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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #343BA1 it is the complementary color #CBC45E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #343BA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #343BA1 shade: #393B9C, #4A4DAF, #5B5FC2, #6C71D5 and #7D83E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #343BA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #343BA1 shade: #343BA1, #23298E, #12177B, #010568 and #000055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #343BA1 shade: #343BA1, #4A34A1, #6834A1, #8534A1 and #A134A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #343BA1 shade: #343BA1 and #3434A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #343BA1 shade matches the following richer shades: #343BA1, #232CB3, #111DC4 and #000ED5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #343BA1 shade: #343BA1, #454A90, #57597F, #68686D and #79775C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #343BA1 shade: #3476A1, #3458A1, #343BA1, #4A34A1 and #6734A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #343BA1 shade: #202463, #2A3082, #343BA1, #3E47C0 and #5D64CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #343BA1 shade: #343BA1, #A13493 and #67A134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #343BA1 shade: #343BA1, #A1343B and #3BA134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #343BA1 shade: #343BA1, #A13493, #A19A34 and #34A143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #343BA1 shade: #343BA1, #A13472, #A19A34 and #34A163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 63 / 0 / 37

HEX #343BA1

RGB 52 59 161

HSL 236.15, 0.51%, 0.42%

LAB 30.48, 31.01, -56.17

 

Complementary color

CMYK 0 / 3 / 54 / 20

HEX #CBC45E

RGB 203 196 94

HSL 56.15, 0.51%, 0.58%

LAB 77.87, -10.93, 51.32

 

CMYK 63 / 62 / 0 / 39

HEX #393B9C

RGB 57 59 156

HSL 238.79, 0.46%, 0.42%

LAB 30.4, 30.02, -53.26

 

CMYK 58 / 56 / 0 / 31

HEX #4A4DAF

RGB 74 77 175

HSL 238.22, 0.41%, 0.49%

LAB 37.59, 28.05, -52.92

 

CMYK 53 / 51 / 0 / 24

HEX #5B5FC2

RGB 91 95 194

HSL 237.67, 0.46%, 0.56%

LAB 44.67, 26.41, -52.58

 

CMYK 49 / 47 / 0 / 16

HEX #6C71D5

RGB 108 113 213

HSL 237.14, 0.56%, 0.63%

LAB 51.61, 25.03, -52.26

 

CMYK 46 / 44 / 0 / 9

HEX #7D83E8

RGB 125 131 232

HSL 236.64, 0.7%, 0.7%

LAB 58.43, 23.86, -51.99

 

CMYK 68 / 63 / 0 / 37

HEX #343BA1

RGB 52 59 161

HSL 236.15, 0.51%, 0.42%

LAB 30.48, 31.01, -56.17

 

CMYK 75 / 71 / 0 / 44

HEX #23298E

RGB 35 41 142

HSL 236.64, 0.6%, 0.35%

LAB 23.33, 33.58, -56.29

 

CMYK 85 / 81 / 0 / 52

HEX #12177B

RGB 18 23 123

HSL 237.14, 0.74%, 0.28%

LAB 16.36, 36.3, -55.85

 

CMYK 99 / 95 / 0 / 59

HEX #010568

RGB 1 5 104

HSL 237.67, 0.98%, 0.21%

LAB 9.91, 38.3, -54.25

 

CMYK 100 / 100 / 0 / 67

HEX #000055

RGB 0 0 85

HSL 240, 1%, 0.17%

LAB 5.92, 34.69, -48.12

 

CMYK 68 / 63 / 0 / 37

HEX #343BA1

RGB 52 59 161

HSL 236.15, 0.51%, 0.42%

LAB 30.48, 31.01, -56.17

 

CMYK 54 / 68 / 0 / 37

HEX #4A34A1

RGB 74 52 161

HSL 252.11, 0.51%, 0.42%

LAB 30.6, 38.92, -55.89

 

CMYK 35 / 68 / 0 / 37

HEX #6834A1

RGB 104 52 161

HSL 268.62, 0.51%, 0.42%

LAB 33.93, 44.84, -50.34

 

CMYK 17 / 68 / 0 / 37

HEX #8534A1

RGB 133 52 161

HSL 284.59, 0.51%, 0.42%

LAB 37.87, 51.34, -43.78

 

CMYK 0 / 68 / 1 / 37

HEX #A134A0

RGB 161 52 160

HSL 300.55, 0.51%, 0.42%

LAB 42.11, 57.78, -36.17

 

CMYK 68 / 63 / 0 / 37

HEX #343BA1

RGB 52 59 161

HSL 236.15, 0.51%, 0.42%

LAB 30.48, 31.01, -56.17

 

CMYK 68 / 68 / 0 / 37

HEX #3434A1

RGB 52 52 161

HSL 240, 0.51%, 0.42%

LAB 28.8, 35.46, -58.92

 

CMYK 68 / 63 / 0 / 37

HEX #343BA1

RGB 52 59 161

HSL 236.15, 0.51%, 0.42%

LAB 30.48, 31.01, -56.17

 

CMYK 80 / 75 / 0 / 30

HEX #232CB3

RGB 35 44 179

HSL 236.25, 0.67%, 0.42%

LAB 27.88, 44.76, -71.28

 

CMYK 91 / 85 / 0 / 23

HEX #111DC4

RGB 17 29 196

HSL 235.98, 0.84%, 0.42%

LAB 26.69, 56.93, -83.36

 

CMYK 100 / 93 / 0 / 16

HEX #000ED5

RGB 0 14 213

HSL 236.06, 1%, 0.42%

LAB 27.07, 66.35, -92.66

 

CMYK 68 / 63 / 0 / 37

HEX #343BA1

RGB 52 59 161

HSL 236.15, 0.51%, 0.42%

LAB 30.48, 31.01, -56.17

 

CMYK 52 / 49 / 0 / 44

HEX #454A90

RGB 69 74 144

HSL 236, 0.35%, 0.42%

LAB 34.35, 18.53, -39.52

 

CMYK 31 / 30 / 0 / 50

HEX #57597F

RGB 87 89 127

HSL 237, 0.19%, 0.42%

LAB 39.08, 8.7, -21.59

 

CMYK 5 / 5 / 0 / 57

HEX #68686D

RGB 104 104 109

HSL 240, 0.02%, 0.42%

LAB 44.16, 1.06, -2.81

 

CMYK 0 / 2 / 24 / 53

HEX #79775C

RGB 121 119 92

HSL 55.86, 0.14%, 0.42%

LAB 49.53, -4.04, 15.17

 

CMYK 68 / 27 / 0 / 37

HEX #3476A1

RGB 52 118 161

HSL 203.67, 0.51%, 0.42%

LAB 47.31, -6.8, -29.26

 

CMYK 68 / 45 / 0 / 37

HEX #3458A1

RGB 52 88 161

HSL 220.18, 0.51%, 0.42%

LAB 38.35, 11.89, -43.44

 

CMYK 68 / 63 / 0 / 37

HEX #343BA1

RGB 52 59 161

HSL 236.15, 0.51%, 0.42%

LAB 30.48, 31.01, -56.17

 

CMYK 54 / 68 / 0 / 37

HEX #4A34A1

RGB 74 52 161

HSL 252.11, 0.51%, 0.42%

LAB 30.6, 38.92, -55.89

 

CMYK 36 / 68 / 0 / 37

HEX #6734A1

RGB 103 52 161

HSL 268.07, 0.51%, 0.42%

LAB 33.8, 44.63, -50.55

 

CMYK 68 / 64 / 0 / 61

HEX #202463

RGB 32 36 99

HSL 236.42, 0.51%, 0.26%

LAB 17.78, 20.4, -37.91

 

CMYK 68 / 63 / 0 / 49

HEX #2A3082

RGB 42 48 130

HSL 235.91, 0.51%, 0.34%

LAB 24.38, 25.49, -47.05

 

CMYK 68 / 63 / 0 / 37

HEX #343BA1

RGB 52 59 161

HSL 236.15, 0.51%, 0.42%

LAB 30.48, 31.01, -56.17

 

CMYK 68 / 63 / 0 / 25

HEX #3E47C0

RGB 62 71 192

HSL 235.85, 0.51%, 0.5%

LAB 36.62, 35.68, -64.54

 

CMYK 54 / 50 / 0 / 21

HEX #5D64CA

RGB 93 100 202

HSL 236.15, 0.51%, 0.58%

LAB 46.59, 26.29, -54.1

 

CMYK 68 / 63 / 0 / 37

HEX #343BA1

RGB 52 59 161

HSL 236.15, 0.51%, 0.42%

LAB 30.48, 31.01, -56.17

 

CMYK 0 / 68 / 9 / 37

HEX #A13493

RGB 161 52 147

HSL 307.71, 0.51%, 0.42%

LAB 41.44, 55.62, -29.4

 

CMYK 36 / 0 / 68 / 37

HEX #67A134

RGB 103 161 52

HSL 91.93, 0.51%, 0.42%

LAB 60.45, -37.37, 48.83

 

CMYK 68 / 63 / 0 / 37

HEX #343BA1

RGB 52 59 161

HSL 236.15, 0.51%, 0.42%

LAB 30.48, 31.01, -56.17

 

CMYK 0 / 68 / 63 / 37

HEX #A1343B

RGB 161 52 59

HSL 356.15, 0.51%, 0.42%

LAB 38.46, 45.38, 21.09

 

CMYK 63 / 0 / 68 / 37

HEX #3BA134

RGB 59 161 52

HSL 116.15, 0.51%, 0.42%

LAB 58.67, -50.62, 46.4

 

CMYK 68 / 63 / 0 / 37

HEX #343BA1

RGB 52 59 161

HSL 236.15, 0.51%, 0.42%

LAB 30.48, 31.01, -56.17

 

CMYK 0 / 68 / 9 / 37

HEX #A13493

RGB 161 52 147

HSL 307.71, 0.51%, 0.42%

LAB 41.44, 55.62, -29.4

 

CMYK 0 / 4 / 68 / 37

HEX #A19A34

RGB 161 154 52

HSL 56.15, 0.51%, 0.42%

LAB 62.45, -9.99, 52.19

 

CMYK 68 / 0 / 58 / 37

HEX #34A143

RGB 52 161 67

HSL 128.26, 0.51%, 0.42%

LAB 58.63, -50.42, 39.5

 

CMYK 68 / 63 / 0 / 37

HEX #343BA1

RGB 52 59 161

HSL 236.15, 0.51%, 0.42%

LAB 30.48, 31.01, -56.17

 

CMYK 0 / 68 / 29 / 37

HEX #A13472

RGB 161 52 114

HSL 325.87, 0.51%, 0.42%

LAB 39.99, 50.81, -11.34

 

CMYK 0 / 4 / 68 / 37

HEX #A19A34

RGB 161 154 52

HSL 56.15, 0.51%, 0.42%

LAB 62.45, -9.99, 52.19

 

CMYK 68 / 0 / 39 / 37

HEX #34A163

RGB 52 161 99

HSL 145.87, 0.51%, 0.42%

LAB 59.09, -45.21, 23.54

 

Description

Color code: HEX #343BA1 | qconv.com Color code: HEX #343BA1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 59 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 59 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 63 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 63% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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