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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #345555 it is the complementary color #CBAAAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #345555. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #345555 shade: #395550, #4A6763, #5B7976, #6C8B89 and #7D9D9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #345555. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #345555 shade: #345555, #234342, #12312F, #011F1C and #000D09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #345555 shade: #345555, #34554C, #345543, #34553A and #365534

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #345555 shade: #345555, #344C55, #344355, #343A55 and #343455

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #345555 shade matches the following richer shades: #345555, #296060, #1E6B6B, #127676 and #078181

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #345555 shade: #345555, #3F4A4A, #4A3F3F, #553333 and #602828

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #345555 shade: #345543, #34554C, #345555, #344C55 and #344355

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #345555 shade: #142222, #243B3B, #345555, #446E6E and #538888

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #345555 shade: #345555, #3A3455 and #554834

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #345555 shade: #345555, #553455 and #555534

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #345555 shade: #345555, #3A3455, #553434 and #4E5534

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #345555 shade: #345555, #443455, #553434 and #445534

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 0 / 67

HEX #345555

RGB 52 85 85

HSL 180, 0.24%, 0.27%

LAB 33.74, -11.99, -3.82

 

Complementary color

CMYK 0 / 16 / 16 / 20

HEX #CBAAAA

RGB 203 170 170

HSL 0, 0.24%, 0.73%

LAB 72.46, 12, 4.48

 

CMYK 33 / 0 / 6 / 67

HEX #395550

RGB 57 85 80

HSL 169.29, 0.2%, 0.28%

LAB 33.87, -11.71, -0.44

 

CMYK 28 / 0 / 4 / 60

HEX #4A6763

RGB 74 103 99

HSL 171.72, 0.16%, 0.35%

LAB 41.31, -11.55, -1.19

 

CMYK 25 / 0 / 2 / 53

HEX #5B7976

RGB 91 121 118

HSL 174, 0.14%, 0.42%

LAB 48.52, -11.42, -1.88

 

CMYK 22 / 0 / 1 / 45

HEX #6C8B89

RGB 108 139 137

HSL 176.13, 0.13%, 0.48%

LAB 55.54, -11.31, -2.53

 

CMYK 20 / 0 / 1 / 38

HEX #7D9D9C

RGB 125 157 156

HSL 178.13, 0.14%, 0.55%

LAB 62.4, -11.23, -3.14

 

CMYK 39 / 0 / 0 / 67

HEX #345555

RGB 52 85 85

HSL 180, 0.24%, 0.27%

LAB 33.74, -11.99, -3.82

 

CMYK 48 / 0 / 1 / 74

HEX #234342

RGB 35 67 66

HSL 178.13, 0.31%, 0.2%

LAB 26.05, -12.06, -3.09

 

CMYK 63 / 0 / 4 / 81

HEX #12312F

RGB 18 49 47

HSL 176.13, 0.46%, 0.13%

LAB 18.06, -12.03, -2.22

 

CMYK 97 / 0 / 10 / 88

HEX #011F1C

RGB 1 31 28

HSL 174, 0.94%, 0.06%

LAB 9.56, -12.05, -1.25

 

CMYK 100 / 0 / 31 / 95

HEX #000D09

RGB 0 13 9

HSL 161.54, 1%, 0.03%

LAB 2.78, -4.06, 0.39

 

CMYK 39 / 0 / 0 / 67

HEX #345555

RGB 52 85 85

HSL 180, 0.24%, 0.27%

LAB 33.74, -11.99, -3.82

 

CMYK 39 / 0 / 11 / 67

HEX #34554C

RGB 52 85 76

HSL 163.64, 0.24%, 0.27%

LAB 33.45, -14.42, 1.43

 

CMYK 39 / 0 / 21 / 67

HEX #345543

RGB 52 85 67

HSL 147.27, 0.24%, 0.27%

LAB 33.21, -16.63, 6.73

 

CMYK 39 / 0 / 32 / 67

HEX #34553A

RGB 52 85 58

HSL 130.91, 0.24%, 0.27%

LAB 32.99, -18.61, 12.04

 

CMYK 36 / 0 / 39 / 67

HEX #365534

RGB 54 85 52

HSL 116.36, 0.24%, 0.27%

LAB 32.98, -19.04, 15.73

 

CMYK 39 / 0 / 0 / 67

HEX #345555

RGB 52 85 85

HSL 180, 0.24%, 0.27%

LAB 33.74, -11.99, -3.82

 

CMYK 39 / 11 / 0 / 67

HEX #344C55

RGB 52 76 85

HSL 196.36, 0.24%, 0.27%

LAB 30.77, -6.57, -8.26

 

CMYK 39 / 21 / 0 / 67

HEX #344355

RGB 52 67 85

HSL 212.73, 0.24%, 0.27%

LAB 27.85, -0.86, -12.7

 

CMYK 39 / 32 / 0 / 67

HEX #343A55

RGB 52 58 85

HSL 229.09, 0.24%, 0.27%

LAB 24.99, 5.12, -17.11

 

CMYK 39 / 39 / 0 / 67

HEX #343455

RGB 52 52 85

HSL 240, 0.24%, 0.27%

LAB 23.14, 9.22, -19.99

 

CMYK 39 / 0 / 0 / 67

HEX #345555

RGB 52 85 85

HSL 180, 0.24%, 0.27%

LAB 33.74, -11.99, -3.82

 

CMYK 57 / 0 / 0 / 62

HEX #296060

RGB 41 96 96

HSL 180, 0.4%, 0.27%

LAB 37.26, -17.95, -5.51

 

CMYK 72 / 0 / 0 / 58

HEX #1E6B6B

RGB 30 107 107

HSL 180, 0.56%, 0.27%

LAB 40.98, -22.48, -6.75

 

CMYK 85 / 0 / 0 / 54

HEX #127676

RGB 18 118 118

HSL 180, 0.74%, 0.27%

LAB 44.79, -26.01, -7.71

 

CMYK 95 / 0 / 0 / 49

HEX #078181

RGB 7 129 129

HSL 180, 0.9%, 0.27%

LAB 48.67, -28.63, -8.44

 

CMYK 39 / 0 / 0 / 67

HEX #345555

RGB 52 85 85

HSL 180, 0.24%, 0.27%

LAB 33.74, -11.99, -3.82

 

CMYK 15 / 0 / 0 / 71

HEX #3F4A4A

RGB 63 74 74

HSL 180, 0.08%, 0.27%

LAB 30.52, -4.4, -1.49

 

CMYK 0 / 15 / 15 / 71

HEX #4A3F3F

RGB 74 63 63

HSL 0, 0.08%, 0.27%

LAB 27.76, 4.75, 1.75

 

CMYK 0 / 40 / 40 / 67

HEX #553333

RGB 85 51 51

HSL 0, 0.25%, 0.27%

LAB 25.38, 15.38, 6.46

 

CMYK 0 / 58 / 58 / 62

HEX #602828

RGB 96 40 40

HSL 0, 0.41%, 0.27%

LAB 24.19, 25.49, 12.47

 

CMYK 39 / 0 / 21 / 67

HEX #345543

RGB 52 85 67

HSL 147.27, 0.24%, 0.27%

LAB 33.21, -16.63, 6.73

 

CMYK 39 / 0 / 11 / 67

HEX #34554C

RGB 52 85 76

HSL 163.64, 0.24%, 0.27%

LAB 33.45, -14.42, 1.43

 

CMYK 39 / 0 / 0 / 67

HEX #345555

RGB 52 85 85

HSL 180, 0.24%, 0.27%

LAB 33.74, -11.99, -3.82

 

CMYK 39 / 11 / 0 / 67

HEX #344C55

RGB 52 76 85

HSL 196.36, 0.24%, 0.27%

LAB 30.77, -6.57, -8.26

 

CMYK 39 / 21 / 0 / 67

HEX #344355

RGB 52 67 85

HSL 212.73, 0.24%, 0.27%

LAB 27.85, -0.86, -12.7

 

CMYK 41 / 0 / 0 / 87

HEX #142222

RGB 20 34 34

HSL 180, 0.26%, 0.11%

LAB 12.01, -5.98, -1.93

 

CMYK 39 / 0 / 0 / 77

HEX #243B3B

RGB 36 59 59

HSL 180, 0.24%, 0.19%

LAB 23.06, -8.95, -2.87

 

CMYK 39 / 0 / 0 / 67

HEX #345555

RGB 52 85 85

HSL 180, 0.24%, 0.27%

LAB 33.74, -11.99, -3.82

 

CMYK 38 / 0 / 0 / 57

HEX #446E6E

RGB 68 110 110

HSL 180, 0.24%, 0.35%

LAB 43.52, -14.55, -4.64

 

CMYK 39 / 0 / 0 / 47

HEX #538888

RGB 83 136 136

HSL 180, 0.24%, 0.43%

LAB 53.19, -17.56, -5.57

 

CMYK 39 / 0 / 0 / 67

HEX #345555

RGB 52 85 85

HSL 180, 0.24%, 0.27%

LAB 33.74, -11.99, -3.82

 

CMYK 32 / 39 / 0 / 67

HEX #3A3455

RGB 58 52 85

HSL 250.91, 0.24%, 0.27%

LAB 23.71, 11.22, -19.06

 

CMYK 0 / 15 / 39 / 67

HEX #554834

RGB 85 72 52

HSL 36.36, 0.24%, 0.27%

LAB 31.38, 2.15, 14.05

 

CMYK 39 / 0 / 0 / 67

HEX #345555

RGB 52 85 85

HSL 180, 0.24%, 0.27%

LAB 33.74, -11.99, -3.82

 

CMYK 0 / 39 / 0 / 67

HEX #553455

RGB 85 52 85

HSL 300, 0.24%, 0.27%

LAB 26.86, 20.93, -13.93

 

CMYK 0 / 0 / 39 / 67

HEX #555534

RGB 85 85 52

HSL 60, 0.24%, 0.27%

LAB 35.35, -5.8, 19.28

 

CMYK 39 / 0 / 0 / 67

HEX #345555

RGB 52 85 85

HSL 180, 0.24%, 0.27%

LAB 33.74, -11.99, -3.82

 

CMYK 32 / 39 / 0 / 67

HEX #3A3455

RGB 58 52 85

HSL 250.91, 0.24%, 0.27%

LAB 23.71, 11.22, -19.06

 

CMYK 0 / 39 / 39 / 67

HEX #553434

RGB 85 52 52

HSL 0, 0.24%, 0.27%

LAB 25.67, 14.88, 6.21

 

CMYK 8 / 0 / 39 / 67

HEX #4E5534

RGB 78 85 52

HSL 72.73, 0.24%, 0.27%

LAB 34.73, -8.98, 18.35

 

CMYK 39 / 0 / 0 / 67

HEX #345555

RGB 52 85 85

HSL 180, 0.24%, 0.27%

LAB 33.74, -11.99, -3.82

 

CMYK 20 / 39 / 0 / 67

HEX #443455

RGB 68 52 85

HSL 269.09, 0.24%, 0.27%

LAB 24.77, 14.72, -17.33

 

CMYK 0 / 39 / 39 / 67

HEX #553434

RGB 85 52 52

HSL 0, 0.24%, 0.27%

LAB 25.67, 14.88, 6.21

 

CMYK 20 / 0 / 39 / 67

HEX #445534

RGB 68 85 52

HSL 90.91, 0.24%, 0.27%

LAB 33.93, -13.37, 17.15

 

Description

Color code: HEX #345555 | qconv.com Color code: HEX #345555 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 85 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 85 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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