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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #347730 it is the complementary color #CB88CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #347730. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #347730 shade: #39772B, #4A893E, #5B9B51, #6CAD64 and #7DBF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #347730. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #347730 shade: #347730, #23651D, #12530A, #014100 and #002F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #347730 shade: #34782F, #47782F, #5B782F, #6E782F and #786E2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #347730 shade: #34782F, #2F783F, #2F7852, #2F7866 and #2F7678

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #347730 shade matches the following richer shades: #34782F, #278522, #1B9314 and #0FA107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #347730 shade: #34782F, #406A3D, #4C5D4B, #584F58 and #644166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #347730 shade: #5B782F, #48782F, #34782F, #2F783E and #2F7851

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #347730 shade: #1A3D18, #275A24, #34782F, #40953B and #4DB347

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #347730 shade: #347730, #2F6E78 and #782F51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #347730 shade: #347730, #2F3478 and #782F34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #347730 shade: #347730, #2F6E78, #732F78 and #78392F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #347730 shade: #347730, #2F5878, #732F78 and #784F2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 60 / 53

HEX #347730

RGB 52 119 48

HSL 116.62, 0.43%, 0.33%

LAB 44.43, -36.47, 32.21

 

Complementary color

CMYK 2 / 34 / 0 / 19

HEX #CB88CF

RGB 203 136 207

HSL 296.62, 0.43%, 0.67%

LAB 65.6, 37.09, -26.31

 

CMYK 52 / 0 / 64 / 53

HEX #39772B

RGB 57 119 43

HSL 108.95, 0.47%, 0.32%

LAB 44.57, -35.58, 34.91

 

CMYK 46 / 0 / 55 / 46

HEX #4A893E

RGB 74 137 62

HSL 110.4, 0.38%, 0.39%

LAB 51.49, -35.7, 33.68

 

CMYK 41 / 0 / 48 / 39

HEX #5B9B51

RGB 91 155 81

HSL 111.89, 0.31%, 0.46%

LAB 58.28, -35.63, 32.37

 

CMYK 38 / 0 / 42 / 32

HEX #6CAD64

RGB 108 173 100

HSL 113.42, 0.31%, 0.54%

LAB 64.96, -35.46, 31.09

 

CMYK 35 / 0 / 38 / 25

HEX #7DBF77

RGB 125 191 119

HSL 115, 0.36%, 0.61%

LAB 71.52, -35.25, 29.85

 

CMYK 56 / 0 / 60 / 53

HEX #347730

RGB 52 119 48

HSL 116.62, 0.43%, 0.33%

LAB 44.43, -36.47, 32.21

 

CMYK 65 / 0 / 71 / 60

HEX #23651D

RGB 35 101 29

HSL 115, 0.55%, 0.25%

LAB 37.4, -35.96, 33.37

 

CMYK 78 / 0 / 88 / 67

HEX #12530A

RGB 18 83 10

HSL 113.42, 0.78%, 0.18%

LAB 30.25, -34.64, 33.66

 

CMYK 98 / 0 / 100 / 75

HEX #014100

RGB 1 65 0

HSL 119.08, 1%, 0.13%

LAB 22.95, -32.14, 30.56

 

CMYK 100 / 0 / 100 / 82

HEX #002F00

RGB 0 47 0

HSL 120, 1%, 0.09%

LAB 15.66, -26.3, 22.15

 

CMYK 57 / 0 / 61 / 53

HEX #34782F

RGB 52 120 47

HSL 115.89, 0.44%, 0.33%

LAB 44.76, -37.01, 33.1

 

CMYK 41 / 0 / 61 / 53

HEX #47782F

RGB 71 120 47

HSL 100.27, 0.44%, 0.33%

LAB 45.6, -30.85, 34.3

 

CMYK 24 / 0 / 61 / 53

HEX #5B782F

RGB 91 120 47

HSL 83.84, 0.44%, 0.33%

LAB 46.79, -23.05, 35.97

 

CMYK 8 / 0 / 61 / 53

HEX #6E782F

RGB 110 120 47

HSL 68.22, 0.44%, 0.33%

LAB 48.2, -14.83, 37.94

 

CMYK 0 / 8 / 61 / 53

HEX #786E2F

RGB 120 110 47

HSL 51.78, 0.44%, 0.33%

LAB 46.11, -4.7, 35.84

 

CMYK 57 / 0 / 61 / 53

HEX #34782F

RGB 52 120 47

HSL 115.89, 0.44%, 0.33%

LAB 44.76, -37.01, 33.1

 

CMYK 61 / 0 / 48 / 53

HEX #2F783F

RGB 47 120 63

HSL 133.15, 0.44%, 0.33%

LAB 44.8, -35.98, 24.63

 

CMYK 61 / 0 / 32 / 53

HEX #2F7852

RGB 47 120 82

HSL 148.77, 0.44%, 0.33%

LAB 45.15, -32.24, 14.26

 

CMYK 61 / 0 / 15 / 53

HEX #2F7866

RGB 47 120 102

HSL 165.21, 0.44%, 0.33%

LAB 45.63, -27.36, 3.14

 

CMYK 61 / 2 / 0 / 53

HEX #2F7678

RGB 47 118 120

HSL 181.64, 0.44%, 0.33%

LAB 45.52, -21.21, -7.75

 

CMYK 57 / 0 / 61 / 53

HEX #34782F

RGB 52 120 47

HSL 115.89, 0.44%, 0.33%

LAB 44.76, -37.01, 33.1

 

CMYK 71 / 0 / 74 / 48

HEX #278522

RGB 39 133 34

HSL 116.97, 0.59%, 0.33%

LAB 48.66, -46.57, 43.09

 

CMYK 82 / 0 / 86 / 42

HEX #1B9314

RGB 27 147 20

HSL 116.69, 0.76%, 0.33%

LAB 53.11, -54.16, 51.78

 

CMYK 91 / 0 / 96 / 37

HEX #0FA107

RGB 15 161 7

HSL 116.88, 0.92%, 0.33%

LAB 57.66, -60.02, 58.06

 

CMYK 57 / 0 / 61 / 53

HEX #34782F

RGB 52 120 47

HSL 115.89, 0.44%, 0.33%

LAB 44.76, -37.01, 33.1

 

CMYK 40 / 0 / 42 / 58

HEX #406A3D

RGB 64 106 61

HSL 116, 0.27%, 0.33%

LAB 40.79, -24.66, 20.76

 

CMYK 18 / 0 / 19 / 64

HEX #4C5D4B

RGB 76 93 75

HSL 116.67, 0.11%, 0.33%

LAB 37.61, -10.48, 8.21

 

CMYK 0 / 10 / 0 / 65

HEX #584F58

RGB 88 79 88

HSL 300, 0.05%, 0.33%

LAB 34.74, 5.59, -3.92

 

CMYK 2 / 36 / 0 / 60

HEX #644166

RGB 100 65 102

HSL 296.76, 0.22%, 0.33%

LAB 32.81, 22.02, -15.59

 

CMYK 24 / 0 / 61 / 53

HEX #5B782F

RGB 91 120 47

HSL 83.84, 0.44%, 0.33%

LAB 46.79, -23.05, 35.97

 

CMYK 40 / 0 / 61 / 53

HEX #48782F

RGB 72 120 47

HSL 99.45, 0.44%, 0.33%

LAB 45.66, -30.49, 34.37

 

CMYK 57 / 0 / 61 / 53

HEX #34782F

RGB 52 120 47

HSL 115.89, 0.44%, 0.33%

LAB 44.76, -37.01, 33.1

 

CMYK 61 / 0 / 48 / 53

HEX #2F783E

RGB 47 120 62

HSL 132.33, 0.44%, 0.33%

LAB 44.78, -36.15, 25.16

 

CMYK 61 / 0 / 33 / 53

HEX #2F7851

RGB 47 120 81

HSL 147.95, 0.44%, 0.33%

LAB 45.13, -32.46, 14.81

 

CMYK 57 / 0 / 61 / 76

HEX #1A3D18

RGB 26 61 24

HSL 116.76, 0.44%, 0.17%

LAB 22.38, -21.68, 18.83

 

CMYK 57 / 0 / 60 / 65

HEX #275A24

RGB 39 90 36

HSL 116.67, 0.43%, 0.25%

LAB 33.71, -29.32, 25.75

 

CMYK 57 / 0 / 61 / 53

HEX #34782F

RGB 52 120 47

HSL 115.89, 0.44%, 0.33%

LAB 44.76, -37.01, 33.1

 

CMYK 57 / 0 / 60 / 42

HEX #40953B

RGB 64 149 59

HSL 116.67, 0.43%, 0.41%

LAB 54.97, -44.06, 39.16

 

CMYK 57 / 0 / 60 / 30

HEX #4DB347

RGB 77 179 71

HSL 116.67, 0.43%, 0.49%

LAB 65.18, -50.94, 45.41

 

CMYK 56 / 0 / 60 / 53

HEX #347730

RGB 52 119 48

HSL 116.62, 0.43%, 0.33%

LAB 44.43, -36.47, 32.21

 

CMYK 61 / 8 / 0 / 53

HEX #2F6E78

RGB 47 110 120

HSL 188.22, 0.44%, 0.33%

LAB 42.93, -16.89, -11.64

 

CMYK 0 / 61 / 33 / 53

HEX #782F51

RGB 120 47 81

HSL 332.05, 0.44%, 0.33%

LAB 30.93, 35.71, -4.64

 

CMYK 56 / 0 / 60 / 53

HEX #347730

RGB 52 119 48

HSL 116.62, 0.43%, 0.33%

LAB 44.43, -36.47, 32.21

 

CMYK 61 / 57 / 0 / 53

HEX #2F3478

RGB 47 52 120

HSL 235.89, 0.44%, 0.33%

LAB 25, 20, -39.71

 

CMYK 0 / 61 / 57 / 53

HEX #782F34

RGB 120 47 52

HSL 355.89, 0.44%, 0.33%

LAB 30.09, 32.4, 13.18

 

CMYK 56 / 0 / 60 / 53

HEX #347730

RGB 52 119 48

HSL 116.62, 0.43%, 0.33%

LAB 44.43, -36.47, 32.21

 

CMYK 61 / 8 / 0 / 53

HEX #2F6E78

RGB 47 110 120

HSL 188.22, 0.44%, 0.33%

LAB 42.93, -16.89, -11.64

 

CMYK 4 / 61 / 0 / 53

HEX #732F78

RGB 115 47 120

HSL 295.89, 0.44%, 0.33%

LAB 31.88, 40.74, -28.26

 

CMYK 0 / 53 / 61 / 53

HEX #78392F

RGB 120 57 47

HSL 8.22, 0.44%, 0.33%

LAB 32.09, 26.55, 19.01

 

CMYK 56 / 0 / 60 / 53

HEX #347730

RGB 52 119 48

HSL 116.62, 0.43%, 0.33%

LAB 44.43, -36.47, 32.21

 

CMYK 61 / 27 / 0 / 53

HEX #2F5878

RGB 47 88 120

HSL 206.3, 0.44%, 0.33%

LAB 35.87, -3.97, -22.47

 

CMYK 4 / 61 / 0 / 53

HEX #732F78

RGB 115 47 120

HSL 295.89, 0.44%, 0.33%

LAB 31.88, 40.74, -28.26

 

CMYK 0 / 34 / 61 / 53

HEX #784F2F

RGB 120 79 47

HSL 26.3, 0.44%, 0.33%

LAB 37.46, 13.62, 25.71

 

Description

Color code: HEX #347730 | qconv.com Color code: HEX #347730 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 119 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 119 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 60 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 60% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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