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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34CA29 it is the complementary color #CB35D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34CA29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34CA29 shade: #39CA24, #4ADC37, #5BEE4A, #6CFF5D and #7DFF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34CA29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34CA29 shade: #34CA29, #23B816, #12A603, #019400 and #008200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34CA29 shade: #34CB29, #60CB29, #8BCB29, #B7CB29 and #CBB329

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34CA29 shade: #34CB29, #29CB4A, #29CB75, #29CBA1 and #29C9CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34CA29 shade matches the following richer shades: #34CB29, #23DE15 and #12F202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34CA29 shade: #34CB29, #45B73D, #56A351, #678F65 and #797B78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34CA29 shade: #8DCB29, #62CB29, #37CB29, #29CB47 and #29CB72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34CA29 shade: #22861B, #2BA822, #34CB29, #4FD845 and #6FDF67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34CA29 shade: #34CA29, #29B8CB and #CB2977

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34CA29 shade: #34CA29, #2937CB and #CB2937

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34CA29 shade: #34CA29, #29B8CB, #BD29CB and #CB3C29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34CA29 shade: #34CA29, #2987CB, #BD29CB and #CB6C29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 80 / 21

HEX #34CA29

RGB 52 202 41

HSL 115.9, 0.66%, 0.48%

LAB 71.64, -66.48, 63.3

 

Complementary color

CMYK 5 / 75 / 0 / 16

HEX #CB35D6

RGB 203 53 214

HSL 295.9, 0.66%, 0.52%

LAB 51.95, 75.59, -51.68

 

CMYK 72 / 0 / 82 / 21

HEX #39CA24

RGB 57 202 36

HSL 112.41, 0.7%, 0.47%

LAB 71.72, -65.94, 64.78

 

CMYK 66 / 0 / 75 / 14

HEX #4ADC37

RGB 74 220 55

HSL 113.09, 0.7%, 0.54%

LAB 77.83, -67.41, 65.1

 

CMYK 62 / 0 / 69 / 7

HEX #5BEE4A

RGB 91 238 74

HSL 113.78, 0.83%, 0.61%

LAB 83.9, -68.41, 64.75

 

CMYK 58 / 0 / 64 / 0

HEX #6CFF5D

RGB 108 255 93

HSL 114.44, 1%, 0.68%

LAB 89.63, -68.73, 63.67

 

CMYK 51 / 0 / 56 / 0

HEX #7DFF70

RGB 125 255 112

HSL 114.55, 1%, 0.72%

LAB 90.34, -62.6, 56.6

 

CMYK 74 / 0 / 80 / 21

HEX #34CA29

RGB 52 202 41

HSL 115.9, 0.66%, 0.48%

LAB 71.64, -66.48, 63.3

 

CMYK 81 / 0 / 88 / 28

HEX #23B816

RGB 35 184 22

HSL 115.19, 0.79%, 0.4%

LAB 65.51, -64.33, 62.34

 

CMYK 89 / 0 / 98 / 35

HEX #12A603

RGB 18 166 3

HSL 114.48, 0.96%, 0.33%

LAB 59.35, -61.34, 60.04

 

CMYK 99 / 0 / 100 / 42

HEX #019400

RGB 1 148 0

HSL 119.59, 1%, 0.29%

LAB 53.15, -57.38, 55.45

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 74 / 0 / 80 / 20

HEX #34CB29

RGB 52 203 41

HSL 115.93, 0.66%, 0.48%

LAB 71.96, -66.79, 63.6

 

CMYK 53 / 0 / 80 / 20

HEX #60CB29

RGB 96 203 41

HSL 99.63, 0.66%, 0.48%

LAB 73.13, -57.2, 65.11

 

CMYK 32 / 0 / 80 / 20

HEX #8BCB29

RGB 139 203 41

HSL 83.7, 0.66%, 0.48%

LAB 75.05, -43.17, 67.59

 

CMYK 10 / 0 / 80 / 20

HEX #B7CB29

RGB 183 203 41

HSL 67.41, 0.66%, 0.48%

LAB 77.84, -25.82, 71.14

 

CMYK 0 / 12 / 80 / 20

HEX #CBB329

RGB 203 179 41

HSL 51.11, 0.66%, 0.48%

LAB 72.96, -5.18, 67.45

 

CMYK 74 / 0 / 80 / 20

HEX #34CB29

RGB 52 203 41

HSL 115.93, 0.66%, 0.48%

LAB 71.96, -66.79, 63.6

 

CMYK 80 / 0 / 64 / 20

HEX #29CB4A

RGB 41 203 74

HSL 132.22, 0.66%, 0.48%

LAB 72.01, -65.52, 51.6

 

CMYK 80 / 0 / 42 / 20

HEX #29CB75

RGB 41 203 117

HSL 148.15, 0.66%, 0.48%

LAB 72.54, -59.24, 31.73

 

CMYK 80 / 0 / 21 / 20

HEX #29CBA1

RGB 41 203 161

HSL 164.44, 0.66%, 0.48%

LAB 73.39, -49.83, 9.65

 

CMYK 80 / 1 / 0 / 20

HEX #29C9CB

RGB 41 201 203

HSL 180.74, 0.66%, 0.48%

LAB 73.91, -37.6, -12.32

 

CMYK 74 / 0 / 80 / 20

HEX #34CB29

RGB 52 203 41

HSL 115.93, 0.66%, 0.48%

LAB 71.96, -66.79, 63.6

 

CMYK 84 / 0 / 91 / 13

HEX #23DE15

RGB 35 222 21

HSL 115.82, 0.83%, 0.48%

LAB 77.67, -75.27, 72.94

 

CMYK 93 / 0 / 99 / 5

HEX #12F202

RGB 18 242 2

HSL 116, 0.98%, 0.48%

LAB 83.78, -82.19, 79.87

 

CMYK 74 / 0 / 80 / 20

HEX #34CB29

RGB 52 203 41

HSL 115.93, 0.66%, 0.48%

LAB 71.96, -66.79, 63.6

 

CMYK 62 / 0 / 67 / 28

HEX #45B73D

RGB 69 183 61

HSL 116.07, 0.5%, 0.48%

LAB 66.11, -55.4, 50.76

 

CMYK 47 / 0 / 50 / 36

HEX #56A351

RGB 86 163 81

HSL 116.34, 0.34%, 0.48%

LAB 60.58, -40.72, 35.17

 

CMYK 28 / 0 / 29 / 44

HEX #678F65

RGB 103 143 101

HSL 117.14, 0.17%, 0.48%

LAB 55.55, -22.53, 18.03

 

CMYK 2 / 0 / 2 / 52

HEX #797B78

RGB 121 123 120

HSL 100, 0.01%, 0.48%

LAB 51.37, -1.35, 1.37

 

CMYK 31 / 0 / 80 / 20

HEX #8DCB29

RGB 141 203 41

HSL 82.96, 0.66%, 0.48%

LAB 75.16, -42.44, 67.73

 

CMYK 52 / 0 / 80 / 20

HEX #62CB29

RGB 98 203 41

HSL 98.89, 0.66%, 0.48%

LAB 73.2, -56.64, 65.2

 

CMYK 73 / 0 / 80 / 20

HEX #37CB29

RGB 55 203 41

HSL 114.81, 0.66%, 0.48%

LAB 72.02, -66.31, 63.67

 

CMYK 80 / 0 / 65 / 20

HEX #29CB47

RGB 41 203 71

HSL 131.11, 0.66%, 0.48%

LAB 71.99, -65.84, 52.84

 

CMYK 80 / 0 / 44 / 20

HEX #29CB72

RGB 41 203 114

HSL 147.04, 0.66%, 0.48%

LAB 72.49, -59.77, 33.2

 

CMYK 75 / 0 / 80 / 47

HEX #22861B

RGB 34 134 27

HSL 116.07, 0.66%, 0.32%

LAB 48.85, -48.43, 45.8

 

CMYK 74 / 0 / 80 / 34

HEX #2BA822

RGB 43 168 34

HSL 115.97, 0.66%, 0.4%

LAB 60.46, -57.64, 54.74

 

CMYK 74 / 0 / 80 / 20

HEX #34CB29

RGB 52 203 41

HSL 115.93, 0.66%, 0.48%

LAB 71.96, -66.79, 63.6

 

CMYK 63 / 0 / 68 / 15

HEX #4FD845

RGB 79 216 69

HSL 115.92, 0.65%, 0.56%

LAB 76.8, -63.97, 59.08

 

CMYK 50 / 0 / 54 / 13

HEX #6FDF67

RGB 111 223 103

HSL 116, 0.65%, 0.64%

LAB 80.25, -55.18, 48.61

 

CMYK 74 / 0 / 80 / 21

HEX #34CA29

RGB 52 202 41

HSL 115.9, 0.66%, 0.48%

LAB 71.64, -66.48, 63.3

 

CMYK 80 / 9 / 0 / 20

HEX #29B8CB

RGB 41 184 203

HSL 187.04, 0.66%, 0.48%

LAB 68.8, -29.54, -20.03

 

CMYK 0 / 80 / 41 / 20

HEX #CB2977

RGB 203 41 119

HSL 331.11, 0.66%, 0.48%

LAB 46.46, 66.4, -3.97

 

CMYK 74 / 0 / 80 / 21

HEX #34CA29

RGB 52 202 41

HSL 115.9, 0.66%, 0.48%

LAB 71.64, -66.48, 63.3

 

CMYK 80 / 73 / 0 / 20

HEX #2937CB

RGB 41 55 203

HSL 234.81, 0.66%, 0.48%

LAB 32.95, 47.01, -77.03

 

CMYK 0 / 80 / 73 / 20

HEX #CB2937

RGB 203 41 55

HSL 354.81, 0.66%, 0.48%

LAB 45.02, 62.01, 33.36

 

CMYK 74 / 0 / 80 / 21

HEX #34CA29

RGB 52 202 41

HSL 115.9, 0.66%, 0.48%

LAB 71.64, -66.48, 63.3

 

CMYK 80 / 9 / 0 / 20

HEX #29B8CB

RGB 41 184 203

HSL 187.04, 0.66%, 0.48%

LAB 68.8, -29.54, -20.03

 

CMYK 7 / 80 / 0 / 20

HEX #BD29CB

RGB 189 41 203

HSL 294.81, 0.66%, 0.48%

LAB 47.9, 74.41, -51.96

 

CMYK 0 / 70 / 80 / 20

HEX #CB3C29

RGB 203 60 41

HSL 7.04, 0.66%, 0.48%

LAB 47.09, 55.3, 43.42

 

CMYK 74 / 0 / 80 / 21

HEX #34CA29

RGB 52 202 41

HSL 115.9, 0.66%, 0.48%

LAB 71.64, -66.48, 63.3

 

CMYK 80 / 33 / 0 / 20

HEX #2987CB

RGB 41 135 203

HSL 205.19, 0.66%, 0.48%

LAB 54.14, -3.19, -42.75

 

CMYK 7 / 80 / 0 / 20

HEX #BD29CB

RGB 189 41 203

HSL 294.81, 0.66%, 0.48%

LAB 47.9, 74.41, -51.96

 

CMYK 0 / 47 / 80 / 20

HEX #CB6C29

RGB 203 108 41

HSL 24.81, 0.66%, 0.48%

LAB 55.67, 33, 51.72

 

Description

Color code: HEX #34CA29 | qconv.com Color code: HEX #34CA29 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 202 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 202 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 80 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 80% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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