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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34BA48 it is the complementary color #CB45B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34BA48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34BA48 shade: #39BA43, #4ACC56, #5BDE69, #6CF07C and #7DFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34BA48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34BA48 shade: #34BA48, #23A835, #129622, #01840F and #007200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34BA48 shade: #34BA48, #44BA34, #69BA34, #8DBA34 and #B1BA34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34BA48 shade: #34BA48, #34BA6C, #34BA91, #34BAB5 and #349CBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34BA48 shade matches the following richer shades: #34BA48, #21CE3B and #0DE12D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34BA48 shade: #34BA48, #48A756, #5B9463, #6E8071 and #826D7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34BA48 shade: #6ABA34, #46BA34, #34BA46, #34BA6A and #34BA8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34BA48 shade: #227A2F, #2B9A3C, #34BA48, #4CCC5F and #6CD57C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34BA48 shade: #34BA48, #348EBA and #BA3458

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34BA48 shade: #34BA48, #4634BA and #BA4634

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34BA48 shade: #34BA48, #348EBA, #BA34A9 and #BA6134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34BA48 shade: #34BA48, #3465BA, #BA34A9 and #BA8934

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 61 / 27

HEX #34BA48

RGB 52 186 72

HSL 128.96, 0.56%, 0.47%

LAB 66.76, -58.62, 46.59

 

Complementary color

CMYK 0 / 66 / 10 / 20

HEX #CB45B7

RGB 203 69 183

HSL 308.96, 0.56%, 0.53%

LAB 52.25, 65.21, -33.33

 

CMYK 69 / 0 / 64 / 27

HEX #39BA43

RGB 57 186 67

HSL 124.65, 0.53%, 0.48%

LAB 66.82, -58.3, 48.9

 

CMYK 64 / 0 / 58 / 20

HEX #4ACC56

RGB 74 204 86

HSL 125.54, 0.56%, 0.55%

LAB 73.1, -59.07, 47.69

 

CMYK 59 / 0 / 53 / 13

HEX #5BDE69

RGB 91 222 105

HSL 126.41, 0.66%, 0.61%

LAB 79.32, -59.5, 46.39

 

CMYK 55 / 0 / 48 / 6

HEX #6CF07C

RGB 108 240 124

HSL 127.27, 0.81%, 0.68%

LAB 85.49, -59.7, 45.07

 

CMYK 51 / 0 / 44 / 0

HEX #7DFF8F

RGB 125 255 143

HSL 128.31, 1%, 0.75%

LAB 90.72, -58.59, 42.66

 

CMYK 72 / 0 / 61 / 27

HEX #34BA48

RGB 52 186 72

HSL 128.96, 0.56%, 0.47%

LAB 66.76, -58.62, 46.59

 

CMYK 79 / 0 / 68 / 34

HEX #23A835

RGB 35 168 53

HSL 128.12, 0.66%, 0.4%

LAB 60.44, -57.28, 47.74

 

CMYK 88 / 0 / 77 / 41

HEX #129622

RGB 18 150 34

HSL 127.27, 0.79%, 0.33%

LAB 54.09, -55.2, 48.43

 

CMYK 99 / 0 / 89 / 48

HEX #01840F

RGB 1 132 15

HSL 126.41, 0.98%, 0.26%

LAB 47.68, -52.21, 48.04

 

CMYK 100 / 0 / 100 / 55

HEX #007200

RGB 0 114 0

HSL 120, 1%, 0.22%

LAB 41.27, -47.58, 45.92

 

CMYK 72 / 0 / 61 / 27

HEX #34BA48

RGB 52 186 72

HSL 128.96, 0.56%, 0.47%

LAB 66.76, -58.62, 46.59

 

CMYK 63 / 0 / 72 / 27

HEX #44BA34

RGB 68 186 52

HSL 112.84, 0.56%, 0.47%

LAB 66.97, -57.48, 55.2

 

CMYK 44 / 0 / 72 / 27

HEX #69BA34

RGB 105 186 52

HSL 96.27, 0.56%, 0.47%

LAB 68.29, -47.28, 56.97

 

CMYK 24 / 0 / 72 / 27

HEX #8DBA34

RGB 141 186 52

HSL 80.15, 0.56%, 0.47%

LAB 70.2, -34.3, 59.5

 

CMYK 5 / 0 / 72 / 27

HEX #B1BA34

RGB 177 186 52

HSL 64.03, 0.56%, 0.47%

LAB 72.7, -19.54, 62.8

 

CMYK 72 / 0 / 61 / 27

HEX #34BA48

RGB 52 186 72

HSL 128.96, 0.56%, 0.47%

LAB 66.76, -58.62, 46.59

 

CMYK 72 / 0 / 42 / 27

HEX #34BA6C

RGB 52 186 108

HSL 145.07, 0.56%, 0.47%

LAB 67.22, -53.22, 29.48

 

CMYK 72 / 0 / 22 / 27

HEX #34BA91

RGB 52 186 145

HSL 161.64, 0.56%, 0.47%

LAB 67.94, -45.41, 10.61

 

CMYK 72 / 0 / 3 / 27

HEX #34BAB5

RGB 52 186 181

HSL 177.76, 0.56%, 0.47%

LAB 68.88, -35.92, -7.78

 

CMYK 72 / 16 / 0 / 27

HEX #349CBA

RGB 52 156 186

HSL 193.43, 0.56%, 0.47%

LAB 59.94, -19.54, -24.09

 

CMYK 72 / 0 / 61 / 27

HEX #34BA48

RGB 52 186 72

HSL 128.96, 0.56%, 0.47%

LAB 66.76, -58.62, 46.59

 

CMYK 84 / 0 / 71 / 19

HEX #21CE3B

RGB 33 206 59

HSL 129.02, 0.72%, 0.47%

LAB 72.75, -68.77, 58.36

 

CMYK 94 / 0 / 80 / 12

HEX #0DE12D

RGB 13 225 45

HSL 129.06, 0.89%, 0.47%

LAB 78.53, -76.52, 68.52

 

CMYK 72 / 0 / 61 / 27

HEX #34BA48

RGB 52 186 72

HSL 128.96, 0.56%, 0.47%

LAB 66.76, -58.62, 46.59

 

CMYK 57 / 0 / 49 / 35

HEX #48A756

RGB 72 167 86

HSL 128.84, 0.4%, 0.47%

LAB 61.38, -45.51, 33.5

 

CMYK 39 / 0 / 33 / 42

HEX #5B9463

RGB 91 148 99

HSL 128.42, 0.24%, 0.47%

LAB 56.39, -29.46, 20.18

 

CMYK 14 / 0 / 12 / 50

HEX #6E8071

RGB 110 128 113

HSL 130, 0.08%, 0.47%

LAB 51.78, -9.71, 5.94

 

CMYK 0 / 16 / 2 / 49

HEX #826D7F

RGB 130 109 127

HSL 308.57, 0.09%, 0.47%

LAB 48.53, 11.65, -6.85

 

CMYK 43 / 0 / 72 / 27

HEX #6ABA34

RGB 106 186 52

HSL 95.82, 0.56%, 0.47%

LAB 68.34, -46.95, 57.03

 

CMYK 62 / 0 / 72 / 27

HEX #46BA34

RGB 70 186 52

HSL 111.94, 0.56%, 0.47%

LAB 67.03, -57.03, 55.28

 

CMYK 72 / 0 / 62 / 27

HEX #34BA46

RGB 52 186 70

HSL 128.06, 0.56%, 0.47%

LAB 66.74, -58.85, 47.46

 

CMYK 72 / 0 / 43 / 27

HEX #34BA6A

RGB 52 186 106

HSL 144.18, 0.56%, 0.47%

LAB 67.19, -53.58, 30.47

 

CMYK 72 / 0 / 24 / 27

HEX #34BA8E

RGB 52 186 142

HSL 160.3, 0.56%, 0.47%

LAB 67.87, -46.12, 12.15

 

CMYK 72 / 0 / 61 / 52

HEX #227A2F

RGB 34 122 47

HSL 128.86, 0.56%, 0.31%

LAB 44.89, -42.14, 33.12

 

CMYK 72 / 0 / 61 / 40

HEX #2B9A3C

RGB 43 154 60

HSL 129.19, 0.56%, 0.39%

LAB 56.04, -50.49, 39.77

 

CMYK 72 / 0 / 61 / 27

HEX #34BA48

RGB 52 186 72

HSL 128.96, 0.56%, 0.47%

LAB 66.76, -58.62, 46.59

 

CMYK 63 / 0 / 53 / 20

HEX #4CCC5F

RGB 76 204 95

HSL 128.91, 0.56%, 0.55%

LAB 73.25, -57.49, 43.68

 

CMYK 49 / 0 / 42 / 16

HEX #6CD57C

RGB 108 213 124

HSL 129.14, 0.56%, 0.63%

LAB 77.42, -49.07, 34.83

 

CMYK 72 / 0 / 61 / 27

HEX #34BA48

RGB 52 186 72

HSL 128.96, 0.56%, 0.47%

LAB 66.76, -58.62, 46.59

 

CMYK 72 / 24 / 0 / 27

HEX #348EBA

RGB 52 142 186

HSL 199.7, 0.56%, 0.47%

LAB 55.71, -11.92, -30.63

 

CMYK 0 / 72 / 53 / 27

HEX #BA3458

RGB 186 52 88

HSL 343.88, 0.56%, 0.47%

LAB 43.65, 55.53, 10.75

 

CMYK 72 / 0 / 61 / 27

HEX #34BA48

RGB 52 186 72

HSL 128.96, 0.56%, 0.47%

LAB 66.76, -58.62, 46.59

 

CMYK 62 / 72 / 0 / 27

HEX #4634BA

RGB 70 52 186

HSL 248.06, 0.56%, 0.47%

LAB 32.49, 46.06, -67.76

 

CMYK 0 / 62 / 72 / 27

HEX #BA4634

RGB 186 70 52

HSL 8.06, 0.56%, 0.47%

LAB 45.73, 45.79, 35.08

 

CMYK 72 / 0 / 61 / 27

HEX #34BA48

RGB 52 186 72

HSL 128.96, 0.56%, 0.47%

LAB 66.76, -58.62, 46.59

 

CMYK 72 / 24 / 0 / 27

HEX #348EBA

RGB 52 142 186

HSL 199.7, 0.56%, 0.47%

LAB 55.71, -11.92, -30.63

 

CMYK 0 / 72 / 9 / 27

HEX #BA34A9

RGB 186 52 169

HSL 307.61, 0.56%, 0.47%

LAB 46.66, 65.13, -34.09

 

CMYK 0 / 48 / 72 / 27

HEX #BA6134

RGB 186 97 52

HSL 20.15, 0.56%, 0.47%

LAB 50.96, 32.34, 40.91

 

CMYK 72 / 0 / 61 / 27

HEX #34BA48

RGB 52 186 72

HSL 128.96, 0.56%, 0.47%

LAB 66.76, -58.62, 46.59

 

CMYK 72 / 46 / 0 / 27

HEX #3465BA

RGB 52 101 186

HSL 218.06, 0.56%, 0.47%

LAB 43.63, 12.78, -49.71

 

CMYK 0 / 72 / 9 / 27

HEX #BA34A9

RGB 186 52 169

HSL 307.61, 0.56%, 0.47%

LAB 46.66, 65.13, -34.09

 

CMYK 0 / 26 / 72 / 27

HEX #BA8934

RGB 186 137 52

HSL 38.06, 0.56%, 0.47%

LAB 60.41, 10.39, 50.89

 

Description

Color code: HEX #34BA48 | qconv.com Color code: HEX #34BA48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 186 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 186 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 61 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 61% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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