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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34B27A it is the complementary color #CB4D85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34B27A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34B27A shade: #39B275, #4AC488, #5BD69B, #6CE8AE and #7DFAC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34B27A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34B27A shade: #34B27A, #23A067, #128E54, #017C41 and #006A2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34B27A shade: #33B179, #33B157, #33B135, #53B133 and #75B133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34B27A shade: #33B179, #33B19B, #33A5B1, #3383B1 and #3361B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34B27A shade matches the following richer shades: #33B179, #21C47B and #0ED67D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34B27A shade: #33B179, #469F77, #588C75, #6B7A73 and #7D6771

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34B27A shade: #33B135, #33B157, #33B179, #33B19A and #33A7B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34B27A shade: #21714D, #2A9163, #33B179, #45C98E and #65D2A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34B27A shade: #34B27A, #3353B1 and #B14633

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34B27A shade: #34B27A, #7933B1 and #B17933

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34B27A shade: #34B27A, #3353B1, #B1336C and #B19233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34B27A shade: #34B27A, #3933B1, #B1336C and #ABB133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 31 / 30

HEX #34B27A

RGB 52 178 122

HSL 153.33, 0.55%, 0.45%

LAB 64.94, -47.35, 18.96

 

Complementary color

CMYK 0 / 62 / 34 / 20

HEX #CB4D85

RGB 203 77 133

HSL 333.33, 0.55%, 0.55%

LAB 51.49, 55.15, -5

 

CMYK 68 / 0 / 34 / 30

HEX #39B275

RGB 57 178 117

HSL 149.75, 0.51%, 0.46%

LAB 64.96, -47.56, 21.7

 

CMYK 62 / 0 / 31 / 23

HEX #4AC488

RGB 74 196 136

HSL 150.49, 0.51%, 0.53%

LAB 71.36, -47.84, 20.31

 

CMYK 57 / 0 / 28 / 16

HEX #5BD69B

RGB 91 214 155

HSL 151.22, 0.6%, 0.6%

LAB 77.69, -47.93, 19.04

 

CMYK 53 / 0 / 25 / 9

HEX #6CE8AE

RGB 108 232 174

HSL 151.94, 0.73%, 0.67%

LAB 83.94, -47.91, 17.87

 

CMYK 50 / 0 / 23 / 2

HEX #7DFAC1

RGB 125 250 193

HSL 152.64, 0.93%, 0.74%

LAB 90.13, -47.81, 16.78

 

CMYK 71 / 0 / 31 / 30

HEX #34B27A

RGB 52 178 122

HSL 153.33, 0.55%, 0.45%

LAB 64.94, -47.35, 18.96

 

CMYK 78 / 0 / 36 / 37

HEX #23A067

RGB 35 160 103

HSL 152.64, 0.64%, 0.38%

LAB 58.49, -46.66, 20.49

 

CMYK 87 / 0 / 41 / 44

HEX #128E54

RGB 18 142 84

HSL 151.94, 0.78%, 0.31%

LAB 51.97, -45.5, 22.2

 

CMYK 99 / 0 / 48 / 51

HEX #017C41

RGB 1 124 65

HSL 151.22, 0.98%, 0.25%

LAB 45.36, -43.8, 24.08

 

CMYK 100 / 0 / 57 / 58

HEX #006A2E

RGB 0 106 46

HSL 146.04, 1%, 0.21%

LAB 38.73, -40.82, 26.18

 

CMYK 71 / 0 / 32 / 31

HEX #33B179

RGB 51 177 121

HSL 153.33, 0.55%, 0.45%

LAB 64.59, -47.32, 19.01

 

CMYK 71 / 0 / 51 / 31

HEX #33B157

RGB 51 177 87

HSL 137.14, 0.55%, 0.45%

LAB 64.03, -53.58, 36.17

 

CMYK 71 / 0 / 70 / 31

HEX #33B135

RGB 51 177 53

HSL 120.95, 0.55%, 0.45%

LAB 63.68, -57.74, 51.27

 

CMYK 53 / 0 / 71 / 31

HEX #53B133

RGB 83 177 51

HSL 104.76, 0.55%, 0.45%

LAB 64.58, -50.5, 53.28

 

CMYK 34 / 0 / 71 / 31

HEX #75B133

RGB 117 177 51

HSL 88.57, 0.55%, 0.45%

LAB 66.11, -39.41, 55.32

 

CMYK 71 / 0 / 32 / 31

HEX #33B179

RGB 51 177 121

HSL 153.33, 0.55%, 0.45%

LAB 64.59, -47.32, 19.01

 

CMYK 71 / 0 / 12 / 31

HEX #33B19B

RGB 51 177 155

HSL 169.52, 0.55%, 0.45%

LAB 65.37, -39.13, 1.41

 

CMYK 71 / 7 / 0 / 31

HEX #33A5B1

RGB 51 165 177

HSL 185.71, 0.55%, 0.45%

LAB 62.33, -27.15, -15.39

 

CMYK 71 / 26 / 0 / 31

HEX #3383B1

RGB 51 131 177

HSL 201.9, 0.55%, 0.45%

LAB 51.96, -8.94, -31.31

 

CMYK 71 / 45 / 0 / 31

HEX #3361B1

RGB 51 97 177

HSL 218.1, 0.55%, 0.45%

LAB 41.89, 11.85, -47.24

 

CMYK 71 / 0 / 32 / 31

HEX #33B179

RGB 51 177 121

HSL 153.33, 0.55%, 0.45%

LAB 64.59, -47.32, 19.01

 

CMYK 83 / 0 / 37 / 23

HEX #21C47B

RGB 33 196 123

HSL 153.13, 0.71%, 0.45%

LAB 70.34, -56.38, 25.68

 

CMYK 93 / 0 / 42 / 16

HEX #0ED67D

RGB 14 214 125

HSL 153.3, 0.88%, 0.45%

LAB 75.86, -63.56, 31.94

 

CMYK 71 / 0 / 32 / 31

HEX #33B179

RGB 51 177 121

HSL 153.33, 0.55%, 0.45%

LAB 64.59, -47.32, 19.01

 

CMYK 56 / 0 / 25 / 38

HEX #469F77

RGB 70 159 119

HSL 153.03, 0.39%, 0.45%

LAB 59.37, -36.4, 12.97

 

CMYK 37 / 0 / 16 / 45

HEX #588C75

RGB 88 140 117

HSL 153.46, 0.23%, 0.45%

LAB 54.15, -22.81, 6.84

 

CMYK 12 / 0 / 6 / 52

HEX #6B7A73

RGB 107 122 115

HSL 152, 0.07%, 0.45%

LAB 49.84, -7.03, 1.95

 

CMYK 0 / 18 / 10 / 51

HEX #7D6771

RGB 125 103 113

HSL 332.73, 0.1%, 0.45%

LAB 45.98, 10.58, -2.31

 

CMYK 71 / 0 / 70 / 31

HEX #33B135

RGB 51 177 53

HSL 120.95, 0.55%, 0.45%

LAB 63.68, -57.74, 51.27

 

CMYK 71 / 0 / 51 / 31

HEX #33B157

RGB 51 177 87

HSL 137.14, 0.55%, 0.45%

LAB 64.03, -53.58, 36.17

 

CMYK 71 / 0 / 32 / 31

HEX #33B179

RGB 51 177 121

HSL 153.33, 0.55%, 0.45%

LAB 64.59, -47.32, 19.01

 

CMYK 71 / 0 / 13 / 31

HEX #33B19A

RGB 51 177 154

HSL 169.05, 0.55%, 0.45%

LAB 65.34, -39.4, 1.92

 

CMYK 71 / 6 / 0 / 31

HEX #33A7B1

RGB 51 167 177

HSL 184.76, 0.55%, 0.45%

LAB 62.94, -28.14, -14.46

 

CMYK 71 / 0 / 32 / 56

HEX #21714D

RGB 33 113 77

HSL 153, 0.55%, 0.29%

LAB 42.26, -33.18, 13.16

 

CMYK 71 / 0 / 32 / 43

HEX #2A9163

RGB 42 145 99

HSL 153.2, 0.55%, 0.37%

LAB 53.65, -40.41, 16.15

 

CMYK 71 / 0 / 32 / 31

HEX #33B179

RGB 51 177 121

HSL 153.33, 0.55%, 0.45%

LAB 64.59, -47.32, 19.01

 

CMYK 66 / 0 / 29 / 21

HEX #45C98E

RGB 69 201 142

HSL 153.18, 0.55%, 0.53%

LAB 72.89, -49.56, 19.2

 

CMYK 52 / 0 / 23 / 18

HEX #65D2A2

RGB 101 210 162

HSL 153.58, 0.55%, 0.61%

LAB 76.96, -42.54, 14.37

 

CMYK 71 / 0 / 31 / 30

HEX #34B27A

RGB 52 178 122

HSL 153.33, 0.55%, 0.45%

LAB 64.94, -47.35, 18.96

 

CMYK 71 / 53 / 0 / 31

HEX #3353B1

RGB 51 83 177

HSL 224.76, 0.55%, 0.45%

LAB 37.96, 20.97, -53.57

 

CMYK 0 / 60 / 71 / 31

HEX #B14633

RGB 177 70 51

HSL 9.05, 0.55%, 0.45%

LAB 44.18, 42.47, 33.48

 

CMYK 71 / 0 / 31 / 30

HEX #34B27A

RGB 52 178 122

HSL 153.33, 0.55%, 0.45%

LAB 64.94, -47.35, 18.96

 

CMYK 32 / 71 / 0 / 31

HEX #7933B1

RGB 121 51 177

HSL 273.33, 0.55%, 0.45%

LAB 37.13, 52.74, -54.63

 

CMYK 0 / 32 / 71 / 31

HEX #B17933

RGB 177 121 51

HSL 33.33, 0.55%, 0.45%

LAB 55.34, 15.26, 45.75

 

CMYK 71 / 0 / 31 / 30

HEX #34B27A

RGB 52 178 122

HSL 153.33, 0.55%, 0.45%

LAB 64.94, -47.35, 18.96

 

CMYK 71 / 53 / 0 / 31

HEX #3353B1

RGB 51 83 177

HSL 224.76, 0.55%, 0.45%

LAB 37.96, 20.97, -53.57

 

CMYK 0 / 71 / 39 / 31

HEX #B1336C

RGB 177 51 108

HSL 332.86, 0.55%, 0.45%

LAB 42.46, 55.13, -3.63

 

CMYK 0 / 18 / 71 / 31

HEX #B19233

RGB 177 146 51

HSL 45.24, 0.55%, 0.45%

LAB 61.78, 1.39, 52.4

 

CMYK 71 / 0 / 31 / 30

HEX #34B27A

RGB 52 178 122

HSL 153.33, 0.55%, 0.45%

LAB 64.94, -47.35, 18.96

 

CMYK 68 / 71 / 0 / 31

HEX #3933B1

RGB 57 51 177

HSL 242.86, 0.55%, 0.45%

LAB 30.43, 42.11, -65.84

 

CMYK 0 / 71 / 39 / 31

HEX #B1336C

RGB 177 51 108

HSL 332.86, 0.55%, 0.45%

LAB 42.46, 55.13, -3.63

 

CMYK 3 / 0 / 71 / 31

HEX #ABB133

RGB 171 177 51

HSL 62.86, 0.55%, 0.45%

LAB 69.71, -17.62, 60.1

 

Description

Color code: HEX #34B27A | qconv.com Color code: HEX #34B27A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 178 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 178 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 31 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 31% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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