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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #354F33 it is the complementary color #CAB0CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #354F33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #354F33 shade: #3A4F2E, #4B6141, #5C7354, #6D8567 and #7E977A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #354F33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #354F33 shade: #354F33, #243D20, #132B0D, #021900 and #000700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #354F33 shade: #334D31, #3B4D31, #424D31, #4A4D31 and #4D4931

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #354F33 shade: #334D31, #314D37, #314D3E, #314D46 and #314D4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #354F33 shade matches the following richer shades: #334D31, #2A5827, #22621D, #196C12 and #107708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #354F33 shade: #334D31, #3C433C, #453946, #4E2E50 and #57245A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #354F33 shade: #434D31, #3B4D31, #344D31, #314D36 and #314D3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #354F33 shade: #121B11, #223421, #334D31, #446641 and #558051

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #354F33 shade: #354F33, #314A4D and #4D313F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #354F33 shade: #354F33, #31344D and #4D3134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #354F33 shade: #354F33, #314A4D, #4B314D and #4D3431

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #354F33 shade: #354F33, #31424D, #4B314D and #4D3D31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 35 / 69

HEX #354F33

RGB 53 79 51

HSL 115.71, 0.22%, 0.25%

LAB 30.85, -16.33, 13.48

 

Complementary color

CMYK 1 / 14 / 0 / 20

HEX #CAB0CC

RGB 202 176 204

HSL 295.71, 0.22%, 0.75%

LAB 74.8, 14.32, -10.72

 

CMYK 27 / 0 / 42 / 69

HEX #3A4F2E

RGB 58 79 46

HSL 98.18, 0.26%, 0.25%

LAB 31.09, -15.19, 16.93

 

CMYK 23 / 0 / 33 / 62

HEX #4B6141

RGB 75 97 65

HSL 101.25, 0.2%, 0.32%

LAB 38.6, -15.03, 15.63

 

CMYK 20 / 0 / 27 / 55

HEX #5C7354

RGB 92 115 84

HSL 104.52, 0.16%, 0.39%

LAB 45.88, -14.87, 14.45

 

CMYK 18 / 0 / 23 / 48

HEX #6D8567

RGB 109 133 103

HSL 108, 0.13%, 0.46%

LAB 52.96, -14.72, 13.39

 

CMYK 17 / 0 / 19 / 41

HEX #7E977A

RGB 126 151 122

HSL 111.72, 0.12%, 0.54%

LAB 59.87, -14.6, 12.4

 

CMYK 33 / 0 / 35 / 69

HEX #354F33

RGB 53 79 51

HSL 115.71, 0.22%, 0.25%

LAB 30.85, -16.33, 13.48

 

CMYK 41 / 0 / 48 / 76

HEX #243D20

RGB 36 61 32

HSL 111.72, 0.31%, 0.18%

LAB 23.06, -16.6, 14.89

 

CMYK 56 / 0 / 70 / 83

HEX #132B0D

RGB 19 43 13

HSL 108, 0.54%, 0.11%

LAB 14.93, -16.72, 15.97

 

CMYK 92 / 0 / 100 / 90

HEX #021900

RGB 2 25 0

HSL 115.2, 1%, 0.05%

LAB 6.4, -12.31, 9.35

 

CMYK 100 / 0 / 100 / 97

HEX #000700

RGB 0 7 0

HSL 120, 1%, 0.01%

LAB 1.37, -2.8, 2

 

CMYK 34 / 0 / 36 / 70

HEX #334D31

RGB 51 77 49

HSL 115.71, 0.22%, 0.25%

LAB 29.99, -16.39, 13.55

 

CMYK 23 / 0 / 36 / 70

HEX #3B4D31

RGB 59 77 49

HSL 98.57, 0.22%, 0.25%

LAB 30.54, -13.12, 14.38

 

CMYK 14 / 0 / 36 / 70

HEX #424D31

RGB 66 77 49

HSL 83.57, 0.22%, 0.25%

LAB 31.09, -10.09, 15.2

 

CMYK 4 / 0 / 36 / 70

HEX #4A4D31

RGB 74 77 49

HSL 66.43, 0.22%, 0.25%

LAB 31.77, -6.48, 16.24

 

CMYK 0 / 5 / 36 / 70

HEX #4D4931

RGB 77 73 49

HSL 51.43, 0.22%, 0.25%

LAB 30.79, -2.64, 15

 

CMYK 34 / 0 / 36 / 70

HEX #334D31

RGB 51 77 49

HSL 115.71, 0.22%, 0.25%

LAB 29.99, -16.39, 13.55

 

CMYK 36 / 0 / 29 / 70

HEX #314D37

RGB 49 77 55

HSL 132.86, 0.22%, 0.25%

LAB 30, -15.94, 9.78

 

CMYK 36 / 0 / 19 / 70

HEX #314D3E

RGB 49 77 62

HSL 147.86, 0.22%, 0.25%

LAB 30.18, -14.36, 5.58

 

CMYK 36 / 0 / 9 / 70

HEX #314D46

RGB 49 77 70

HSL 165, 0.22%, 0.25%

LAB 30.41, -12.36, 0.8

 

CMYK 36 / 0 / 0 / 70

HEX #314D4D

RGB 49 77 77

HSL 180, 0.22%, 0.25%

LAB 30.63, -10.46, -3.36

 

CMYK 34 / 0 / 36 / 70

HEX #334D31

RGB 51 77 49

HSL 115.71, 0.22%, 0.25%

LAB 29.99, -16.39, 13.55

 

CMYK 52 / 0 / 56 / 65

HEX #2A5827

RGB 42 88 39

HSL 116.33, 0.39%, 0.25%

LAB 33.17, -27.01, 23.48

 

CMYK 65 / 0 / 70 / 62

HEX #22621D

RGB 34 98 29

HSL 115.65, 0.54%, 0.25%

LAB 36.3, -35.02, 32.18

 

CMYK 77 / 0 / 83 / 58

HEX #196C12

RGB 25 108 18

HSL 115.33, 0.71%, 0.25%

LAB 39.54, -41.73, 39.83

 

CMYK 87 / 0 / 93 / 53

HEX #107708

RGB 16 119 8

HSL 115.68, 0.87%, 0.25%

LAB 43.24, -47.24, 45.76

 

CMYK 34 / 0 / 36 / 70

HEX #334D31

RGB 51 77 49

HSL 115.71, 0.22%, 0.25%

LAB 29.99, -16.39, 13.55

 

CMYK 10 / 0 / 10 / 74

HEX #3C433C

RGB 60 67 60

HSL 120, 0.06%, 0.25%

LAB 27.58, -4.49, 3.27

 

CMYK 1 / 19 / 0 / 73

HEX #453946

RGB 69 57 70

HSL 295.38, 0.1%, 0.25%

LAB 25.66, 8.04, -6.02

 

CMYK 2 / 43 / 0 / 69

HEX #4E2E50

RGB 78 46 80

HSL 296.47, 0.27%, 0.25%

LAB 24.17, 21.03, -14.85

 

CMYK 3 / 60 / 0 / 65

HEX #57245A

RGB 87 36 90

HSL 296.67, 0.43%, 0.25%

LAB 23.76, 32.12, -22.02

 

CMYK 13 / 0 / 36 / 70

HEX #434D31

RGB 67 77 49

HSL 81.43, 0.22%, 0.25%

LAB 31.17, -9.64, 15.33

 

CMYK 23 / 0 / 36 / 70

HEX #3B4D31

RGB 59 77 49

HSL 98.57, 0.22%, 0.25%

LAB 30.54, -13.12, 14.38

 

CMYK 32 / 0 / 36 / 70

HEX #344D31

RGB 52 77 49

HSL 113.57, 0.22%, 0.25%

LAB 30.06, -15.99, 13.65

 

CMYK 36 / 0 / 30 / 70

HEX #314D36

RGB 49 77 54

HSL 130.71, 0.22%, 0.25%

LAB 29.98, -16.15, 10.38

 

CMYK 36 / 0 / 19 / 70

HEX #314D3E

RGB 49 77 62

HSL 147.86, 0.22%, 0.25%

LAB 30.18, -14.36, 5.58

 

CMYK 33 / 0 / 37 / 89

HEX #121B11

RGB 18 27 17

HSL 114, 0.23%, 0.09%

LAB 8.59, -6.62, 5.16

 

CMYK 35 / 0 / 37 / 80

HEX #223421

RGB 34 52 33

HSL 116.84, 0.22%, 0.17%

LAB 19.66, -12.05, 9.74

 

CMYK 34 / 0 / 36 / 70

HEX #334D31

RGB 51 77 49

HSL 115.71, 0.22%, 0.25%

LAB 29.99, -16.39, 13.55

 

CMYK 33 / 0 / 36 / 60

HEX #446641

RGB 68 102 65

HSL 115.14, 0.22%, 0.33%

LAB 39.77, -20.46, 17.12

 

CMYK 34 / 0 / 37 / 50

HEX #558051

RGB 85 128 81

HSL 114.89, 0.22%, 0.41%

LAB 49.45, -24.83, 20.93

 

CMYK 33 / 0 / 35 / 69

HEX #354F33

RGB 53 79 51

HSL 115.71, 0.22%, 0.25%

LAB 30.85, -16.33, 13.48

 

CMYK 36 / 4 / 0 / 70

HEX #314A4D

RGB 49 74 77

HSL 186.43, 0.22%, 0.25%

LAB 29.63, -8.65, -4.85

 

CMYK 0 / 36 / 18 / 70

HEX #4D313F

RGB 77 49 63

HSL 330, 0.22%, 0.25%

LAB 24.11, 15.17, -3.57

 

CMYK 33 / 0 / 35 / 69

HEX #354F33

RGB 53 79 51

HSL 115.71, 0.22%, 0.25%

LAB 30.85, -16.33, 13.48

 

CMYK 36 / 32 / 0 / 70

HEX #31344D

RGB 49 52 77

HSL 233.57, 0.22%, 0.25%

LAB 22.46, 5.7, -15.76

 

CMYK 0 / 36 / 32 / 70

HEX #4D3134

RGB 77 49 52

HSL 353.57, 0.22%, 0.25%

LAB 23.75, 13.23, 3.32

 

CMYK 33 / 0 / 35 / 69

HEX #354F33

RGB 53 79 51

HSL 115.71, 0.22%, 0.25%

LAB 30.85, -16.33, 13.48

 

CMYK 36 / 4 / 0 / 70

HEX #314A4D

RGB 49 74 77

HSL 186.43, 0.22%, 0.25%

LAB 29.63, -8.65, -4.85

 

CMYK 3 / 36 / 0 / 70

HEX #4B314D

RGB 75 49 77

HSL 295.71, 0.22%, 0.25%

LAB 24.41, 17.3, -12.51

 

CMYK 0 / 32 / 36 / 70

HEX #4D3431

RGB 77 52 49

HSL 6.43, 0.22%, 0.25%

LAB 24.5, 10.8, 6.4

 

CMYK 33 / 0 / 35 / 69

HEX #354F33

RGB 53 79 51

HSL 115.71, 0.22%, 0.25%

LAB 30.85, -16.33, 13.48

 

CMYK 36 / 14 / 0 / 70

HEX #31424D

RGB 49 66 77

HSL 203.57, 0.22%, 0.25%

LAB 26.98, -3.63, -8.83

 

CMYK 3 / 36 / 0 / 70

HEX #4B314D

RGB 75 49 77

HSL 295.71, 0.22%, 0.25%

LAB 24.41, 17.3, -12.51

 

CMYK 0 / 21 / 36 / 70

HEX #4D3D31

RGB 77 61 49

HSL 25.71, 0.22%, 0.25%

LAB 27.12, 4.96, 10.04

 

Description

Color code: HEX #354F33 | qconv.com Color code: HEX #354F33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 79 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 79 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 35 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 35% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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