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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34FDB0 it is the complementary color #CB024F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34FDB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34FDB0 shade: #39FDAB, #4AFFBE, #5BFFD1, #6CFFE4 and #7DFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34FDB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34FDB0 shade: #34FDB0, #23EB9D, #12D98A, #01C777 and #00B564

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34FDB0 shade: #35FCB0, #35FC7A, #35FC44, #5BFC35 and #91FC35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34FDB0 shade: #35FCB0, #35FCE6, #35DDFC, #35A7FC and #3571FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34FDB0 shade matches the following richer shades: #35FCB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34FDB0 shade: #35FCB0, #45ECAC, #56DBA8, #66CBA4 and #77BAA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34FDB0 shade: #35FC45, #35FC7B, #35FCB0, #35FCE5 and #35DEFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34FDB0 shade: #02DD89, #0CFCA0, #35FCB0, #5DFDC0 and #86FDD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34FDB0 shade: #34FDB0, #3559FC and #FC6035

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34FDB0 shade: #34FDB0, #B035FC and #FCB035

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34FDB0 shade: #34FDB0, #3559FC, #FC3581 and #FCD835

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34FDB0 shade: #34FDB0, #4C35FC, #FC3581 and #E5FC35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 30 / 1

HEX #34FDB0

RGB 52 253 176

HSL 157.01, 0.98%, 0.6%

LAB 88.98, -64.59, 23.63

 

Complementary color

CMYK 0 / 99 / 61 / 20

HEX #CB024F

RGB 203 2 79

HSL 337.01, 0.98%, 0.4%

LAB 43.22, 69.58, 16.32

 

CMYK 77 / 0 / 32 / 1

HEX #39FDAB

RGB 57 253 171

HSL 154.9, 0.98%, 0.61%

LAB 88.95, -65.11, 26.14

 

CMYK 71 / 0 / 25 / 0

HEX #4AFFBE

RGB 74 255 190

HSL 158.45, 1%, 0.65%

LAB 90.18, -59.84, 18.2

 

CMYK 64 / 0 / 18 / 0

HEX #5BFFD1

RGB 91 255 209

HSL 163.17, 1%, 0.68%

LAB 90.94, -53.1, 9.55

 

CMYK 58 / 0 / 11 / 0

HEX #6CFFE4

RGB 108 255 228

HSL 168.98, 1%, 0.71%

LAB 91.82, -45.72, 1.06

 

CMYK 51 / 0 / 3 / 0

HEX #7DFFF7

RGB 125 255 247

HSL 176.31, 1%, 0.75%

LAB 92.84, -37.82, -7.22

 

CMYK 79 / 0 / 30 / 1

HEX #34FDB0

RGB 52 253 176

HSL 157.01, 0.98%, 0.6%

LAB 88.98, -64.59, 23.63

 

CMYK 85 / 0 / 33 / 8

HEX #23EB9D

RGB 35 235 157

HSL 156.6, 0.83%, 0.53%

LAB 83.02, -63.44, 25.16

 

CMYK 92 / 0 / 36 / 15

HEX #12D98A

RGB 18 217 138

HSL 156.18, 0.85%, 0.46%

LAB 77.03, -61.91, 26.83

 

CMYK 99 / 0 / 40 / 22

HEX #01C777

RGB 1 199 119

HSL 155.76, 0.99%, 0.39%

LAB 71, -60, 28.61

 

CMYK 100 / 0 / 45 / 29

HEX #00B564

RGB 0 181 100

HSL 153.15, 1%, 0.35%

LAB 64.94, -57.42, 30.56

 

CMYK 79 / 0 / 30 / 1

HEX #35FCB0

RGB 53 252 176

HSL 157.09, 0.97%, 0.6%

LAB 88.69, -64.13, 23.24

 

CMYK 79 / 0 / 52 / 1

HEX #35FC7A

RGB 53 252 122

HSL 140.8, 0.97%, 0.6%

LAB 87.86, -73.65, 48.69

 

CMYK 79 / 0 / 73 / 1

HEX #35FC44

RGB 53 252 68

HSL 124.52, 0.97%, 0.6%

LAB 87.39, -79.49, 70.21

 

CMYK 64 / 0 / 79 / 1

HEX #5BFC35

RGB 91 252 53

HSL 108.54, 0.97%, 0.6%

LAB 88.02, -74.39, 75.61

 

CMYK 42 / 0 / 79 / 1

HEX #91FC35

RGB 145 252 53

HSL 92.26, 0.97%, 0.6%

LAB 89.81, -60.33, 77.93

 

CMYK 79 / 0 / 30 / 1

HEX #35FCB0

RGB 53 252 176

HSL 157.09, 0.97%, 0.6%

LAB 88.69, -64.13, 23.24

 

CMYK 79 / 0 / 9 / 1

HEX #35FCE6

RGB 53 252 230

HSL 173.37, 0.97%, 0.6%

LAB 89.9, -51.34, -2.92

 

CMYK 79 / 12 / 0 / 1

HEX #35DDFC

RGB 53 221 252

HSL 189.35, 0.97%, 0.6%

LAB 81.56, -31.14, -26.97

 

CMYK 79 / 34 / 0 / 1

HEX #35A7FC

RGB 53 167 252

HSL 205.63, 0.97%, 0.6%

LAB 66.08, -2.86, -51.06

 

CMYK 79 / 55 / 0 / 1

HEX #3571FC

RGB 53 113 252

HSL 221.91, 0.97%, 0.6%

LAB 51.38, 29.7, -74.65

 

CMYK 79 / 0 / 30 / 1

HEX #35FCB0

RGB 53 252 176

HSL 157.09, 0.97%, 0.6%

LAB 88.69, -64.13, 23.24

 

CMYK 79 / 0 / 30 / 1

HEX #35FCB0

RGB 53 252 176

HSL 157.09, 0.97%, 0.6%

LAB 88.69, -64.13, 23.24

 

CMYK 71 / 0 / 27 / 7

HEX #45ECAC

RGB 69 236 172

HSL 157.01, 0.81%, 0.6%

LAB 84.09, -57.04, 18.96

 

CMYK 61 / 0 / 23 / 14

HEX #56DBA8

RGB 86 219 168

HSL 156.99, 0.65%, 0.6%

LAB 79.31, -48.26, 14.43

 

CMYK 50 / 0 / 19 / 20

HEX #66CBA4

RGB 102 203 164

HSL 156.83, 0.49%, 0.6%

LAB 74.96, -38.76, 10.48

 

CMYK 36 / 0 / 14 / 27

HEX #77BAA0

RGB 119 186 160

HSL 156.72, 0.33%, 0.6%

LAB 70.58, -27.13, 6.49

 

CMYK 79 / 0 / 73 / 1

HEX #35FC45

RGB 53 252 69

HSL 124.82, 0.97%, 0.6%

LAB 87.39, -79.41, 69.88

 

CMYK 79 / 0 / 51 / 1

HEX #35FC7B

RGB 53 252 123

HSL 141.11, 0.97%, 0.6%

LAB 87.88, -73.5, 48.24

 

CMYK 79 / 0 / 30 / 1

HEX #35FCB0

RGB 53 252 176

HSL 157.09, 0.97%, 0.6%

LAB 88.69, -64.13, 23.24

 

CMYK 79 / 0 / 9 / 1

HEX #35FCE5

RGB 53 252 229

HSL 173.07, 0.97%, 0.6%

LAB 89.88, -51.6, -2.44

 

CMYK 79 / 12 / 0 / 1

HEX #35DEFC

RGB 53 222 252

HSL 189.05, 0.97%, 0.6%

LAB 81.85, -31.62, -26.53

 

CMYK 99 / 0 / 38 / 13

HEX #02DD89

RGB 2 221 137

HSL 156.99, 0.98%, 0.44%

LAB 78.19, -64.06, 28.87

 

CMYK 95 / 0 / 37 / 1

HEX #0CFCA0

RGB 12 252 160

HSL 157, 0.98%, 0.52%

LAB 88.08, -69.9, 30.45

 

CMYK 79 / 0 / 30 / 1

HEX #35FCB0

RGB 53 252 176

HSL 157.09, 0.97%, 0.6%

LAB 88.69, -64.13, 23.24

 

CMYK 63 / 0 / 24 / 1

HEX #5DFDC0

RGB 93 253 192

HSL 157.13, 0.98%, 0.68%

LAB 90.04, -55.72, 17.03

 

CMYK 47 / 0 / 18 / 1

HEX #86FDD0

RGB 134 253 208

HSL 157.31, 0.97%, 0.76%

LAB 91.63, -43.9, 11.22

 

CMYK 79 / 0 / 30 / 1

HEX #34FDB0

RGB 52 253 176

HSL 157.01, 0.98%, 0.6%

LAB 88.98, -64.59, 23.63

 

CMYK 79 / 65 / 0 / 1

HEX #3559FC

RGB 53 89 252

HSL 229.15, 0.97%, 0.6%

LAB 45.54, 44.56, -84.19

 

CMYK 0 / 62 / 79 / 1

HEX #FC6035

RGB 252 96 53

HSL 12.96, 0.97%, 0.6%

LAB 61.06, 57.45, 54.08

 

CMYK 79 / 0 / 30 / 1

HEX #34FDB0

RGB 52 253 176

HSL 157.01, 0.98%, 0.6%

LAB 88.98, -64.59, 23.63

 

CMYK 30 / 79 / 0 / 1

HEX #B035FC

RGB 176 53 252

HSL 277.09, 0.97%, 0.6%

LAB 50.46, 77.8, -75.71

 

CMYK 0 / 30 / 79 / 1

HEX #FCB035

RGB 252 176 53

HSL 37.09, 0.97%, 0.6%

LAB 77.28, 17.86, 69.3

 

CMYK 79 / 0 / 30 / 1

HEX #34FDB0

RGB 52 253 176

HSL 157.01, 0.98%, 0.6%

LAB 88.98, -64.59, 23.63

 

CMYK 79 / 65 / 0 / 1

HEX #3559FC

RGB 53 89 252

HSL 229.15, 0.97%, 0.6%

LAB 45.54, 44.56, -84.19

 

CMYK 0 / 79 / 49 / 1

HEX #FC3581

RGB 252 53 129

HSL 337.09, 0.97%, 0.6%

LAB 56.91, 76.54, 6.3

 

CMYK 0 / 14 / 79 / 1

HEX #FCD835

RGB 252 216 53

HSL 49.15, 0.97%, 0.6%

LAB 87.03, -2.8, 78.03

 

CMYK 79 / 0 / 30 / 1

HEX #34FDB0

RGB 52 253 176

HSL 157.01, 0.98%, 0.6%

LAB 88.98, -64.59, 23.63

 

CMYK 70 / 79 / 0 / 1

HEX #4C35FC

RGB 76 53 252

HSL 246.93, 0.97%, 0.6%

LAB 39.77, 65.8, -93.67

 

CMYK 0 / 79 / 49 / 1

HEX #FC3581

RGB 252 53 129

HSL 337.09, 0.97%, 0.6%

LAB 56.91, 76.54, 6.3

 

CMYK 9 / 0 / 79 / 1

HEX #E5FC35

RGB 229 252 53

HSL 66.93, 0.97%, 0.6%

LAB 94.54, -29.79, 83.96

 

Description

Color code: HEX #34FDB0 | qconv.com Color code: HEX #34FDB0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 253 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 253 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 30 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 30% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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