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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #344146 it is the complementary color #CBBEB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #344146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #344146 shade: #394141, #4A5354, #5B6567, #6C777A and #7D898D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #344146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #344146 shade: #344146, #232F33, #121D20 and #010B0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #344146 shade: #344146, #343C46, #343746, #353446 and #3A3446

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #344146 shade: #344146, #343C46, #343746 and #343446

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #344146 shade matches the following richer shades: #344146, #2A4550, #204A5A, #164E64 and #0C526D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #344146 shade: #344146, #3D3C3C, #473832, #513428 and #5B2F1E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #344146 shade: #344641, #344646, #344146, #343C46 and #343746

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #344146 shade: #101516, #222B2E, #344146, #45575E and #576D75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #344146 shade: #344146, #3C3446 and #464334

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #344146 shade: #344146, #463441 and #414634

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #344146 shade: #344146, #3C3446, #463834 and #3D4634

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #344146 shade: #344146, #423446, #463834 and #384634

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 7 / 0 / 73

HEX #344146

RGB 52 65 70

HSL 196.67, 0.15%, 0.24%

LAB 26.6, -3.93, -4.79

 

Complementary color

CMYK 0 / 6 / 9 / 20

HEX #CBBEB9

RGB 203 190 185

HSL 16.67, 0.15%, 0.76%

LAB 77.89, 3.71, 4.15

 

CMYK 12 / 0 / 0 / 75

HEX #394141

RGB 57 65 65

HSL 180, 0.07%, 0.24%

LAB 26.83, -3.29, -1.13

 

CMYK 12 / 1 / 0 / 67

HEX #4A5354

RGB 74 83 84

HSL 186, 0.06%, 0.31%

LAB 34.56, -3.32, -1.8

 

CMYK 12 / 2 / 0 / 60

HEX #5B6567

RGB 91 101 103

HSL 190, 0.06%, 0.38%

LAB 42.02, -3.37, -2.44

 

CMYK 11 / 2 / 0 / 52

HEX #6C777A

RGB 108 119 122

HSL 192.86, 0.06%, 0.45%

LAB 49.24, -3.43, -3.05

 

CMYK 11 / 3 / 0 / 45

HEX #7D898D

RGB 125 137 141

HSL 195, 0.07%, 0.52%

LAB 56.26, -3.5, -3.64

 

CMYK 26 / 7 / 0 / 73

HEX #344146

RGB 52 65 70

HSL 196.67, 0.15%, 0.24%

LAB 26.6, -3.93, -4.79

 

CMYK 31 / 8 / 0 / 80

HEX #232F33

RGB 35 47 51

HSL 195, 0.19%, 0.17%

LAB 18.49, -3.91, -4.23

 

CMYK 44 / 9 / 0 / 87

HEX #121D20

RGB 18 29 32

HSL 192.86, 0.28%, 0.1%

LAB 9.89, -3.9, -3.64

 

CMYK 92 / 15 / 0 / 95

HEX #010B0D

RGB 1 11 13

HSL 190, 0.86%, 0.03%

LAB 2.48, -2.31, -1.77

 

CMYK 26 / 7 / 0 / 73

HEX #344146

RGB 52 65 70

HSL 196.67, 0.15%, 0.24%

LAB 26.6, -3.93, -4.79

 

CMYK 26 / 14 / 0 / 73

HEX #343C46

RGB 52 60 70

HSL 213.33, 0.15%, 0.24%

LAB 24.96, -0.68, -7.24

 

CMYK 26 / 21 / 0 / 73

HEX #343746

RGB 52 55 70

HSL 230, 0.15%, 0.24%

LAB 23.35, 2.65, -9.68

 

CMYK 24 / 26 / 0 / 73

HEX #353446

RGB 53 52 70

HSL 243.33, 0.15%, 0.24%

LAB 22.5, 5.06, -10.98

 

CMYK 17 / 26 / 0 / 73

HEX #3A3446

RGB 58 52 70

HSL 260, 0.15%, 0.24%

LAB 22.99, 6.98, -10.18

 

CMYK 26 / 7 / 0 / 73

HEX #344146

RGB 52 65 70

HSL 196.67, 0.15%, 0.24%

LAB 26.6, -3.93, -4.79

 

CMYK 26 / 14 / 0 / 73

HEX #343C46

RGB 52 60 70

HSL 213.33, 0.15%, 0.24%

LAB 24.96, -0.68, -7.24

 

CMYK 26 / 21 / 0 / 73

HEX #343746

RGB 52 55 70

HSL 230, 0.15%, 0.24%

LAB 23.35, 2.65, -9.68

 

CMYK 26 / 26 / 0 / 73

HEX #343446

RGB 52 52 70

HSL 240, 0.15%, 0.24%

LAB 22.4, 4.68, -11.13

 

CMYK 26 / 7 / 0 / 73

HEX #344146

RGB 52 65 70

HSL 196.67, 0.15%, 0.24%

LAB 26.6, -3.93, -4.79

 

CMYK 48 / 14 / 0 / 69

HEX #2A4550

RGB 42 69 80

HSL 197.37, 0.31%, 0.24%

LAB 27.65, -6.85, -9.81

 

CMYK 64 / 18 / 0 / 65

HEX #204A5A

RGB 32 74 90

HSL 196.55, 0.48%, 0.24%

LAB 29.27, -9.16, -13.85

 

CMYK 78 / 22 / 0 / 61

HEX #164E64

RGB 22 78 100

HSL 196.92, 0.64%, 0.24%

LAB 30.73, -9.76, -18

 

CMYK 89 / 25 / 0 / 57

HEX #0C526D

RGB 12 82 109

HSL 196.7, 0.8%, 0.24%

LAB 32.3, -9.87, -21.27

 

CMYK 26 / 7 / 0 / 73

HEX #344146

RGB 52 65 70

HSL 196.67, 0.15%, 0.24%

LAB 26.6, -3.93, -4.79

 

CMYK 0 / 2 / 2 / 76

HEX #3D3C3C

RGB 61 60 60

HSL 0, 0.01%, 0.24%

LAB 25.41, 0.43, 0.15

 

CMYK 0 / 21 / 30 / 72

HEX #473832

RGB 71 56 50

HSL 17.14, 0.17%, 0.24%

LAB 24.95, 5.57, 6.26

 

CMYK 0 / 36 / 51 / 68

HEX #513428

RGB 81 52 40

HSL 17.56, 0.34%, 0.24%

LAB 24.82, 11.44, 12.9

 

CMYK 0 / 48 / 67 / 64

HEX #5B2F1E

RGB 91 47 30

HSL 16.72, 0.5%, 0.24%

LAB 24.8, 18.3, 19.63

 

CMYK 26 / 0 / 7 / 73

HEX #344641

RGB 52 70 65

HSL 163.33, 0.15%, 0.24%

LAB 28.09, -8.37, 0.68

 

CMYK 26 / 0 / 0 / 73

HEX #344646

RGB 52 70 70

HSL 180, 0.15%, 0.24%

LAB 28.25, -7.08, -2.33

 

CMYK 26 / 7 / 0 / 73

HEX #344146

RGB 52 65 70

HSL 196.67, 0.15%, 0.24%

LAB 26.6, -3.93, -4.79

 

CMYK 26 / 14 / 0 / 73

HEX #343C46

RGB 52 60 70

HSL 213.33, 0.15%, 0.24%

LAB 24.96, -0.68, -7.24

 

CMYK 26 / 21 / 0 / 73

HEX #343746

RGB 52 55 70

HSL 230, 0.15%, 0.24%

LAB 23.35, 2.65, -9.68

 

CMYK 27 / 5 / 0 / 91

HEX #101516

RGB 16 21 22

HSL 190, 0.16%, 0.07%

LAB 6.36, -1.76, -1.36

 

CMYK 26 / 7 / 0 / 82

HEX #222B2E

RGB 34 43 46

HSL 195, 0.15%, 0.16%

LAB 16.82, -3.05, -3.25

 

CMYK 26 / 7 / 0 / 73

HEX #344146

RGB 52 65 70

HSL 196.67, 0.15%, 0.24%

LAB 26.6, -3.93, -4.79

 

CMYK 27 / 7 / 0 / 63

HEX #45575E

RGB 69 87 94

HSL 196.8, 0.15%, 0.32%

LAB 35.77, -5.1, -6.34

 

CMYK 26 / 7 / 0 / 54

HEX #576D75

RGB 87 109 117

HSL 196, 0.15%, 0.4%

LAB 44.59, -6.13, -7.14

 

CMYK 26 / 7 / 0 / 73

HEX #344146

RGB 52 65 70

HSL 196.67, 0.15%, 0.24%

LAB 26.6, -3.93, -4.79

 

CMYK 14 / 26 / 0 / 73

HEX #3C3446

RGB 60 52 70

HSL 266.67, 0.15%, 0.24%

LAB 23.2, 7.76, -9.84

 

CMYK 0 / 4 / 26 / 73

HEX #464334

RGB 70 67 52

HSL 50, 0.15%, 0.24%

LAB 28.29, -1.65, 9.59

 

CMYK 26 / 7 / 0 / 73

HEX #344146

RGB 52 65 70

HSL 196.67, 0.15%, 0.24%

LAB 26.6, -3.93, -4.79

 

CMYK 0 / 26 / 7 / 73

HEX #463441

RGB 70 52 65

HSL 316.67, 0.15%, 0.24%

LAB 24.13, 10.66, -4.98

 

CMYK 7 / 0 / 26 / 73

HEX #414634

RGB 65 70 52

HSL 76.67, 0.15%, 0.24%

LAB 28.78, -5.79, 10.19

 

CMYK 26 / 7 / 0 / 73

HEX #344146

RGB 52 65 70

HSL 196.67, 0.15%, 0.24%

LAB 26.6, -3.93, -4.79

 

CMYK 14 / 26 / 0 / 73

HEX #3C3446

RGB 60 52 70

HSL 266.67, 0.15%, 0.24%

LAB 23.2, 7.76, -9.84

 

CMYK 0 / 20 / 26 / 73

HEX #463834

RGB 70 56 52

HSL 13.33, 0.15%, 0.24%

LAB 24.88, 5.45, 4.83

 

CMYK 13 / 0 / 26 / 73

HEX #3D4634

RGB 61 70 52

HSL 90, 0.15%, 0.24%

LAB 28.43, -7.55, 9.66

 

CMYK 26 / 7 / 0 / 73

HEX #344146

RGB 52 65 70

HSL 196.67, 0.15%, 0.24%

LAB 26.6, -3.93, -4.79

 

CMYK 6 / 26 / 0 / 73

HEX #423446

RGB 66 52 70

HSL 286.67, 0.15%, 0.24%

LAB 23.86, 10.15, -8.78

 

CMYK 0 / 20 / 26 / 73

HEX #463834

RGB 70 56 52

HSL 13.33, 0.15%, 0.24%

LAB 24.88, 5.45, 4.83

 

CMYK 20 / 0 / 26 / 73

HEX #384634

RGB 56 70 52

HSL 106.67, 0.15%, 0.24%

LAB 28.03, -9.7, 9.04

 

Description

Color code: HEX #344146 | qconv.com Color code: HEX #344146 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 65 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 65 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 7 magenta, none yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 7% 0% 73% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

42% - Passo a passo: Como ...
Link: http://blog.hotmart.com.br

35% - Inicio - Little Poc
Link: http://littlepoc.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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