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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34C5A0 it is the complementary color #CB3A5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34C5A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34C5A0 shade: #39C59B, #4AD7AE, #5BE9C1, #6CFBD4 and #7DFFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34C5A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34C5A0 shade: #34C5A0, #23B38D, #12A17A, #018F67 and #007D54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34C5A0 shade: #34C5A0, #34C579, #34C552, #3DC534 and #64C534

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34C5A0 shade: #34C5A0, #34C3C5, #349CC5, #3475C5 and #344EC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34C5A0 shade matches the following richer shades: #34C5A0, #20D9AA and #0CEDB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34C5A0 shade: #34C5A0, #48B196, #5C9C8C, #718882 and #857478

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34C5A0 shade: #34C551, #34C578, #34C59E, #34C5C5 and #349EC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34C5A0 shade: #23846B, #2BA485, #34C5A0, #52D1B0 and #72D9BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34C5A0 shade: #34C5A0, #343EC5 and #C56434

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34C5A0 shade: #34C5A0, #9E34C5 and #C59E34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34C5A0 shade: #34C5A0, #343EC5, #C5345B and #C5BB34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34C5A0 shade: #34C5A0, #5634C5, #C5345B and #A3C534

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 19 / 23

HEX #34C5A0

RGB 52 197 160

HSL 164.69, 0.58%, 0.49%

LAB 71.69, -46.37, 7.79

 

Complementary color

CMYK 0 / 71 / 53 / 20

HEX #CB3A5F

RGB 203 58 95

HSL 344.69, 0.58%, 0.51%

LAB 47.69, 59, 12.51

 

CMYK 71 / 0 / 21 / 23

HEX #39C59B

RGB 57 197 155

HSL 162, 0.55%, 0.5%

LAB 71.67, -46.9, 10.48

 

CMYK 66 / 0 / 19 / 16

HEX #4AD7AE

RGB 74 215 174

HSL 162.55, 0.64%, 0.57%

LAB 77.94, -47.34, 9.26

 

CMYK 61 / 0 / 17 / 9

HEX #5BE9C1

RGB 91 233 193

HSL 163.1, 0.76%, 0.64%

LAB 84.15, -47.6, 8.15

 

CMYK 57 / 0 / 16 / 2

HEX #6CFBD4

RGB 108 251 212

HSL 163.64, 0.95%, 0.7%

LAB 90.29, -47.74, 7.13

 

CMYK 51 / 0 / 9 / 0

HEX #7DFFE7

RGB 125 255 231

HSL 168.92, 1%, 0.75%

LAB 92.42, -41.67, 0.44

 

CMYK 74 / 0 / 19 / 23

HEX #34C5A0

RGB 52 197 160

HSL 164.69, 0.58%, 0.49%

LAB 71.69, -46.37, 7.79

 

CMYK 80 / 0 / 21 / 30

HEX #23B38D

RGB 35 179 141

HSL 164.17, 0.67%, 0.42%

LAB 65.37, -45.53, 9.12

 

CMYK 89 / 0 / 24 / 37

HEX #12A17A

RGB 18 161 122

HSL 163.64, 0.8%, 0.35%

LAB 59, -44.29, 10.61

 

CMYK 99 / 0 / 28 / 44

HEX #018F67

RGB 1 143 103

HSL 163.1, 0.99%, 0.28%

LAB 52.54, -42.65, 12.27

 

CMYK 100 / 0 / 33 / 51

HEX #007D54

RGB 0 125 84

HSL 160.32, 1%, 0.25%

LAB 46.05, -40.13, 14.2

 

CMYK 74 / 0 / 19 / 23

HEX #34C5A0

RGB 52 197 160

HSL 164.69, 0.58%, 0.49%

LAB 71.69, -46.37, 7.79

 

CMYK 74 / 0 / 39 / 23

HEX #34C579

RGB 52 197 121

HSL 148.55, 0.58%, 0.49%

LAB 70.9, -54.92, 27.53

 

CMYK 74 / 0 / 58 / 23

HEX #34C552

RGB 52 197 82

HSL 132.41, 0.58%, 0.49%

LAB 70.37, -61.12, 46.21

 

CMYK 69 / 0 / 74 / 23

HEX #3DC534

RGB 61 197 52

HSL 116.28, 0.58%, 0.49%

LAB 70.3, -62.62, 58.52

 

CMYK 49 / 0 / 74 / 23

HEX #64C534

RGB 100 197 52

HSL 100.14, 0.58%, 0.49%

LAB 71.48, -53.15, 60.1

 

CMYK 74 / 0 / 19 / 23

HEX #34C5A0

RGB 52 197 160

HSL 164.69, 0.58%, 0.49%

LAB 71.69, -46.37, 7.79

 

CMYK 74 / 1 / 0 / 23

HEX #34C3C5

RGB 52 195 197

HSL 180.83, 0.58%, 0.49%

LAB 72.09, -35.49, -11.76

 

CMYK 74 / 21 / 0 / 23

HEX #349CC5

RGB 52 156 197

HSL 196.97, 0.58%, 0.49%

LAB 60.37, -15.89, -29.61

 

CMYK 74 / 41 / 0 / 23

HEX #3475C5

RGB 52 117 197

HSL 213.1, 0.58%, 0.49%

LAB 48.86, 6.78, -47.69

 

CMYK 74 / 60 / 0 / 23

HEX #344EC5

RGB 52 78 197

HSL 229.24, 0.58%, 0.49%

LAB 38.22, 31.73, -64.88

 

CMYK 74 / 0 / 19 / 23

HEX #34C5A0

RGB 52 197 160

HSL 164.69, 0.58%, 0.49%

LAB 71.69, -46.37, 7.79

 

CMYK 85 / 0 / 22 / 15

HEX #20D9AA

RGB 32 217 170

HSL 164.76, 0.74%, 0.49%

LAB 77.78, -53.99, 11.07

 

CMYK 95 / 0 / 24 / 7

HEX #0CEDB4

RGB 12 237 180

HSL 164.8, 0.9%, 0.49%

LAB 83.94, -60.25, 14.5

 

CMYK 74 / 0 / 19 / 23

HEX #34C5A0

RGB 52 197 160

HSL 164.69, 0.58%, 0.49%

LAB 71.69, -46.37, 7.79

 

CMYK 59 / 0 / 15 / 31

HEX #48B196

RGB 72 177 150

HSL 164.57, 0.42%, 0.49%

LAB 65.77, -36.86, 4.82

 

CMYK 41 / 0 / 10 / 39

HEX #5C9C8C

RGB 92 156 140

HSL 165, 0.26%, 0.49%

LAB 59.84, -24.45, 1.94

 

CMYK 17 / 0 / 4 / 47

HEX #718882

RGB 113 136 130

HSL 164.35, 0.09%, 0.49%

LAB 54.79, -9.53, 0.46

 

CMYK 0 / 13 / 10 / 48

HEX #857478

RGB 133 116 120

HSL 345.88, 0.07%, 0.49%

LAB 50.49, 7.32, 0.22

 

CMYK 74 / 0 / 59 / 23

HEX #34C551

RGB 52 197 81

HSL 132, 0.58%, 0.49%

LAB 70.36, -61.24, 46.66

 

CMYK 74 / 0 / 39 / 23

HEX #34C578

RGB 52 197 120

HSL 148.14, 0.58%, 0.49%

LAB 70.88, -55.11, 28.03

 

CMYK 74 / 0 / 20 / 23

HEX #34C59E

RGB 52 197 158

HSL 163.86, 0.58%, 0.49%

LAB 71.64, -46.86, 8.81

 

CMYK 74 / 0 / 0 / 23

HEX #34C5C5

RGB 52 197 197

HSL 180, 0.58%, 0.49%

LAB 72.69, -36.41, -10.87

 

CMYK 74 / 20 / 0 / 23

HEX #349EC5

RGB 52 158 197

HSL 196.14, 0.58%, 0.49%

LAB 60.97, -16.97, -28.68

 

CMYK 73 / 0 / 19 / 48

HEX #23846B

RGB 35 132 107

HSL 164.54, 0.58%, 0.33%

LAB 49.4, -33.9, 5.58

 

CMYK 74 / 0 / 19 / 36

HEX #2BA485

RGB 43 164 133

HSL 164.63, 0.58%, 0.41%

LAB 60.57, -40.24, 6.73

 

CMYK 74 / 0 / 19 / 23

HEX #34C5A0

RGB 52 197 160

HSL 164.69, 0.58%, 0.49%

LAB 71.69, -46.37, 7.79

 

CMYK 61 / 0 / 16 / 18

HEX #52D1B0

RGB 82 209 176

HSL 164.41, 0.58%, 0.57%

LAB 76.39, -42.9, 6

 

CMYK 47 / 0 / 12 / 15

HEX #72D9BF

RGB 114 217 191

HSL 164.85, 0.58%, 0.65%

LAB 80.16, -36.21, 3.56

 

CMYK 74 / 0 / 19 / 23

HEX #34C5A0

RGB 52 197 160

HSL 164.69, 0.58%, 0.49%

LAB 71.69, -46.37, 7.79

 

CMYK 74 / 69 / 0 / 23

HEX #343EC5

RGB 52 62 197

HSL 235.86, 0.58%, 0.49%

LAB 34.41, 41.76, -71.11

 

CMYK 0 / 49 / 74 / 23

HEX #C56434

RGB 197 100 52

HSL 19.86, 0.58%, 0.49%

LAB 53.2, 35.21, 43.8

 

CMYK 74 / 0 / 19 / 23

HEX #34C5A0

RGB 52 197 160

HSL 164.69, 0.58%, 0.49%

LAB 71.69, -46.37, 7.79

 

CMYK 20 / 74 / 0 / 23

HEX #9E34C5

RGB 158 52 197

HSL 283.86, 0.58%, 0.49%

LAB 43.88, 63.98, -55.2

 

CMYK 0 / 20 / 74 / 23

HEX #C59E34

RGB 197 158 52

HSL 43.86, 0.58%, 0.49%

LAB 66.95, 3.77, 57.83

 

CMYK 74 / 0 / 19 / 23

HEX #34C5A0

RGB 52 197 160

HSL 164.69, 0.58%, 0.49%

LAB 71.69, -46.37, 7.79

 

CMYK 74 / 69 / 0 / 23

HEX #343EC5

RGB 52 62 197

HSL 235.86, 0.58%, 0.49%

LAB 34.41, 41.76, -71.11

 

CMYK 0 / 74 / 54 / 23

HEX #C5345B

RGB 197 52 91

HSL 343.86, 0.58%, 0.49%

LAB 45.75, 59.02, 12.11

 

CMYK 0 / 5 / 74 / 23

HEX #C5BB34

RGB 197 187 52

HSL 55.86, 0.58%, 0.49%

LAB 74.61, -11.49, 65.2

 

CMYK 74 / 0 / 19 / 23

HEX #34C5A0

RGB 52 197 160

HSL 164.69, 0.58%, 0.49%

LAB 71.69, -46.37, 7.79

 

CMYK 56 / 74 / 0 / 23

HEX #5634C5

RGB 86 52 197

HSL 254.07, 0.58%, 0.49%

LAB 34.93, 51.52, -70.16

 

CMYK 0 / 74 / 54 / 23

HEX #C5345B

RGB 197 52 91

HSL 343.86, 0.58%, 0.49%

LAB 45.75, 59.02, 12.11

 

CMYK 17 / 0 / 74 / 23

HEX #A3C534

RGB 163 197 52

HSL 74.07, 0.58%, 0.49%

LAB 74.8, -30.67, 64.48

 

Description

Color code: HEX #34C5A0 | qconv.com Color code: HEX #34C5A0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 197 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 197 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 19 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 19% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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