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Color name
HEX #357F0E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #357F0E it is the complementary color #CA80F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #357F0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #357F0E shade: #3A7F09, #4B911C, #5CA32F, #6DB542 and #7EC755

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #357F0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #357F0E shade: #357F0E, #246D00, #135B00, #024900 and #003700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #357F0E shade: #35800E, #54800E, #73800E, #806E0E and #80500E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #357F0E shade: #35800E, #16800E, #0E8024, #0E8043 and #0E8062

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #357F0E shade matches the following richer shades: #35800E and #328C02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #357F0E shade: #35800E, #397419, #3C6925, #405D30 and #44523C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #357F0E shade: #73800E, #54800E, #36800E, #17800E and #0E8023

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #357F0E shade: #163606, #265B0A, #35800E, #45A512 and #54CA16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #357F0E shade: #357F0E, #0E806F and #800E63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #357F0E shade: #357F0E, #0E3680 and #800E36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #357F0E shade: #357F0E, #0E806F, #580E80 and #800E1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #357F0E shade: #357F0E, #0E6F80, #580E80 and #801F0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 89 / 50

HEX #357F0E

RGB 53 127 14

HSL 99.29, 0.8%, 0.28%

LAB 46.93, -42.21, 47.99

 

Complementary color

CMYK 16 / 47 / 0 / 5

HEX #CA80F1

RGB 202 128 241

HSL 279.29, 0.8%, 0.72%

LAB 65.24, 47.89, -45.75

 

CMYK 54 / 0 / 93 / 50

HEX #3A7F09

RGB 58 127 9

HSL 95.08, 0.87%, 0.27%

LAB 47.1, -40.91, 49.27

 

CMYK 48 / 0 / 81 / 43

HEX #4B911C

RGB 75 145 28

HSL 95.9, 0.68%, 0.34%

LAB 53.85, -41.89, 50.69

 

CMYK 44 / 0 / 71 / 36

HEX #5CA32F

RGB 92 163 47

HSL 96.72, 0.55%, 0.41%

LAB 60.49, -42.46, 50.73

 

CMYK 40 / 0 / 64 / 29

HEX #6DB542

RGB 109 181 66

HSL 97.57, 0.47%, 0.48%

LAB 67.05, -42.74, 50.09

 

CMYK 37 / 0 / 57 / 22

HEX #7EC755

RGB 126 199 85

HSL 98.42, 0.5%, 0.56%

LAB 73.51, -42.86, 49.12

 

CMYK 58 / 0 / 89 / 50

HEX #357F0E

RGB 53 127 14

HSL 99.29, 0.8%, 0.28%

LAB 46.93, -42.21, 47.99

 

CMYK 67 / 0 / 100 / 57

HEX #246D00

RGB 36 109 0

HSL 100.18, 1%, 0.21%

LAB 40.1, -40.58, 45.25

 

CMYK 79 / 0 / 100 / 64

HEX #135B00

RGB 19 91 0

HSL 107.47, 1%, 0.18%

LAB 33.18, -37.93, 39.56

 

CMYK 97 / 0 / 100 / 71

HEX #024900

RGB 2 73 0

HSL 118.36, 1%, 0.14%

LAB 26.09, -34.59, 33.61

 

CMYK 100 / 0 / 100 / 78

HEX #003700

RGB 0 55 0

HSL 120, 1%, 0.11%

LAB 18.94, -29.03, 26.14

 

CMYK 59 / 0 / 89 / 50

HEX #35800E

RGB 53 128 14

HSL 99.47, 0.8%, 0.28%

LAB 47.27, -42.59, 48.29

 

CMYK 34 / 0 / 89 / 50

HEX #54800E

RGB 84 128 14

HSL 83.16, 0.8%, 0.28%

LAB 48.7, -31.92, 50.09

 

CMYK 10 / 0 / 89 / 50

HEX #73800E

RGB 115 128 14

HSL 66.84, 0.8%, 0.28%

LAB 50.82, -18.61, 52.72

 

CMYK 0 / 14 / 89 / 50

HEX #806E0E

RGB 128 110 14

HSL 50.53, 0.8%, 0.28%

LAB 46.67, -2.63, 49.79

 

CMYK 0 / 38 / 89 / 50

HEX #80500E

RGB 128 80 14

HSL 34.74, 0.8%, 0.28%

LAB 38.48, 14.97, 43.07

 

CMYK 59 / 0 / 89 / 50

HEX #35800E

RGB 53 128 14

HSL 99.47, 0.8%, 0.28%

LAB 47.27, -42.59, 48.29

 

CMYK 83 / 0 / 89 / 50

HEX #16800E

RGB 22 128 14

HSL 115.79, 0.8%, 0.28%

LAB 46.5, -49.1, 47.31

 

CMYK 89 / 0 / 72 / 50

HEX #0E8024

RGB 14 128 36

HSL 131.58, 0.8%, 0.28%

LAB 46.52, -48.4, 39.91

 

CMYK 89 / 0 / 48 / 50

HEX #0E8043

RGB 14 128 67

HSL 147.89, 0.8%, 0.28%

LAB 46.89, -43.92, 24.96

 

CMYK 89 / 0 / 23 / 50

HEX #0E8062

RGB 14 128 98

HSL 164.21, 0.8%, 0.28%

LAB 47.51, -36.9, 8.1

 

CMYK 59 / 0 / 89 / 50

HEX #35800E

RGB 53 128 14

HSL 99.47, 0.8%, 0.28%

LAB 47.27, -42.59, 48.29

 

CMYK 64 / 0 / 99 / 45

HEX #328C02

RGB 50 140 2

HSL 99.13, 0.97%, 0.28%

LAB 51.2, -48.18, 53.85

 

CMYK 59 / 0 / 89 / 50

HEX #35800E

RGB 53 128 14

HSL 99.47, 0.8%, 0.28%

LAB 47.27, -42.59, 48.29

 

CMYK 51 / 0 / 78 / 55

HEX #397419

RGB 57 116 25

HSL 98.9, 0.65%, 0.28%

LAB 43.41, -35.95, 41.45

 

CMYK 43 / 0 / 65 / 59

HEX #3C6925

RGB 60 105 37

HSL 99.71, 0.48%, 0.28%

LAB 39.91, -28.96, 32.63

 

CMYK 31 / 0 / 48 / 64

HEX #405D30

RGB 64 93 48

HSL 98.67, 0.32%, 0.28%

LAB 36.24, -20.04, 22.42

 

CMYK 17 / 0 / 27 / 68

HEX #44523C

RGB 68 82 60

HSL 98.18, 0.15%, 0.28%

LAB 33.11, -10.24, 11.14

 

CMYK 10 / 0 / 89 / 50

HEX #73800E

RGB 115 128 14

HSL 66.84, 0.8%, 0.28%

LAB 50.82, -18.61, 52.72

 

CMYK 34 / 0 / 89 / 50

HEX #54800E

RGB 84 128 14

HSL 83.16, 0.8%, 0.28%

LAB 48.7, -31.92, 50.09

 

CMYK 58 / 0 / 89 / 50

HEX #36800E

RGB 54 128 14

HSL 98.95, 0.8%, 0.28%

LAB 47.31, -42.31, 48.33

 

CMYK 82 / 0 / 89 / 50

HEX #17800E

RGB 23 128 14

HSL 115.26, 0.8%, 0.28%

LAB 46.51, -48.96, 47.33

 

CMYK 89 / 0 / 73 / 50

HEX #0E8023

RGB 14 128 35

HSL 131.05, 0.8%, 0.28%

LAB 46.52, -48.5, 40.32

 

CMYK 59 / 0 / 89 / 79

HEX #163606

RGB 22 54 6

HSL 100, 0.8%, 0.12%

LAB 19.32, -21.91, 24.32

 

CMYK 58 / 0 / 89 / 64

HEX #265B0A

RGB 38 91 10

HSL 99.26, 0.8%, 0.2%

LAB 33.81, -32.54, 37.17

 

CMYK 59 / 0 / 89 / 50

HEX #35800E

RGB 53 128 14

HSL 99.47, 0.8%, 0.28%

LAB 47.27, -42.59, 48.29

 

CMYK 58 / 0 / 89 / 35

HEX #45A512

RGB 69 165 18

HSL 99.18, 0.8%, 0.36%

LAB 60.09, -51.77, 58.74

 

CMYK 58 / 0 / 89 / 21

HEX #54CA16

RGB 84 202 22

HSL 99.33, 0.8%, 0.44%

LAB 72.35, -60.8, 68.65

 

CMYK 58 / 0 / 89 / 50

HEX #357F0E

RGB 53 127 14

HSL 99.29, 0.8%, 0.28%

LAB 46.93, -42.21, 47.99

 

CMYK 89 / 0 / 13 / 50

HEX #0E806F

RGB 14 128 111

HSL 171.05, 0.8%, 0.28%

LAB 47.85, -33.28, 0.96

 

CMYK 0 / 89 / 23 / 50

HEX #800E63

RGB 128 14 99

HSL 315.26, 0.8%, 0.28%

LAB 28.91, 52.35, -19.32

 

CMYK 58 / 0 / 89 / 50

HEX #357F0E

RGB 53 127 14

HSL 99.29, 0.8%, 0.28%

LAB 46.93, -42.21, 47.99

 

CMYK 89 / 58 / 0 / 50

HEX #0E3680

RGB 14 54 128

HSL 218.95, 0.8%, 0.28%

LAB 24.61, 17.14, -45.48

 

CMYK 0 / 89 / 58 / 50

HEX #800E36

RGB 128 14 54

HSL 338.95, 0.8%, 0.28%

LAB 27.21, 47.6, 8.16

 

CMYK 58 / 0 / 89 / 50

HEX #357F0E

RGB 53 127 14

HSL 99.29, 0.8%, 0.28%

LAB 46.93, -42.21, 47.99

 

CMYK 89 / 0 / 13 / 50

HEX #0E806F

RGB 14 128 111

HSL 171.05, 0.8%, 0.28%

LAB 47.85, -33.28, 0.96

 

CMYK 31 / 89 / 0 / 50

HEX #580E80

RGB 88 14 128

HSL 278.95, 0.8%, 0.28%

LAB 23.5, 49.59, -47.01

 

CMYK 0 / 89 / 76 / 50

HEX #800E1F

RGB 128 14 31

HSL 351.05, 0.8%, 0.28%

LAB 26.74, 46.23, 23.01

 

CMYK 58 / 0 / 89 / 50

HEX #357F0E

RGB 53 127 14

HSL 99.29, 0.8%, 0.28%

LAB 46.93, -42.21, 47.99

 

CMYK 89 / 13 / 0 / 50

HEX #0E6F80

RGB 14 111 128

HSL 188.95, 0.8%, 0.28%

LAB 42.79, -19.27, -16.73

 

CMYK 31 / 89 / 0 / 50

HEX #580E80

RGB 88 14 128

HSL 278.95, 0.8%, 0.28%

LAB 23.5, 49.59, -47.01

 

CMYK 0 / 76 / 89 / 50

HEX #801F0E

RGB 128 31 14

HSL 8.95, 0.8%, 0.28%

LAB 28.38, 40.5, 34.67

 

Description

Color code: HEX #357F0E | qconv.com Color code: HEX #357F0E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 127 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 127 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 89 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 89% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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