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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35306D it is the complementary color #CACF92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35306D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35306D shade: #3A3068, #4B427B, #5C548E, #6D66A1 and #7E78B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35306D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35306D shade: #35306D, #241E5A, #130C47, #020034 and #000021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35306D shade: #35306D, #45306D, #56306D, #67306D and #6D3063

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35306D shade: #35306D and #30306D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35306D shade matches the following richer shades: #35306D, #2A237A, #1F1687 and #150994

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35306D shade: #35306D, #3F3D61, #4A4954, #555647 and #60633A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35306D shade: #304C6D, #303C6D, #34306D, #44306D and #55306D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35306D shade: #191734, #272351, #35306D, #433C8A and #5149A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35306D shade: #35306D, #6D305D and #446D30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35306D shade: #35306D, #6D3430 and #306D34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35306D shade: #35306D, #6D305D, #696D30 and #306D40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35306D shade: #35306D, #6D304A, #696D30 and #306D53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 56 / 0 / 57

HEX #35306D

RGB 53 48 109

HSL 244.92, 0.39%, 0.31%

LAB 23.59, 20.21, -34.94

 

Complementary color

CMYK 2 / 0 / 29 / 19

HEX #CACF92

RGB 202 207 146

HSL 64.92, 0.39%, 0.69%

LAB 81.43, -11.4, 29.82

 

CMYK 44 / 54 / 0 / 59

HEX #3A3068

RGB 58 48 104

HSL 250.71, 0.37%, 0.3%

LAB 23.71, 19.85, -31.48

 

CMYK 39 / 46 / 0 / 52

HEX #4B427B

RGB 75 66 123

HSL 249.47, 0.3%, 0.37%

LAB 31.4, 18.63, -31.23

 

CMYK 35 / 41 / 0 / 44

HEX #5C548E

RGB 92 84 142

HSL 248.28, 0.26%, 0.44%

LAB 38.84, 17.64, -31.05

 

CMYK 32 / 37 / 0 / 37

HEX #6D66A1

RGB 109 102 161

HSL 247.12, 0.24%, 0.52%

LAB 46.08, 16.82, -30.95

 

CMYK 30 / 33 / 0 / 29

HEX #7E78B4

RGB 126 120 180

HSL 246, 0.29%, 0.59%

LAB 53.13, 16.11, -30.91

 

CMYK 51 / 56 / 0 / 57

HEX #35306D

RGB 53 48 109

HSL 244.92, 0.39%, 0.31%

LAB 23.59, 20.21, -34.94

 

CMYK 60 / 67 / 0 / 65

HEX #241E5A

RGB 36 30 90

HSL 246, 0.5%, 0.24%

LAB 15.71, 22.01, -35.29

 

CMYK 73 / 83 / 0 / 72

HEX #130C47

RGB 19 12 71

HSL 247.12, 0.71%, 0.16%

LAB 7.74, 24.14, -35.38

 

CMYK 96 / 100 / 0 / 80

HEX #020034

RGB 2 0 52

HSL 242.31, 1%, 0.1%

LAB 2.36, 16.26, -30.49

 

CMYK 100 / 100 / 0 / 87

HEX #000021

RGB 0 0 33

HSL 240, 1%, 0.06%

LAB 0.99, 6.97, -18.06

 

CMYK 51 / 56 / 0 / 57

HEX #35306D

RGB 53 48 109

HSL 244.92, 0.39%, 0.31%

LAB 23.59, 20.21, -34.94

 

CMYK 37 / 56 / 0 / 57

HEX #45306D

RGB 69 48 109

HSL 260.66, 0.39%, 0.31%

LAB 25.21, 24.42, -32.25

 

CMYK 21 / 56 / 0 / 57

HEX #56306D

RGB 86 48 109

HSL 277.38, 0.39%, 0.31%

LAB 27.29, 29.34, -28.82

 

CMYK 6 / 56 / 0 / 57

HEX #67306D

RGB 103 48 109

HSL 294.1, 0.39%, 0.31%

LAB 29.67, 34.47, -24.9

 

CMYK 0 / 56 / 9 / 57

HEX #6D3063

RGB 109 48 99

HSL 309.84, 0.39%, 0.31%

LAB 30.07, 34.39, -17.78

 

CMYK 51 / 56 / 0 / 57

HEX #35306D

RGB 53 48 109

HSL 244.92, 0.39%, 0.31%

LAB 23.59, 20.21, -34.94

 

CMYK 56 / 56 / 0 / 57

HEX #30306D

RGB 48 48 109

HSL 240, 0.39%, 0.31%

LAB 23.16, 19.02, -35.66

 

CMYK 51 / 56 / 0 / 57

HEX #35306D

RGB 53 48 109

HSL 244.92, 0.39%, 0.31%

LAB 23.59, 20.21, -34.94

 

CMYK 66 / 71 / 0 / 52

HEX #2A237A

RGB 42 35 122

HSL 244.83, 0.55%, 0.31%

LAB 20.44, 31.14, -48.43

 

CMYK 77 / 84 / 0 / 47

HEX #1F1687

RGB 31 22 135

HSL 244.78, 0.72%, 0.31%

LAB 18.43, 41.72, -60.01

 

CMYK 86 / 94 / 0 / 42

HEX #150994

RGB 21 9 148

HSL 245.18, 0.89%, 0.31%

LAB 17.89, 50.24, -69.05

 

CMYK 51 / 56 / 0 / 57

HEX #35306D

RGB 53 48 109

HSL 244.92, 0.39%, 0.31%

LAB 23.59, 20.21, -34.94

 

CMYK 35 / 37 / 0 / 62

HEX #3F3D61

RGB 63 61 97

HSL 243.33, 0.23%, 0.31%

LAB 27.46, 10.4, -21

 

CMYK 12 / 13 / 0 / 67

HEX #4A4954

RGB 74 73 84

HSL 245.45, 0.07%, 0.31%

LAB 31.49, 2.95, -6.37

 

CMYK 1 / 0 / 17 / 66

HEX #555647

RGB 85 86 71

HSL 64, 0.1%, 0.31%

LAB 36.06, -3.38, 8.62

 

CMYK 3 / 0 / 41 / 61

HEX #60633A

RGB 96 99 58

HSL 64.39, 0.26%, 0.31%

LAB 40.76, -8.23, 22.9

 

CMYK 56 / 30 / 0 / 57

HEX #304C6D

RGB 48 76 109

HSL 212.46, 0.39%, 0.31%

LAB 31.58, 0.04, -22.29

 

CMYK 56 / 45 / 0 / 57

HEX #303C6D

RGB 48 60 109

HSL 228.2, 0.39%, 0.31%

LAB 26.63, 10.74, -30.09

 

CMYK 52 / 56 / 0 / 57

HEX #34306D

RGB 52 48 109

HSL 243.93, 0.39%, 0.31%

LAB 23.5, 19.96, -35.09

 

CMYK 38 / 56 / 0 / 57

HEX #44306D

RGB 68 48 109

HSL 259.67, 0.39%, 0.31%

LAB 25.1, 24.14, -32.44

 

CMYK 22 / 56 / 0 / 57

HEX #55306D

RGB 85 48 109

HSL 276.39, 0.39%, 0.31%

LAB 27.16, 29.05, -29.03

 

CMYK 52 / 56 / 0 / 80

HEX #191734

RGB 25 23 52

HSL 244.14, 0.39%, 0.15%

LAB 9.54, 10.31, -18.85

 

CMYK 52 / 57 / 0 / 68

HEX #272351

RGB 39 35 81

HSL 245.22, 0.4%, 0.23%

LAB 16.64, 15.97, -27.7

 

CMYK 51 / 56 / 0 / 57

HEX #35306D

RGB 53 48 109

HSL 244.92, 0.39%, 0.31%

LAB 23.59, 20.21, -34.94

 

CMYK 51 / 57 / 0 / 46

HEX #433C8A

RGB 67 60 138

HSL 245.38, 0.39%, 0.39%

LAB 30.06, 25.22, -42.74

 

CMYK 51 / 56 / 0 / 35

HEX #5149A7

RGB 81 73 167

HSL 245.11, 0.39%, 0.47%

LAB 36.56, 29.39, -49.79

 

CMYK 51 / 56 / 0 / 57

HEX #35306D

RGB 53 48 109

HSL 244.92, 0.39%, 0.31%

LAB 23.59, 20.21, -34.94

 

CMYK 0 / 56 / 15 / 57

HEX #6D305D

RGB 109 48 93

HSL 315.74, 0.39%, 0.31%

LAB 29.8, 33.31, -14.33

 

CMYK 38 / 0 / 56 / 57

HEX #446D30

RGB 68 109 48

HSL 100.33, 0.39%, 0.31%

LAB 41.81, -26.6, 29.3

 

CMYK 51 / 56 / 0 / 57

HEX #35306D

RGB 53 48 109

HSL 244.92, 0.39%, 0.31%

LAB 23.59, 20.21, -34.94

 

CMYK 0 / 52 / 56 / 57

HEX #6D3430

RGB 109 52 48

HSL 3.93, 0.39%, 0.31%

LAB 29.21, 24.87, 14.28

 

CMYK 56 / 0 / 52 / 57

HEX #306D34

RGB 48 109 52

HSL 123.93, 0.39%, 0.31%

LAB 40.92, -32.73, 25.83

 

CMYK 51 / 56 / 0 / 57

HEX #35306D

RGB 53 48 109

HSL 244.92, 0.39%, 0.31%

LAB 23.59, 20.21, -34.94

 

CMYK 0 / 56 / 15 / 57

HEX #6D305D

RGB 109 48 93

HSL 315.74, 0.39%, 0.31%

LAB 29.8, 33.31, -14.33

 

CMYK 4 / 0 / 56 / 57

HEX #696D30

RGB 105 109 48

HSL 63.93, 0.39%, 0.31%

LAB 44.45, -10.95, 33.07

 

CMYK 56 / 0 / 41 / 57

HEX #306D40

RGB 48 109 64

HSL 135.74, 0.39%, 0.31%

LAB 41.11, -30.65, 19.31

 

CMYK 51 / 56 / 0 / 57

HEX #35306D

RGB 53 48 109

HSL 244.92, 0.39%, 0.31%

LAB 23.59, 20.21, -34.94

 

CMYK 0 / 56 / 32 / 57

HEX #6D304A

RGB 109 48 74

HSL 334.43, 0.39%, 0.31%

LAB 29.06, 30.26, -3.03

 

CMYK 4 / 0 / 56 / 57

HEX #696D30

RGB 105 109 48

HSL 63.93, 0.39%, 0.31%

LAB 44.45, -10.95, 33.07

 

CMYK 56 / 0 / 24 / 57

HEX #306D53

RGB 48 109 83

HSL 154.43, 0.39%, 0.31%

LAB 41.52, -26.55, 8.63

 

Description

Color code: HEX #35306D | qconv.com Color code: HEX #35306D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 48 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 48 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 56 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 56% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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