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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #346E66 it is the complementary color #CB9199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #346E66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #346E66 shade: #396E61, #4A8074, #5B9287, #6CA49A and #7DB6AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #346E66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #346E66 shade: #346E66, #235C53, #124A40, #01382D and #00261A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #346E66 shade: #346E66, #346E57, #346E47, #346E37 and #406E34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #346E66 shade: #346E66, #34676E, #34576E, #34476E and #34376E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #346E66 shade matches the following richer shades: #346E66, #277C70, #198979 and #0C9683

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #346E66 shade: #346E66, #41615D, #4E5453, #5B474A and #693A40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #346E66 shade: #346E46, #346E56, #346E66, #34686E and #34586E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #346E66 shade: #193632, #27524C, #346E66, #418B80 and #4EA79A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #346E66 shade: #346E66, #37346E and #6E4E34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #346E66 shade: #346E66, #66346E and #6E6634

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #346E66 shade: #346E66, #37346E, #6E343D and #6C6E34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #346E66 shade: #346E66, #48346E, #6E343D and #5A6E34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 7 / 57

HEX #346E66

RGB 52 110 102

HSL 171.72, 0.36%, 0.32%

LAB 42.52, -21.11, -1.36

 

Complementary color

CMYK 0 / 29 / 25 / 20

HEX #CB9199

RGB 203 145 153

HSL 351.72, 0.36%, 0.68%

LAB 65.94, 23.07, 4.53

 

CMYK 48 / 0 / 12 / 57

HEX #396E61

RGB 57 110 97

HSL 165.28, 0.32%, 0.33%

LAB 42.59, -21.14, 1.78

 

CMYK 42 / 0 / 9 / 50

HEX #4A8074

RGB 74 128 116

HSL 166.67, 0.27%, 0.4%

LAB 49.68, -20.99, 0.89

 

CMYK 38 / 0 / 8 / 43

HEX #5B9287

RGB 91 146 135

HSL 168, 0.23%, 0.46%

LAB 56.62, -20.82, 0.08

 

CMYK 34 / 0 / 6 / 36

HEX #6CA49A

RGB 108 164 154

HSL 169.29, 0.24%, 0.53%

LAB 63.4, -20.65, -0.66

 

CMYK 31 / 0 / 5 / 29

HEX #7DB6AD

RGB 125 182 173

HSL 170.53, 0.28%, 0.6%

LAB 70.06, -20.49, -1.36

 

CMYK 53 / 0 / 7 / 57

HEX #346E66

RGB 52 110 102

HSL 171.72, 0.36%, 0.32%

LAB 42.52, -21.11, -1.36

 

CMYK 62 / 0 / 10 / 64

HEX #235C53

RGB 35 92 83

HSL 170.53, 0.45%, 0.25%

LAB 35.27, -21.02, -0.4

 

CMYK 76 / 0 / 14 / 71

HEX #124A40

RGB 18 74 64

HSL 169.29, 0.61%, 0.18%

LAB 27.84, -20.66, 0.76

 

CMYK 98 / 0 / 20 / 78

HEX #01382D

RGB 1 56 45

HSL 168, 0.96%, 0.11%

LAB 20.14, -20.07, 2.13

 

CMYK 100 / 0 / 32 / 85

HEX #00261A

RGB 0 38 26

HSL 161.05, 1%, 0.07%

LAB 12.36, -17.25, 4.22

 

CMYK 53 / 0 / 7 / 57

HEX #346E66

RGB 52 110 102

HSL 171.72, 0.36%, 0.32%

LAB 42.52, -21.11, -1.36

 

CMYK 53 / 0 / 21 / 57

HEX #346E57

RGB 52 110 87

HSL 156.21, 0.36%, 0.32%

LAB 42.11, -25.02, 7.08

 

CMYK 53 / 0 / 35 / 57

HEX #346E47

RGB 52 110 71

HSL 139.66, 0.36%, 0.32%

LAB 41.75, -28.61, 16.1

 

CMYK 53 / 0 / 50 / 57

HEX #346E37

RGB 52 110 55

HSL 123.1, 0.36%, 0.32%

LAB 41.47, -31.52, 24.9

 

CMYK 42 / 0 / 53 / 57

HEX #406E34

RGB 64 110 52

HSL 107.59, 0.36%, 0.32%

LAB 41.98, -28.01, 27.31

 

CMYK 53 / 0 / 7 / 57

HEX #346E66

RGB 52 110 102

HSL 171.72, 0.36%, 0.32%

LAB 42.52, -21.11, -1.36

 

CMYK 53 / 6 / 0 / 57

HEX #34676E

RGB 52 103 110

HSL 187.24, 0.36%, 0.32%

LAB 40.5, -14.97, -9.22

 

CMYK 53 / 21 / 0 / 57

HEX #34576E

RGB 52 87 110

HSL 203.79, 0.36%, 0.32%

LAB 35.35, -5.54, -17.06

 

CMYK 53 / 35 / 0 / 57

HEX #34476E

RGB 52 71 110

HSL 220.34, 0.36%, 0.32%

LAB 30.31, 4.69, -24.9

 

CMYK 53 / 50 / 0 / 57

HEX #34376E

RGB 52 55 110

HSL 236.9, 0.36%, 0.32%

LAB 25.53, 15.52, -32.47

 

CMYK 53 / 0 / 7 / 57

HEX #346E66

RGB 52 110 102

HSL 171.72, 0.36%, 0.32%

LAB 42.52, -21.11, -1.36

 

CMYK 69 / 0 / 10 / 51

HEX #277C70

RGB 39 124 112

HSL 171.53, 0.52%, 0.32%

LAB 47, -28.1, -0.83

 

CMYK 82 / 0 / 12 / 46

HEX #198979

RGB 25 137 121

HSL 171.43, 0.69%, 0.32%

LAB 51.24, -33.57, 0.06

 

CMYK 92 / 0 / 13 / 41

HEX #0C9683

RGB 12 150 131

HSL 171.74, 0.85%, 0.32%

LAB 55.61, -37.55, 0.65

 

CMYK 53 / 0 / 7 / 57

HEX #346E66

RGB 52 110 102

HSL 171.72, 0.36%, 0.32%

LAB 42.52, -21.11, -1.36

 

CMYK 33 / 0 / 4 / 62

HEX #41615D

RGB 65 97 93

HSL 172.5, 0.2%, 0.32%

LAB 38.66, -12.63, -1.46

 

CMYK 7 / 0 / 1 / 67

HEX #4E5453

RGB 78 84 83

HSL 170, 0.04%, 0.32%

LAB 35.17, -2.61, -0.25

 

CMYK 0 / 22 / 19 / 64

HEX #5B474A

RGB 91 71 74

HSL 351, 0.12%, 0.32%

LAB 32.31, 9.07, 1.45

 

CMYK 0 / 45 / 39 / 59

HEX #693A40

RGB 105 58 64

HSL 352.34, 0.29%, 0.32%

LAB 30.4, 21.51, 5.4

 

CMYK 53 / 0 / 36 / 57

HEX #346E46

RGB 52 110 70

HSL 138.62, 0.36%, 0.32%

LAB 41.73, -28.81, 16.66

 

CMYK 53 / 0 / 22 / 57

HEX #346E56

RGB 52 110 86

HSL 155.17, 0.36%, 0.32%

LAB 42.08, -25.27, 7.65

 

CMYK 53 / 0 / 7 / 57

HEX #346E66

RGB 52 110 102

HSL 171.72, 0.36%, 0.32%

LAB 42.52, -21.11, -1.36

 

CMYK 53 / 5 / 0 / 57

HEX #34686E

RGB 52 104 110

HSL 186.21, 0.36%, 0.32%

LAB 40.83, -15.53, -8.73

 

CMYK 53 / 20 / 0 / 57

HEX #34586E

RGB 52 88 110

HSL 202.76, 0.36%, 0.32%

LAB 35.67, -6.16, -16.57

 

CMYK 54 / 0 / 7 / 79

HEX #193632

RGB 25 54 50

HSL 171.72, 0.37%, 0.15%

LAB 20.34, -12.12, -0.87

 

CMYK 52 / 0 / 7 / 68

HEX #27524C

RGB 39 82 76

HSL 171.63, 0.36%, 0.24%

LAB 31.78, -16.64, -1.09

 

CMYK 53 / 0 / 7 / 57

HEX #346E66

RGB 52 110 102

HSL 171.72, 0.36%, 0.32%

LAB 42.52, -21.11, -1.36

 

CMYK 53 / 0 / 8 / 45

HEX #418B80

RGB 65 139 128

HSL 171.08, 0.36%, 0.4%

LAB 53.11, -25.85, -1.15

 

CMYK 53 / 0 / 8 / 35

HEX #4EA79A

RGB 78 167 154

HSL 171.24, 0.36%, 0.48%

LAB 63, -29.89, -1.4

 

CMYK 53 / 0 / 7 / 57

HEX #346E66

RGB 52 110 102

HSL 171.72, 0.36%, 0.32%

LAB 42.52, -21.11, -1.36

 

CMYK 50 / 53 / 0 / 57

HEX #37346E

RGB 55 52 110

HSL 243.1, 0.36%, 0.32%

LAB 24.93, 18.33, -33.41

 

CMYK 0 / 29 / 53 / 57

HEX #6E4E34

RGB 110 78 52

HSL 26.9, 0.36%, 0.32%

LAB 36.01, 10.09, 20.66

 

CMYK 53 / 0 / 7 / 57

HEX #346E66

RGB 52 110 102

HSL 171.72, 0.36%, 0.32%

LAB 42.52, -21.11, -1.36

 

CMYK 7 / 53 / 0 / 57

HEX #66346E

RGB 102 52 110

HSL 291.72, 0.36%, 0.32%

LAB 30.42, 32.15, -24.37

 

CMYK 0 / 7 / 53 / 57

HEX #6E6634

RGB 110 102 52

HSL 51.72, 0.36%, 0.32%

LAB 42.86, -4.27, 29.16

 

CMYK 53 / 0 / 7 / 57

HEX #346E66

RGB 52 110 102

HSL 171.72, 0.36%, 0.32%

LAB 42.52, -21.11, -1.36

 

CMYK 50 / 53 / 0 / 57

HEX #37346E

RGB 55 52 110

HSL 243.1, 0.36%, 0.32%

LAB 24.93, 18.33, -33.41

 

CMYK 0 / 53 / 45 / 57

HEX #6E343D

RGB 110 52 61

HSL 350.69, 0.36%, 0.32%

LAB 29.68, 26.69, 6.45

 

CMYK 2 / 0 / 53 / 57

HEX #6C6E34

RGB 108 110 52

HSL 62.07, 0.36%, 0.32%

LAB 45.06, -9.76, 31.75

 

CMYK 53 / 0 / 7 / 57

HEX #346E66

RGB 52 110 102

HSL 171.72, 0.36%, 0.32%

LAB 42.52, -21.11, -1.36

 

CMYK 35 / 53 / 0 / 57

HEX #48346E

RGB 72 52 110

HSL 260.69, 0.36%, 0.32%

LAB 26.62, 23, -30.62

 

CMYK 0 / 53 / 45 / 57

HEX #6E343D

RGB 110 52 61

HSL 350.69, 0.36%, 0.32%

LAB 29.68, 26.69, 6.45

 

CMYK 18 / 0 / 53 / 57

HEX #5A6E34

RGB 90 110 52

HSL 80.69, 0.36%, 0.32%

LAB 43.61, -17.72, 29.67

 

Description

Color code: HEX #346E66 | qconv.com Color code: HEX #346E66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 110 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 110 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 7 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 7% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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