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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34B19E it is the complementary color #CB4E61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34B19E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34B19E shade: #39B199, #4AC3AC, #5BD5BF, #6CE7D2 and #7DF9E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34B19E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34B19E shade: #34B19E, #239F8B, #128D78, #017B65 and #006952

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34B19E shade: #33B19E, #33B17C, #33B15A, #33B138 and #50B133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34B19E shade: #33B19E, #33A3B1, #3380B1, #335EB1 and #333CB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34B19E shade matches the following richer shades: #33B19E, #21C4AB and #0ED6B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34B19E shade: #33B19E, #469F91, #588C84, #6B7A77 and #7D676A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34B19E shade: #33B159, #33B17B, #33B19C, #33A5B1 and #3383B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34B19E shade: #217165, #2A9182, #33B19E, #45C9B5 and #65D2C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34B19E shade: #34B19E, #3733B1 and #B16A33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34B19E shade: #34B19E, #9C33B1 and #B19C33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34B19E shade: #34B19E, #3733B1, #B13348 and #ADB133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34B19E shade: #34B19E, #5D33B1, #B13348 and #87B133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 11 / 31

HEX #34B19E

RGB 52 177 158

HSL 170.88, 0.55%, 0.45%

LAB 65.47, -38.19, -0.11

 

Complementary color

CMYK 0 / 62 / 52 / 20

HEX #CB4E61

RGB 203 78 97

HSL 350.88, 0.55%, 0.55%

LAB 50.7, 51.08, 15.46

 

CMYK 68 / 0 / 14 / 31

HEX #39B199

RGB 57 177 153

HSL 168, 0.51%, 0.46%

LAB 65.45, -38.77, 2.65

 

CMYK 62 / 0 / 12 / 24

HEX #4AC3AC

RGB 74 195 172

HSL 168.6, 0.5%, 0.53%

LAB 71.87, -39.13, 1.59

 

CMYK 57 / 0 / 10 / 16

HEX #5BD5BF

RGB 91 213 191

HSL 169.18, 0.59%, 0.6%

LAB 78.21, -39.33, 0.63

 

CMYK 53 / 0 / 9 / 9

HEX #6CE7D2

RGB 108 231 210

HSL 169.76, 0.72%, 0.66%

LAB 84.48, -39.43, -0.25

 

CMYK 50 / 0 / 8 / 2

HEX #7DF9E5

RGB 125 249 229

HSL 170.32, 0.91%, 0.73%

LAB 90.67, -39.45, -1.07

 

CMYK 71 / 0 / 11 / 31

HEX #34B19E

RGB 52 177 158

HSL 170.88, 0.55%, 0.45%

LAB 65.47, -38.19, -0.11

 

CMYK 78 / 0 / 13 / 38

HEX #239F8B

RGB 35 159 139

HSL 170.32, 0.64%, 0.38%

LAB 58.99, -37.43, 1.05

 

CMYK 87 / 0 / 15 / 45

HEX #128D78

RGB 18 141 120

HSL 169.76, 0.77%, 0.31%

LAB 52.44, -36.29, 2.37

 

CMYK 99 / 0 / 18 / 52

HEX #017B65

RGB 1 123 101

HSL 169.18, 0.98%, 0.24%

LAB 45.79, -34.74, 3.86

 

CMYK 100 / 0 / 22 / 59

HEX #006952

RGB 0 105 82

HSL 166.86, 1%, 0.21%

LAB 39.09, -32.22, 5.65

 

CMYK 71 / 0 / 11 / 31

HEX #33B19E

RGB 51 177 158

HSL 170.95, 0.55%, 0.45%

LAB 65.45, -38.33, -0.14

 

CMYK 71 / 0 / 30 / 31

HEX #33B17C

RGB 51 177 124

HSL 154.76, 0.55%, 0.45%

LAB 64.65, -46.67, 17.46

 

CMYK 71 / 0 / 49 / 31

HEX #33B15A

RGB 51 177 90

HSL 138.57, 0.55%, 0.45%

LAB 64.07, -53.12, 34.7

 

CMYK 71 / 0 / 68 / 31

HEX #33B138

RGB 51 177 56

HSL 122.38, 0.55%, 0.45%

LAB 63.7, -57.46, 50.09

 

CMYK 55 / 0 / 71 / 31

HEX #50B133

RGB 80 177 51

HSL 106.19, 0.55%, 0.45%

LAB 64.47, -51.33, 53.13

 

CMYK 71 / 0 / 11 / 31

HEX #33B19E

RGB 51 177 158

HSL 170.95, 0.55%, 0.45%

LAB 65.45, -38.33, -0.14

 

CMYK 71 / 8 / 0 / 31

HEX #33A3B1

RGB 51 163 177

HSL 186.67, 0.55%, 0.45%

LAB 61.72, -26.15, -16.31

 

CMYK 71 / 28 / 0 / 31

HEX #3380B1

RGB 51 128 177

HSL 203.33, 0.55%, 0.45%

LAB 51.06, -7.21, -32.73

 

CMYK 71 / 47 / 0 / 31

HEX #335EB1

RGB 51 94 177

HSL 219.52, 0.55%, 0.45%

LAB 41.03, 13.79, -48.62

 

CMYK 71 / 66 / 0 / 31

HEX #333CB1

RGB 51 60 177

HSL 235.71, 0.55%, 0.45%

LAB 32.06, 35.91, -63.19

 

CMYK 71 / 0 / 11 / 31

HEX #33B19E

RGB 51 177 158

HSL 170.95, 0.55%, 0.45%

LAB 65.45, -38.33, -0.14

 

CMYK 83 / 0 / 13 / 23

HEX #21C4AB

RGB 33 196 171

HSL 170.8, 0.71%, 0.45%

LAB 71.38, -45.07, 1.33

 

CMYK 93 / 0 / 14 / 16

HEX #0ED6B8

RGB 14 214 184

HSL 171, 0.88%, 0.45%

LAB 77.07, -50.17, 2.56

 

CMYK 71 / 0 / 11 / 31

HEX #33B19E

RGB 51 177 158

HSL 170.95, 0.55%, 0.45%

LAB 65.45, -38.33, -0.14

 

CMYK 56 / 0 / 9 / 38

HEX #469F91

RGB 70 159 145

HSL 170.56, 0.39%, 0.45%

LAB 60.02, -30.09, -0.74

 

CMYK 37 / 0 / 6 / 45

HEX #588C84

RGB 88 140 132

HSL 170.77, 0.23%, 0.45%

LAB 54.55, -19.28, -1.23

 

CMYK 12 / 0 / 2 / 52

HEX #6B7A77

RGB 107 122 119

HSL 168, 0.07%, 0.45%

LAB 49.95, -6.18, -0.24

 

CMYK 0 / 18 / 15 / 51

HEX #7D676A

RGB 125 103 106

HSL 351.82, 0.1%, 0.45%

LAB 45.77, 9.29, 1.6

 

CMYK 71 / 0 / 50 / 31

HEX #33B159

RGB 51 177 89

HSL 138.1, 0.55%, 0.45%

LAB 64.05, -53.27, 35.19

 

CMYK 71 / 0 / 31 / 31

HEX #33B17B

RGB 51 177 123

HSL 154.29, 0.55%, 0.45%

LAB 64.63, -46.88, 17.98

 

CMYK 71 / 0 / 12 / 31

HEX #33B19C

RGB 51 177 156

HSL 170, 0.55%, 0.45%

LAB 65.4, -38.87, 0.89

 

CMYK 71 / 7 / 0 / 31

HEX #33A5B1

RGB 51 165 177

HSL 185.71, 0.55%, 0.45%

LAB 62.33, -27.15, -15.39

 

CMYK 71 / 26 / 0 / 31

HEX #3383B1

RGB 51 131 177

HSL 201.9, 0.55%, 0.45%

LAB 51.96, -8.94, -31.31

 

CMYK 71 / 0 / 11 / 56

HEX #217165

RGB 33 113 101

HSL 171, 0.55%, 0.29%

LAB 42.87, -26.87, -0.31

 

CMYK 71 / 0 / 10 / 43

HEX #2A9182

RGB 42 145 130

HSL 171.26, 0.55%, 0.37%

LAB 54.4, -32.6, -0.49

 

CMYK 71 / 0 / 11 / 31

HEX #33B19E

RGB 51 177 158

HSL 170.95, 0.55%, 0.45%

LAB 65.45, -38.33, -0.14

 

CMYK 66 / 0 / 10 / 21

HEX #45C9B5

RGB 69 201 181

HSL 170.91, 0.55%, 0.53%

LAB 73.79, -40.34, -0.51

 

CMYK 52 / 0 / 8 / 18

HEX #65D2C1

RGB 101 210 193

HSL 170.64, 0.55%, 0.61%

LAB 77.7, -35.43, -1.14

 

CMYK 71 / 0 / 11 / 31

HEX #34B19E

RGB 52 177 158

HSL 170.88, 0.55%, 0.45%

LAB 65.47, -38.19, -0.11

 

CMYK 69 / 71 / 0 / 31

HEX #3733B1

RGB 55 51 177

HSL 241.9, 0.55%, 0.45%

LAB 30.29, 41.87, -66.08

 

CMYK 0 / 40 / 71 / 31

HEX #B16A33

RGB 177 106 51

HSL 26.19, 0.55%, 0.45%

LAB 51.72, 23.63, 41.88

 

CMYK 71 / 0 / 11 / 31

HEX #34B19E

RGB 52 177 158

HSL 170.88, 0.55%, 0.45%

LAB 65.47, -38.19, -0.11

 

CMYK 12 / 71 / 0 / 31

HEX #9C33B1

RGB 156 51 177

HSL 290, 0.55%, 0.45%

LAB 42.17, 60.08, -46.24

 

CMYK 0 / 12 / 71 / 31

HEX #B19C33

RGB 177 156 51

HSL 50, 0.55%, 0.45%

LAB 64.45, -4.03, 55.09

 

CMYK 71 / 0 / 11 / 31

HEX #34B19E

RGB 52 177 158

HSL 170.88, 0.55%, 0.45%

LAB 65.47, -38.19, -0.11

 

CMYK 69 / 71 / 0 / 31

HEX #3733B1

RGB 55 51 177

HSL 241.9, 0.55%, 0.45%

LAB 30.29, 41.87, -66.08

 

CMYK 0 / 71 / 59 / 31

HEX #B13348

RGB 177 51 72

HSL 350, 0.55%, 0.45%

LAB 41.5, 51.91, 17.52

 

CMYK 2 / 0 / 71 / 31

HEX #ADB133

RGB 173 177 51

HSL 61.9, 0.55%, 0.45%

LAB 69.87, -16.76, 60.31

 

CMYK 71 / 0 / 11 / 31

HEX #34B19E

RGB 52 177 158

HSL 170.88, 0.55%, 0.45%

LAB 65.47, -38.19, -0.11

 

CMYK 47 / 71 / 0 / 31

HEX #5D33B1

RGB 93 51 177

HSL 260, 0.55%, 0.45%

LAB 33.71, 47.47, -60.34

 

CMYK 0 / 71 / 59 / 31

HEX #B13348

RGB 177 51 72

HSL 350, 0.55%, 0.45%

LAB 41.5, 51.91, 17.52

 

CMYK 24 / 0 / 71 / 31

HEX #87B133

RGB 135 177 51

HSL 80, 0.55%, 0.45%

LAB 67.15, -32.55, 56.72

 

Description

Color code: HEX #34B19E | qconv.com Color code: HEX #34B19E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 177 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 177 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 11 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 11% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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