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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #342B35 it is the complementary color #CBD4CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #342B35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #342B35 shade: #392B30, #4A3D43, #5B4F56, #6C6169 and #7D737C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #342B35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #342B35 shade: #342B35, #231922, #12070F and #010000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #342B35 shade: #342B35, #352B33, #352B31, #352B2E and #352B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #342B35 shade: #342B35, #312B35, #2F2B35, #2C2B35 and #2B2B35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #342B35 shade matches the following richer shades: #342B35, #3A233D, #401B44, #47144C and #4D0C54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #342B35 shade: #342B35, #2E332D, #273B25, #21431D and #1B4A15

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #342B35 shade: #2F2B35, #312B35, #342B35, #352B33 and #352B31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #342B35 shade: #070607, #1E191E, #342B35, #4A3E4B and #605062

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #342B35 shade: #342B35, #352C2B and #2B3530

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #342B35 shade: #342B35, #35342B and #2B3534

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #342B35 shade: #342B35, #352C2B, #2C352B and #2B3435

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #342B35 shade: #342B35, #352F2B, #2C352B and #2B3135

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 19 / 0 / 79

HEX #342B35

RGB 52 43 53

HSL 294, 0.1%, 0.19%

LAB 18.86, 6.37, -4.89

 

Complementary color

CMYK 4 / 0 / 5 / 17

HEX #CBD4CA

RGB 203 212 202

HSL 114, 0.1%, 0.81%

LAB 83.99, -4.88, 3.88

 

CMYK 0 / 25 / 16 / 78

HEX #392B30

RGB 57 43 48

HSL 338.57, 0.14%, 0.2%

LAB 19.27, 7.46, -0.76

 

CMYK 0 / 18 / 9 / 71

HEX #4A3D43

RGB 74 61 67

HSL 332.31, 0.1%, 0.26%

LAB 27.29, 6.86, -1.56

 

CMYK 0 / 13 / 5 / 64

HEX #5B4F56

RGB 91 79 86

HSL 325, 0.07%, 0.33%

LAB 34.98, 6.37, -2.28

 

CMYK 0 / 10 / 3 / 58

HEX #6C6169

RGB 108 97 105

HSL 316.36, 0.05%, 0.4%

LAB 42.4, 5.97, -2.94

 

CMYK 0 / 8 / 1 / 51

HEX #7D737C

RGB 125 115 124

HSL 306, 0.04%, 0.47%

LAB 49.59, 5.62, -3.55

 

CMYK 2 / 19 / 0 / 79

HEX #342B35

RGB 52 43 53

HSL 294, 0.1%, 0.19%

LAB 18.86, 6.37, -4.89

 

CMYK 0 / 29 / 3 / 86

HEX #231922

RGB 35 25 34

HSL 306, 0.17%, 0.12%

LAB 10.32, 7.02, -4.3

 

CMYK 0 / 61 / 17 / 93

HEX #12070F

RGB 18 7 15

HSL 316.36, 0.44%, 0.05%

LAB 2.85, 4.6, -2.12

 

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 2 / 19 / 0 / 79

HEX #342B35

RGB 52 43 53

HSL 294, 0.1%, 0.19%

LAB 18.86, 6.37, -4.89

 

CMYK 0 / 19 / 4 / 79

HEX #352B33

RGB 53 43 51

HSL 312, 0.1%, 0.19%

LAB 18.9, 6.33, -3.44

 

CMYK 0 / 19 / 8 / 79

HEX #352B31

RGB 53 43 49

HSL 324, 0.1%, 0.19%

LAB 18.83, 5.88, -2.16

 

CMYK 0 / 19 / 13 / 79

HEX #352B2E

RGB 53 43 46

HSL 342, 0.1%, 0.19%

LAB 18.72, 5.22, -0.23

 

CMYK 0 / 19 / 19 / 79

HEX #352B2B

RGB 53 43 43

HSL 0, 0.1%, 0.19%

LAB 18.62, 4.6, 1.71

 

CMYK 2 / 19 / 0 / 79

HEX #342B35

RGB 52 43 53

HSL 294, 0.1%, 0.19%

LAB 18.86, 6.37, -4.89

 

CMYK 8 / 19 / 0 / 79

HEX #312B35

RGB 49 43 53

HSL 276, 0.1%, 0.19%

LAB 18.53, 5.09, -5.43

 

CMYK 11 / 19 / 0 / 79

HEX #2F2B35

RGB 47 43 53

HSL 264, 0.1%, 0.19%

LAB 18.32, 4.24, -5.77

 

CMYK 17 / 19 / 0 / 79

HEX #2C2B35

RGB 44 43 53

HSL 246, 0.1%, 0.19%

LAB 18.01, 2.99, -6.26

 

CMYK 19 / 19 / 0 / 79

HEX #2B2B35

RGB 43 43 53

HSL 240, 0.1%, 0.19%

LAB 17.91, 2.58, -6.42

 

CMYK 2 / 19 / 0 / 79

HEX #342B35

RGB 52 43 53

HSL 294, 0.1%, 0.19%

LAB 18.86, 6.37, -4.89

 

CMYK 5 / 43 / 0 / 76

HEX #3A233D

RGB 58 35 61

HSL 293.08, 0.27%, 0.19%

LAB 17.64, 16.26, -12.25

 

CMYK 6 / 60 / 0 / 73

HEX #401B44

RGB 64 27 68

HSL 294.15, 0.43%, 0.19%

LAB 16.95, 25.12, -18.12

 

CMYK 7 / 74 / 0 / 70

HEX #47144C

RGB 71 20 76

HSL 294.64, 0.58%, 0.19%

LAB 17.28, 32.66, -23.02

 

CMYK 8 / 86 / 0 / 67

HEX #4D0C54

RGB 77 12 84

HSL 294.17, 0.75%, 0.19%

LAB 17.83, 38.89, -27.53

 

CMYK 2 / 19 / 0 / 79

HEX #342B35

RGB 52 43 53

HSL 294, 0.1%, 0.19%

LAB 18.86, 6.37, -4.89

 

CMYK 10 / 0 / 12 / 80

HEX #2E332D

RGB 46 51 45

HSL 110, 0.06%, 0.19%

LAB 20.59, -3.58, 3.07

 

CMYK 34 / 0 / 37 / 77

HEX #273B25

RGB 39 59 37

HSL 114.55, 0.23%, 0.19%

LAB 22.63, -13.29, 11.16

 

CMYK 51 / 0 / 57 / 74

HEX #21431D

RGB 33 67 29

HSL 113.68, 0.4%, 0.19%

LAB 25.03, -21.42, 19.18

 

CMYK 64 / 0 / 72 / 71

HEX #1B4A15

RGB 27 74 21

HSL 113.21, 0.56%, 0.19%

LAB 27.25, -27.8, 26.1

 

CMYK 11 / 19 / 0 / 79

HEX #2F2B35

RGB 47 43 53

HSL 264, 0.1%, 0.19%

LAB 18.32, 4.24, -5.77

 

CMYK 8 / 19 / 0 / 79

HEX #312B35

RGB 49 43 53

HSL 276, 0.1%, 0.19%

LAB 18.53, 5.09, -5.43

 

CMYK 2 / 19 / 0 / 79

HEX #342B35

RGB 52 43 53

HSL 294, 0.1%, 0.19%

LAB 18.86, 6.37, -4.89

 

CMYK 0 / 19 / 4 / 79

HEX #352B33

RGB 53 43 51

HSL 312, 0.1%, 0.19%

LAB 18.9, 6.33, -3.44

 

CMYK 0 / 19 / 8 / 79

HEX #352B31

RGB 53 43 49

HSL 324, 0.1%, 0.19%

LAB 18.83, 5.88, -2.16

 

CMYK 0 / 14 / 0 / 97

HEX #070607

RGB 7 6 7

HSL 300, 0.08%, 0.03%

LAB 1.72, 0.4, -0.29

 

CMYK 0 / 17 / 0 / 88

HEX #1E191E

RGB 30 25 30

HSL 300, 0.09%, 0.11%

LAB 9.52, 3.68, -2.57

 

CMYK 2 / 19 / 0 / 79

HEX #342B35

RGB 52 43 53

HSL 294, 0.1%, 0.19%

LAB 18.86, 6.37, -4.89

 

CMYK 1 / 17 / 0 / 71

HEX #4A3E4B

RGB 74 62 75

HSL 295.38, 0.09%, 0.27%

LAB 27.87, 7.94, -5.96

 

CMYK 2 / 18 / 0 / 62

HEX #605062

RGB 96 80 98

HSL 293.33, 0.1%, 0.35%

LAB 36.19, 10.28, -7.97

 

CMYK 2 / 19 / 0 / 79

HEX #342B35

RGB 52 43 53

HSL 294, 0.1%, 0.19%

LAB 18.86, 6.37, -4.89

 

CMYK 0 / 17 / 19 / 79

HEX #352C2B

RGB 53 44 43

HSL 6, 0.1%, 0.19%

LAB 18.94, 3.91, 2.17

 

CMYK 19 / 0 / 9 / 79

HEX #2B3530

RGB 43 53 48

HSL 150, 0.1%, 0.19%

LAB 21.11, -5.47, 1.74

 

CMYK 2 / 19 / 0 / 79

HEX #342B35

RGB 52 43 53

HSL 294, 0.1%, 0.19%

LAB 18.86, 6.37, -4.89

 

CMYK 0 / 2 / 19 / 79

HEX #35342B

RGB 53 52 43

HSL 54, 0.1%, 0.19%

LAB 21.53, -1.48, 5.86

 

CMYK 19 / 0 / 2 / 79

HEX #2B3534

RGB 43 53 52

HSL 174, 0.1%, 0.19%

LAB 21.24, -4.46, -0.78

 

CMYK 2 / 19 / 0 / 79

HEX #342B35

RGB 52 43 53

HSL 294, 0.1%, 0.19%

LAB 18.86, 6.37, -4.89

 

CMYK 0 / 17 / 19 / 79

HEX #352C2B

RGB 53 44 43

HSL 6, 0.1%, 0.19%

LAB 18.94, 3.91, 2.17

 

CMYK 17 / 0 / 19 / 79

HEX #2C352B

RGB 44 53 43

HSL 114, 0.1%, 0.19%

LAB 21.04, -6.2, 5.05

 

CMYK 19 / 2 / 0 / 79

HEX #2B3435

RGB 43 52 53

HSL 186, 0.1%, 0.19%

LAB 20.93, -3.54, -1.91

 

CMYK 2 / 19 / 0 / 79

HEX #342B35

RGB 52 43 53

HSL 294, 0.1%, 0.19%

LAB 18.86, 6.37, -4.89

 

CMYK 0 / 11 / 19 / 79

HEX #352F2B

RGB 53 47 43

HSL 24, 0.1%, 0.19%

LAB 19.9, 1.87, 3.55

 

CMYK 17 / 0 / 19 / 79

HEX #2C352B

RGB 44 53 43

HSL 114, 0.1%, 0.19%

LAB 21.04, -6.2, 5.05

 

CMYK 19 / 8 / 0 / 79

HEX #2B3135

RGB 43 49 53

HSL 204, 0.1%, 0.19%

LAB 19.91, -1.54, -3.42

 

Description

Color code: HEX #342B35 | qconv.com Color code: HEX #342B35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 43 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 43 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 19 magenta, none yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 19% 0% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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