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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3550E5 it is the complementary color #CAAF1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3550E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3550E5 shade: #3A50E0, #4B62F3, #5C74FF, #6D86FF and #7E98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3550E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3550E5 shade: #3550E5, #243ED2, #132CBF, #021AAC and #000899

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3550E5 shade: #334EE4, #4833E4, #7833E4, #A733E4 and #D733E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3550E5 shade: #334EE4 and #3333E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3550E5 shade matches the following richer shades: #334EE4 and #2142F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3550E5 shade: #334EE4, #465BD2, #5968BF, #6B75AC and #7E829A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3550E5 shade: #33AFE4, #3380E4, #3351E4, #4533E4 and #7433E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3550E5 shade: #162EAF, #1B37D3, #334EE4, #586EE9 and #7C8EEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3550E5 shade: #3550E5, #E433DE and #98E433

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3550E5 shade: #3550E5, #E43351 and #51E433

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3550E5 shade: #3550E5, #E433DE, #E4C733 and #33E439

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3550E5 shade: #3550E5, #E433A9, #E4C733 and #33E46E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 65 / 0 / 10

HEX #3550E5

RGB 53 80 229

HSL 230.8, 0.77%, 0.55%

LAB 41.46, 42.01, -77.96

 

Complementary color

CMYK 0 / 13 / 87 / 21

HEX #CAAF1A

RGB 202 175 26

HSL 50.8, 0.77%, 0.45%

LAB 71.75, -3.94, 70.3

 

CMYK 74 / 64 / 0 / 12

HEX #3A50E0

RGB 58 80 224

HSL 232.05, 0.73%, 0.55%

LAB 41.25, 40.74, -75.45

 

CMYK 69 / 60 / 0 / 5

HEX #4B62F3

RGB 75 98 243

HSL 231.79, 0.88%, 0.62%

LAB 47.88, 38.23, -75.29

 

CMYK 64 / 55 / 0 / 0

HEX #5C74FF

RGB 92 116 255

HSL 231.17, 1%, 0.68%

LAB 54.01, 33.7, -71.96

 

CMYK 57 / 47 / 0 / 0

HEX #6D86FF

RGB 109 134 255

HSL 229.73, 1%, 0.71%

LAB 59.45, 25.77, -63.13

 

CMYK 51 / 40 / 0 / 0

HEX #7E98FF

RGB 126 152 255

HSL 227.91, 1%, 0.75%

LAB 65.05, 18.6, -54.14

 

CMYK 77 / 65 / 0 / 10

HEX #3550E5

RGB 53 80 229

HSL 230.8, 0.77%, 0.55%

LAB 41.46, 42.01, -77.96

 

CMYK 83 / 70 / 0 / 18

HEX #243ED2

RGB 36 62 210

HSL 231.03, 0.71%, 0.48%

LAB 34.95, 44.97, -77.81

 

CMYK 90 / 77 / 0 / 25

HEX #132CBF

RGB 19 44 191

HSL 231.28, 0.82%, 0.41%

LAB 28.65, 48.03, -77.15

 

CMYK 99 / 85 / 0 / 33

HEX #021AAC

RGB 2 26 172

HSL 231.53, 0.98%, 0.34%

LAB 22.76, 50.6, -75.62

 

CMYK 100 / 95 / 0 / 40

HEX #000899

RGB 0 8 153

HSL 236.86, 1%, 0.3%

LAB 17.8, 51.58, -72.31

 

CMYK 78 / 66 / 0 / 11

HEX #334EE4

RGB 51 78 228

HSL 230.85, 0.77%, 0.55%

LAB 40.82, 42.7, -78.44

 

CMYK 68 / 78 / 0 / 11

HEX #4833E4

RGB 72 51 228

HSL 247.12, 0.77%, 0.55%

LAB 36.64, 59.47, -85.28

 

CMYK 47 / 78 / 0 / 11

HEX #7833E4

RGB 120 51 228

HSL 263.39, 0.77%, 0.55%

LAB 41.16, 64.91, -77.69

 

CMYK 27 / 78 / 0 / 11

HEX #A733E4

RGB 167 51 228

HSL 279.32, 0.77%, 0.55%

LAB 47.22, 72.15, -67.54

 

CMYK 6 / 78 / 0 / 11

HEX #D733E4

RGB 215 51 228

HSL 295.59, 0.77%, 0.55%

LAB 54.47, 80.73, -55.49

 

CMYK 78 / 66 / 0 / 11

HEX #334EE4

RGB 51 78 228

HSL 230.85, 0.77%, 0.55%

LAB 40.82, 42.7, -78.44

 

CMYK 78 / 78 / 0 / 11

HEX #3333E4

RGB 51 51 228

HSL 240, 0.77%, 0.55%

LAB 35.35, 57.9, -87.47

 

CMYK 78 / 66 / 0 / 11

HEX #334EE4

RGB 51 78 228

HSL 230.85, 0.77%, 0.55%

LAB 40.82, 42.7, -78.44

 

CMYK 87 / 73 / 0 / 3

HEX #2142F7

RGB 33 66 247

HSL 230.75, 0.93%, 0.55%

LAB 39.47, 55.11, -91.42

 

CMYK 78 / 66 / 0 / 11

HEX #334EE4

RGB 51 78 228

HSL 230.85, 0.77%, 0.55%

LAB 40.82, 42.7, -78.44

 

CMYK 67 / 57 / 0 / 18

HEX #465BD2

RGB 70 91 210

HSL 231, 0.61%, 0.55%

LAB 43.42, 30.5, -63.88

 

CMYK 53 / 46 / 0 / 25

HEX #5968BF

RGB 89 104 191

HSL 231.18, 0.44%, 0.55%

LAB 46.69, 19.4, -47.6

 

CMYK 38 / 32 / 0 / 33

HEX #6B75AC

RGB 107 117 172

HSL 230.77, 0.28%, 0.55%

LAB 50.48, 10.19, -30.52

 

CMYK 18 / 16 / 0 / 40

HEX #7E829A

RGB 126 130 154

HSL 231.43, 0.12%, 0.55%

LAB 54.8, 3.77, -13.33

 

CMYK 78 / 23 / 0 / 11

HEX #33AFE4

RGB 51 175 228

HSL 197.97, 0.77%, 0.55%

LAB 67.25, -15.78, -36.12

 

CMYK 78 / 44 / 0 / 11

HEX #3380E4

RGB 51 128 228

HSL 213.9, 0.77%, 0.55%

LAB 53.75, 11.31, -57.44

 

CMYK 78 / 64 / 0 / 11

HEX #3351E4

RGB 51 81 228

HSL 229.83, 0.77%, 0.55%

LAB 41.52, 40.86, -77.3

 

CMYK 70 / 78 / 0 / 11

HEX #4533E4

RGB 69 51 228

HSL 246.1, 0.77%, 0.55%

LAB 36.43, 59.22, -85.64

 

CMYK 49 / 78 / 0 / 11

HEX #7433E4

RGB 116 51 228

HSL 262.03, 0.77%, 0.55%

LAB 40.71, 64.37, -78.45

 

CMYK 87 / 74 / 0 / 31

HEX #162EAF

RGB 22 46 175

HSL 230.59, 0.78%, 0.39%

LAB 27.35, 41.42, -69.78

 

CMYK 87 / 74 / 0 / 17

HEX #1B37D3

RGB 27 55 211

HSL 230.87, 0.77%, 0.47%

LAB 33.28, 48.94, -81.15

 

CMYK 78 / 66 / 0 / 11

HEX #334EE4

RGB 51 78 228

HSL 230.85, 0.77%, 0.55%

LAB 40.82, 42.7, -78.44

 

CMYK 62 / 53 / 0 / 9

HEX #586EE9

RGB 88 110 233

HSL 230.9, 0.77%, 0.63%

LAB 50.82, 29.38, -64.89

 

CMYK 48 / 40 / 0 / 7

HEX #7C8EEE

RGB 124 142 238

HSL 230.53, 0.77%, 0.71%

LAB 61.48, 18.91, -50.47

 

CMYK 77 / 65 / 0 / 10

HEX #3550E5

RGB 53 80 229

HSL 230.8, 0.77%, 0.55%

LAB 41.46, 42.01, -77.96

 

CMYK 0 / 78 / 3 / 11

HEX #E433DE

RGB 228 51 222

HSL 302.03, 0.77%, 0.55%

LAB 56.22, 82.29, -49.17

 

CMYK 33 / 0 / 78 / 11

HEX #98E433

RGB 152 228 51

HSL 85.76, 0.77%, 0.55%

LAB 83.13, -48.59, 72.42

 

CMYK 77 / 65 / 0 / 10

HEX #3550E5

RGB 53 80 229

HSL 230.8, 0.77%, 0.55%

LAB 41.46, 42.01, -77.96

 

CMYK 0 / 78 / 64 / 11

HEX #E43351

RGB 228 51 81

HSL 349.83, 0.77%, 0.55%

LAB 51.22, 67.51, 26.53

 

CMYK 64 / 0 / 78 / 11

HEX #51E433

RGB 81 228 51

HSL 109.83, 0.77%, 0.55%

LAB 80.45, -68.85, 68.95

 

CMYK 77 / 65 / 0 / 10

HEX #3550E5

RGB 53 80 229

HSL 230.8, 0.77%, 0.55%

LAB 41.46, 42.01, -77.96

 

CMYK 0 / 78 / 3 / 11

HEX #E433DE

RGB 228 51 222

HSL 302.03, 0.77%, 0.55%

LAB 56.22, 82.29, -49.17

 

CMYK 0 / 13 / 78 / 11

HEX #E4C733

RGB 228 199 51

HSL 50.17, 0.77%, 0.55%

LAB 80.5, -4.38, 71.98

 

CMYK 78 / 0 / 75 / 11

HEX #33E439

RGB 51 228 57

HSL 122.03, 0.77%, 0.55%

LAB 79.89, -73.46, 66.34

 

CMYK 77 / 65 / 0 / 10

HEX #3550E5

RGB 53 80 229

HSL 230.8, 0.77%, 0.55%

LAB 41.46, 42.01, -77.96

 

CMYK 0 / 78 / 26 / 11

HEX #E433A9

RGB 228 51 169

HSL 320, 0.77%, 0.55%

LAB 53.74, 75.17, -22.53

 

CMYK 0 / 13 / 78 / 11

HEX #E4C733

RGB 228 199 51

HSL 50.17, 0.77%, 0.55%

LAB 80.5, -4.38, 71.98

 

CMYK 78 / 0 / 52 / 11

HEX #33E46E

RGB 51 228 110

HSL 140, 0.77%, 0.55%

LAB 80.36, -67.78, 45.1

 

Description

Color code: HEX #3550E5 | qconv.com Color code: HEX #3550E5 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 80 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 80 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 65 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 65% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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