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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3481C5 it is the complementary color #CB7E3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3481C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3481C5 shade: #3981C0, #4A93D3, #5BA5E6, #6CB7F9 and #7DC9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3481C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3481C5 shade: #3481C5, #236FB2, #125D9F, #014B8C and #003979

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3481C5 shade: #3481C5, #345AC5, #3534C5, #5C34C5 and #8334C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3481C5 shade: #3481C5, #345AC5 and #3434C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3481C5 shade matches the following richer shades: #3481C5, #2082D9 and #0C83ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3481C5 shade: #3481C5, #4880B1, #5C7E9C, #717D88 and #857C74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3481C5 shade: #34C5BB, #34A8C5, #3481C5, #345BC5 and #3434C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3481C5 shade: #235684, #2B6CA4, #3481C5, #5295D1 and #72A9D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3481C5 shade: #3481C5, #9534C5 and #BBC534

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3481C5 shade: #3481C5, #C53481 and #81C534

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3481C5 shade: #3481C5, #9534C5, #C57834 and #64C534

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3481C5 shade: #3481C5, #C034C5, #C57834 and #39C534

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 35 / 0 / 23

HEX #3481C5

RGB 52 129 197

HSL 208.14, 0.58%, 0.49%

LAB 52.36, -0.53, -42.15

 

Complementary color

CMYK 0 / 38 / 71 / 20

HEX #CB7E3A

RGB 203 126 58

HSL 28.14, 0.58%, 0.51%

LAB 59.82, 24.09, 48.16

 

CMYK 70 / 33 / 0 / 25

HEX #3981C0

RGB 57 129 192

HSL 208, 0.54%, 0.49%

LAB 52.26, -1.6, -39.44

 

CMYK 65 / 30 / 0 / 17

HEX #4A93D3

RGB 74 147 211

HSL 208.03, 0.61%, 0.56%

LAB 59, -2.84, -39.55

 

CMYK 60 / 28 / 0 / 10

HEX #5BA5E6

RGB 91 165 230

HSL 208.06, 0.74%, 0.63%

LAB 65.63, -3.83, -39.65

 

CMYK 57 / 27 / 0 / 2

HEX #6CB7F9

RGB 108 183 249

HSL 208.09, 0.92%, 0.7%

LAB 72.16, -4.62, -39.77

 

CMYK 51 / 21 / 0 / 0

HEX #7DC9FF

RGB 125 201 255

HSL 204.92, 1%, 0.75%

LAB 78.08, -9.04, -33.74

 

CMYK 74 / 35 / 0 / 23

HEX #3481C5

RGB 52 129 197

HSL 208.14, 0.58%, 0.49%

LAB 52.36, -0.53, -42.15

 

CMYK 80 / 38 / 0 / 30

HEX #236FB2

RGB 35 111 178

HSL 208.11, 0.67%, 0.42%

LAB 45.55, 1.32, -42.01

 

CMYK 89 / 42 / 0 / 38

HEX #125D9F

RGB 18 93 159

HSL 208.09, 0.8%, 0.35%

LAB 38.66, 3.73, -41.81

 

CMYK 99 / 46 / 0 / 45

HEX #014B8C

RGB 1 75 140

HSL 208.06, 0.99%, 0.28%

LAB 31.65, 6.77, -41.55

 

CMYK 100 / 53 / 0 / 53

HEX #003979

RGB 0 57 121

HSL 211.74, 1%, 0.24%

LAB 24.66, 11.01, -40.99

 

CMYK 74 / 35 / 0 / 23

HEX #3481C5

RGB 52 129 197

HSL 208.14, 0.58%, 0.49%

LAB 52.36, -0.53, -42.15

 

CMYK 74 / 54 / 0 / 23

HEX #345AC5

RGB 52 90 197

HSL 224.28, 0.58%, 0.49%

LAB 41.33, 23.98, -59.81

 

CMYK 73 / 74 / 0 / 23

HEX #3534C5

RGB 53 52 197

HSL 240.41, 0.58%, 0.49%

LAB 32.36, 47.68, -74.49

 

CMYK 53 / 74 / 0 / 23

HEX #5C34C5

RGB 92 52 197

HSL 256.55, 0.58%, 0.49%

LAB 35.52, 52.37, -69.17

 

CMYK 34 / 74 / 0 / 23

HEX #8334C5

RGB 131 52 197

HSL 272.69, 0.58%, 0.49%

LAB 40.1, 58.84, -61.5

 

CMYK 74 / 35 / 0 / 23

HEX #3481C5

RGB 52 129 197

HSL 208.14, 0.58%, 0.49%

LAB 52.36, -0.53, -42.15

 

CMYK 74 / 54 / 0 / 23

HEX #345AC5

RGB 52 90 197

HSL 224.28, 0.58%, 0.49%

LAB 41.33, 23.98, -59.81

 

CMYK 74 / 74 / 0 / 23

HEX #3434C5

RGB 52 52 197

HSL 240, 0.58%, 0.49%

LAB 32.3, 47.59, -74.59

 

CMYK 74 / 35 / 0 / 23

HEX #3481C5

RGB 52 129 197

HSL 208.14, 0.58%, 0.49%

LAB 52.36, -0.53, -42.15

 

CMYK 85 / 40 / 0 / 15

HEX #2082D9

RGB 32 130 217

HSL 208.22, 0.74%, 0.49%

LAB 53.26, 4.24, -52.08

 

CMYK 95 / 45 / 0 / 7

HEX #0C83ED

RGB 12 131 237

HSL 208.27, 0.9%, 0.49%

LAB 54.48, 10.29, -61.34

 

CMYK 74 / 35 / 0 / 23

HEX #3481C5

RGB 52 129 197

HSL 208.14, 0.58%, 0.49%

LAB 52.36, -0.53, -42.15

 

CMYK 59 / 28 / 0 / 31

HEX #4880B1

RGB 72 128 177

HSL 208, 0.42%, 0.49%

LAB 51.83, -3.49, -31.47

 

CMYK 41 / 19 / 0 / 39

HEX #5C7E9C

RGB 92 126 156

HSL 208.13, 0.26%, 0.49%

LAB 51.38, -3.96, -19.9

 

CMYK 17 / 8 / 0 / 47

HEX #717D88

RGB 113 125 136

HSL 208.7, 0.09%, 0.49%

LAB 51.79, -1.96, -7.47

 

CMYK 0 / 7 / 13 / 48

HEX #857C74

RGB 133 124 116

HSL 28.24, 0.07%, 0.49%

LAB 52.58, 1.96, 5.59

 

CMYK 74 / 0 / 5 / 23

HEX #34C5BB

RGB 52 197 187

HSL 175.86, 0.58%, 0.49%

LAB 72.4, -39.26, -5.86

 

CMYK 74 / 15 / 0 / 23

HEX #34A8C5

RGB 52 168 197

HSL 192, 0.58%, 0.49%

LAB 63.97, -22.24, -24.06

 

CMYK 74 / 35 / 0 / 23

HEX #3481C5

RGB 52 129 197

HSL 208.14, 0.58%, 0.49%

LAB 52.36, -0.53, -42.15

 

CMYK 74 / 54 / 0 / 23

HEX #345BC5

RGB 52 91 197

HSL 223.86, 0.58%, 0.49%

LAB 41.6, 23.33, -59.37

 

CMYK 74 / 74 / 0 / 23

HEX #3434C5

RGB 52 52 197

HSL 240, 0.58%, 0.49%

LAB 32.3, 47.59, -74.59

 

CMYK 73 / 35 / 0 / 48

HEX #235684

RGB 35 86 132

HSL 208.45, 0.58%, 0.33%

LAB 35.36, -0.57, -30.69

 

CMYK 74 / 34 / 0 / 36

HEX #2B6CA4

RGB 43 108 164

HSL 207.77, 0.58%, 0.41%

LAB 44.12, -1.11, -36.07

 

CMYK 74 / 35 / 0 / 23

HEX #3481C5

RGB 52 129 197

HSL 208.14, 0.58%, 0.49%

LAB 52.36, -0.53, -42.15

 

CMYK 61 / 29 / 0 / 18

HEX #5295D1

RGB 82 149 209

HSL 208.35, 0.58%, 0.57%

LAB 59.79, -3.21, -37.16

 

CMYK 47 / 22 / 0 / 15

HEX #72A9D9

RGB 114 169 217

HSL 207.96, 0.58%, 0.65%

LAB 67.25, -5.11, -29.9

 

CMYK 74 / 35 / 0 / 23

HEX #3481C5

RGB 52 129 197

HSL 208.14, 0.58%, 0.49%

LAB 52.36, -0.53, -42.15

 

CMYK 24 / 74 / 0 / 23

HEX #9534C5

RGB 149 52 197

HSL 280.14, 0.58%, 0.49%

LAB 42.58, 62.22, -57.37

 

CMYK 5 / 0 / 74 / 23

HEX #BBC534

RGB 187 197 52

HSL 64.14, 0.58%, 0.49%

LAB 76.52, -20.78, 66.72

 

CMYK 74 / 35 / 0 / 23

HEX #3481C5

RGB 52 129 197

HSL 208.14, 0.58%, 0.49%

LAB 52.36, -0.53, -42.15

 

CMYK 0 / 74 / 35 / 23

HEX #C53481

RGB 197 52 129

HSL 328.14, 0.58%, 0.49%

LAB 46.86, 62.61, -9.61

 

CMYK 35 / 0 / 74 / 23

HEX #81C534

RGB 129 197 52

HSL 88.14, 0.58%, 0.49%

LAB 72.79, -43.66, 61.83

 

CMYK 74 / 35 / 0 / 23

HEX #3481C5

RGB 52 129 197

HSL 208.14, 0.58%, 0.49%

LAB 52.36, -0.53, -42.15

 

CMYK 24 / 74 / 0 / 23

HEX #9534C5

RGB 149 52 197

HSL 280.14, 0.58%, 0.49%

LAB 42.58, 62.22, -57.37

 

CMYK 0 / 39 / 74 / 23

HEX #C57834

RGB 197 120 52

HSL 28.14, 0.58%, 0.49%

LAB 57.61, 24.52, 48.42

 

CMYK 49 / 0 / 74 / 23

HEX #64C534

RGB 100 197 52

HSL 100.14, 0.58%, 0.49%

LAB 71.48, -53.15, 60.1

 

CMYK 74 / 35 / 0 / 23

HEX #3481C5

RGB 52 129 197

HSL 208.14, 0.58%, 0.49%

LAB 52.36, -0.53, -42.15

 

CMYK 3 / 74 / 0 / 23

HEX #C034C5

RGB 192 52 197

HSL 297.93, 0.58%, 0.49%

LAB 49.12, 70.88, -46.51

 

CMYK 0 / 39 / 74 / 23

HEX #C57834

RGB 197 120 52

HSL 28.14, 0.58%, 0.49%

LAB 57.61, 24.52, 48.42

 

CMYK 71 / 0 / 74 / 23

HEX #39C534

RGB 57 197 52

HSL 117.93, 0.58%, 0.49%

LAB 70.21, -63.34, 58.41

 

Description

Color code: HEX #3481C5 | qconv.com Color code: HEX #3481C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 129 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 129 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 35 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 35% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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