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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34DDAC it is the complementary color #CB2253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34DDAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34DDAC shade: #39DDA7, #4AEFBA, #5BFFCD, #6CFFE0 and #7DFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34DDAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34DDAC shade: #34DDAC, #23CB99, #12B986, #01A773 and #009560

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34DDAC shade: #36DCAC, #36DC7F, #36DC52, #46DC36 and #73DC36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34DDAC shade: #36DCAC, #36DCD9, #36B3DC, #3686DC and #3659DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34DDAC shade matches the following richer shades: #36DCAC and #23EFB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34DDAC shade: #36DCAC, #49CAA4, #5CB79C, #6FA494 and #82918C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34DDAC shade: #36DC52, #36DC7E, #36DCAB, #36DCD7 and #36B6DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34DDAC shade: #1BA47D, #21C897, #36DCAC, #59E2BB and #7CE8C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34DDAC shade: #34DDAC, #3647DC and #DC6836

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34DDAC shade: #34DDAC, #AB36DC and #DCAB36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34DDAC shade: #34DDAC, #3647DC, #DC3668 and #DCCC36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34DDAC shade: #34DDAC, #5736DC, #DC3668 and #BBDC36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 22 / 13

HEX #34DDAC

RGB 52 221 172

HSL 162.6, 0.71%, 0.54%

LAB 79.28, -53.28, 12.18

 

Complementary color

CMYK 0 / 83 / 59 / 20

HEX #CB2253

RGB 203 34 83

HSL 342.6, 0.71%, 0.46%

LAB 44.89, 65.25, 16.08

 

CMYK 74 / 0 / 24 / 13

HEX #39DDA7

RGB 57 221 167

HSL 160.24, 0.71%, 0.55%

LAB 79.26, -53.85, 14.79

 

CMYK 69 / 0 / 22 / 6

HEX #4AEFBA

RGB 74 239 186

HSL 160.73, 0.84%, 0.61%

LAB 85.37, -54.43, 13.5

 

CMYK 64 / 0 / 20 / 0

HEX #5BFFCD

RGB 91 255 205

HSL 161.71, 1%, 0.68%

LAB 90.85, -54.01, 11.49

 

CMYK 58 / 0 / 12 / 0

HEX #6CFFE0

RGB 108 255 224

HSL 167.35, 1%, 0.71%

LAB 91.73, -46.67, 2.99

 

CMYK 51 / 0 / 5 / 0

HEX #7DFFF3

RGB 125 255 243

HSL 174.46, 1%, 0.75%

LAB 92.73, -38.8, -5.31

 

CMYK 76 / 0 / 22 / 13

HEX #34DDAC

RGB 52 221 172

HSL 162.6, 0.71%, 0.54%

LAB 79.28, -53.28, 12.18

 

CMYK 83 / 0 / 25 / 20

HEX #23CB99

RGB 35 203 153

HSL 162.14, 0.71%, 0.47%

LAB 73.13, -52.31, 13.58

 

CMYK 90 / 0 / 28 / 27

HEX #12B986

RGB 18 185 134

HSL 161.68, 0.82%, 0.4%

LAB 66.94, -50.95, 15.13

 

CMYK 99 / 0 / 31 / 35

HEX #01A773

RGB 1 167 115

HSL 161.2, 0.99%, 0.33%

LAB 60.68, -49.2, 16.83

 

CMYK 100 / 0 / 36 / 42

HEX #009560

RGB 0 149 96

HSL 158.66, 1%, 0.29%

LAB 54.39, -46.71, 18.75

 

CMYK 75 / 0 / 22 / 14

HEX #36DCAC

RGB 54 220 172

HSL 162.65, 0.7%, 0.54%

LAB 79.01, -52.66, 11.8

 

CMYK 75 / 0 / 42 / 14

HEX #36DC7F

RGB 54 220 127

HSL 146.39, 0.7%, 0.54%

LAB 78.17, -61.94, 34.02

 

CMYK 75 / 0 / 63 / 14

HEX #36DC52

RGB 54 220 82

HSL 130.12, 0.7%, 0.54%

LAB 77.63, -68.36, 54.53

 

CMYK 68 / 0 / 75 / 14

HEX #46DC36

RGB 70 220 54

HSL 114.22, 0.7%, 0.54%

LAB 77.73, -68.24, 65.3

 

CMYK 48 / 0 / 75 / 14

HEX #73DC36

RGB 115 220 54

HSL 97.95, 0.7%, 0.54%

LAB 79.1, -57.32, 67.1

 

CMYK 75 / 0 / 22 / 14

HEX #36DCAC

RGB 54 220 172

HSL 162.65, 0.7%, 0.54%

LAB 79.01, -52.66, 11.8

 

CMYK 75 / 0 / 1 / 14

HEX #36DCD9

RGB 54 220 217

HSL 178.92, 0.7%, 0.54%

LAB 80.17, -40.96, -10.47

 

CMYK 75 / 19 / 0 / 14

HEX #36B3DC

RGB 54 179 220

HSL 194.82, 0.7%, 0.54%

LAB 68.16, -20.23, -30.31

 

CMYK 75 / 39 / 0 / 14

HEX #3686DC

RGB 54 134 220

HSL 211.08, 0.7%, 0.54%

LAB 55.07, 5.06, -50.84

 

CMYK 75 / 60 / 0 / 14

HEX #3659DC

RGB 54 89 220

HSL 227.35, 0.7%, 0.54%

LAB 42.91, 33.28, -70.46

 

CMYK 75 / 0 / 22 / 14

HEX #36DCAC

RGB 54 220 172

HSL 162.65, 0.7%, 0.54%

LAB 79.01, -52.66, 11.8

 

CMYK 85 / 0 / 25 / 6

HEX #23EFB4

RGB 35 239 180

HSL 162.65, 0.86%, 0.54%

LAB 84.68, -59.91, 15.57

 

CMYK 75 / 0 / 22 / 14

HEX #36DCAC

RGB 54 220 172

HSL 162.65, 0.7%, 0.54%

LAB 79.01, -52.66, 11.8

 

CMYK 64 / 0 / 19 / 21

HEX #49CAA4

RGB 73 202 164

HSL 162.33, 0.55%, 0.54%

LAB 73.76, -44.34, 8.65

 

CMYK 50 / 0 / 15 / 28

HEX #5CB79C

RGB 92 183 156

HSL 162.2, 0.39%, 0.54%

LAB 68.42, -33.78, 5.42

 

CMYK 32 / 0 / 10 / 36

HEX #6FA494

RGB 111 164 148

HSL 161.89, 0.23%, 0.54%

LAB 63.4, -21.13, 2.72

 

CMYK 10 / 0 / 3 / 43

HEX #82918C

RGB 130 145 140

HSL 160, 0.06%, 0.54%

LAB 58.87, -6.41, 0.81

 

CMYK 75 / 0 / 63 / 14

HEX #36DC52

RGB 54 220 82

HSL 130.12, 0.7%, 0.54%

LAB 77.63, -68.36, 54.53

 

CMYK 75 / 0 / 43 / 14

HEX #36DC7E

RGB 54 220 126

HSL 146.02, 0.7%, 0.54%

LAB 78.16, -62.11, 34.5

 

CMYK 75 / 0 / 22 / 14

HEX #36DCAB

RGB 54 220 171

HSL 162.29, 0.7%, 0.54%

LAB 78.99, -52.89, 12.29

 

CMYK 75 / 0 / 2 / 14

HEX #36DCD7

RGB 54 220 215

HSL 178.19, 0.7%, 0.54%

LAB 80.11, -41.52, -9.49

 

CMYK 75 / 17 / 0 / 14

HEX #36B6DC

RGB 54 182 220

HSL 193.73, 0.7%, 0.54%

LAB 69.05, -21.78, -28.95

 

CMYK 84 / 0 / 24 / 36

HEX #1BA47D

RGB 27 164 125

HSL 162.92, 0.72%, 0.37%

LAB 60.13, -44.07, 10.54

 

CMYK 84 / 0 / 25 / 22

HEX #21C897

RGB 33 200 151

HSL 162.4, 0.72%, 0.46%

LAB 72.14, -51.76, 13.25

 

CMYK 75 / 0 / 22 / 14

HEX #36DCAC

RGB 54 220 172

HSL 162.65, 0.7%, 0.54%

LAB 79.01, -52.66, 11.8

 

CMYK 61 / 0 / 17 / 11

HEX #59E2BB

RGB 89 226 187

HSL 162.92, 0.7%, 0.62%

LAB 81.89, -46.38, 8.08

 

CMYK 47 / 0 / 13 / 9

HEX #7CE8C9

RGB 124 232 201

HSL 162.78, 0.7%, 0.7%

LAB 85.11, -38.43, 5.47

 

CMYK 76 / 0 / 22 / 13

HEX #34DDAC

RGB 52 221 172

HSL 162.6, 0.71%, 0.54%

LAB 79.28, -53.28, 12.18

 

CMYK 75 / 68 / 0 / 14

HEX #3647DC

RGB 54 71 220

HSL 233.86, 0.7%, 0.54%

LAB 38.65, 44.44, -77.43

 

CMYK 0 / 53 / 75 / 14

HEX #DC6836

RGB 220 104 54

HSL 18.07, 0.7%, 0.54%

LAB 57.45, 42.25, 48.32

 

CMYK 76 / 0 / 22 / 13

HEX #34DDAC

RGB 52 221 172

HSL 162.6, 0.71%, 0.54%

LAB 79.28, -53.28, 12.18

 

CMYK 22 / 75 / 0 / 14

HEX #AB36DC

RGB 171 54 220

HSL 282.29, 0.7%, 0.54%

LAB 47.58, 70.25, -62.38

 

CMYK 0 / 22 / 75 / 14

HEX #DCAB36

RGB 220 171 54

HSL 42.29, 0.7%, 0.54%

LAB 72.63, 6.92, 63.36

 

CMYK 76 / 0 / 22 / 13

HEX #34DDAC

RGB 52 221 172

HSL 162.6, 0.71%, 0.54%

LAB 79.28, -53.28, 12.18

 

CMYK 75 / 68 / 0 / 14

HEX #3647DC

RGB 54 71 220

HSL 233.86, 0.7%, 0.54%

LAB 38.65, 44.44, -77.43

 

CMYK 0 / 75 / 53 / 14

HEX #DC3668

RGB 220 54 104

HSL 341.93, 0.7%, 0.54%

LAB 50.52, 65.9, 11.44

 

CMYK 0 / 7 / 75 / 14

HEX #DCCC36

RGB 220 204 54

HSL 54.22, 0.7%, 0.54%

LAB 81.11, -10.23, 71.31

 

CMYK 76 / 0 / 22 / 13

HEX #34DDAC

RGB 52 221 172

HSL 162.6, 0.71%, 0.54%

LAB 79.28, -53.28, 12.18

 

CMYK 60 / 75 / 0 / 14

HEX #5736DC

RGB 87 54 220

HSL 251.93, 0.7%, 0.54%

LAB 37.54, 57.25, -79.19

 

CMYK 0 / 75 / 53 / 14

HEX #DC3668

RGB 220 54 104

HSL 341.93, 0.7%, 0.54%

LAB 50.52, 65.9, 11.44

 

CMYK 15 / 0 / 75 / 14

HEX #BBDC36

RGB 187 220 54

HSL 71.93, 0.7%, 0.54%

LAB 82.92, -31.7, 72.08

 

Description

Color code: HEX #34DDAC | qconv.com Color code: HEX #34DDAC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 221 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 221 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 22 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 22% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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