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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34727D it is the complementary color #CB8D82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34727D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34727D shade: #397278, #4A848B, #5B969E, #6CA8B1 and #7DBAC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34727D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34727D shade: #34727D, #23606A, #124E57, #013C44 and #002A31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34727D shade: #34727D, #345F7D, #344B7D, #34377D and #45347D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34727D shade: #34727D, #345F7D, #344B7D, #34377D and #34347D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34727D shade matches the following richer shades: #34727D, #267C8C, #17869A and #0991A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34727D shade: #34727D, #43686F, #515E60, #5F5452 and #6E4A44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34727D shade: #347D61, #347D75, #34727D, #345F7D and #344B7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34727D shade: #1C3D43, #285860, #34727D, #408D9A and #4FA6B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34727D shade: #34727D, #4E347D and #7D6B34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34727D shade: #34727D, #7D3472 and #727D34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34727D shade: #34727D, #4E347D, #7D3F34 and #647D34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34727D shade: #34727D, #64347D, #7D3F34 and #4E7D34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 9 / 0 / 51

HEX #34727D

RGB 52 114 125

HSL 189.04, 0.41%, 0.35%

LAB 44.58, -16.48, -12.13

 

Complementary color

CMYK 0 / 31 / 36 / 20

HEX #CB8D82

RGB 203 141 130

HSL 9.04, 0.41%, 0.65%

LAB 64.45, 22.17, 15.35

 

CMYK 53 / 5 / 0 / 53

HEX #397278

RGB 57 114 120

HSL 185.71, 0.36%, 0.35%

LAB 44.6, -16.87, -9.08

 

CMYK 47 / 5 / 0 / 45

HEX #4A848B

RGB 74 132 139

HSL 186.46, 0.31%, 0.42%

LAB 51.64, -16.99, -9.69

 

CMYK 42 / 5 / 0 / 38

HEX #5B969E

RGB 91 150 158

HSL 187.16, 0.27%, 0.49%

LAB 58.51, -17.04, -10.25

 

CMYK 39 / 5 / 0 / 31

HEX #6CA8B1

RGB 108 168 177

HSL 187.83, 0.31%, 0.56%

LAB 65.25, -17.05, -10.79

 

CMYK 36 / 5 / 0 / 23

HEX #7DBAC4

RGB 125 186 196

HSL 188.45, 0.38%, 0.63%

LAB 71.87, -17.05, -11.29

 

CMYK 58 / 9 / 0 / 51

HEX #34727D

RGB 52 114 125

HSL 189.04, 0.41%, 0.35%

LAB 44.58, -16.48, -12.13

 

CMYK 67 / 9 / 0 / 58

HEX #23606A

RGB 35 96 106

HSL 188.45, 0.5%, 0.28%

LAB 37.41, -15.99, -11.49

 

CMYK 79 / 10 / 0 / 66

HEX #124E57

RGB 18 78 87

HSL 187.83, 0.66%, 0.21%

LAB 30.07, -15.14, -10.74

 

CMYK 99 / 12 / 0 / 73

HEX #013C44

RGB 1 60 68

HSL 187.16, 0.97%, 0.14%

LAB 22.5, -13.91, -9.87

 

CMYK 100 / 14 / 0 / 81

HEX #002A31

RGB 0 42 49

HSL 188.57, 1%, 0.1%

LAB 14.83, -10.85, -8.53

 

CMYK 58 / 9 / 0 / 51

HEX #34727D

RGB 52 114 125

HSL 189.04, 0.41%, 0.35%

LAB 44.58, -16.48, -12.13

 

CMYK 58 / 24 / 0 / 51

HEX #345F7D

RGB 52 95 125

HSL 204.66, 0.41%, 0.35%

LAB 38.54, -5.44, -21.37

 

CMYK 58 / 40 / 0 / 51

HEX #344B7D

RGB 52 75 125

HSL 221.1, 0.41%, 0.35%

LAB 32.35, 7.31, -31.07

 

CMYK 58 / 56 / 0 / 51

HEX #34377D

RGB 52 55 125

HSL 237.53, 0.41%, 0.35%

LAB 26.57, 20.8, -40.32

 

CMYK 45 / 58 / 0 / 51

HEX #45347D

RGB 69 52 125

HSL 253.97, 0.41%, 0.35%

LAB 27.3, 26.7, -39.06

 

CMYK 58 / 9 / 0 / 51

HEX #34727D

RGB 52 114 125

HSL 189.04, 0.41%, 0.35%

LAB 44.58, -16.48, -12.13

 

CMYK 58 / 24 / 0 / 51

HEX #345F7D

RGB 52 95 125

HSL 204.66, 0.41%, 0.35%

LAB 38.54, -5.44, -21.37

 

CMYK 58 / 40 / 0 / 51

HEX #344B7D

RGB 52 75 125

HSL 221.1, 0.41%, 0.35%

LAB 32.35, 7.31, -31.07

 

CMYK 58 / 56 / 0 / 51

HEX #34377D

RGB 52 55 125

HSL 237.53, 0.41%, 0.35%

LAB 26.57, 20.8, -40.32

 

CMYK 58 / 58 / 0 / 51

HEX #34347D

RGB 52 52 125

HSL 240, 0.41%, 0.35%

LAB 25.76, 22.83, -41.62

 

CMYK 58 / 9 / 0 / 51

HEX #34727D

RGB 52 114 125

HSL 189.04, 0.41%, 0.35%

LAB 44.58, -16.48, -12.13

 

CMYK 73 / 11 / 0 / 45

HEX #267C8C

RGB 38 124 140

HSL 189.41, 0.57%, 0.35%

LAB 47.91, -19.57, -16.03

 

CMYK 85 / 13 / 0 / 40

HEX #17869A

RGB 23 134 154

HSL 189.16, 0.74%, 0.35%

LAB 51.34, -21.81, -19.01

 

CMYK 95 / 14 / 0 / 34

HEX #0991A9

RGB 9 145 169

HSL 189, 0.9%, 0.35%

LAB 55.25, -23.21, -21.69

 

CMYK 58 / 9 / 0 / 51

HEX #34727D

RGB 52 114 125

HSL 189.04, 0.41%, 0.35%

LAB 44.58, -16.48, -12.13

 

CMYK 40 / 6 / 0 / 56

HEX #43686F

RGB 67 104 111

HSL 189.55, 0.25%, 0.35%

LAB 41.6, -11.17, -8.11

 

CMYK 16 / 2 / 0 / 62

HEX #515E60

RGB 81 94 96

HSL 188, 0.08%, 0.35%

LAB 38.9, -4.52, -2.84

 

CMYK 0 / 12 / 14 / 63

HEX #5F5452

RGB 95 84 82

HSL 9.23, 0.07%, 0.35%

LAB 36.71, 4.13, 2.81

 

CMYK 0 / 33 / 38 / 57

HEX #6E4A44

RGB 110 74 68

HSL 8.57, 0.24%, 0.35%

LAB 35.26, 14.48, 9.77

 

CMYK 58 / 0 / 22 / 51

HEX #347D61

RGB 52 125 97

HSL 156.99, 0.41%, 0.35%

LAB 47.31, -29.93, 8.52

 

CMYK 58 / 0 / 6 / 51

HEX #347D75

RGB 52 125 117

HSL 173.42, 0.41%, 0.35%

LAB 47.86, -24.68, -2.48

 

CMYK 58 / 9 / 0 / 51

HEX #34727D

RGB 52 114 125

HSL 189.04, 0.41%, 0.35%

LAB 44.58, -16.48, -12.13

 

CMYK 58 / 24 / 0 / 51

HEX #345F7D

RGB 52 95 125

HSL 204.66, 0.41%, 0.35%

LAB 38.54, -5.44, -21.37

 

CMYK 58 / 40 / 0 / 51

HEX #344B7D

RGB 52 75 125

HSL 221.1, 0.41%, 0.35%

LAB 32.35, 7.31, -31.07

 

CMYK 58 / 9 / 0 / 74

HEX #1C3D43

RGB 28 61 67

HSL 189.23, 0.41%, 0.19%

LAB 23.64, -10.06, -7.4

 

CMYK 58 / 8 / 0 / 62

HEX #285860

RGB 40 88 96

HSL 188.57, 0.41%, 0.27%

LAB 34.55, -13.67, -9.59

 

CMYK 58 / 9 / 0 / 51

HEX #34727D

RGB 52 114 125

HSL 189.04, 0.41%, 0.35%

LAB 44.58, -16.48, -12.13

 

CMYK 58 / 8 / 0 / 40

HEX #408D9A

RGB 64 141 154

HSL 188.67, 0.41%, 0.43%

LAB 54.53, -19.69, -14.08

 

CMYK 56 / 8 / 0 / 29

HEX #4FA6B5

RGB 79 166 181

HSL 188.82, 0.41%, 0.51%

LAB 63.57, -21.74, -15.68

 

CMYK 58 / 9 / 0 / 51

HEX #34727D

RGB 52 114 125

HSL 189.04, 0.41%, 0.35%

LAB 44.58, -16.48, -12.13

 

CMYK 38 / 58 / 0 / 51

HEX #4E347D

RGB 78 52 125

HSL 261.37, 0.41%, 0.35%

LAB 28.26, 28.98, -37.46

 

CMYK 0 / 14 / 58 / 51

HEX #7D6B34

RGB 125 107 52

HSL 45.21, 0.41%, 0.35%

LAB 45.8, -0.24, 33.02

 

CMYK 58 / 9 / 0 / 51

HEX #34727D

RGB 52 114 125

HSL 189.04, 0.41%, 0.35%

LAB 44.58, -16.48, -12.13

 

CMYK 0 / 58 / 9 / 51

HEX #7D3472

RGB 125 52 114

HSL 309.04, 0.41%, 0.35%

LAB 34.05, 40.05, -20.98

 

CMYK 9 / 0 / 58 / 51

HEX #727D34

RGB 114 125 52

HSL 69.04, 0.41%, 0.35%

LAB 50.09, -15.31, 37.7

 

CMYK 58 / 9 / 0 / 51

HEX #34727D

RGB 52 114 125

HSL 189.04, 0.41%, 0.35%

LAB 44.58, -16.48, -12.13

 

CMYK 38 / 58 / 0 / 51

HEX #4E347D

RGB 78 52 125

HSL 261.37, 0.41%, 0.35%

LAB 28.26, 28.98, -37.46

 

CMYK 0 / 50 / 58 / 51

HEX #7D3F34

RGB 125 63 52

HSL 9.04, 0.41%, 0.35%

LAB 34.32, 25.69, 18.9

 

CMYK 20 / 0 / 58 / 51

HEX #647D34

RGB 100 125 52

HSL 80.55, 0.41%, 0.35%

LAB 49.04, -21.35, 36.22

 

CMYK 58 / 9 / 0 / 51

HEX #34727D

RGB 52 114 125

HSL 189.04, 0.41%, 0.35%

LAB 44.58, -16.48, -12.13

 

CMYK 20 / 58 / 0 / 51

HEX #64347D

RGB 100 52 125

HSL 279.45, 0.41%, 0.35%

LAB 30.99, 34.96, -32.96

 

CMYK 0 / 50 / 58 / 51

HEX #7D3F34

RGB 125 63 52

HSL 9.04, 0.41%, 0.35%

LAB 34.32, 25.69, 18.9

 

CMYK 38 / 0 / 58 / 51

HEX #4E7D34

RGB 78 125 52

HSL 98.63, 0.41%, 0.35%

LAB 47.67, -30.07, 34.28

 

Description

Color code: HEX #34727D | qconv.com Color code: HEX #34727D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 114 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 114 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 9 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 9% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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