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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3431E6 it is the complementary color #CBCE19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3431E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3431E6 shade: #3931E1, #4A43F4, #5B55FF, #6C67FF and #7D79FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3431E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3431E6 shade: #3431E6, #231FD3, #120DC0, #0100AD and #00009A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3431E6 shade: #3532E5, #6532E5, #9632E5, #C632E5 and #E532D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3431E6 shade: #3532E5 and #3232E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3431E6 shade matches the following richer shades: #3532E5 and #2320F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3431E6 shade: #3532E5, #4745D3, #5957C0, #6B6AAE and #7D7D9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3431E6 shade: #3292E5, #3262E5, #3232E5, #6232E5 and #9232E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3431E6 shade: #1815B0, #1D1AD4, #3532E5, #5957EA and #7E7CEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3431E6 shade: #3431E6, #E532C1 and #7AE532

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3431E6 shade: #3431E6, #E53232 and #32E532

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3431E6 shade: #3431E6, #E532C1, #E5E532 and #32E556

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3431E6 shade: #3431E6, #E5328C, #E5E532 and #32E58C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 79 / 0 / 10

HEX #3431E6

RGB 52 49 230

HSL 240.99, 0.78%, 0.55%

LAB 35.28, 59.55, -88.72

 

Complementary color

CMYK 1 / 0 / 88 / 19

HEX #CBCE19

RGB 203 206 25

HSL 60.99, 0.78%, 0.45%

LAB 80.13, -19.31, 77.24

 

CMYK 75 / 78 / 0 / 12

HEX #3931E1

RGB 57 49 225

HSL 242.73, 0.75%, 0.54%

LAB 35.01, 58.36, -86.31

 

CMYK 70 / 73 / 0 / 4

HEX #4A43F4

RGB 74 67 244

HSL 242.37, 0.89%, 0.61%

LAB 41.22, 56.41, -86.78

 

CMYK 64 / 67 / 0 / 0

HEX #5B55FF

RGB 91 85 255

HSL 242.12, 1%, 0.67%

LAB 46.9, 51.85, -83.56

 

CMYK 58 / 60 / 0 / 0

HEX #6C67FF

RGB 108 103 255

HSL 241.97, 1%, 0.7%

LAB 51.96, 44, -75.24

 

CMYK 51 / 53 / 0 / 0

HEX #7D79FF

RGB 125 121 255

HSL 241.79, 1%, 0.74%

LAB 57.32, 36.6, -66.5

 

CMYK 77 / 79 / 0 / 10

HEX #3431E6

RGB 52 49 230

HSL 240.99, 0.78%, 0.55%

LAB 35.28, 59.55, -88.72

 

CMYK 83 / 85 / 0 / 17

HEX #231FD3

RGB 35 31 211

HSL 241.33, 0.74%, 0.47%

LAB 29.51, 61.04, -87.4

 

CMYK 91 / 93 / 0 / 25

HEX #120DC0

RGB 18 13 192

HSL 241.68, 0.87%, 0.4%

LAB 24.39, 61.21, -84.82

 

CMYK 99 / 100 / 0 / 32

HEX #0100AD

RGB 1 0 173

HSL 240.35, 1%, 0.34%

LAB 20.14, 59.22, -80.6

 

CMYK 100 / 100 / 0 / 40

HEX #00009A

RGB 0 0 154

HSL 240, 1%, 0.3%

LAB 17.15, 54.35, -74.02

 

CMYK 77 / 78 / 0 / 10

HEX #3532E5

RGB 53 50 229

HSL 241.01, 0.77%, 0.55%

LAB 35.39, 58.82, -87.97

 

CMYK 56 / 78 / 0 / 10

HEX #6532E5

RGB 101 50 229

HSL 257.09, 0.77%, 0.55%

LAB 39.08, 63.17, -81.75

 

CMYK 34 / 78 / 0 / 10

HEX #9632E5

RGB 150 50 229

HSL 273.52, 0.77%, 0.55%

LAB 44.83, 69.93, -72.09

 

CMYK 14 / 78 / 0 / 10

HEX #C632E5

RGB 198 50 229

HSL 289.61, 0.77%, 0.55%

LAB 51.77, 78.05, -60.52

 

CMYK 0 / 78 / 7 / 10

HEX #E532D4

RGB 229 50 212

HSL 305.7, 0.77%, 0.55%

LAB 55.78, 81.28, -44.19

 

CMYK 77 / 78 / 0 / 10

HEX #3532E5

RGB 53 50 229

HSL 241.01, 0.77%, 0.55%

LAB 35.39, 58.82, -87.97

 

CMYK 78 / 78 / 0 / 10

HEX #3232E5

RGB 50 50 229

HSL 240, 0.77%, 0.55%

LAB 35.24, 58.64, -88.23

 

CMYK 77 / 78 / 0 / 10

HEX #3532E5

RGB 53 50 229

HSL 241.01, 0.77%, 0.55%

LAB 35.39, 58.82, -87.97

 

CMYK 86 / 87 / 0 / 3

HEX #2320F8

RGB 35 32 248

HSL 240.83, 0.94%, 0.55%

LAB 34.33, 71, -100.52

 

CMYK 77 / 78 / 0 / 10

HEX #3532E5

RGB 53 50 229

HSL 241.01, 0.77%, 0.55%

LAB 35.39, 58.82, -87.97

 

CMYK 66 / 67 / 0 / 17

HEX #4745D3

RGB 71 69 211

HSL 240.85, 0.62%, 0.55%

LAB 38.37, 44.47, -72.69

 

CMYK 54 / 55 / 0 / 25

HEX #5957C0

RGB 89 87 192

HSL 241.14, 0.45%, 0.55%

LAB 42.38, 30.32, -55.11

 

CMYK 39 / 39 / 0 / 32

HEX #6B6AAE

RGB 107 106 174

HSL 240.88, 0.3%, 0.55%

LAB 47.61, 17.44, -36.18

 

CMYK 19 / 19 / 0 / 39

HEX #7D7D9B

RGB 125 125 155

HSL 240, 0.13%, 0.55%

LAB 53.38, 6.59, -16.06

 

CMYK 78 / 36 / 0 / 10

HEX #3292E5

RGB 50 146 229

HSL 207.82, 0.77%, 0.55%

LAB 58.88, 0.74, -49.83

 

CMYK 78 / 57 / 0 / 10

HEX #3262E5

RGB 50 98 229

HSL 223.91, 0.77%, 0.55%

LAB 45.73, 30.45, -70.97

 

CMYK 78 / 78 / 0 / 10

HEX #3232E5

RGB 50 50 229

HSL 240, 0.77%, 0.55%

LAB 35.24, 58.64, -88.23

 

CMYK 57 / 78 / 0 / 10

HEX #6232E5

RGB 98 50 229

HSL 256.09, 0.77%, 0.55%

LAB 38.79, 62.83, -82.24

 

CMYK 36 / 78 / 0 / 10

HEX #9232E5

RGB 146 50 229

HSL 272.18, 0.77%, 0.55%

LAB 44.3, 69.31, -72.98

 

CMYK 86 / 88 / 0 / 31

HEX #1815B0

RGB 24 21 176

HSL 241.16, 0.79%, 0.39%

LAB 23.22, 54.38, -77.24

 

CMYK 86 / 88 / 0 / 17

HEX #1D1AD4

RGB 29 26 212

HSL 240.97, 0.78%, 0.47%

LAB 28.78, 62.99, -89.2

 

CMYK 77 / 78 / 0 / 10

HEX #3532E5

RGB 53 50 229

HSL 241.01, 0.77%, 0.55%

LAB 35.39, 58.82, -87.97

 

CMYK 62 / 63 / 0 / 8

HEX #5957EA

RGB 89 87 234

HSL 240.82, 0.78%, 0.63%

LAB 45.47, 43.79, -74.14

 

CMYK 47 / 48 / 0 / 7

HEX #7E7CEE

RGB 126 124 238

HSL 241.05, 0.77%, 0.71%

LAB 57.1, 30, -57.45

 

CMYK 77 / 79 / 0 / 10

HEX #3431E6

RGB 52 49 230

HSL 240.99, 0.78%, 0.55%

LAB 35.28, 59.55, -88.72

 

CMYK 0 / 78 / 16 / 10

HEX #E532C1

RGB 229 50 193

HSL 312.07, 0.77%, 0.55%

LAB 54.85, 78.66, -34.75

 

CMYK 47 / 0 / 78 / 10

HEX #7AE532

RGB 122 229 50

HSL 95.87, 0.77%, 0.55%

LAB 82.06, -58.83, 71.23

 

CMYK 77 / 79 / 0 / 10

HEX #3431E6

RGB 52 49 230

HSL 240.99, 0.78%, 0.55%

LAB 35.28, 59.55, -88.72

 

CMYK 0 / 78 / 78 / 10

HEX #E53232

RGB 229 50 50

HSL 0, 0.77%, 0.55%

LAB 50.88, 66.74, 44.06

 

CMYK 78 / 0 / 78 / 10

HEX #32E532

RGB 50 229 50

HSL 120, 0.77%, 0.55%

LAB 80.15, -74.35, 68.75

 

CMYK 77 / 79 / 0 / 10

HEX #3431E6

RGB 52 49 230

HSL 240.99, 0.78%, 0.55%

LAB 35.28, 59.55, -88.72

 

CMYK 0 / 78 / 16 / 10

HEX #E532C1

RGB 229 50 193

HSL 312.07, 0.77%, 0.55%

LAB 54.85, 78.66, -34.75

 

CMYK 0 / 0 / 78 / 10

HEX #E5E532

RGB 229 229 50

HSL 60, 0.77%, 0.55%

LAB 88.41, -18.98, 79.36

 

CMYK 78 / 0 / 62 / 10

HEX #32E556

RGB 50 229 86

HSL 132.07, 0.77%, 0.55%

LAB 80.4, -71.28, 55.94

 

CMYK 77 / 79 / 0 / 10

HEX #3431E6

RGB 52 49 230

HSL 240.99, 0.78%, 0.55%

LAB 35.28, 59.55, -88.72

 

CMYK 0 / 78 / 39 / 10

HEX #E5328C

RGB 229 50 140

HSL 329.83, 0.77%, 0.55%

LAB 52.77, 72.54, -6.81

 

CMYK 0 / 0 / 78 / 10

HEX #E5E532

RGB 229 229 50

HSL 60, 0.77%, 0.55%

LAB 88.41, -18.98, 79.36

 

CMYK 78 / 0 / 39 / 10

HEX #32E58C

RGB 50 229 140

HSL 150.17, 0.77%, 0.55%

LAB 81.08, -63.26, 31.25

 

Description

Color code: HEX #3431E6 | qconv.com Color code: HEX #3431E6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 49 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 49 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 79 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 79% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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