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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #357C59 it is the complementary color #CA83A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #357C59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #357C59 shade: #3A7C54, #4B8E67, #5CA07A, #6DB28D and #7EC4A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #357C59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #357C59 shade: #357C59, #246A46, #135833, #024620 and #00340D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #357C59 shade: #357C59, #357C46, #377C35, #4B7C35 and #5E7C35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #357C59 shade: #357C59, #357C6D, #35797C, #35667C and #35537C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #357C59 shade matches the following richer shades: #357C59, #278B59, #18995A and #0AA85A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #357C59 shade: #357C59, #436E59, #526059, #605159 and #6F4358

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #357C59 shade: #377C35, #357C46, #357C59, #357C6C and #357A7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #357C59 shade: #1C4330, #296045, #357C59, #41996E and #50B483

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #357C59 shade: #357C59, #354A7C and #7C3C35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #357C59 shade: #357C59, #59357C and #7C5935

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #357C59 shade: #357C59, #354A7C, #7C3559 and #7C6735

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #357C59 shade: #357C59, #35357C, #7C3559 and #7C7C35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 28 / 51

HEX #357C59

RGB 53 124 89

HSL 150.42, 0.4%, 0.35%

LAB 46.83, -31.08, 12.53

 

Complementary color

CMYK 0 / 35 / 18 / 21

HEX #CA83A6

RGB 202 131 166

HSL 330.42, 0.4%, 0.65%

LAB 62.96, 32.32, -7.2

 

CMYK 53 / 0 / 32 / 51

HEX #3A7C54

RGB 58 124 84

HSL 143.64, 0.36%, 0.36%

LAB 46.92, -30.87, 15.58

 

CMYK 47 / 0 / 27 / 44

HEX #4B8E67

RGB 75 142 103

HSL 145.07, 0.31%, 0.43%

LAB 53.84, -30.68, 14.32

 

CMYK 43 / 0 / 24 / 37

HEX #5CA07A

RGB 92 160 122

HSL 146.47, 0.27%, 0.49%

LAB 60.62, -30.44, 13.18

 

CMYK 39 / 0 / 21 / 30

HEX #6DB28D

RGB 109 178 141

HSL 147.83, 0.31%, 0.56%

LAB 67.29, -30.18, 12.14

 

CMYK 36 / 0 / 18 / 23

HEX #7EC4A0

RGB 126 196 160

HSL 149.14, 0.37%, 0.63%

LAB 73.84, -29.92, 11.18

 

CMYK 57 / 0 / 28 / 51

HEX #357C59

RGB 53 124 89

HSL 150.42, 0.4%, 0.35%

LAB 46.83, -31.08, 12.53

 

CMYK 66 / 0 / 34 / 58

HEX #246A46

RGB 36 106 70

HSL 149.14, 0.49%, 0.28%

LAB 39.79, -31.02, 13.94

 

CMYK 78 / 0 / 42 / 65

HEX #135833

RGB 19 88 51

HSL 147.83, 0.64%, 0.21%

LAB 32.61, -30.58, 15.58

 

CMYK 97 / 0 / 54 / 73

HEX #024620

RGB 2 70 32

HSL 146.47, 0.94%, 0.14%

LAB 25.25, -29.59, 17.45

 

CMYK 100 / 0 / 75 / 80

HEX #00340D

RGB 0 52 13

HSL 135, 1%, 0.1%

LAB 17.85, -26.31, 19.45

 

CMYK 57 / 0 / 28 / 51

HEX #357C59

RGB 53 124 89

HSL 150.42, 0.4%, 0.35%

LAB 46.83, -31.08, 12.53

 

CMYK 57 / 0 / 44 / 51

HEX #357C46

RGB 53 124 70

HSL 134.37, 0.4%, 0.35%

LAB 46.46, -34.93, 22.92

 

CMYK 56 / 0 / 57 / 51

HEX #377C35

RGB 55 124 53

HSL 118.31, 0.4%, 0.35%

LAB 46.29, -37.06, 31.89

 

CMYK 40 / 0 / 57 / 51

HEX #4B7C35

RGB 75 124 53

HSL 101.41, 0.4%, 0.35%

LAB 47.19, -30.57, 33.18

 

CMYK 24 / 0 / 57 / 51

HEX #5E7C35

RGB 94 124 53

HSL 85.35, 0.4%, 0.35%

LAB 48.33, -23.22, 34.79

 

CMYK 57 / 0 / 28 / 51

HEX #357C59

RGB 53 124 89

HSL 150.42, 0.4%, 0.35%

LAB 46.83, -31.08, 12.53

 

CMYK 57 / 0 / 12 / 51

HEX #357C6D

RGB 53 124 109

HSL 167.32, 0.4%, 0.35%

LAB 47.33, -26.15, 1.49

 

CMYK 57 / 2 / 0 / 51

HEX #35797C

RGB 53 121 124

HSL 182.54, 0.4%, 0.35%

LAB 46.83, -20.36, -8.15

 

CMYK 57 / 18 / 0 / 51

HEX #35667C

RGB 53 102 124

HSL 198.59, 0.4%, 0.35%

LAB 40.76, -9.73, -17.34

 

CMYK 57 / 33 / 0 / 51

HEX #35537C

RGB 53 83 124

HSL 214.65, 0.4%, 0.35%

LAB 34.8, 1.97, -26.59

 

CMYK 57 / 0 / 28 / 51

HEX #357C59

RGB 53 124 89

HSL 150.42, 0.4%, 0.35%

LAB 46.83, -31.08, 12.53

 

CMYK 72 / 0 / 36 / 45

HEX #278B59

RGB 39 139 89

HSL 150, 0.56%, 0.35%

LAB 51.4, -40.59, 18.72

 

CMYK 84 / 0 / 41 / 40

HEX #18995A

RGB 24 153 90

HSL 150.7, 0.73%, 0.35%

LAB 55.8, -47.88, 23.99

 

CMYK 94 / 0 / 46 / 34

HEX #0AA85A

RGB 10 168 90

HSL 150.38, 0.89%, 0.35%

LAB 60.61, -54.3, 30.21

 

CMYK 57 / 0 / 28 / 51

HEX #357C59

RGB 53 124 89

HSL 150.42, 0.4%, 0.35%

LAB 46.83, -31.08, 12.53

 

CMYK 39 / 0 / 19 / 57

HEX #436E59

RGB 67 110 89

HSL 150.7, 0.24%, 0.35%

LAB 42.86, -20.11, 7.05

 

CMYK 15 / 0 / 7 / 62

HEX #526059

RGB 82 96 89

HSL 150, 0.08%, 0.35%

LAB 39.38, -6.94, 2.19

 

CMYK 0 / 16 / 7 / 62

HEX #605159

RGB 96 81 89

HSL 328, 0.08%, 0.35%

LAB 36.16, 7.77, -2.36

 

CMYK 0 / 40 / 21 / 56

HEX #6F4358

RGB 111 67 88

HSL 331.36, 0.25%, 0.35%

LAB 34.19, 22.24, -4.46

 

CMYK 56 / 0 / 57 / 51

HEX #377C35

RGB 55 124 53

HSL 118.31, 0.4%, 0.35%

LAB 46.29, -37.06, 31.89

 

CMYK 57 / 0 / 44 / 51

HEX #357C46

RGB 53 124 70

HSL 134.37, 0.4%, 0.35%

LAB 46.46, -34.93, 22.92

 

CMYK 57 / 0 / 28 / 51

HEX #357C59

RGB 53 124 89

HSL 150.42, 0.4%, 0.35%

LAB 46.83, -31.08, 12.53

 

CMYK 57 / 0 / 13 / 51

HEX #357C6C

RGB 53 124 108

HSL 166.48, 0.4%, 0.35%

LAB 47.31, -26.42, 2.04

 

CMYK 57 / 2 / 0 / 51

HEX #357A7C

RGB 53 122 124

HSL 181.69, 0.4%, 0.35%

LAB 47.15, -20.89, -7.67

 

CMYK 58 / 0 / 28 / 74

HEX #1C4330

RGB 28 67 48

HSL 150.77, 0.41%, 0.19%

LAB 25.18, -19.15, 7.41

 

CMYK 57 / 0 / 28 / 62

HEX #296045

RGB 41 96 69

HSL 150.55, 0.4%, 0.27%

LAB 36.49, -25.3, 10.03

 

CMYK 57 / 0 / 28 / 51

HEX #357C59

RGB 53 124 89

HSL 150.42, 0.4%, 0.35%

LAB 46.83, -31.08, 12.53

 

CMYK 58 / 0 / 28 / 40

HEX #41996E

RGB 65 153 110

HSL 150.68, 0.4%, 0.43%

LAB 57.11, -36.84, 14.84

 

CMYK 56 / 0 / 27 / 29

HEX #50B483

RGB 80 180 131

HSL 150.6, 0.4%, 0.51%

LAB 66.51, -40.82, 16.35

 

CMYK 57 / 0 / 28 / 51

HEX #357C59

RGB 53 124 89

HSL 150.42, 0.4%, 0.35%

LAB 46.83, -31.08, 12.53

 

CMYK 57 / 40 / 0 / 51

HEX #354A7C

RGB 53 74 124

HSL 222.25, 0.4%, 0.35%

LAB 32.06, 7.85, -30.92

 

CMYK 0 / 52 / 57 / 51

HEX #7C3C35

RGB 124 60 53

HSL 5.92, 0.4%, 0.35%

LAB 33.51, 27.06, 17.19

 

CMYK 57 / 0 / 28 / 51

HEX #357C59

RGB 53 124 89

HSL 150.42, 0.4%, 0.35%

LAB 46.83, -31.08, 12.53

 

CMYK 28 / 57 / 0 / 51

HEX #59357C

RGB 89 53 124

HSL 270.42, 0.4%, 0.35%

LAB 29.73, 31.06, -34.42

 

CMYK 0 / 28 / 57 / 51

HEX #7C5935

RGB 124 89 53

HSL 30.42, 0.4%, 0.35%

LAB 40.71, 10, 26.34

 

CMYK 57 / 0 / 28 / 51

HEX #357C59

RGB 53 124 89

HSL 150.42, 0.4%, 0.35%

LAB 46.83, -31.08, 12.53

 

CMYK 57 / 40 / 0 / 51

HEX #354A7C

RGB 53 74 124

HSL 222.25, 0.4%, 0.35%

LAB 32.06, 7.85, -30.92

 

CMYK 0 / 57 / 28 / 51

HEX #7C3559

RGB 124 53 89

HSL 329.58, 0.4%, 0.35%

LAB 33.03, 35.15, -6.61

 

CMYK 0 / 17 / 57 / 51

HEX #7C6735

RGB 124 103 53

HSL 42.25, 0.4%, 0.35%

LAB 44.58, 1.71, 31.01

 

CMYK 57 / 0 / 28 / 51

HEX #357C59

RGB 53 124 89

HSL 150.42, 0.4%, 0.35%

LAB 46.83, -31.08, 12.53

 

CMYK 57 / 57 / 0 / 51

HEX #35357C

RGB 53 53 124

HSL 240, 0.4%, 0.35%

LAB 26.03, 22.01, -40.55

 

CMYK 0 / 57 / 28 / 51

HEX #7C3559

RGB 124 53 89

HSL 329.58, 0.4%, 0.35%

LAB 33.03, 35.15, -6.61

 

CMYK 0 / 0 / 57 / 51

HEX #7C7C35

RGB 124 124 53

HSL 60, 0.4%, 0.35%

LAB 50.64, -10.22, 38.05

 

Description

Color code: HEX #357C59 | qconv.com Color code: HEX #357C59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 124 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 124 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 28 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 28% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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