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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #346C9C it is the complementary color #CB9363. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #346C9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #346C9C shade: #396C97, #4A7EAA, #5B90BD, #6CA2D0 and #7DB4E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #346C9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #346C9C shade: #346C9C, #235A89, #124876, #013663 and #002450

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #346C9C shade: #346C9C, #34509C, #34349C, #50349C and #6C349C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #346C9C shade: #346C9C, #34509C and #34349C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #346C9C shade matches the following richer shades: #346C9C, #236DAD, #126FBE and #0170CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #346C9C shade: #346C9C, #456B8B, #56697A, #67686A and #776759

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #346C9C shade: #349C94, #34899C, #346D9C, #34519C and #34369C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #346C9C shade: #1F415E, #29577D, #346C9C, #3E81BB and #5B96C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #346C9C shade: #346C9C, #78349C and #979C34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #346C9C shade: #346C9C, #9C346D and #6D9C34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #346C9C shade: #346C9C, #78349C, #9C6334 and #589C34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #346C9C shade: #346C9C, #97349C, #9C6334 and #399C34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 31 / 0 / 39

HEX #346C9C

RGB 52 108 156

HSL 207.69, 0.5%, 0.41%

LAB 44.02, -2.58, -31.46

 

Complementary color

CMYK 0 / 28 / 51 / 20

HEX #CB9363

RGB 203 147 99

HSL 27.69, 0.5%, 0.59%

LAB 65.33, 15.55, 33.62

 

CMYK 62 / 28 / 0 / 41

HEX #396C97

RGB 57 108 151

HSL 207.45, 0.45%, 0.41%

LAB 43.99, -3.38, -28.54

 

CMYK 56 / 26 / 0 / 33

HEX #4A7EAA

RGB 74 126 170

HSL 207.5, 0.39%, 0.48%

LAB 51.01, -4.18, -28.68

 

CMYK 52 / 24 / 0 / 26

HEX #5B90BD

RGB 91 144 189

HSL 207.55, 0.43%, 0.55%

LAB 57.89, -4.79, -28.83

 

CMYK 48 / 22 / 0 / 18

HEX #6CA2D0

RGB 108 162 208

HSL 207.6, 0.52%, 0.62%

LAB 64.63, -5.27, -28.99

 

CMYK 45 / 21 / 0 / 11

HEX #7DB4E3

RGB 125 180 227

HSL 207.65, 0.65%, 0.69%

LAB 71.25, -5.66, -29.17

 

CMYK 67 / 31 / 0 / 39

HEX #346C9C

RGB 52 108 156

HSL 207.69, 0.5%, 0.41%

LAB 44.02, -2.58, -31.46

 

CMYK 74 / 34 / 0 / 46

HEX #235A89

RGB 35 90 137

HSL 207.65, 0.59%, 0.34%

LAB 36.88, -1.2, -31.33

 

CMYK 85 / 39 / 0 / 54

HEX #124876

RGB 18 72 118

HSL 207.6, 0.74%, 0.27%

LAB 29.59, 0.75, -31.17

 

CMYK 99 / 45 / 0 / 61

HEX #013663

RGB 1 54 99

HSL 207.55, 0.98%, 0.2%

LAB 22.11, 3.4, -30.98

 

CMYK 100 / 55 / 0 / 69

HEX #002450

RGB 0 36 80

HSL 213, 1%, 0.16%

LAB 14.63, 7.81, -30.38

 

CMYK 67 / 31 / 0 / 39

HEX #346C9C

RGB 52 108 156

HSL 207.69, 0.5%, 0.41%

LAB 44.02, -2.58, -31.46

 

CMYK 67 / 49 / 0 / 39

HEX #34509C

RGB 52 80 156

HSL 223.85, 0.5%, 0.41%

LAB 35.73, 15.3, -44.64

 

CMYK 67 / 67 / 0 / 39

HEX #34349C

RGB 52 52 156

HSL 240, 0.5%, 0.41%

LAB 28.34, 33.72, -56.62

 

CMYK 49 / 67 / 0 / 39

HEX #50349C

RGB 80 52 156

HSL 256.15, 0.5%, 0.41%

LAB 30.79, 38.52, -52.53

 

CMYK 31 / 67 / 0 / 39

HEX #6C349C

RGB 108 52 156

HSL 272.31, 0.5%, 0.41%

LAB 34.08, 44.47, -47.05

 

CMYK 67 / 31 / 0 / 39

HEX #346C9C

RGB 52 108 156

HSL 207.69, 0.5%, 0.41%

LAB 44.02, -2.58, -31.46

 

CMYK 67 / 49 / 0 / 39

HEX #34509C

RGB 52 80 156

HSL 223.85, 0.5%, 0.41%

LAB 35.73, 15.3, -44.64

 

CMYK 67 / 67 / 0 / 39

HEX #34349C

RGB 52 52 156

HSL 240, 0.5%, 0.41%

LAB 28.34, 33.72, -56.62

 

CMYK 67 / 31 / 0 / 39

HEX #346C9C

RGB 52 108 156

HSL 207.69, 0.5%, 0.41%

LAB 44.02, -2.58, -31.46

 

CMYK 80 / 37 / 0 / 32

HEX #236DAD

RGB 35 109 173

HSL 207.83, 0.66%, 0.41%

LAB 44.68, 0.65, -40.48

 

CMYK 91 / 42 / 0 / 25

HEX #126FBE

RGB 18 111 190

HSL 207.56, 0.83%, 0.41%

LAB 45.93, 4.64, -48.4

 

CMYK 100 / 46 / 0 / 19

HEX #0170CF

RGB 1 112 207

HSL 207.67, 0.99%, 0.41%

LAB 47.11, 10.09, -56.29

 

CMYK 67 / 31 / 0 / 39

HEX #346C9C

RGB 52 108 156

HSL 207.69, 0.5%, 0.41%

LAB 44.02, -2.58, -31.46

 

CMYK 50 / 23 / 0 / 45

HEX #456B8B

RGB 69 107 139

HSL 207.43, 0.34%, 0.41%

LAB 43.72, -4.01, -21.76

 

CMYK 30 / 14 / 0 / 52

HEX #56697A

RGB 86 105 122

HSL 208.33, 0.17%, 0.41%

LAB 43.49, -2.81, -11.81

 

CMYK 3 / 2 / 0 / 58

HEX #67686A

RGB 103 104 106

HSL 220, 0.01%, 0.41%

LAB 43.98, 0.03, -1.26

 

CMYK 0 / 13 / 25 / 53

HEX #776759

RGB 119 103 89

HSL 28, 0.14%, 0.41%

LAB 44.72, 3.96, 10.24

 

CMYK 67 / 0 / 5 / 39

HEX #349C94

RGB 52 156 148

HSL 175.38, 0.5%, 0.41%

LAB 58.64, -31.2, -4.52

 

CMYK 67 / 12 / 0 / 39

HEX #34899C

RGB 52 137 156

HSL 190.96, 0.5%, 0.41%

LAB 52.97, -19.15, -17.62

 

CMYK 67 / 30 / 0 / 39

HEX #346D9C

RGB 52 109 156

HSL 207.12, 0.5%, 0.41%

LAB 44.33, -3.19, -30.99

 

CMYK 67 / 48 / 0 / 39

HEX #34519C

RGB 52 81 156

HSL 223.27, 0.5%, 0.41%

LAB 36.01, 14.64, -44.18

 

CMYK 67 / 65 / 0 / 39

HEX #34369C

RGB 52 54 156

HSL 238.85, 0.5%, 0.41%

LAB 28.82, 32.45, -55.84

 

CMYK 67 / 31 / 0 / 63

HEX #1F415E

RGB 31 65 94

HSL 207.62, 0.5%, 0.25%

LAB 26.39, -2.16, -20.89

 

CMYK 67 / 30 / 0 / 51

HEX #29577D

RGB 41 87 125

HSL 207.14, 0.51%, 0.33%

LAB 35.53, -2.79, -26.1

 

CMYK 67 / 31 / 0 / 39

HEX #346C9C

RGB 52 108 156

HSL 207.69, 0.5%, 0.41%

LAB 44.02, -2.58, -31.46

 

CMYK 67 / 31 / 0 / 27

HEX #3E81BB

RGB 62 129 187

HSL 207.84, 0.5%, 0.49%

LAB 52.19, -2.56, -36.68

 

CMYK 55 / 25 / 0 / 22

HEX #5B96C8

RGB 91 150 200

HSL 207.52, 0.5%, 0.57%

LAB 60.08, -4.82, -31.64

 

CMYK 67 / 31 / 0 / 39

HEX #346C9C

RGB 52 108 156

HSL 207.69, 0.5%, 0.41%

LAB 44.02, -2.58, -31.46

 

CMYK 23 / 67 / 0 / 39

HEX #78349C

RGB 120 52 156

HSL 279.23, 0.5%, 0.41%

LAB 35.69, 47.24, -44.36

 

CMYK 3 / 0 / 67 / 39

HEX #979C34

RGB 151 156 52

HSL 62.88, 0.5%, 0.41%

LAB 62.17, -15.44, 51.63

 

CMYK 67 / 31 / 0 / 39

HEX #346C9C

RGB 52 108 156

HSL 207.69, 0.5%, 0.41%

LAB 44.02, -2.58, -31.46

 

CMYK 0 / 67 / 30 / 39

HEX #9C346D

RGB 156 52 109

HSL 327.12, 0.5%, 0.41%

LAB 38.95, 48.68, -9.89

 

CMYK 30 / 0 / 67 / 39

HEX #6D9C34

RGB 109 156 52

HSL 87.12, 0.5%, 0.41%

LAB 59.23, -32.86, 47.64

 

CMYK 67 / 31 / 0 / 39

HEX #346C9C

RGB 52 108 156

HSL 207.69, 0.5%, 0.41%

LAB 44.02, -2.58, -31.46

 

CMYK 23 / 67 / 0 / 39

HEX #78349C

RGB 120 52 156

HSL 279.23, 0.5%, 0.41%

LAB 35.69, 47.24, -44.36

 

CMYK 0 / 37 / 67 / 39

HEX #9C6334

RGB 156 99 52

HSL 27.12, 0.5%, 0.41%

LAB 47.29, 18.49, 35.67

 

CMYK 44 / 0 / 67 / 39

HEX #589C34

RGB 88 156 52

HSL 99.23, 0.5%, 0.41%

LAB 58.13, -40.42, 46.14

 

CMYK 67 / 31 / 0 / 39

HEX #346C9C

RGB 52 108 156

HSL 207.69, 0.5%, 0.41%

LAB 44.02, -2.58, -31.46

 

CMYK 3 / 67 / 0 / 39

HEX #97349C

RGB 151 52 156

HSL 297.12, 0.5%, 0.41%

LAB 40.3, 54.66, -36.73

 

CMYK 0 / 37 / 67 / 39

HEX #9C6334

RGB 156 99 52

HSL 27.12, 0.5%, 0.41%

LAB 47.29, 18.49, 35.67

 

CMYK 63 / 0 / 67 / 39

HEX #399C34

RGB 57 156 52

HSL 117.12, 0.5%, 0.41%

LAB 56.97, -49.25, 44.54

 

Description

Color code: HEX #346C9C | qconv.com Color code: HEX #346C9C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 108 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 108 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 31 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 31% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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