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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34EC7E it is the complementary color #CB1381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34EC7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34EC7E shade: #39EC79, #4AFE8C, #5BFF9F, #6CFFB2 and #7DFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34EC7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34EC7E shade: #34EC7E, #23DA6B, #12C858, #01B645 and #00A432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34EC7E shade: #31EB7C, #31EB4A, #4BEB31, #7DEB31 and #AFEB31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34EC7E shade: #31EB7C, #31EBAE, #31EBE1, #31C4EB and #3192EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34EC7E shade matches the following richer shades: #31EB7C and #1FFE79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34EC7E shade: #31EB7C, #43D980, #55C783, #68B587 and #7AA38A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34EC7E shade: #4AEB31, #31EB4A, #31EB7C, #31EBAD and #31EBDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34EC7E shade: #11B955, #14DF66, #31EB7C, #57EF94 and #7DF2AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34EC7E shade: #34EC7E, #317CEB and #EB3131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34EC7E shade: #34EC7E, #7C31EB and #EB7C31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34EC7E shade: #34EC7E, #317CEB, #EB31A1 and #EBA131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34EC7E shade: #34EC7E, #3144EB, #EB31A1 and #EBD931

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 47 / 7

HEX #34EC7E

RGB 52 236 126

HSL 144.13, 0.83%, 0.56%

LAB 83.03, -67.88, 40.76

 

Complementary color

CMYK 0 / 91 / 36 / 20

HEX #CB1381

RGB 203 19 129

HSL 324.13, 0.83%, 0.44%

LAB 45.29, 71.76, -11.86

 

CMYK 76 / 0 / 49 / 7

HEX #39EC79

RGB 57 236 121

HSL 141.45, 0.82%, 0.57%

LAB 83.04, -68.06, 43.2

 

CMYK 71 / 0 / 45 / 0

HEX #4AFE8C

RGB 74 254 140

HSL 142, 0.99%, 0.64%

LAB 89.03, -68.89, 41.69

 

CMYK 64 / 0 / 38 / 0

HEX #5BFF9F

RGB 91 255 159

HSL 144.88, 1%, 0.68%

LAB 89.97, -63.28, 33.65

 

CMYK 58 / 0 / 30 / 0

HEX #6CFFB2

RGB 108 255 178

HSL 148.57, 1%, 0.71%

LAB 90.74, -56.53, 25.22

 

CMYK 51 / 0 / 23 / 0

HEX #7DFFC5

RGB 125 255 197

HSL 153.23, 1%, 0.75%

LAB 91.64, -49.12, 16.86

 

CMYK 78 / 0 / 47 / 7

HEX #34EC7E

RGB 52 236 126

HSL 144.13, 0.83%, 0.56%

LAB 83.03, -67.88, 40.76

 

CMYK 84 / 0 / 51 / 15

HEX #23DA6B

RGB 35 218 107

HSL 143.61, 0.72%, 0.5%

LAB 77.02, -66.6, 42.37

 

CMYK 91 / 0 / 56 / 22

HEX #12C858

RGB 18 200 88

HSL 143.08, 0.83%, 0.43%

LAB 70.97, -64.81, 44.03

 

CMYK 99 / 0 / 62 / 29

HEX #01B645

RGB 1 182 69

HSL 142.54, 0.99%, 0.36%

LAB 64.88, -62.46, 45.64

 

CMYK 100 / 0 / 70 / 36

HEX #00A432

RGB 0 164 50

HSL 138.29, 1%, 0.32%

LAB 58.77, -59.17, 47.09

 

CMYK 79 / 0 / 47 / 8

HEX #31EB7C

RGB 49 235 124

HSL 144.19, 0.82%, 0.56%

LAB 82.66, -68.2, 41.25

 

CMYK 79 / 0 / 69 / 8

HEX #31EB4A

RGB 49 235 74

HSL 128.06, 0.82%, 0.56%

LAB 82.14, -74.44, 62.65

 

CMYK 68 / 0 / 79 / 8

HEX #4BEB31

RGB 75 235 49

HSL 111.61, 0.82%, 0.56%

LAB 82.45, -72.35, 71.37

 

CMYK 47 / 0 / 79 / 8

HEX #7DEB31

RGB 125 235 49

HSL 95.48, 0.82%, 0.56%

LAB 83.96, -60.23, 73.32

 

CMYK 26 / 0 / 79 / 8

HEX #AFEB31

RGB 175 235 49

HSL 79.35, 0.82%, 0.56%

LAB 86.38, -43.29, 76.42

 

CMYK 79 / 0 / 47 / 8

HEX #31EB7C

RGB 49 235 124

HSL 144.19, 0.82%, 0.56%

LAB 82.66, -68.2, 41.25

 

CMYK 79 / 0 / 26 / 8

HEX #31EBAE

RGB 49 235 174

HSL 160.32, 0.82%, 0.56%

LAB 83.51, -58.6, 17.07

 

CMYK 79 / 0 / 4 / 8

HEX #31EBE1

RGB 49 235 225

HSL 176.77, 0.82%, 0.56%

LAB 84.74, -45.8, -7.92

 

CMYK 79 / 17 / 0 / 8

HEX #31C4EB

RGB 49 196 235

HSL 192.58, 0.82%, 0.56%

LAB 73.63, -24.57, -30.05

 

CMYK 79 / 38 / 0 / 8

HEX #3192EB

RGB 49 146 235

HSL 208.71, 0.82%, 0.56%

LAB 59.17, 2.81, -52.7

 

CMYK 79 / 0 / 47 / 8

HEX #31EB7C

RGB 49 235 124

HSL 144.19, 0.82%, 0.56%

LAB 82.66, -68.2, 41.25

 

CMYK 88 / 0 / 52 / 0

HEX #1FFE79

RGB 31 254 121

HSL 144.22, 0.99%, 0.56%

LAB 88.24, -76.3, 49.55

 

CMYK 79 / 0 / 47 / 8

HEX #31EB7C

RGB 49 235 124

HSL 144.19, 0.82%, 0.56%

LAB 82.66, -68.2, 41.25

 

CMYK 69 / 0 / 41 / 15

HEX #43D980

RGB 67 217 128

HSL 144.4, 0.66%, 0.56%

LAB 77.51, -58.78, 32.69

 

CMYK 57 / 0 / 34 / 22

HEX #55C783

RGB 85 199 131

HSL 144.21, 0.5%, 0.56%

LAB 72.51, -47.75, 24.58

 

CMYK 43 / 0 / 25 / 29

HEX #68B587

RGB 104 181 135

HSL 144.16, 0.34%, 0.56%

LAB 67.83, -34.25, 16.14

 

CMYK 25 / 0 / 15 / 36

HEX #7AA38A

RGB 122 163 138

HSL 143.41, 0.18%, 0.56%

LAB 63.48, -19.22, 8.51

 

CMYK 69 / 0 / 79 / 8

HEX #4AEB31

RGB 74 235 49

HSL 111.94, 0.82%, 0.56%

LAB 82.43, -72.54, 71.34

 

CMYK 79 / 0 / 69 / 8

HEX #31EB4A

RGB 49 235 74

HSL 128.06, 0.82%, 0.56%

LAB 82.14, -74.44, 62.65

 

CMYK 79 / 0 / 47 / 8

HEX #31EB7C

RGB 49 235 124

HSL 144.19, 0.82%, 0.56%

LAB 82.66, -68.2, 41.25

 

CMYK 79 / 0 / 26 / 8

HEX #31EBAD

RGB 49 235 173

HSL 160, 0.82%, 0.56%

LAB 83.49, -58.82, 17.56

 

CMYK 79 / 0 / 5 / 8

HEX #31EBDF

RGB 49 235 223

HSL 176.13, 0.82%, 0.56%

LAB 84.69, -46.35, -6.95

 

CMYK 91 / 0 / 54 / 27

HEX #11B955

RGB 17 185 85

HSL 144.29, 0.83%, 0.4%

LAB 66.12, -60.47, 39.61

 

CMYK 91 / 0 / 54 / 13

HEX #14DF66

RGB 20 223 102

HSL 144.24, 0.84%, 0.48%

LAB 78.39, -69.97, 46.4

 

CMYK 79 / 0 / 47 / 8

HEX #31EB7C

RGB 49 235 124

HSL 144.19, 0.82%, 0.56%

LAB 82.66, -68.2, 41.25

 

CMYK 64 / 0 / 38 / 6

HEX #57EF94

RGB 87 239 148

HSL 144.08, 0.83%, 0.64%

LAB 84.94, -59.97, 32.47

 

CMYK 48 / 0 / 29 / 5

HEX #7DF2AC

RGB 125 242 172

HSL 144.1, 0.82%, 0.72%

LAB 87.41, -48.51, 23.79

 

CMYK 78 / 0 / 47 / 7

HEX #34EC7E

RGB 52 236 126

HSL 144.13, 0.83%, 0.56%

LAB 83.03, -67.88, 40.76

 

CMYK 79 / 47 / 0 / 8

HEX #317CEB

RGB 49 124 235

HSL 215.81, 0.82%, 0.56%

LAB 53.02, 16.18, -62.53

 

CMYK 0 / 79 / 79 / 8

HEX #EB3131

RGB 235 49 49

HSL 0, 0.82%, 0.56%

LAB 51.93, 68.68, 46.03

 

CMYK 78 / 0 / 47 / 7

HEX #34EC7E

RGB 52 236 126

HSL 144.13, 0.83%, 0.56%

LAB 83.03, -67.88, 40.76

 

CMYK 47 / 79 / 0 / 8

HEX #7C31EB

RGB 124 49 235

HSL 264.19, 0.82%, 0.56%

LAB 41.97, 67.94, -80.31

 

CMYK 0 / 47 / 79 / 8

HEX #EB7C31

RGB 235 124 49

HSL 24.19, 0.82%, 0.56%

LAB 63.59, 37.85, 57.39

 

CMYK 78 / 0 / 47 / 7

HEX #34EC7E

RGB 52 236 126

HSL 144.13, 0.83%, 0.56%

LAB 83.03, -67.88, 40.76

 

CMYK 79 / 47 / 0 / 8

HEX #317CEB

RGB 49 124 235

HSL 215.81, 0.82%, 0.56%

LAB 53.02, 16.18, -62.53

 

CMYK 0 / 79 / 31 / 8

HEX #EB31A1

RGB 235 49 161

HSL 323.87, 0.82%, 0.56%

LAB 54.48, 76.41, -16.58

 

CMYK 0 / 31 / 79 / 8

HEX #EBA131

RGB 235 161 49

HSL 36.13, 0.82%, 0.56%

LAB 71.81, 18.47, 65.02

 

CMYK 78 / 0 / 47 / 7

HEX #34EC7E

RGB 52 236 126

HSL 144.13, 0.83%, 0.56%

LAB 83.03, -67.88, 40.76

 

CMYK 79 / 71 / 0 / 8

HEX #3144EB

RGB 49 68 235

HSL 233.87, 0.82%, 0.56%

LAB 39.22, 50.87, -85.05

 

CMYK 0 / 79 / 31 / 8

HEX #EB31A1

RGB 235 49 161

HSL 323.87, 0.82%, 0.56%

LAB 54.48, 76.41, -16.58

 

CMYK 0 / 8 / 79 / 8

HEX #EBD931

RGB 235 217 49

HSL 54.19, 0.82%, 0.56%

LAB 85.76, -10.59, 77.49

 

Description

Color code: HEX #34EC7E | qconv.com Color code: HEX #34EC7E | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 236 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 236 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 47 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 47% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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