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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #345D99 it is the complementary color #CBA266. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #345D99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #345D99 shade: #395D94, #4A6FA7, #5B81BA, #6C93CD and #7DA5E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #345D99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #345D99 shade: #345D99, #234B86, #123973, #012760 and #00154D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #345D99 shade: #345C97, #344197, #413497, #5C3497 and #773497

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #345D99 shade: #345C97, #344197 and #343497

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #345D99 shade matches the following richer shades: #345C97, #2359A8, #1356B8 and #0253C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #345D99 shade: #345C97, #445F87, #556276, #656566 and #766955

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #345D99 shade: #349297, #347897, #345D97, #344397 and #3F3497

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #345D99 shade: #1E375A, #294979, #345C97, #3E6FB6 and #5884C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #345D99 shade: #345D99, #823497 and #859734

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #345D99 shade: #345D99, #97345D and #5D9734

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #345D99 shade: #345D99, #823497, #976E34 and #499734

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #345D99 shade: #345D99, #97348F, #976E34 and #34973C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 39 / 0 / 40

HEX #345D99

RGB 52 93 153

HSL 215.64, 0.49%, 0.4%

LAB 39.34, 5.71, -37.07

 

Complementary color

CMYK 0 / 20 / 50 / 20

HEX #CBA266

RGB 203 162 102

HSL 35.64, 0.49%, 0.6%

LAB 69.11, 7.68, 36.79

 

CMYK 61 / 37 / 0 / 42

HEX #395D94

RGB 57 93 148

HSL 216.26, 0.44%, 0.4%

LAB 39.3, 4.89, -34.11

 

CMYK 56 / 34 / 0 / 35

HEX #4A6FA7

RGB 74 111 167

HSL 216.13, 0.39%, 0.47%

LAB 46.46, 3.83, -34.04

 

CMYK 51 / 31 / 0 / 27

HEX #5B81BA

RGB 91 129 186

HSL 216, 0.41%, 0.54%

LAB 53.46, 3.01, -34.02

 

CMYK 47 / 28 / 0 / 20

HEX #6C93CD

RGB 108 147 205

HSL 215.88, 0.49%, 0.61%

LAB 60.31, 2.35, -34.03

 

CMYK 44 / 26 / 0 / 12

HEX #7DA5E0

RGB 125 165 224

HSL 215.76, 0.61%, 0.68%

LAB 67.02, 1.81, -34.07

 

CMYK 66 / 39 / 0 / 40

HEX #345D99

RGB 52 93 153

HSL 215.64, 0.49%, 0.4%

LAB 39.34, 5.71, -37.07

 

CMYK 74 / 44 / 0 / 47

HEX #234B86

RGB 35 75 134

HSL 215.76, 0.59%, 0.33%

LAB 32.06, 7.43, -37.16

 

CMYK 84 / 50 / 0 / 55

HEX #123973

RGB 18 57 115

HSL 215.88, 0.73%, 0.26%

LAB 24.62, 9.84, -37.23

 

CMYK 99 / 59 / 0 / 62

HEX #012760

RGB 1 39 96

HSL 216, 0.98%, 0.19%

LAB 17, 13.09, -37.26

 

CMYK 100 / 73 / 0 / 70

HEX #00154D

RGB 0 21 77

HSL 223.64, 1%, 0.15%

LAB 9.58, 18.1, -36.56

 

CMYK 66 / 39 / 0 / 41

HEX #345C97

RGB 52 92 151

HSL 215.76, 0.49%, 0.4%

LAB 38.93, 5.62, -36.52

 

CMYK 66 / 57 / 0 / 41

HEX #344197

RGB 52 65 151

HSL 232.12, 0.49%, 0.4%

LAB 31.22, 23.45, -48.89

 

CMYK 57 / 66 / 0 / 41

HEX #413497

RGB 65 52 151

HSL 247.88, 0.49%, 0.4%

LAB 28.94, 34.14, -52.55

 

CMYK 39 / 66 / 0 / 41

HEX #5C3497

RGB 92 52 151

HSL 264.24, 0.49%, 0.4%

LAB 31.73, 39.6, -47.9

 

CMYK 21 / 66 / 0 / 41

HEX #773497

RGB 119 52 151

HSL 280.61, 0.49%, 0.4%

LAB 35.23, 45.88, -42.08

 

CMYK 66 / 39 / 0 / 41

HEX #345C97

RGB 52 92 151

HSL 215.76, 0.49%, 0.4%

LAB 38.93, 5.62, -36.52

 

CMYK 66 / 57 / 0 / 41

HEX #344197

RGB 52 65 151

HSL 232.12, 0.49%, 0.4%

LAB 31.22, 23.45, -48.89

 

CMYK 66 / 66 / 0 / 41

HEX #343497

RGB 52 52 151

HSL 240, 0.49%, 0.4%

LAB 27.9, 31.98, -54.29

 

CMYK 66 / 39 / 0 / 41

HEX #345C97

RGB 52 92 151

HSL 215.76, 0.49%, 0.4%

LAB 38.93, 5.62, -36.52

 

CMYK 79 / 47 / 0 / 34

HEX #2359A8

RGB 35 89 168

HSL 215.64, 0.66%, 0.4%

LAB 38.43, 11.5, -47.52

 

CMYK 90 / 53 / 0 / 28

HEX #1356B8

RGB 19 86 184

HSL 215.64, 0.81%, 0.4%

LAB 38.3, 18.52, -57.19

 

CMYK 99 / 59 / 0 / 21

HEX #0253C9

RGB 2 83 201

HSL 215.58, 0.98%, 0.4%

LAB 38.58, 26.65, -66.66

 

CMYK 66 / 39 / 0 / 41

HEX #345C97

RGB 52 92 151

HSL 215.76, 0.49%, 0.4%

LAB 38.93, 5.62, -36.52

 

CMYK 50 / 30 / 0 / 47

HEX #445F87

RGB 68 95 135

HSL 215.82, 0.33%, 0.4%

LAB 39.85, 1.8, -25.36

 

CMYK 28 / 17 / 0 / 54

HEX #556276

RGB 85 98 118

HSL 216.36, 0.16%, 0.4%

LAB 41.18, 0.02, -12.89

 

CMYK 1 / 1 / 0 / 60

HEX #656566

RGB 101 101 102

HSL 240, 0%, 0.4%

LAB 42.81, 0.21, -0.57

 

CMYK 0 / 11 / 28 / 54

HEX #766955

RGB 118 105 85

HSL 36.36, 0.16%, 0.4%

LAB 45.1, 1.73, 13.14

 

CMYK 66 / 3 / 0 / 41

HEX #349297

RGB 52 146 151

HSL 183.03, 0.49%, 0.4%

LAB 55.61, -25.39, -10.76

 

CMYK 66 / 21 / 0 / 41

HEX #347897

RGB 52 120 151

HSL 198.79, 0.49%, 0.4%

LAB 47.49, -11.39, -23.11

 

CMYK 66 / 38 / 0 / 41

HEX #345D97

RGB 52 93 151

HSL 215.15, 0.49%, 0.4%

LAB 39.23, 4.98, -36.04

 

CMYK 66 / 56 / 0 / 41

HEX #344397

RGB 52 67 151

HSL 230.91, 0.49%, 0.4%

LAB 31.76, 22.12, -48.02

 

CMYK 58 / 66 / 0 / 41

HEX #3F3497

RGB 63 52 151

HSL 246.67, 0.49%, 0.4%

LAB 28.77, 33.79, -52.85

 

CMYK 67 / 39 / 0 / 65

HEX #1E375A

RGB 30 55 90

HSL 215, 0.5%, 0.24%

LAB 22.82, 2.86, -23.91

 

CMYK 66 / 40 / 0 / 53

HEX #294979

RGB 41 73 121

HSL 216, 0.49%, 0.32%

LAB 30.92, 4.8, -30.89

 

CMYK 66 / 39 / 0 / 41

HEX #345C97

RGB 52 92 151

HSL 215.76, 0.49%, 0.4%

LAB 38.93, 5.62, -36.52

 

CMYK 66 / 39 / 0 / 29

HEX #3E6FB6

RGB 62 111 182

HSL 215.5, 0.49%, 0.48%

LAB 46.67, 6.6, -42.5

 

CMYK 56 / 33 / 0 / 22

HEX #5884C6

RGB 88 132 198

HSL 216, 0.49%, 0.56%

LAB 54.71, 4.36, -38.9

 

CMYK 66 / 39 / 0 / 40

HEX #345D99

RGB 52 93 153

HSL 215.64, 0.49%, 0.4%

LAB 39.34, 5.71, -37.07

 

CMYK 14 / 66 / 0 / 41

HEX #823497

RGB 130 52 151

HSL 287.27, 0.49%, 0.4%

LAB 36.81, 48.56, -39.46

 

CMYK 12 / 0 / 66 / 41

HEX #859734

RGB 133 151 52

HSL 70.91, 0.49%, 0.4%

LAB 59.31, -20.64, 48.21

 

CMYK 66 / 39 / 0 / 40

HEX #345D99

RGB 52 93 153

HSL 215.64, 0.49%, 0.4%

LAB 39.34, 5.71, -37.07

 

CMYK 0 / 66 / 38 / 41

HEX #97345D

RGB 151 52 93

HSL 335.15, 0.49%, 0.4%

LAB 37.53, 45.16, -2

 

CMYK 38 / 0 / 66 / 41

HEX #5D9734

RGB 93 151 52

HSL 95.15, 0.49%, 0.4%

LAB 56.79, -36.52, 44.76

 

CMYK 66 / 39 / 0 / 40

HEX #345D99

RGB 52 93 153

HSL 215.64, 0.49%, 0.4%

LAB 39.34, 5.71, -37.07

 

CMYK 14 / 66 / 0 / 41

HEX #823497

RGB 130 52 151

HSL 287.27, 0.49%, 0.4%

LAB 36.81, 48.56, -39.46

 

CMYK 0 / 27 / 66 / 41

HEX #976E34

RGB 151 110 52

HSL 35.15, 0.49%, 0.4%

LAB 49.47, 9.94, 37.98

 

CMYK 52 / 0 / 66 / 41

HEX #499734

RGB 73 151 52

HSL 107.27, 0.49%, 0.4%

LAB 55.88, -43.09, 43.51

 

CMYK 66 / 39 / 0 / 40

HEX #345D99

RGB 52 93 153

HSL 215.64, 0.49%, 0.4%

LAB 39.34, 5.71, -37.07

 

CMYK 0 / 66 / 5 / 41

HEX #97348F

RGB 151 52 143

HSL 304.85, 0.49%, 0.4%

LAB 39.61, 52.38, -29.95

 

CMYK 0 / 27 / 66 / 41

HEX #976E34

RGB 151 110 52

HSL 35.15, 0.49%, 0.4%

LAB 49.47, 9.94, 37.98

 

CMYK 66 / 0 / 60 / 41

HEX #34973C

RGB 52 151 60

HSL 124.85, 0.49%, 0.4%

LAB 55.27, -47.61, 38.93

 

Description

Color code: HEX #345D99 | qconv.com Color code: HEX #345D99 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 93 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 93 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 39 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 39% 0% 40% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - Meyriyer | Kişisel B...
Link: http://www.meyriyer.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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