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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #353A63 it is the complementary color #CAC59C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #353A63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #353A63 shade: #3A3A5E, #4B4C71, #5C5E84, #6D7097 and #7E82AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #353A63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #353A63 shade: #353A63, #242850, #13163D, #02042A and #000017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #353A63 shade: #353A63, #3C3563, #493563, #553563 and #623563

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #353A63 shade: #353A63 and #353563

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #353A63 shade matches the following richer shades: #353A63, #29306F, #1C277C, #101D88 and #041394

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #353A63 shade: #353A63, #414457, #4E4D4A, #5A573E and #676131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #353A63 shade: #355363, #354763, #353A63, #3C3563 and #483563

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #353A63 shade: #181A2D, #272A48, #353A63, #434A7E and #525A99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #353A63 shade: #353A63, #63355F and #4D6335

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #353A63 shade: #353A63, #63353A and #3A6335

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #353A63 shade: #353A63, #63355F, #635E35 and #356339

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #353A63 shade: #353A63, #633551, #635E35 and #356347

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 41 / 0 / 61

HEX #353A63

RGB 53 58 99

HSL 233.48, 0.3%, 0.3%

LAB 25.81, 9.98, -24.93

 

Complementary color

CMYK 0 / 2 / 23 / 21

HEX #CAC59C

RGB 202 197 156

HSL 53.48, 0.3%, 0.7%

LAB 78.98, -4.89, 21.24

 

CMYK 38 / 38 / 0 / 63

HEX #3A3A5E

RGB 58 58 94

HSL 240, 0.24%, 0.3%

LAB 25.96, 9.89, -21.43

 

CMYK 34 / 33 / 0 / 56

HEX #4B4C71

RGB 75 76 113

HSL 238.42, 0.2%, 0.37%

LAB 33.68, 9.15, -21.38

 

CMYK 30 / 29 / 0 / 48

HEX #5C5E84

RGB 92 94 132

HSL 237, 0.18%, 0.44%

LAB 41.13, 8.56, -21.42

 

CMYK 28 / 26 / 0 / 41

HEX #6D7097

RGB 109 112 151

HSL 235.71, 0.17%, 0.51%

LAB 48.35, 8.07, -21.52

 

CMYK 26 / 24 / 0 / 33

HEX #7E82AA

RGB 126 130 170

HSL 234.55, 0.21%, 0.58%

LAB 55.38, 7.65, -21.67

 

CMYK 46 / 41 / 0 / 61

HEX #353A63

RGB 53 58 99

HSL 233.48, 0.3%, 0.3%

LAB 25.81, 9.98, -24.93

 

CMYK 55 / 50 / 0 / 69

HEX #242850

RGB 36 40 80

HSL 234.55, 0.38%, 0.23%

LAB 17.79, 11.2, -25.2

 

CMYK 69 / 64 / 0 / 76

HEX #13163D

RGB 19 22 61

HSL 235.71, 0.53%, 0.16%

LAB 9.39, 13.04, -25.59

 

CMYK 95 / 90 / 0 / 84

HEX #02042A

RGB 2 4 42

HSL 237, 0.91%, 0.09%

LAB 2.41, 9.53, -22.87

 

CMYK 100 / 100 / 0 / 91

HEX #000017

RGB 0 0 23

HSL 240, 1%, 0.05%

LAB 0.56, 3.93, -10.69

 

CMYK 46 / 41 / 0 / 61

HEX #353A63

RGB 53 58 99

HSL 233.48, 0.3%, 0.3%

LAB 25.81, 9.98, -24.93

 

CMYK 39 / 46 / 0 / 61

HEX #3C3563

RGB 60 53 99

HSL 249.13, 0.3%, 0.3%

LAB 24.98, 15.46, -26.22

 

CMYK 26 / 46 / 0 / 61

HEX #493563

RGB 73 53 99

HSL 266.09, 0.3%, 0.3%

LAB 26.34, 19.55, -23.97

 

CMYK 14 / 46 / 0 / 61

HEX #553563

RGB 85 53 99

HSL 281.74, 0.3%, 0.3%

LAB 27.79, 23.52, -21.6

 

CMYK 1 / 46 / 0 / 61

HEX #623563

RGB 98 53 99

HSL 298.7, 0.3%, 0.3%

LAB 29.52, 27.92, -18.77

 

CMYK 46 / 41 / 0 / 61

HEX #353A63

RGB 53 58 99

HSL 233.48, 0.3%, 0.3%

LAB 25.81, 9.98, -24.93

 

CMYK 46 / 46 / 0 / 61

HEX #353563

RGB 53 53 99

HSL 240, 0.3%, 0.3%

LAB 24.33, 13.41, -27.28

 

CMYK 46 / 41 / 0 / 61

HEX #353A63

RGB 53 58 99

HSL 233.48, 0.3%, 0.3%

LAB 25.81, 9.98, -24.93

 

CMYK 63 / 57 / 0 / 56

HEX #29306F

RGB 41 48 111

HSL 234, 0.46%, 0.3%

LAB 22.77, 18.23, -37.6

 

CMYK 77 / 69 / 0 / 51

HEX #1C277C

RGB 28 39 124

HSL 233.13, 0.63%, 0.3%

LAB 20.65, 27.4, -49.4

 

CMYK 88 / 79 / 0 / 47

HEX #101D88

RGB 16 29 136

HSL 233.5, 0.79%, 0.3%

LAB 19.08, 37.33, -59.58

 

CMYK 97 / 87 / 0 / 42

HEX #041394

RGB 4 19 148

HSL 233.75, 0.95%, 0.3%

LAB 18.5, 46.2, -68.05

 

CMYK 46 / 41 / 0 / 61

HEX #353A63

RGB 53 58 99

HSL 233.48, 0.3%, 0.3%

LAB 25.81, 9.98, -24.93

 

CMYK 25 / 22 / 0 / 66

HEX #414457

RGB 65 68 87

HSL 231.82, 0.14%, 0.3%

LAB 29.28, 3.57, -11.72

 

CMYK 0 / 1 / 5 / 69

HEX #4E4D4A

RGB 78 77 74

HSL 45, 0.03%, 0.3%

LAB 32.75, -0.22, 1.92

 

CMYK 0 / 3 / 31 / 65

HEX #5A573E

RGB 90 87 62

HSL 53.57, 0.18%, 0.3%

LAB 36.63, -3.3, 15

 

CMYK 0 / 6 / 52 / 60

HEX #676131

RGB 103 97 49

HSL 53.33, 0.36%, 0.3%

LAB 40.66, -4.91, 28.01

 

CMYK 46 / 16 / 0 / 61

HEX #355363

RGB 53 83 99

HSL 200.87, 0.3%, 0.3%

LAB 33.66, -6.33, -12.77

 

CMYK 46 / 28 / 0 / 61

HEX #354763

RGB 53 71 99

HSL 216.52, 0.3%, 0.3%

LAB 29.82, 1.28, -18.66

 

CMYK 46 / 41 / 0 / 61

HEX #353A63

RGB 53 58 99

HSL 233.48, 0.3%, 0.3%

LAB 25.81, 9.98, -24.93

 

CMYK 39 / 46 / 0 / 61

HEX #3C3563

RGB 60 53 99

HSL 249.13, 0.3%, 0.3%

LAB 24.98, 15.46, -26.22

 

CMYK 27 / 46 / 0 / 61

HEX #483563

RGB 72 53 99

HSL 264.78, 0.3%, 0.3%

LAB 26.23, 19.23, -24.16

 

CMYK 47 / 42 / 0 / 82

HEX #181A2D

RGB 24 26 45

HSL 234.29, 0.3%, 0.14%

LAB 9.97, 5.11, -13.07

 

CMYK 46 / 42 / 0 / 72

HEX #272A48

RGB 39 42 72

HSL 234.55, 0.3%, 0.22%

LAB 18.17, 7.78, -19.16

 

CMYK 46 / 41 / 0 / 61

HEX #353A63

RGB 53 58 99

HSL 233.48, 0.3%, 0.3%

LAB 25.81, 9.98, -24.93

 

CMYK 47 / 41 / 0 / 51

HEX #434A7E

RGB 67 74 126

HSL 232.88, 0.31%, 0.38%

LAB 33.13, 12.09, -30.4

 

CMYK 46 / 41 / 0 / 40

HEX #525A99

RGB 82 90 153

HSL 233.24, 0.3%, 0.46%

LAB 40.26, 14.37, -35.51

 

CMYK 46 / 41 / 0 / 61

HEX #353A63

RGB 53 58 99

HSL 233.48, 0.3%, 0.3%

LAB 25.81, 9.98, -24.93

 

CMYK 0 / 46 / 4 / 61

HEX #63355F

RGB 99 53 95

HSL 305.22, 0.3%, 0.3%

LAB 29.48, 27.44, -16.25

 

CMYK 22 / 0 / 46 / 61

HEX #4D6335

RGB 77 99 53

HSL 88.7, 0.3%, 0.3%

LAB 39.17, -17.19, 23.43

 

CMYK 46 / 41 / 0 / 61

HEX #353A63

RGB 53 58 99

HSL 233.48, 0.3%, 0.3%

LAB 25.81, 9.98, -24.93

 

CMYK 0 / 46 / 41 / 61

HEX #63353A

RGB 99 53 58

HSL 353.48, 0.3%, 0.3%

LAB 28.13, 21.19, 5.99

 

CMYK 41 / 0 / 46 / 61

HEX #3A6335

RGB 58 99 53

HSL 113.48, 0.3%, 0.3%

LAB 37.99, -24.63, 21.69

 

CMYK 46 / 41 / 0 / 61

HEX #353A63

RGB 53 58 99

HSL 233.48, 0.3%, 0.3%

LAB 25.81, 9.98, -24.93

 

CMYK 0 / 46 / 4 / 61

HEX #63355F

RGB 99 53 95

HSL 305.22, 0.3%, 0.3%

LAB 29.48, 27.44, -16.25

 

CMYK 0 / 5 / 46 / 61

HEX #635E35

RGB 99 94 53

HSL 53.48, 0.3%, 0.3%

LAB 39.44, -4.57, 24.16

 

CMYK 46 / 0 / 42 / 61

HEX #356339

RGB 53 99 57

HSL 125.22, 0.3%, 0.3%

LAB 37.8, -25.67, 19.07

 

CMYK 46 / 41 / 0 / 61

HEX #353A63

RGB 53 58 99

HSL 233.48, 0.3%, 0.3%

LAB 25.81, 9.98, -24.93

 

CMYK 0 / 46 / 18 / 61

HEX #633551

RGB 99 53 81

HSL 323.48, 0.3%, 0.3%

LAB 28.88, 24.78, -8.04

 

CMYK 0 / 5 / 46 / 61

HEX #635E35

RGB 99 94 53

HSL 53.48, 0.3%, 0.3%

LAB 39.44, -4.57, 24.16

 

CMYK 46 / 0 / 28 / 61

HEX #356347

RGB 53 99 71

HSL 143.48, 0.3%, 0.3%

LAB 38.08, -22.87, 11.1

 

Description

Color code: HEX #353A63 | qconv.com Color code: HEX #353A63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 58 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 58 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 41 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 41% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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