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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34D43D it is the complementary color #CB2BC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34D43D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34D43D shade: #39D438, #4AE64B, #5BF85E, #6CFF71 and #7DFF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34D43D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34D43D shade: #34D43D, #23C22A, #12B017, #019E04 and #008C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34D43D shade: #35D43E, #56D435, #81D435, #ACD435 and #D4D035

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34D43D shade: #35D43E, #35D468, #35D493, #35D4BE and #35BED4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34D43D shade matches the following richer shades: #35D43E, #21E72C and #0DFB1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34D43D shade: #35D43E, #48C04F, #5CAC61, #709872 and #848484

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34D43D shade: #81D435, #57D435, #35D43C, #35D467 and #35D491

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34D43D shade: #1F9626, #27B82F, #35D43E, #57DB5E and #79E27F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34D43D shade: #34D43D, #35ACD4 and #D4356C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34D43D shade: #34D43D, #3C35D4 and #D43C35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34D43D shade: #34D43D, #35ACD4, #D435CC and #D45C35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34D43D shade: #34D43D, #357CD4, #D435CC and #D48C35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 71 / 17

HEX #34D43D

RGB 52 212 61

HSL 123.38, 0.65%, 0.52%

LAB 74.92, -68.16, 59.95

 

Complementary color

CMYK 0 / 79 / 4 / 20

HEX #CB2BC2

RGB 203 43 194

HSL 303.38, 0.65%, 0.48%

LAB 49.88, 75.2, -43.46

 

CMYK 73 / 0 / 74 / 17

HEX #39D438

RGB 57 212 56

HSL 119.62, 0.64%, 0.53%

LAB 74.98, -67.8, 61.81

 

CMYK 68 / 0 / 67 / 10

HEX #4AE64B

RGB 74 230 75

HSL 120.38, 0.76%, 0.6%

LAB 81.05, -69.06, 61.23

 

CMYK 63 / 0 / 62 / 3

HEX #5BF85E

RGB 91 248 94

HSL 121.15, 0.92%, 0.66%

LAB 87.08, -69.92, 60.31

 

CMYK 58 / 0 / 56 / 0

HEX #6CFF71

RGB 108 255 113

HSL 122.04, 1%, 0.71%

LAB 89.81, -66.61, 55.4

 

CMYK 51 / 0 / 48 / 0

HEX #7DFF84

RGB 125 255 132

HSL 123.23, 1%, 0.75%

LAB 90.57, -60.14, 47.73

 

CMYK 75 / 0 / 71 / 17

HEX #34D43D

RGB 52 212 61

HSL 123.38, 0.65%, 0.52%

LAB 74.92, -68.16, 59.95

 

CMYK 82 / 0 / 78 / 24

HEX #23C22A

RGB 35 194 42

HSL 122.64, 0.69%, 0.45%

LAB 68.83, -66.27, 60.24

 

CMYK 90 / 0 / 87 / 31

HEX #12B017

RGB 18 176 23

HSL 121.9, 0.81%, 0.38%

LAB 62.71, -63.6, 59.6

 

CMYK 99 / 0 / 97 / 38

HEX #019E04

RGB 1 158 4

HSL 121.15, 0.99%, 0.31%

LAB 56.55, -60.09, 57.56

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 75 / 0 / 71 / 17

HEX #35D43E

RGB 53 212 62

HSL 123.4, 0.65%, 0.52%

LAB 74.95, -67.93, 59.61

 

CMYK 59 / 0 / 75 / 17

HEX #56D435

RGB 86 212 53

HSL 107.55, 0.65%, 0.52%

LAB 75.65, -62.26, 63.72

 

CMYK 39 / 0 / 75 / 17

HEX #81D435

RGB 129 212 53

HSL 91.32, 0.65%, 0.52%

LAB 77.29, -49.83, 65.88

 

CMYK 19 / 0 / 75 / 17

HEX #ACD435

RGB 172 212 53

HSL 75.09, 0.65%, 0.52%

LAB 79.68, -34.01, 69

 

CMYK 0 / 2 / 75 / 17

HEX #D4D035

RGB 212 208 53

HSL 58.49, 0.65%, 0.52%

LAB 81.49, -15.66, 71.74

 

CMYK 75 / 0 / 71 / 17

HEX #35D43E

RGB 53 212 62

HSL 123.4, 0.65%, 0.52%

LAB 74.95, -67.93, 59.61

 

CMYK 75 / 0 / 51 / 17

HEX #35D468

RGB 53 212 104

HSL 139.25, 0.65%, 0.52%

LAB 75.35, -63.02, 41.82

 

CMYK 75 / 0 / 31 / 17

HEX #35D493

RGB 53 212 147

HSL 155.47, 0.65%, 0.52%

LAB 76.04, -55.24, 20.84

 

CMYK 75 / 0 / 10 / 17

HEX #35D4BE

RGB 53 212 190

HSL 171.7, 0.65%, 0.52%

LAB 77.02, -44.94, -0.68

 

CMYK 75 / 10 / 0 / 17

HEX #35BED4

RGB 53 190 212

HSL 188.3, 0.65%, 0.52%

LAB 71.1, -28.46, -21.43

 

CMYK 75 / 0 / 71 / 17

HEX #35D43E

RGB 53 212 62

HSL 123.4, 0.65%, 0.52%

LAB 74.95, -67.93, 59.61

 

CMYK 86 / 0 / 81 / 9

HEX #21E72C

RGB 33 231 44

HSL 123.33, 0.8%, 0.52%

LAB 80.55, -77.02, 70.71

 

CMYK 95 / 0 / 90 / 2

HEX #0DFB1A

RGB 13 251 26

HSL 123.28, 0.97%, 0.52%

LAB 86.58, -84.29, 79.69

 

CMYK 75 / 0 / 71 / 17

HEX #35D43E

RGB 53 212 62

HSL 123.4, 0.65%, 0.52%

LAB 74.95, -67.93, 59.61

 

CMYK 63 / 0 / 59 / 25

HEX #48C04F

RGB 72 192 79

HSL 123.5, 0.49%, 0.52%

LAB 69.21, -56.02, 46.36

 

CMYK 47 / 0 / 44 / 33

HEX #5CAC61

RGB 92 172 97

HSL 123.75, 0.33%, 0.52%

LAB 63.87, -40.46, 31.11

 

CMYK 26 / 0 / 25 / 40

HEX #709872

RGB 112 152 114

HSL 123, 0.16%, 0.52%

LAB 59.08, -21.61, 15.67

 

CMYK 0 / 0 / 0 / 48

HEX #848484

RGB 132 132 132

HSL 0, 0%, 0.52%

LAB 55.15, 0, -0.01

 

CMYK 39 / 0 / 75 / 17

HEX #81D435

RGB 129 212 53

HSL 91.32, 0.65%, 0.52%

LAB 77.29, -49.83, 65.88

 

CMYK 59 / 0 / 75 / 17

HEX #57D435

RGB 87 212 53

HSL 107.17, 0.65%, 0.52%

LAB 75.68, -62.02, 63.76

 

CMYK 75 / 0 / 72 / 17

HEX #35D43C

RGB 53 212 60

HSL 122.64, 0.65%, 0.52%

LAB 74.93, -68.09, 60.33

 

CMYK 75 / 0 / 51 / 17

HEX #35D467

RGB 53 212 103

HSL 138.87, 0.65%, 0.52%

LAB 75.34, -63.17, 42.28

 

CMYK 75 / 0 / 32 / 17

HEX #35D491

RGB 53 212 145

HSL 154.72, 0.65%, 0.52%

LAB 76, -55.66, 21.84

 

CMYK 79 / 0 / 75 / 41

HEX #1F9626

RGB 31 150 38

HSL 123.53, 0.66%, 0.35%

LAB 54.28, -53.37, 47.23

 

CMYK 79 / 0 / 74 / 28

HEX #27B82F

RGB 39 184 47

HSL 123.31, 0.65%, 0.44%

LAB 65.68, -62.37, 55.51

 

CMYK 75 / 0 / 71 / 17

HEX #35D43E

RGB 53 212 62

HSL 123.4, 0.65%, 0.52%

LAB 74.95, -67.93, 59.61

 

CMYK 60 / 0 / 57 / 14

HEX #57DB5E

RGB 87 219 94

HSL 123.18, 0.65%, 0.6%

LAB 78.17, -60.68, 50.08

 

CMYK 46 / 0 / 44 / 11

HEX #79E27F

RGB 121 226 127

HSL 123.43, 0.64%, 0.68%

LAB 81.83, -50.43, 39.11

 

CMYK 75 / 0 / 71 / 17

HEX #34D43D

RGB 52 212 61

HSL 123.38, 0.65%, 0.52%

LAB 74.92, -68.16, 59.95

 

CMYK 75 / 19 / 0 / 17

HEX #35ACD4

RGB 53 172 212

HSL 195.09, 0.65%, 0.52%

LAB 65.76, -19.31, -29.62

 

CMYK 0 / 75 / 49 / 17

HEX #D4356C

RGB 212 53 108

HSL 339.25, 0.65%, 0.52%

LAB 49.04, 64.32, 6.71

 

CMYK 75 / 0 / 71 / 17

HEX #34D43D

RGB 52 212 61

HSL 123.38, 0.65%, 0.52%

LAB 74.92, -68.16, 59.95

 

CMYK 72 / 75 / 0 / 17

HEX #3C35D4

RGB 60 53 212

HSL 242.64, 0.65%, 0.52%

LAB 34.52, 52.57, -79.63

 

CMYK 0 / 72 / 75 / 17

HEX #D43C35

RGB 212 60 53

HSL 2.64, 0.65%, 0.52%

LAB 48.87, 58.59, 39.31

 

CMYK 75 / 0 / 71 / 17

HEX #34D43D

RGB 52 212 61

HSL 123.38, 0.65%, 0.52%

LAB 74.92, -68.16, 59.95

 

CMYK 75 / 19 / 0 / 17

HEX #35ACD4

RGB 53 172 212

HSL 195.09, 0.65%, 0.52%

LAB 65.76, -19.31, -29.62

 

CMYK 0 / 75 / 4 / 17

HEX #D435CC

RGB 212 53 204

HSL 303.02, 0.65%, 0.52%

LAB 52.84, 75.83, -44.44

 

CMYK 0 / 57 / 75 / 17

HEX #D45C35

RGB 212 92 53

HSL 14.72, 0.65%, 0.52%

LAB 53.93, 45.04, 44.76

 

CMYK 75 / 0 / 71 / 17

HEX #34D43D

RGB 52 212 61

HSL 123.38, 0.65%, 0.52%

LAB 74.92, -68.16, 59.95

 

CMYK 75 / 42 / 0 / 17

HEX #357CD4

RGB 53 124 212

HSL 213.21, 0.65%, 0.52%

LAB 51.75, 8.1, -51.63

 

CMYK 0 / 75 / 4 / 17

HEX #D435CC

RGB 212 53 204

HSL 303.02, 0.65%, 0.52%

LAB 52.84, 75.83, -44.44

 

CMYK 0 / 34 / 75 / 17

HEX #D48C35

RGB 212 140 53

HSL 32.83, 0.65%, 0.52%

LAB 64.17, 20.09, 55.23

 

Description

Color code: HEX #34D43D | qconv.com Color code: HEX #34D43D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 212 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 212 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 71 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 71% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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