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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #348D3B it is the complementary color #CB72C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #348D3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #348D3B shade: #398D36, #4A9F49, #5BB15C, #6CC36F and #7DD582

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #348D3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #348D3B shade: #348D3B, #237B28, #126915, #015702 and #004500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #348D3B shade: #348D3B, #458D34, #5D8D34, #758D34 and #8D8D34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #348D3B shade: #348D3B, #348D53, #348D6B, #348D83 and #347F8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #348D3B shade matches the following richer shades: #348D3B, #249D2E, #14AC20 and #05BC13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #348D3B shade: #348D3B, #447D48, #536E55, #635E62 and #734E70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #348D3B shade: #5D8D34, #468D34, #348D3A, #348D52 and #348D69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #348D3B shade: #1E5122, #296F2E, #348D3B, #3FAB47 and #54BF5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #348D3B shade: #348D3B, #34758D and #8D3452

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #348D3B shade: #348D3B, #3A348D and #8D3A34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #348D3B shade: #348D3B, #34758D, #8D3487 and #8D4C34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #348D3B shade: #348D3B, #345A8D, #8D3487 and #8D6634

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 58 / 45

HEX #348D3B

RGB 52 141 59

HSL 124.72, 0.46%, 0.38%

LAB 51.95, -43.93, 35.53

 

Complementary color

CMYK 0 / 44 / 3 / 20

HEX #CB72C4

RGB 203 114 196

HSL 304.72, 0.46%, 0.62%

LAB 60.53, 46.71, -27.93

 

CMYK 60 / 0 / 62 / 45

HEX #398D36

RGB 57 141 54

HSL 117.93, 0.45%, 0.38%

LAB 52.05, -43.32, 38.13

 

CMYK 53 / 0 / 54 / 38

HEX #4A9F49

RGB 74 159 73

HSL 119.3, 0.37%, 0.45%

LAB 58.73, -43.6, 36.84

 

CMYK 49 / 0 / 48 / 31

HEX #5BB15C

RGB 91 177 92

HSL 120.7, 0.36%, 0.53%

LAB 65.31, -43.63, 35.5

 

CMYK 45 / 0 / 43 / 24

HEX #6CC36F

RGB 108 195 111

HSL 122.07, 0.42%, 0.59%

LAB 71.8, -43.53, 34.2

 

CMYK 41 / 0 / 39 / 16

HEX #7DD582

RGB 125 213 130

HSL 123.41, 0.51%, 0.66%

LAB 78.2, -43.35, 32.94

 

CMYK 63 / 0 / 58 / 45

HEX #348D3B

RGB 52 141 59

HSL 124.72, 0.46%, 0.38%

LAB 51.95, -43.93, 35.53

 

CMYK 72 / 0 / 67 / 52

HEX #237B28

RGB 35 123 40

HSL 123.41, 0.56%, 0.31%

LAB 45.19, -43.17, 36.81

 

CMYK 83 / 0 / 80 / 59

HEX #126915

RGB 18 105 21

HSL 122.07, 0.71%, 0.24%

LAB 38.35, -41.62, 37.57

 

CMYK 99 / 0 / 98 / 66

HEX #015702

RGB 1 87 2

HSL 120.7, 0.98%, 0.17%

LAB 31.41, -39.1, 37.3

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 63 / 0 / 58 / 45

HEX #348D3B

RGB 52 141 59

HSL 124.72, 0.46%, 0.38%

LAB 51.95, -43.93, 35.53

 

CMYK 51 / 0 / 63 / 45

HEX #458D34

RGB 69 141 52

HSL 108.54, 0.46%, 0.38%

LAB 52.47, -40.18, 39.67

 

CMYK 34 / 0 / 63 / 45

HEX #5D8D34

RGB 93 141 52

HSL 92.36, 0.46%, 0.38%

LAB 53.63, -31.98, 41.28

 

CMYK 17 / 0 / 63 / 45

HEX #758D34

RGB 117 141 52

HSL 76.18, 0.46%, 0.38%

LAB 55.15, -22.35, 43.4

 

CMYK 0 / 0 / 63 / 45

HEX #8D8D34

RGB 141 141 52

HSL 60, 0.46%, 0.38%

LAB 57.04, -11.92, 45.98

 

CMYK 63 / 0 / 58 / 45

HEX #348D3B

RGB 52 141 59

HSL 124.72, 0.46%, 0.38%

LAB 51.95, -43.93, 35.53

 

CMYK 63 / 0 / 41 / 45

HEX #348D53

RGB 52 141 83

HSL 140.9, 0.46%, 0.38%

LAB 52.29, -40.07, 23.31

 

CMYK 63 / 0 / 24 / 45

HEX #348D6B

RGB 52 141 107

HSL 157.08, 0.46%, 0.38%

LAB 52.78, -34.96, 10.43

 

CMYK 63 / 0 / 7 / 45

HEX #348D83

RGB 52 141 131

HSL 173.26, 0.46%, 0.38%

LAB 53.4, -28.73, -2.5

 

CMYK 63 / 10 / 0 / 45

HEX #347F8D

RGB 52 127 141

HSL 189.44, 0.46%, 0.38%

LAB 49.29, -18.55, -14.48

 

CMYK 63 / 0 / 58 / 45

HEX #348D3B

RGB 52 141 59

HSL 124.72, 0.46%, 0.38%

LAB 51.95, -43.93, 35.53

 

CMYK 77 / 0 / 71 / 38

HEX #249D2E

RGB 36 157 46

HSL 124.96, 0.63%, 0.38%

LAB 56.77, -54.22, 46.7

 

CMYK 88 / 0 / 81 / 33

HEX #14AC20

RGB 20 172 32

HSL 124.74, 0.79%, 0.38%

LAB 61.44, -61.81, 56.15

 

CMYK 97 / 0 / 90 / 26

HEX #05BC13

RGB 5 188 19

HSL 124.59, 0.95%, 0.38%

LAB 66.55, -67.84, 63.71

 

CMYK 63 / 0 / 58 / 45

HEX #348D3B

RGB 52 141 59

HSL 124.72, 0.46%, 0.38%

LAB 51.95, -43.93, 35.53

 

CMYK 46 / 0 / 42 / 51

HEX #447D48

RGB 68 125 72

HSL 124.21, 0.3%, 0.38%

LAB 47.45, -30.66, 23.2

 

CMYK 25 / 0 / 23 / 57

HEX #536E55

RGB 83 110 85

HSL 124.44, 0.14%, 0.38%

LAB 43.72, -15.37, 10.79

 

CMYK 0 / 5 / 1 / 61

HEX #635E62

RGB 99 94 98

HSL 312, 0.03%, 0.38%

LAB 40.48, 2.81, -1.57

 

CMYK 0 / 32 / 3 / 55

HEX #734E70

RGB 115 78 112

HSL 304.86, 0.19%, 0.38%

LAB 38.31, 21.65, -13.29

 

CMYK 34 / 0 / 63 / 45

HEX #5D8D34

RGB 93 141 52

HSL 92.36, 0.46%, 0.38%

LAB 53.63, -31.98, 41.28

 

CMYK 50 / 0 / 63 / 45

HEX #468D34

RGB 70 141 52

HSL 107.87, 0.46%, 0.38%

LAB 52.51, -39.88, 39.72

 

CMYK 63 / 0 / 59 / 45

HEX #348D3A

RGB 52 141 58

HSL 124.04, 0.46%, 0.38%

LAB 51.93, -44.06, 36.02

 

CMYK 63 / 0 / 42 / 45

HEX #348D52

RGB 52 141 82

HSL 140.22, 0.46%, 0.38%

LAB 52.27, -40.26, 23.83

 

CMYK 63 / 0 / 26 / 45

HEX #348D69

RGB 52 141 105

HSL 155.73, 0.46%, 0.38%

LAB 52.73, -35.43, 11.51

 

CMYK 63 / 0 / 58 / 68

HEX #1E5122

RGB 30 81 34

HSL 124.71, 0.46%, 0.22%

LAB 30.1, -28.24, 22.44

 

CMYK 63 / 0 / 59 / 56

HEX #296F2E

RGB 41 111 46

HSL 124.29, 0.46%, 0.3%

LAB 41.28, -36.38, 29.43

 

CMYK 63 / 0 / 58 / 45

HEX #348D3B

RGB 52 141 59

HSL 124.72, 0.46%, 0.38%

LAB 51.95, -43.93, 35.53

 

CMYK 63 / 0 / 58 / 33

HEX #3FAB47

RGB 63 171 71

HSL 124.44, 0.46%, 0.46%

LAB 62.2, -51.27, 41.85

 

CMYK 56 / 0 / 52 / 25

HEX #54BF5C

RGB 84 191 92

HSL 124.49, 0.46%, 0.54%

LAB 69.41, -51.17, 40.52

 

CMYK 63 / 0 / 58 / 45

HEX #348D3B

RGB 52 141 59

HSL 124.72, 0.46%, 0.38%

LAB 51.95, -43.93, 35.53

 

CMYK 63 / 17 / 0 / 45

HEX #34758D

RGB 52 117 141

HSL 196.18, 0.46%, 0.38%

LAB 46.14, -13.02, -19.28

 

CMYK 0 / 63 / 42 / 45

HEX #8D3452

RGB 141 52 82

HSL 339.78, 0.46%, 0.38%

LAB 35.46, 40.6, 1.78

 

CMYK 63 / 0 / 58 / 45

HEX #348D3B

RGB 52 141 59

HSL 124.72, 0.46%, 0.38%

LAB 51.95, -43.93, 35.53

 

CMYK 59 / 63 / 0 / 45

HEX #3A348D

RGB 58 52 141

HSL 244.04, 0.46%, 0.38%

LAB 27.51, 29.54, -48.75

 

CMYK 0 / 59 / 63 / 45

HEX #8D3A34

RGB 141 58 52

HSL 4.04, 0.46%, 0.38%

LAB 35.86, 34.84, 21.4

 

CMYK 63 / 0 / 58 / 45

HEX #348D3B

RGB 52 141 59

HSL 124.72, 0.46%, 0.38%

LAB 51.95, -43.93, 35.53

 

CMYK 63 / 17 / 0 / 45

HEX #34758D

RGB 52 117 141

HSL 196.18, 0.46%, 0.38%

LAB 46.14, -13.02, -19.28

 

CMYK 0 / 63 / 4 / 45

HEX #8D3487

RGB 141 52 135

HSL 304.04, 0.46%, 0.38%

LAB 37.6, 48.35, -28.31

 

CMYK 0 / 46 / 63 / 45

HEX #8D4C34

RGB 141 76 52

HSL 16.18, 0.46%, 0.38%

LAB 39.71, 25.09, 26.2

 

CMYK 63 / 0 / 58 / 45

HEX #348D3B

RGB 52 141 59

HSL 124.72, 0.46%, 0.38%

LAB 51.95, -43.93, 35.53

 

CMYK 63 / 36 / 0 / 45

HEX #345A8D

RGB 52 90 141

HSL 214.38, 0.46%, 0.38%

LAB 37.78, 3.28, -32.31

 

CMYK 0 / 63 / 4 / 45

HEX #8D3487

RGB 141 52 135

HSL 304.04, 0.46%, 0.38%

LAB 37.6, 48.35, -28.31

 

CMYK 0 / 28 / 63 / 45

HEX #8D6634

RGB 141 102 52

HSL 33.71, 0.46%, 0.38%

LAB 46.2, 10.03, 33.93

 

Description

Color code: HEX #348D3B | qconv.com Color code: HEX #348D3B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 141 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 141 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 58 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 58% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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