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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34D68B it is the complementary color #CB2974. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34D68B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34D68B shade: #39D686, #4AE899, #5BFAAC, #6CFFBF and #7DFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34D68B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34D68B shade: #34D68B, #23C478, #12B265, #01A052 and #008E3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34D68B shade: #33D58A, #33D55F, #34D533, #5FD533 and #8BD533

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34D68B shade: #33D58A, #33D5B6, #33C9D5, #339DD5 and #3371D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34D68B shade matches the following richer shades: #33D58A, #20E98C and #0CFC8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34D68B shade: #33D58A, #47C189, #5BAD87, #6F9986 and #838684

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34D68B shade: #33D533, #33D55E, #33D589, #33D5B5 and #33CAD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34D68B shade: #1F975F, #26B975, #33D58A, #56DC9E and #78E3B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34D68B shade: #34D68B, #335ED5 and #D54933

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34D68B shade: #34D68B, #8933D5 and #D58933

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34D68B shade: #34D68B, #335ED5, #D5337F and #D5AA33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34D68B shade: #34D68B, #3933D5, #D5337F and #CFD533

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 35 / 16

HEX #34D68B

RGB 52 214 139

HSL 152.22, 0.66%, 0.52%

LAB 76.49, -57.76, 25.64

 

Complementary color

CMYK 0 / 80 / 43 / 20

HEX #CB2974

RGB 203 41 116

HSL 332.22, 0.66%, 0.48%

LAB 46.37, 66.12, -2.27

 

CMYK 73 / 0 / 37 / 16

HEX #39D686

RGB 57 214 134

HSL 149.43, 0.66%, 0.53%

LAB 76.49, -58.08, 28.24

 

CMYK 68 / 0 / 34 / 9

HEX #4AE899

RGB 74 232 153

HSL 150, 0.77%, 0.6%

LAB 82.63, -58.64, 26.78

 

CMYK 64 / 0 / 31 / 2

HEX #5BFAAC

RGB 91 250 172

HSL 150.57, 0.94%, 0.67%

LAB 88.72, -58.97, 25.42

 

CMYK 58 / 0 / 25 / 0

HEX #6CFFBF

RGB 108 255 191

HSL 153.88, 1%, 0.71%

LAB 90.99, -53.96, 18.94

 

CMYK 51 / 0 / 18 / 0

HEX #7DFFD2

RGB 125 255 210

HSL 159.23, 1%, 0.75%

LAB 91.92, -46.39, 10.57

 

CMYK 76 / 0 / 35 / 16

HEX #34D68B

RGB 52 214 139

HSL 152.22, 0.66%, 0.52%

LAB 76.49, -57.76, 25.64

 

CMYK 82 / 0 / 39 / 23

HEX #23C478

RGB 35 196 120

HSL 151.68, 0.7%, 0.45%

LAB 70.31, -56.78, 27.22

 

CMYK 90 / 0 / 43 / 30

HEX #12B265

RGB 18 178 101

HSL 151.13, 0.82%, 0.38%

LAB 64.09, -55.34, 28.95

 

CMYK 99 / 0 / 49 / 37

HEX #01A052

RGB 1 160 82

HSL 150.57, 0.99%, 0.32%

LAB 57.81, -53.4, 30.8

 

CMYK 100 / 0 / 56 / 44

HEX #008E3F

RGB 0 142 63

HSL 146.62, 1%, 0.28%

LAB 51.5, -50.51, 32.79

 

CMYK 76 / 0 / 35 / 16

HEX #33D58A

RGB 51 213 138

HSL 152.22, 0.66%, 0.52%

LAB 76.15, -57.71, 25.69

 

CMYK 76 / 0 / 55 / 16

HEX #33D55F

RGB 51 213 95

HSL 136.3, 0.66%, 0.52%

LAB 75.53, -64.91, 46.29

 

CMYK 76 / 0 / 76 / 16

HEX #34D533

RGB 52 213 51

HSL 119.63, 0.66%, 0.52%

LAB 75.18, -69.22, 63.65

 

CMYK 55 / 0 / 76 / 16

HEX #5FD533

RGB 95 213 51

HSL 103.7, 0.66%, 0.52%

LAB 76.23, -60.5, 65.03

 

CMYK 35 / 0 / 76 / 16

HEX #8BD533

RGB 139 213 51

HSL 87.41, 0.66%, 0.52%

LAB 78.06, -46.92, 67.43

 

CMYK 76 / 0 / 35 / 16

HEX #33D58A

RGB 51 213 138

HSL 152.22, 0.66%, 0.52%

LAB 76.15, -57.71, 25.69

 

CMYK 76 / 0 / 15 / 16

HEX #33D5B6

RGB 51 213 182

HSL 168.52, 0.66%, 0.52%

LAB 77.08, -47.67, 3.7

 

CMYK 76 / 6 / 0 / 16

HEX #33C9D5

RGB 51 201 213

HSL 184.44, 0.66%, 0.52%

LAB 74.37, -33.68, -17.03

 

CMYK 76 / 26 / 0 / 16

HEX #339DD5

RGB 51 157 213

HSL 200.74, 0.66%, 0.52%

LAB 61.33, -11.11, -37.07

 

CMYK 76 / 47 / 0 / 16

HEX #3371D5

RGB 51 113 213

HSL 217.04, 0.66%, 0.52%

LAB 48.66, 15.09, -57.16

 

CMYK 76 / 0 / 35 / 16

HEX #33D58A

RGB 51 213 138

HSL 152.22, 0.66%, 0.52%

LAB 76.15, -57.71, 25.69

 

CMYK 86 / 0 / 40 / 9

HEX #20E98C

RGB 32 233 140

HSL 152.24, 0.82%, 0.52%

LAB 82.1, -66.28, 32.56

 

CMYK 95 / 0 / 44 / 1

HEX #0CFC8D

RGB 12 252 141

HSL 152.25, 0.98%, 0.52%

LAB 87.79, -73.38, 39.47

 

CMYK 76 / 0 / 35 / 16

HEX #33D58A

RGB 51 213 138

HSL 152.22, 0.66%, 0.52%

LAB 76.15, -57.71, 25.69

 

CMYK 63 / 0 / 29 / 24

HEX #47C189

RGB 71 193 137

HSL 152.46, 0.5%, 0.52%

LAB 70.38, -46.97, 18.41

 

CMYK 47 / 0 / 22 / 32

HEX #5BAD87

RGB 91 173 135

HSL 152.2, 0.33%, 0.52%

LAB 64.85, -34.1, 11.9

 

CMYK 27 / 0 / 12 / 40

HEX #6F9986

RGB 111 153 134

HSL 152.86, 0.17%, 0.52%

LAB 59.78, -18.5, 5.38

 

CMYK 2 / 0 / 1 / 47

HEX #838684

RGB 131 134 132

HSL 140, 0.01%, 0.52%

LAB 55.63, -1.5, 0.68

 

CMYK 76 / 0 / 76 / 16

HEX #33D533

RGB 51 213 51

HSL 120, 0.66%, 0.52%

LAB 75.16, -69.37, 63.62

 

CMYK 76 / 0 / 56 / 16

HEX #33D55E

RGB 51 213 94

HSL 135.93, 0.66%, 0.52%

LAB 75.51, -65.04, 46.74

 

CMYK 76 / 0 / 36 / 16

HEX #33D589

RGB 51 213 137

HSL 151.85, 0.66%, 0.52%

LAB 76.13, -57.91, 26.19

 

CMYK 76 / 0 / 15 / 16

HEX #33D5B5

RGB 51 213 181

HSL 168.15, 0.66%, 0.52%

LAB 77.06, -47.93, 4.2

 

CMYK 76 / 5 / 0 / 16

HEX #33CAD5

RGB 51 202 213

HSL 184.07, 0.66%, 0.52%

LAB 74.67, -34.15, -16.58

 

CMYK 79 / 0 / 37 / 41

HEX #1F975F

RGB 31 151 95

HSL 152, 0.66%, 0.36%

LAB 55.33, -45.31, 20.63

 

CMYK 79 / 0 / 37 / 27

HEX #26B975

RGB 38 185 117

HSL 152.24, 0.66%, 0.44%

LAB 66.82, -53, 24.15

 

CMYK 76 / 0 / 35 / 16

HEX #33D58A

RGB 51 213 138

HSL 152.22, 0.66%, 0.52%

LAB 76.15, -57.71, 25.69

 

CMYK 61 / 0 / 28 / 14

HEX #56DC9E

RGB 86 220 158

HSL 152.24, 0.66%, 0.6%

LAB 79.4, -50.8, 19.82

 

CMYK 47 / 0 / 22 / 11

HEX #78E3B1

RGB 120 227 177

HSL 151.96, 0.66%, 0.68%

LAB 82.97, -42.31, 15

 

CMYK 76 / 0 / 35 / 16

HEX #34D68B

RGB 52 214 139

HSL 152.22, 0.66%, 0.52%

LAB 76.49, -57.76, 25.64

 

CMYK 76 / 56 / 0 / 16

HEX #335ED5

RGB 51 94 213

HSL 224.07, 0.66%, 0.52%

LAB 43.53, 27.21, -65.46

 

CMYK 0 / 66 / 76 / 16

HEX #D54933

RGB 213 73 51

HSL 8.15, 0.66%, 0.52%

LAB 50.86, 53.82, 42.6

 

CMYK 76 / 0 / 35 / 16

HEX #34D68B

RGB 52 214 139

HSL 152.22, 0.66%, 0.52%

LAB 76.49, -57.76, 25.64

 

CMYK 36 / 76 / 0 / 16

HEX #8933D5

RGB 137 51 213

HSL 271.85, 0.66%, 0.52%

LAB 41.98, 63.93, -67.67

 

CMYK 0 / 36 / 76 / 16

HEX #D58933

RGB 213 137 51

HSL 31.85, 0.66%, 0.52%

LAB 63.57, 22.05, 55.53

 

CMYK 76 / 0 / 35 / 16

HEX #34D68B

RGB 52 214 139

HSL 152.22, 0.66%, 0.52%

LAB 76.49, -57.76, 25.64

 

CMYK 76 / 56 / 0 / 16

HEX #335ED5

RGB 51 94 213

HSL 224.07, 0.66%, 0.52%

LAB 43.53, 27.21, -65.46

 

CMYK 0 / 76 / 40 / 16

HEX #D5337F

RGB 213 51 127

HSL 331.85, 0.66%, 0.52%

LAB 49.55, 66.93, -4.07

 

CMYK 0 / 20 / 76 / 16

HEX #D5AA33

RGB 213 170 51

HSL 44.07, 0.66%, 0.52%

LAB 71.65, 4.3, 63.28

 

CMYK 76 / 0 / 35 / 16

HEX #34D68B

RGB 52 214 139

HSL 152.22, 0.66%, 0.52%

LAB 76.49, -57.76, 25.64

 

CMYK 73 / 76 / 0 / 16

HEX #3933D5

RGB 57 51 213

HSL 242.22, 0.66%, 0.52%

LAB 34.07, 53.67, -80.96

 

CMYK 0 / 76 / 40 / 16

HEX #D5337F

RGB 213 51 127

HSL 331.85, 0.66%, 0.52%

LAB 49.55, 66.93, -4.07

 

CMYK 3 / 0 / 76 / 16

HEX #CFD533

RGB 207 213 51

HSL 62.22, 0.66%, 0.52%

LAB 82.43, -20.3, 73.07

 

Description

Color code: HEX #34D68B | qconv.com Color code: HEX #34D68B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 214 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 214 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 35 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 35% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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