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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #352143 it is the complementary color #CADEBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #352143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #352143 shade: #3A213E, #4B3351, #5C4564, #6D5777 and #7E698A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #352143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #352143 shade: #352143, #240F30, #13001D and #02000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #352143 shade: #362144, #3F2144, #44213F, #442136 and #44212D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #352143 shade: #362144, #2C2144, #232144 and #212144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #352143 shade matches the following richer shades: #362144, #37194C, #381154, #3A085D and #3B0065

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #352143 shade: #362144, #34293C, #333233, #313A2B and #304223

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #352143 shade: #232144, #2C2144, #352144, #3F2144 and #442140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #352143 shade: #0A060D, #201428, #362144, #4B2F5F and #613C7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #352143 shade: #352143, #442129 and #214428

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #352143 shade: #352143, #443521 and #214435

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #352143 shade: #352143, #442129, #304421 and #21443C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #352143 shade: #352143, #442421, #304421 and #214144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 51 / 0 / 74

HEX #352143

RGB 53 33 67

HSL 275.29, 0.34%, 0.2%

LAB 16.75, 17.3, -17.85

 

Complementary color

CMYK 9 / 0 / 15 / 13

HEX #CADEBC

RGB 202 222 188

HSL 95.29, 0.34%, 0.8%

LAB 86.22, -12.75, 14.45

 

CMYK 6 / 47 / 0 / 76

HEX #3A213E

RGB 58 33 62

HSL 291.72, 0.31%, 0.19%

LAB 17.16, 17.83, -13.69

 

CMYK 7 / 37 / 0 / 68

HEX #4B3351

RGB 75 51 81

HSL 288, 0.23%, 0.26%

LAB 25.13, 16.94, -14.06

 

CMYK 8 / 31 / 0 / 61

HEX #5C4564

RGB 92 69 100

HSL 284.52, 0.18%, 0.33%

LAB 32.81, 16.15, -14.39

 

CMYK 8 / 27 / 0 / 53

HEX #6D5777

RGB 109 87 119

HSL 281.25, 0.16%, 0.4%

LAB 40.25, 15.47, -14.72

 

CMYK 9 / 24 / 0 / 46

HEX #7E698A

RGB 126 105 138

HSL 278.18, 0.14%, 0.48%

LAB 47.46, 14.88, -15.05

 

CMYK 21 / 51 / 0 / 74

HEX #352143

RGB 53 33 67

HSL 275.29, 0.34%, 0.2%

LAB 16.75, 17.3, -17.85

 

CMYK 25 / 69 / 0 / 81

HEX #240F30

RGB 36 15 48

HSL 278.18, 0.52%, 0.12%

LAB 8.4, 18.34, -17.67

 

CMYK 34 / 100 / 0 / 89

HEX #13001D

RGB 19 0 29

HSL 279.31, 1%, 0.06%

LAB 2.05, 11.24, -13.14

 

CMYK 80 / 100 / 0 / 96

HEX #02000A

RGB 2 0 10

HSL 252, 1%, 0.02%

LAB 0.31, 1.91, -3.6

 

CMYK 21 / 51 / 0 / 73

HEX #362144

RGB 54 33 68

HSL 276, 0.35%, 0.2%

LAB 16.94, 17.93, -18.23

 

CMYK 7 / 51 / 0 / 73

HEX #3F2144

RGB 63 33 68

HSL 291.43, 0.35%, 0.2%

LAB 18.2, 21.09, -16.17

 

CMYK 0 / 51 / 7 / 73

HEX #44213F

RGB 68 33 63

HSL 308.57, 0.35%, 0.2%

LAB 18.69, 21.8, -11.88

 

CMYK 0 / 51 / 21 / 73

HEX #442136

RGB 68 33 54

HSL 324, 0.35%, 0.2%

LAB 18.29, 20.02, -6.23

 

CMYK 0 / 51 / 34 / 73

HEX #44212D

RGB 68 33 45

HSL 339.43, 0.35%, 0.2%

LAB 17.95, 18.45, -0.41

 

CMYK 21 / 51 / 0 / 73

HEX #362144

RGB 54 33 68

HSL 276, 0.35%, 0.2%

LAB 16.94, 17.93, -18.23

 

CMYK 35 / 51 / 0 / 73

HEX #2C2144

RGB 44 33 68

HSL 258.86, 0.35%, 0.2%

LAB 15.7, 14.52, -20.27

 

CMYK 49 / 51 / 0 / 73

HEX #232144

RGB 35 33 68

HSL 243.43, 0.35%, 0.2%

LAB 14.75, 11.68, -21.84

 

CMYK 51 / 51 / 0 / 73

HEX #212144

RGB 33 33 68

HSL 240, 0.35%, 0.2%

LAB 14.56, 11.08, -22.15

 

CMYK 21 / 51 / 0 / 73

HEX #362144

RGB 54 33 68

HSL 276, 0.35%, 0.2%

LAB 16.94, 17.93, -18.23

 

CMYK 28 / 67 / 0 / 70

HEX #37194C

RGB 55 25 76

HSL 275.29, 0.5%, 0.2%

LAB 15.64, 25.54, -25.79

 

CMYK 33 / 80 / 0 / 67

HEX #381154

RGB 56 17 84

HSL 274.93, 0.66%, 0.2%

LAB 14.85, 32.26, -32.51

 

CMYK 38 / 91 / 0 / 64

HEX #3A085D

RGB 58 8 93

HSL 275.29, 0.84%, 0.2%

LAB 14.75, 38.52, -38.73

 

CMYK 42 / 100 / 0 / 60

HEX #3B0065

RGB 59 0 101

HSL 275.05, 1%, 0.2%

LAB 14.79, 43.4, -44

 

CMYK 21 / 51 / 0 / 73

HEX #362144

RGB 54 33 68

HSL 276, 0.35%, 0.2%

LAB 16.94, 17.93, -18.23

 

CMYK 13 / 32 / 0 / 76

HEX #34293C

RGB 52 41 60

HSL 274.74, 0.19%, 0.2%

LAB 18.55, 9.53, -10.22

 

CMYK 0 / 2 / 0 / 80

HEX #333233

RGB 51 50 51

HSL 300, 0.01%, 0.2%

LAB 20.92, 0.67, -0.48

 

CMYK 16 / 0 / 26 / 77

HEX #313A2B

RGB 49 58 43

HSL 96, 0.15%, 0.2%

LAB 23.18, -7.17, 8.1

 

CMYK 27 / 0 / 47 / 74

HEX #304223

RGB 48 66 35

HSL 94.84, 0.31%, 0.2%

LAB 25.7, -13.87, 16.58

 

CMYK 49 / 51 / 0 / 73

HEX #232144

RGB 35 33 68

HSL 243.43, 0.35%, 0.2%

LAB 14.75, 11.68, -21.84

 

CMYK 35 / 51 / 0 / 73

HEX #2C2144

RGB 44 33 68

HSL 258.86, 0.35%, 0.2%

LAB 15.7, 14.52, -20.27

 

CMYK 22 / 51 / 0 / 73

HEX #352144

RGB 53 33 68

HSL 274.29, 0.35%, 0.2%

LAB 16.81, 17.58, -18.45

 

CMYK 7 / 51 / 0 / 73

HEX #3F2144

RGB 63 33 68

HSL 291.43, 0.35%, 0.2%

LAB 18.2, 21.09, -16.17

 

CMYK 0 / 51 / 6 / 73

HEX #442140

RGB 68 33 64

HSL 306.86, 0.35%, 0.2%

LAB 18.74, 22.01, -12.5

 

CMYK 23 / 54 / 0 / 95

HEX #0A060D

RGB 10 6 13

HSL 274.29, 0.37%, 0.04%

LAB 2.02, 2.06, -2.38

 

CMYK 20 / 50 / 0 / 84

HEX #201428

RGB 32 20 40

HSL 276, 0.33%, 0.12%

LAB 8.66, 11.06, -11.36

 

CMYK 21 / 51 / 0 / 73

HEX #362144

RGB 54 33 68

HSL 276, 0.35%, 0.2%

LAB 16.94, 17.93, -18.23

 

CMYK 21 / 51 / 0 / 63

HEX #4B2F5F

RGB 75 47 95

HSL 275, 0.34%, 0.28%

LAB 24.81, 22.99, -23.76

 

CMYK 21 / 51 / 0 / 52

HEX #613C7B

RGB 97 60 123

HSL 275.24, 0.34%, 0.36%

LAB 32.27, 28.95, -29.7

 

CMYK 21 / 51 / 0 / 74

HEX #352143

RGB 53 33 67

HSL 275.29, 0.34%, 0.2%

LAB 16.75, 17.3, -17.85

 

CMYK 0 / 51 / 40 / 73

HEX #442129

RGB 68 33 41

HSL 346.29, 0.35%, 0.2%

LAB 17.81, 17.83, 2.22

 

CMYK 51 / 0 / 41 / 73

HEX #214428

RGB 33 68 40

HSL 132, 0.35%, 0.2%

LAB 25.6, -19.93, 13.14

 

CMYK 21 / 51 / 0 / 74

HEX #352143

RGB 53 33 67

HSL 275.29, 0.34%, 0.2%

LAB 16.75, 17.3, -17.85

 

CMYK 0 / 22 / 51 / 73

HEX #443521

RGB 68 53 33

HSL 34.29, 0.35%, 0.2%

LAB 23.29, 3.58, 15.13

 

CMYK 51 / 0 / 22 / 73

HEX #214435

RGB 33 68 53

HSL 154.29, 0.35%, 0.2%

LAB 25.91, -16.91, 5.2

 

CMYK 21 / 51 / 0 / 74

HEX #352143

RGB 53 33 67

HSL 275.29, 0.34%, 0.2%

LAB 16.75, 17.3, -17.85

 

CMYK 0 / 51 / 40 / 73

HEX #442129

RGB 68 33 41

HSL 346.29, 0.35%, 0.2%

LAB 17.81, 17.83, 2.22

 

CMYK 29 / 0 / 51 / 73

HEX #304421

RGB 48 68 33

HSL 94.29, 0.35%, 0.2%

LAB 26.37, -15.32, 18.64

 

CMYK 51 / 0 / 12 / 73

HEX #21443C

RGB 33 68 60

HSL 166.29, 0.35%, 0.2%

LAB 26.11, -15, 0.92

 

CMYK 21 / 51 / 0 / 74

HEX #352143

RGB 53 33 67

HSL 275.29, 0.34%, 0.2%

LAB 16.75, 17.3, -17.85

 

CMYK 0 / 47 / 51 / 73

HEX #442421

RGB 68 36 33

HSL 5.14, 0.35%, 0.2%

LAB 18.37, 14.8, 8.61

 

CMYK 29 / 0 / 51 / 73

HEX #304421

RGB 48 68 33

HSL 94.29, 0.35%, 0.2%

LAB 26.37, -15.32, 18.64

 

CMYK 51 / 4 / 0 / 73

HEX #214144

RGB 33 65 68

HSL 185.14, 0.35%, 0.2%

LAB 25.32, -10.82, -5.5

 

Description

Color code: HEX #352143 | qconv.com Color code: HEX #352143 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 33 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 33 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 51 magenta, none yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 51% 0% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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