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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34A2FD it is the complementary color #CB5D02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34A2FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34A2FD shade: #39A2F8, #4AB4FF, #5BC6FF, #6CD8FF and #7DEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34A2FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34A2FD shade: #34A2FD, #2390EA, #127ED7, #016CC4 and #005AB1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34A2FD shade: #35A2FC, #356CFC, #3536FC, #6935FC and #9F35FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34A2FD shade: #35A2FC, #356CFC, #3536FC and #3535FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34A2FD shade matches the following richer shades: #35A2FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34A2FD shade: #35A2FC, #45A0EC, #569FDB, #669DCB and #779CBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34A2FD shade: #35FCEC, #35D8FC, #35A2FC, #356DFC and #3538FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34A2FD shade: #027ADD, #0C8FFC, #35A2FC, #5DB5FD and #86C7FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34A2FD shade: #34A2FD, #B635FC and #F2FC35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34A2FD shade: #34A2FD, #FC35A2 and #A2FC35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34A2FD shade: #34A2FD, #B635FC, #FC8F35 and #7BFC35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34A2FD shade: #34A2FD, #F235FC, #FC8F35 and #3FFC35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 36 / 0 / 1

HEX #34A2FD

RGB 52 162 253

HSL 207.16, 0.98%, 0.6%

LAB 64.69, 0.26, -53.8

 

Complementary color

CMYK 0 / 54 / 99 / 20

HEX #CB5D02

RGB 203 93 2

HSL 27.16, 0.98%, 0.4%

LAB 52.43, 39.91, 61.03

 

CMYK 77 / 35 / 0 / 3

HEX #39A2F8

RGB 57 162 248

HSL 207.02, 0.93%, 0.6%

LAB 64.55, -1.01, -51.29

 

CMYK 71 / 29 / 0 / 0

HEX #4AB4FF

RGB 74 180 255

HSL 204.86, 1%, 0.65%

LAB 70.4, -6.68, -45.85

 

CMYK 64 / 22 / 0 / 0

HEX #5BC6FF

RGB 91 198 255

HSL 200.85, 1%, 0.68%

LAB 75.97, -13.89, -37.12

 

CMYK 58 / 15 / 0 / 0

HEX #6CD8FF

RGB 108 216 255

HSL 195.92, 1%, 0.71%

LAB 81.58, -20.24, -28.43

 

CMYK 51 / 8 / 0 / 0

HEX #7DEAFF

RGB 125 234 255

HSL 189.69, 1%, 0.75%

LAB 87.21, -25.86, -19.81

 

CMYK 79 / 36 / 0 / 1

HEX #34A2FD

RGB 52 162 253

HSL 207.16, 0.98%, 0.6%

LAB 64.69, 0.26, -53.8

 

CMYK 85 / 38 / 0 / 8

HEX #2390EA

RGB 35 144 234

HSL 207.14, 0.83%, 0.53%

LAB 58.27, 2.43, -53.59

 

CMYK 92 / 41 / 0 / 16

HEX #127ED7

RGB 18 126 215

HSL 207.11, 0.85%, 0.46%

LAB 51.79, 5.09, -53.31

 

CMYK 99 / 45 / 0 / 23

HEX #016CC4

RGB 1 108 196

HSL 207.08, 0.99%, 0.39%

LAB 45.24, 8.24, -52.97

 

CMYK 100 / 49 / 0 / 31

HEX #005AB1

RGB 0 90 177

HSL 209.49, 1%, 0.35%

LAB 38.7, 12.17, -52.43

 

CMYK 79 / 36 / 0 / 1

HEX #35A2FC

RGB 53 162 252

HSL 207.14, 0.97%, 0.6%

LAB 64.66, -0, -53.3

 

CMYK 79 / 57 / 0 / 1

HEX #356CFC

RGB 53 108 252

HSL 223.42, 0.97%, 0.6%

LAB 50.11, 32.83, -76.71

 

CMYK 79 / 79 / 0 / 1

HEX #3536FC

RGB 53 54 252

HSL 239.7, 0.97%, 0.6%

LAB 38.59, 63.85, -95.66

 

CMYK 58 / 79 / 0 / 1

HEX #6935FC

RGB 105 53 252

HSL 255.68, 0.97%, 0.6%

LAB 42.12, 68.42, -89.7

 

CMYK 37 / 79 / 0 / 1

HEX #9F35FC

RGB 159 53 252

HSL 271.96, 0.97%, 0.6%

LAB 48.19, 75.24, -79.51

 

CMYK 79 / 36 / 0 / 1

HEX #35A2FC

RGB 53 162 252

HSL 207.14, 0.97%, 0.6%

LAB 64.66, -0, -53.3

 

CMYK 79 / 57 / 0 / 1

HEX #356CFC

RGB 53 108 252

HSL 223.42, 0.97%, 0.6%

LAB 50.11, 32.83, -76.71

 

CMYK 79 / 79 / 0 / 1

HEX #3536FC

RGB 53 54 252

HSL 239.7, 0.97%, 0.6%

LAB 38.59, 63.85, -95.66

 

CMYK 79 / 79 / 0 / 1

HEX #3535FC

RGB 53 53 252

HSL 240, 0.97%, 0.6%

LAB 38.43, 64.32, -95.93

 

CMYK 79 / 36 / 0 / 1

HEX #35A2FC

RGB 53 162 252

HSL 207.14, 0.97%, 0.6%

LAB 64.66, -0, -53.3

 

CMYK 79 / 36 / 0 / 1

HEX #35A2FC

RGB 53 162 252

HSL 207.14, 0.97%, 0.6%

LAB 64.66, -0, -53.3

 

CMYK 71 / 32 / 0 / 7

HEX #45A0EC

RGB 69 160 236

HSL 207.31, 0.81%, 0.6%

LAB 63.72, -2.58, -46

 

CMYK 61 / 27 / 0 / 14

HEX #569FDB

RGB 86 159 219

HSL 207.07, 0.65%, 0.6%

LAB 63.25, -4.91, -37.31

 

CMYK 50 / 23 / 0 / 20

HEX #669DCB

RGB 102 157 203

HSL 207.33, 0.49%, 0.6%

LAB 62.72, -5.36, -29.19

 

CMYK 36 / 16 / 0 / 27

HEX #779CBA

RGB 119 156 186

HSL 206.87, 0.33%, 0.6%

LAB 62.71, -5.17, -19.6

 

CMYK 79 / 0 / 6 / 1

HEX #35FCEC

RGB 53 252 236

HSL 175.18, 0.97%, 0.6%

LAB 90.06, -49.75, -5.8

 

CMYK 79 / 14 / 0 / 1

HEX #35D8FC

RGB 53 216 252

HSL 190.85, 0.97%, 0.6%

LAB 80.12, -28.72, -29.18

 

CMYK 79 / 36 / 0 / 1

HEX #35A2FC

RGB 53 162 252

HSL 207.14, 0.97%, 0.6%

LAB 64.66, -0, -53.3

 

CMYK 79 / 57 / 0 / 1

HEX #356DFC

RGB 53 109 252

HSL 223.12, 0.97%, 0.6%

LAB 50.36, 32.2, -76.3

 

CMYK 79 / 78 / 0 / 1

HEX #3538FC

RGB 53 56 252

HSL 239.1, 0.97%, 0.6%

LAB 38.92, 62.89, -95.11

 

CMYK 99 / 45 / 0 / 13

HEX #027ADD

RGB 2 122 221

HSL 207.12, 0.98%, 0.44%

LAB 50.87, 9.36, -58.19

 

CMYK 95 / 43 / 0 / 1

HEX #0C8FFC

RGB 12 143 252

HSL 207.25, 0.98%, 0.52%

LAB 58.74, 8.71, -62.78

 

CMYK 79 / 36 / 0 / 1

HEX #35A2FC

RGB 53 162 252

HSL 207.14, 0.97%, 0.6%

LAB 64.66, -0, -53.3

 

CMYK 63 / 28 / 0 / 1

HEX #5DB5FD

RGB 93 181 253

HSL 207, 0.98%, 0.68%

LAB 71.19, -5.02, -43.48

 

CMYK 47 / 21 / 0 / 1

HEX #86C7FD

RGB 134 199 253

HSL 207.23, 0.97%, 0.76%

LAB 77.88, -6.52, -32.95

 

CMYK 79 / 36 / 0 / 1

HEX #34A2FD

RGB 52 162 253

HSL 207.16, 0.98%, 0.6%

LAB 64.69, 0.26, -53.8

 

CMYK 28 / 79 / 0 / 1

HEX #B635FC

RGB 182 53 252

HSL 278.89, 0.97%, 0.6%

LAB 51.29, 78.74, -74.32

 

CMYK 4 / 0 / 79 / 1

HEX #F2FC35

RGB 242 252 53

HSL 63.02, 0.97%, 0.6%

LAB 95.48, -24.57, 85.14

 

CMYK 79 / 36 / 0 / 1

HEX #34A2FD

RGB 52 162 253

HSL 207.16, 0.98%, 0.6%

LAB 64.69, 0.26, -53.8

 

CMYK 0 / 79 / 36 / 1

HEX #FC35A2

RGB 252 53 162

HSL 327.14, 0.97%, 0.6%

LAB 57.89, 79.49, -11.71

 

CMYK 36 / 0 / 79 / 1

HEX #A2FC35

RGB 162 252 53

HSL 87.14, 0.97%, 0.6%

LAB 90.58, -54.81, 78.91

 

CMYK 79 / 36 / 0 / 1

HEX #34A2FD

RGB 52 162 253

HSL 207.16, 0.98%, 0.6%

LAB 64.69, 0.26, -53.8

 

CMYK 28 / 79 / 0 / 1

HEX #B635FC

RGB 182 53 252

HSL 278.89, 0.97%, 0.6%

LAB 51.29, 78.74, -74.32

 

CMYK 0 / 43 / 79 / 1

HEX #FC8F35

RGB 252 143 53

HSL 27.14, 0.97%, 0.6%

LAB 69.89, 35.03, 62.49

 

CMYK 51 / 0 / 79 / 1

HEX #7BFC35

RGB 123 252 53

HSL 98.89, 0.97%, 0.6%

LAB 88.96, -66.76, 76.84

 

CMYK 79 / 36 / 0 / 1

HEX #34A2FD

RGB 52 162 253

HSL 207.16, 0.98%, 0.6%

LAB 64.69, 0.26, -53.8

 

CMYK 4 / 79 / 0 / 1

HEX #F235FC

RGB 242 53 252

HSL 296.98, 0.97%, 0.6%

LAB 60.29, 88.96, -59.34

 

CMYK 0 / 43 / 79 / 1

HEX #FC8F35

RGB 252 143 53

HSL 27.14, 0.97%, 0.6%

LAB 69.89, 35.03, 62.49

 

CMYK 75 / 0 / 79 / 1

HEX #3FFC35

RGB 63 252 53

HSL 116.98, 0.97%, 0.6%

LAB 87.45, -79.19, 74.88

 

Description

Color code: HEX #34A2FD | qconv.com Color code: HEX #34A2FD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 162 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 162 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 36 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 36% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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