB 41 137 80

HSL 144.38, 0.54%, 0.35%

LAB 50.62, -41.24, 22.71

 

CMYK 70 / 0 / 23 / 46

HEX #29896A

RGB 41 137 106

HSL 160.63, 0.54%, 0.35%

LAB 51.16, -35.46, 8.68

 

CMYK 70 / 0 / 4 / 46

HEX #298984

RGB 41 137 132

HSL 176.88, 0.54%, 0.35%

LAB 51.87, -28.33, -5.38

 

CMYK 61 / 0 / 70 / 46

HEX #358929

RGB 53 137 41

HSL 112.5, 0.54%, 0.35%

LAB 50.46, -44.19, 42.22

 

CMYK 72 / 0 / 83 / 41

HEX #2A971A

RGB 42 151 26

HSL 112.32, 0.71%, 0.35%

LAB 54.76, -52.74, 51.77

 

CMYK 81 / 0 / 93 / 35

HEX #1FA60C

RGB 31 166 12

HSL 112.6, 0.87%, 0.35%

LAB 59.52, -59.77, 58.96

 

CMYK 61 / 0 / 70 / 46

HEX #358929

RGB 53 137 41

HSL 112.5, 0.54%, 0.35%

LAB 50.46, -44.19, 42.22

 

CMYK 49 / 0 / 55 / 52

HEX #3F7B37

RGB 63 123 55

HSL 112.94, 0.38%, 0.35%

LAB 46.31, -33.94, 30.95

 

CMYK 31 / 0 / 36 / 58

HEX #4A6C45

RGB 74 108 69

HSL 112.31, 0.22%, 0.35%

LAB 42.17, -20.66, 18.03

 

CMYK 10 / 0 / 11 / 63

HEX #555E54

RGB 85 94 84

HSL 114, 0.06%, 0.35%

LAB 38.86, -5.65, 4.54

 

CMYK 2 / 19 / 0 / 62

HEX #604F62

RGB 96 79 98

HSL 293.68, 0.11%, 0.35%

LAB 35.91, 10.91, -8.39

 

CMYK 23 / 0 / 70 / 46

HEX #698929

RGB 105 137 41

HSL 80, 0.54%, 0.35%

LAB 53.01, -26.23, 45.67

 

CMYK 42 / 0 / 70 / 46

HEX #4F8929

RGB 79 137 41

HSL 96.25, 0.54%, 0.35%

LAB 51.51, -36.25, 43.65

 

CMYK 61 / 0 / 70 / 46

HEX #358929

RGB 53 137 41

HSL 112.5, 0.54%, 0.35%

LAB 50.46, -44.19, 42.22

 

CMYK 70 / 0 / 61 / 46

HEX #298935

RGB 41 137 53

HSL 127.5, 0.54%, 0.35%

LAB 50.24, -45.58, 36.41

 

CMYK 70 / 0 / 42 / 46

HEX #29894F

RGB 41 137 79

HSL 143.75, 0.54%, 0.35%

LAB 50.6, -41.43, 23.24

 

CMYK 62 / 0 / 70 / 71

HEX #1C4916

RGB 28 73 22

HSL 112.94, 0.54%, 0.19%

LAB 26.93, -26.93, 25.25

 

CMYK 62 / 0 / 70 / 59

HEX #28691F

RGB 40 105 31

HSL 112.7, 0.54%, 0.27%

LAB 38.99, -36.03, 34.22

 

CMYK 61 / 0 / 70 / 46

HEX #358929

RGB 53 137 41

HSL 112.5, 0.54%, 0.35%

LAB 50.46, -44.19, 42.22

 

CMYK 62 / 0 / 70 / 34

HEX #41A932

RGB 65 169 50

HSL 112.44, 0.54%, 0.43%

LAB 61.42, -52.31, 50.2

 

CMYK 59 / 0 / 68 / 23

HEX #50C53F

RGB 80 197 63

HSL 112.39, 0.54%, 0.51%

LAB 70.87, -57.65, 55.14

 

CMYK 61 / 0 / 70 / 46

HEX #358929

RGB 53 137 41

HSL 112.5, 0.54%, 0.35%

LAB 50.46, -44.19, 42.22

 

CMYK 70 / 4 / 0 / 46

HEX #298389

RGB 41 131 137

HSL 183.75, 0.54%, 0.35%

LAB 50.11, -23.78, -10.93

 

CMYK 0 / 70 / 33 / 46

HEX #89295C

RGB 137 41 92

HSL 328.13, 0.54%, 0.35%

LAB 33.3, 45.38, -7.92

 

CMYK 61 / 0 / 70 / 46

HEX #358929

RGB 53 137 41

HSL 112.5, 0.54%, 0.35%

LAB 50.46, -44.19, 42.22

 

CMYK 70 / 61 / 0 / 46

HEX #293589

RGB 41 53 137

HSL 232.5, 0.54%, 0.35%

LAB 26.23, 24.56, -48.42

 

CMYK 0 / 70 / 61 / 46

HEX #892935

RGB 137 41 53

HSL 352.5, 0.54%, 0.35%

LAB 32.17, 41.46, 15.85

 

CMYK 61 / 0 / 70 / 46

HEX #358929

RGB 53 137 41

HSL 112.5, 0.54%, 0.35%

LAB 50.46, -44.19, 42.22

 

CMYK 70 / 4 / 0 / 46

HEX #298389

RGB 41 131 137

HSL 183.75, 0.54%, 0.35%

LAB 50.11, -23.78, -10.93

 

CMYK 9 / 70 / 0 / 46

HEX #7C2989

RGB 124 41 137

HSL 291.88, 0.54%, 0.35%

LAB 33.3, 49.15, -36.53

 

CMYK 0 / 66 / 70 / 46

HEX #892F29

RGB 137 47 41

HSL 3.75, 0.54%, 0.35%

LAB 32.94, 37.99, 24.46

 

CMYK 61 / 0 / 70 / 46

HEX #358929

RGB 53 137 41

HSL 112.5, 0.54%, 0.35%

LAB 50.46, -44.19, 42.22

 

CMYK 70 / 26 / 0 / 46

HEX #296689

RGB 41 102 137

HSL 201.88, 0.54%, 0.35%

LAB 40.86, -7.65, -25.08

 

CMYK 9 / 70 / 0 / 46

HEX #7C2989

RGB 124 41 137

HSL 291.88, 0.54%, 0.35%

LAB 33.3, 49.15, -36.53

 

CMYK 0 / 45 / 70 / 46

HEX #894C29

RGB 137 76 41

HSL 21.88, 0.54%, 0.35%

LAB 38.98, 22.61, 31.49

 

Description

Color code: HEX #358929 | qconv.com Color code: HEX #358929 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 137 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 137 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 70 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 70% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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