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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #344991 it is the complementary color #CBB66E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #344991. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #344991 shade: #39498C, #4A5B9F, #5B6DB2, #6C7FC5 and #7D91D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #344991. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #344991 shade: #344991, #23377E, #12256B, #011358 and #000145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #344991 shade: #344992, #383492, #523492, #6B3492 and #843492

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #344991 shade: #344992 and #343492

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #344991 shade matches the following richer shades: #344992, #2440A2, #1438B2 and #042FC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #344991 shade: #344992, #445282, #545B72, #646461 and #756D51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #344991 shade: #347C92, #346392, #344A92, #373492 and #503492

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #344991 shade: #1E2B55, #293A73, #344992, #3F59B0 and #566FC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #344991 shade: #344991, #8F3492 and #6F9234

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #344991 shade: #344991, #92344A and #4A9234

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #344991 shade: #344991, #8F3492, #927C34 and #379234

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #344991 shade: #344991, #923479, #927C34 and #34924D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 50 / 0 / 43

HEX #344991

RGB 52 73 145

HSL 226.45, 0.47%, 0.39%

LAB 33, 15.9, -42.35

 

Complementary color

CMYK 0 / 10 / 46 / 20

HEX #CBB66E

RGB 203 182 110

HSL 46.45, 0.47%, 0.61%

LAB 74.37, -2.22, 39.25

 

CMYK 59 / 48 / 0 / 45

HEX #39498C

RGB 57 73 140

HSL 228.43, 0.42%, 0.39%

LAB 32.98, 15.1, -39.31

 

CMYK 53 / 43 / 0 / 38

HEX #4A5B9F

RGB 74 91 159

HSL 228, 0.36%, 0.46%

LAB 40.31, 13.71, -39.04

 

CMYK 49 / 39 / 0 / 30

HEX #5B6DB2

RGB 91 109 178

HSL 227.59, 0.36%, 0.53%

LAB 47.46, 12.62, -38.82

 

CMYK 45 / 36 / 0 / 23

HEX #6C7FC5

RGB 108 127 197

HSL 227.19, 0.43%, 0.6%

LAB 54.45, 11.73, -38.67

 

CMYK 42 / 33 / 0 / 15

HEX #7D91D8

RGB 125 145 216

HSL 226.81, 0.54%, 0.67%

LAB 61.28, 10.99, -38.58

 

CMYK 64 / 50 / 0 / 43

HEX #344991

RGB 52 73 145

HSL 226.45, 0.47%, 0.39%

LAB 33, 15.9, -42.35

 

CMYK 72 / 56 / 0 / 51

HEX #23377E

RGB 35 55 126

HSL 226.81, 0.57%, 0.32%

LAB 25.55, 18.03, -42.65

 

CMYK 83 / 65 / 0 / 58

HEX #12256B

RGB 18 37 107

HSL 227.19, 0.71%, 0.25%

LAB 17.98, 20.91, -42.86

 

CMYK 99 / 78 / 0 / 65

HEX #011358

RGB 1 19 88

HSL 227.59, 0.98%, 0.17%

LAB 10.38, 24.47, -42.76

 

CMYK 100 / 99 / 0 / 73

HEX #000145

RGB 0 1 69

HSL 239.13, 1%, 0.14%

LAB 4.08, 26.04, -40.03

 

CMYK 64 / 50 / 0 / 43

HEX #344992

RGB 52 73 146

HSL 226.6, 0.47%, 0.39%

LAB 33.07, 16.27, -42.85

 

CMYK 62 / 64 / 0 / 43

HEX #383492

RGB 56 52 146

HSL 242.55, 0.47%, 0.39%

LAB 27.77, 30.89, -51.43

 

CMYK 44 / 64 / 0 / 43

HEX #523492

RGB 82 52 146

HSL 259.15, 0.47%, 0.39%

LAB 30.22, 36, -47.33

 

CMYK 27 / 64 / 0 / 43

HEX #6B3492

RGB 107 52 146

HSL 275.11, 0.47%, 0.39%

LAB 33.26, 41.81, -42.28

 

CMYK 10 / 64 / 0 / 43

HEX #843492

RGB 132 52 146

HSL 291.06, 0.47%, 0.39%

LAB 36.81, 48.05, -36.39

 

CMYK 64 / 50 / 0 / 43

HEX #344992

RGB 52 73 146

HSL 226.6, 0.47%, 0.39%

LAB 33.07, 16.27, -42.85

 

CMYK 64 / 64 / 0 / 43

HEX #343492

RGB 52 52 146

HSL 240, 0.47%, 0.39%

LAB 27.47, 30.23, -51.93

 

CMYK 64 / 50 / 0 / 43

HEX #344992

RGB 52 73 146

HSL 226.6, 0.47%, 0.39%

LAB 33.07, 16.27, -42.85

 

CMYK 78 / 60 / 0 / 36

HEX #2440A2

RGB 36 64 162

HSL 226.67, 0.64%, 0.39%

LAB 31, 26.02, -55.96

 

CMYK 89 / 69 / 0 / 30

HEX #1438B2

RGB 20 56 178

HSL 226.33, 0.8%, 0.39%

LAB 29.89, 36.16, -67.39

 

CMYK 98 / 76 / 0 / 24

HEX #042FC2

RGB 4 47 194

HSL 226.42, 0.96%, 0.39%

LAB 29.3, 46.97, -77.85

 

CMYK 64 / 50 / 0 / 43

HEX #344992

RGB 52 73 146

HSL 226.6, 0.47%, 0.39%

LAB 33.07, 16.27, -42.85

 

CMYK 48 / 37 / 0 / 49

HEX #445282

RGB 68 82 130

HSL 226.45, 0.31%, 0.39%

LAB 35.74, 8.44, -28.74

 

CMYK 26 / 20 / 0 / 55

HEX #545B72

RGB 84 91 114

HSL 226, 0.15%, 0.39%

LAB 38.87, 2.92, -13.96

 

CMYK 0 / 0 / 3 / 61

HEX #646461

RGB 100 100 97

HSL 60, 0.02%, 0.39%

LAB 42.29, -0.61, 1.69

 

CMYK 0 / 7 / 31 / 54

HEX #756D51

RGB 117 109 81

HSL 46.67, 0.18%, 0.39%

LAB 46.06, -1.63, 16.8

 

CMYK 64 / 15 / 0 / 43

HEX #347C92

RGB 52 124 146

HSL 194.04, 0.47%, 0.39%

LAB 48.54, -15.3, -18.57

 

CMYK 64 / 32 / 0 / 43

HEX #346392

RGB 52 99 146

HSL 210, 0.47%, 0.39%

LAB 40.78, -0.6, -30.59

 

CMYK 64 / 49 / 0 / 43

HEX #344A92

RGB 52 74 146

HSL 225.96, 0.47%, 0.39%

LAB 33.36, 15.6, -42.39

 

CMYK 62 / 64 / 0 / 43

HEX #373492

RGB 55 52 146

HSL 241.91, 0.47%, 0.39%

LAB 27.69, 30.72, -51.56

 

CMYK 45 / 64 / 0 / 43

HEX #503492

RGB 80 52 146

HSL 257.87, 0.47%, 0.39%

LAB 30, 35.57, -47.7

 

CMYK 65 / 49 / 0 / 67

HEX #1E2B55

RGB 30 43 85

HSL 225.82, 0.48%, 0.23%

LAB 18.63, 9.45, -27.25

 

CMYK 64 / 50 / 0 / 55

HEX #293A73

RGB 41 58 115

HSL 226.22, 0.47%, 0.31%

LAB 25.97, 12.76, -35

 

CMYK 64 / 50 / 0 / 43

HEX #344992

RGB 52 73 146

HSL 226.6, 0.47%, 0.39%

LAB 33.07, 16.27, -42.85

 

CMYK 64 / 49 / 0 / 31

HEX #3F59B0

RGB 63 89 176

HSL 226.19, 0.47%, 0.47%

LAB 40.14, 18.62, -49.43

 

CMYK 56 / 43 / 0 / 24

HEX #566FC2

RGB 86 111 194

HSL 226.11, 0.47%, 0.55%

LAB 48.56, 15.39, -46.36

 

CMYK 64 / 50 / 0 / 43

HEX #344991

RGB 52 73 145

HSL 226.45, 0.47%, 0.39%

LAB 33, 15.9, -42.35

 

CMYK 2 / 64 / 0 / 43

HEX #8F3492

RGB 143 52 146

HSL 298.09, 0.47%, 0.39%

LAB 38.5, 50.85, -33.61

 

CMYK 24 / 0 / 64 / 43

HEX #6F9234

RGB 111 146 52

HSL 82.34, 0.47%, 0.39%

LAB 56.27, -27.32, 44.5

 

CMYK 64 / 50 / 0 / 43

HEX #344991

RGB 52 73 145

HSL 226.45, 0.47%, 0.39%

LAB 33, 15.9, -42.35

 

CMYK 0 / 64 / 49 / 43

HEX #92344A

RGB 146 52 74

HSL 345.96, 0.47%, 0.39%

LAB 36.1, 41.46, 7.95

 

CMYK 49 / 0 / 64 / 43

HEX #4A9234

RGB 74 146 52

HSL 105.96, 0.47%, 0.39%

LAB 54.3, -40.73, 41.78

 

CMYK 64 / 50 / 0 / 43

HEX #344991

RGB 52 73 145

HSL 226.45, 0.47%, 0.39%

LAB 33, 15.9, -42.35

 

CMYK 2 / 64 / 0 / 43

HEX #8F3492

RGB 143 52 146

HSL 298.09, 0.47%, 0.39%

LAB 38.5, 50.85, -33.61

 

CMYK 0 / 15 / 64 / 43

HEX #927C34

RGB 146 124 52

HSL 45.96, 0.47%, 0.39%

LAB 52.7, -0.32, 41.42

 

CMYK 62 / 0 / 64 / 43

HEX #379234

RGB 55 146 52

HSL 118.09, 0.47%, 0.39%

LAB 53.62, -45.99, 40.82

 

CMYK 64 / 50 / 0 / 43

HEX #344991

RGB 52 73 145

HSL 226.45, 0.47%, 0.39%

LAB 33, 15.9, -42.35

 

CMYK 0 / 64 / 17 / 43

HEX #923479

RGB 146 52 121

HSL 315.96, 0.47%, 0.39%

LAB 37.75, 47.44, -19.36

 

CMYK 0 / 15 / 64 / 43

HEX #927C34

RGB 146 124 52

HSL 45.96, 0.47%, 0.39%

LAB 52.7, -0.32, 41.42

 

CMYK 64 / 0 / 47 / 43

HEX #34924D

RGB 52 146 77

HSL 135.96, 0.47%, 0.39%

LAB 53.84, -43.19, 28.56

 

Description

Color code: HEX #344991 | qconv.com Color code: HEX #344991 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 73 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 73 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 50 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 50% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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