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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34D937 it is the complementary color #CB26C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34D937. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34D937 shade: #39D932, #4AEB45, #5BFD58, #6CFF6B and #7DFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34D937. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34D937 shade: #34D937, #23C724, #12B511, #01A300 and #009100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34D937 shade: #35D838, #5ED835, #8AD835, #B6D835 and #D8CE35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34D937 shade: #35D838, #35D864, #35D890, #35D8BC and #35C8D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34D937 shade matches the following richer shades: #35D838 and #22EC25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34D937 shade: #35D838, #49C54B, #5CB15D, #6F9E70 and #838B83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34D937 shade: #89D835, #5ED835, #35D838, #35D863 and #35D88F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34D937 shade: #1E9D20, #24C027, #35D838, #58DF5A and #7AE57C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34D937 shade: #34D937, #35B5D8 and #D83574

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34D937 shade: #34D937, #3835D8 and #D83835

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34D937 shade: #34D937, #35B5D8, #D835D5 and #D85835

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34D937 shade: #34D937, #3584D8, #D835D5 and #D88935

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 75 / 15

HEX #34D937

RGB 52 217 55

HSL 121.09, 0.68%, 0.53%

LAB 76.46, -70.16, 63.6

 

Complementary color

CMYK 0 / 81 / 1 / 20

HEX #CB26C8

RGB 203 38 200

HSL 301.09, 0.68%, 0.47%

LAB 49.8, 77.29, -47.06

 

CMYK 74 / 0 / 77 / 15

HEX #39D932

RGB 57 217 50

HSL 117.49, 0.69%, 0.52%

LAB 76.51, -69.77, 65.29

 

CMYK 69 / 0 / 71 / 8

HEX #4AEB45

RGB 74 235 69

HSL 118.19, 0.81%, 0.6%

LAB 82.54, -71.18, 65.04

 

CMYK 64 / 0 / 65 / 1

HEX #5BFD58

RGB 91 253 88

HSL 118.91, 0.98%, 0.67%

LAB 88.53, -72.17, 64.34

 

CMYK 58 / 0 / 58 / 0

HEX #6CFF6B

RGB 108 255 107

HSL 119.59, 1%, 0.71%

LAB 89.75, -67.29, 57.96

 

CMYK 51 / 0 / 51 / 0

HEX #7DFF7E

RGB 125 255 126

HSL 120.46, 1%, 0.75%

LAB 90.5, -60.92, 50.44

 

CMYK 76 / 0 / 75 / 15

HEX #34D937

RGB 52 217 55

HSL 121.09, 0.68%, 0.53%

LAB 76.46, -70.16, 63.6

 

CMYK 82 / 0 / 82 / 22

HEX #23C724

RGB 35 199 36

HSL 120.37, 0.7%, 0.46%

LAB 70.41, -68.1, 63.44

 

CMYK 90 / 0 / 91 / 29

HEX #12B511

RGB 18 181 17

HSL 119.63, 0.83%, 0.39%

LAB 64.34, -65.26, 62.18

 

CMYK 99 / 0 / 100 / 36

HEX #01A300

RGB 1 163 0

HSL 119.63, 1%, 0.32%

LAB 58.23, -61.61, 59.52

 

CMYK 100 / 0 / 100 / 43

HEX #009100

RGB 0 145 0

HSL 120, 1%, 0.28%

LAB 52.12, -56.59, 54.62

 

CMYK 75 / 0 / 74 / 15

HEX #35D838

RGB 53 216 56

HSL 121.1, 0.68%, 0.53%

LAB 76.16, -69.64, 62.98

 

CMYK 56 / 0 / 75 / 15

HEX #5ED835

RGB 94 216 53

HSL 104.91, 0.68%, 0.53%

LAB 77.13, -61.69, 65.26

 

CMYK 36 / 0 / 75 / 15

HEX #8AD835

RGB 138 216 53

HSL 88.71, 0.68%, 0.53%

LAB 78.91, -48.41, 67.59

 

CMYK 16 / 0 / 75 / 15

HEX #B6D835

RGB 182 216 53

HSL 72.52, 0.68%, 0.53%

LAB 81.46, -31.88, 70.91

 

CMYK 0 / 5 / 75 / 15

HEX #D8CE35

RGB 216 206 53

HSL 56.32, 0.68%, 0.53%

LAB 81.29, -12.97, 71.68

 

CMYK 75 / 0 / 74 / 15

HEX #35D838

RGB 53 216 56

HSL 121.1, 0.68%, 0.53%

LAB 76.16, -69.64, 62.98

 

CMYK 75 / 0 / 54 / 15

HEX #35D864

RGB 53 216 100

HSL 137.3, 0.68%, 0.53%

LAB 76.55, -64.95, 45.19

 

CMYK 75 / 0 / 33 / 15

HEX #35D890

RGB 53 216 144

HSL 153.5, 0.68%, 0.53%

LAB 77.21, -57.38, 24.01

 

CMYK 75 / 0 / 13 / 15

HEX #35D8BC

RGB 53 216 188

HSL 169.69, 0.68%, 0.53%

LAB 78.17, -47.17, 2.07

 

CMYK 75 / 7 / 0 / 15

HEX #35C8D8

RGB 53 200 216

HSL 185.89, 0.68%, 0.53%

LAB 74.2, -32.09, -18.9

 

CMYK 75 / 0 / 74 / 15

HEX #35D838

RGB 53 216 56

HSL 121.1, 0.68%, 0.53%

LAB 76.16, -69.64, 62.98

 

CMYK 86 / 0 / 84 / 7

HEX #22EC25

RGB 34 236 37

HSL 120.89, 0.84%, 0.53%

LAB 82.09, -78.67, 73.8

 

CMYK 75 / 0 / 74 / 15

HEX #35D838

RGB 53 216 56

HSL 121.1, 0.68%, 0.53%

LAB 76.16, -69.64, 62.98

 

CMYK 63 / 0 / 62 / 23

HEX #49C54B

RGB 73 197 75

HSL 120.97, 0.52%, 0.53%

LAB 70.77, -58.06, 49.95

 

CMYK 48 / 0 / 47 / 31

HEX #5CB15D

RGB 92 177 93

HSL 120.71, 0.35%, 0.53%

LAB 65.37, -43.2, 35.07

 

CMYK 30 / 0 / 29 / 38

HEX #6F9E70

RGB 111 158 112

HSL 121.28, 0.2%, 0.53%

LAB 60.78, -25.34, 19.11

 

CMYK 6 / 0 / 6 / 45

HEX #838B83

RGB 131 139 131

HSL 120, 0.03%, 0.53%

LAB 57.01, -4.51, 3.26

 

CMYK 37 / 0 / 75 / 15

HEX #89D835

RGB 137 216 53

HSL 89.08, 0.68%, 0.53%

LAB 78.86, -48.75, 67.53

 

CMYK 56 / 0 / 75 / 15

HEX #5ED835

RGB 94 216 53

HSL 104.91, 0.68%, 0.53%

LAB 77.13, -61.69, 65.26

 

CMYK 75 / 0 / 74 / 15

HEX #35D838

RGB 53 216 56

HSL 121.1, 0.68%, 0.53%

LAB 76.16, -69.64, 62.98

 

CMYK 75 / 0 / 54 / 15

HEX #35D863

RGB 53 216 99

HSL 136.93, 0.68%, 0.53%

LAB 76.54, -65.09, 45.65

 

CMYK 75 / 0 / 34 / 15

HEX #35D88F

RGB 53 216 143

HSL 153.13, 0.68%, 0.53%

LAB 77.19, -57.58, 24.51

 

CMYK 81 / 0 / 80 / 38

HEX #1E9D20

RGB 30 157 32

HSL 120.94, 0.68%, 0.37%

LAB 56.58, -56.2, 51.58

 

CMYK 81 / 0 / 80 / 25

HEX #24C027

RGB 36 192 39

HSL 121.15, 0.68%, 0.45%

LAB 68.18, -65.74, 60.53

 

CMYK 75 / 0 / 74 / 15

HEX #35D838

RGB 53 216 56

HSL 121.1, 0.68%, 0.53%

LAB 76.16, -69.64, 62.98

 

CMYK 61 / 0 / 60 / 13

HEX #58DF5A

RGB 88 223 90

HSL 120.89, 0.68%, 0.61%

LAB 79.38, -62.35, 53.27

 

CMYK 47 / 0 / 46 / 10

HEX #7AE57C

RGB 122 229 124

HSL 121.12, 0.67%, 0.69%

LAB 82.72, -51.8, 41.71

 

CMYK 76 / 0 / 75 / 15

HEX #34D937

RGB 52 217 55

HSL 121.09, 0.68%, 0.53%

LAB 76.46, -70.16, 63.6

 

CMYK 75 / 16 / 0 / 15

HEX #35B5D8

RGB 53 181 216

HSL 192.88, 0.68%, 0.53%

LAB 68.58, -22.68, -27.48

 

CMYK 0 / 75 / 46 / 15

HEX #D83574

RGB 216 53 116

HSL 336.81, 0.68%, 0.53%

LAB 49.98, 66.09, 3.29

 

CMYK 76 / 0 / 75 / 15

HEX #34D937

RGB 52 217 55

HSL 121.09, 0.68%, 0.53%

LAB 76.46, -70.16, 63.6

 

CMYK 74 / 75 / 0 / 15

HEX #3835D8

RGB 56 53 216

HSL 241.1, 0.68%, 0.53%

LAB 34.69, 53.49, -81.67

 

CMYK 0 / 74 / 75 / 15

HEX #D83835

RGB 216 56 53

HSL 1.1, 0.68%, 0.53%

LAB 49.11, 61.2, 39.79

 

CMYK 76 / 0 / 75 / 15

HEX #34D937

RGB 52 217 55

HSL 121.09, 0.68%, 0.53%

LAB 76.46, -70.16, 63.6

 

CMYK 75 / 16 / 0 / 15

HEX #35B5D8

RGB 53 181 216

HSL 192.88, 0.68%, 0.53%

LAB 68.58, -22.68, -27.48

 

CMYK 0 / 75 / 1 / 15

HEX #D835D5

RGB 216 53 213

HSL 301.1, 0.68%, 0.53%

LAB 53.97, 78.02, -47.75

 

CMYK 0 / 59 / 75 / 15

HEX #D85835

RGB 216 88 53

HSL 12.88, 0.68%, 0.53%

LAB 53.85, 48.38, 44.87

 

CMYK 76 / 0 / 75 / 15

HEX #34D937

RGB 52 217 55

HSL 121.09, 0.68%, 0.53%

LAB 76.46, -70.16, 63.6

 

CMYK 75 / 39 / 0 / 15

HEX #3584D8

RGB 53 132 216

HSL 210.92, 0.68%, 0.53%

LAB 54.26, 4.69, -49.9

 

CMYK 0 / 75 / 1 / 15

HEX #D835D5

RGB 216 53 213

HSL 301.1, 0.68%, 0.53%

LAB 53.97, 78.02, -47.75

 

CMYK 0 / 37 / 75 / 15

HEX #D88935

RGB 216 137 53

HSL 30.92, 0.68%, 0.53%

LAB 63.96, 23.41, 55.18

 

Description

Color code: HEX #34D937 | qconv.com Color code: HEX #34D937 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 217 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 217 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 75 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 75% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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