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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3413EB it is the complementary color #CBEC14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3413EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3413EB shade: #3913E6, #4A25F9, #5B37FF, #6C49FF and #7D5BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3413EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3413EB shade: #3413EB, #2301D8, #1200C5, #0100B2 and #00009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3413EB shade: #3413EB, #6E13EB, #A913EB, #E313EB and #EB13B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3413EB shade: #3413EB and #1313EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3413EB shade matches the following richer shades: #3413EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3413EB shade: #3413EB, #4227D7, #503CC2, #5F51AD and #6D6599

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3413EB shade: #1366EB, #132CEB, #3313EB, #6D13EB and #A713EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3413EB shade: #230C9F, #2B10C5, #3413EB, #5539EE and #755FF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3413EB shade: #3413EB, #EB13A0 and #49EB13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3413EB shade: #3413EB, #EB3313 and #13EB33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3413EB shade: #3413EB, #EB13A0, #CBEB13 and #13EB5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3413EB shade: #3413EB, #EB135E, #CBEB13 and #13EBA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 92 / 0 / 8

HEX #3413EB

RGB 52 19 235

HSL 249.17, 0.85%, 0.5%

LAB 32.24, 71.78, -96.62

 

Complementary color

CMYK 14 / 0 / 92 / 7

HEX #CBEC14

RGB 203 236 20

HSL 69.17, 0.85%, 0.5%

LAB 88.32, -33.64, 84.47

 

CMYK 75 / 92 / 0 / 10

HEX #3913E6

RGB 57 19 230

HSL 250.81, 0.85%, 0.49%

LAB 31.92, 70.7, -94.3

 

CMYK 70 / 85 / 0 / 2

HEX #4A25F9

RGB 74 37 249

HSL 250.47, 0.95%, 0.56%

LAB 37.15, 71.17, -96.33

 

CMYK 64 / 78 / 0 / 0

HEX #5B37FF

RGB 91 55 255

HSL 250.8, 1%, 0.61%

LAB 41.5, 67.02, -92.45

 

CMYK 58 / 71 / 0 / 0

HEX #6C49FF

RGB 108 73 255

HSL 251.54, 1%, 0.64%

LAB 45.87, 60.44, -85.19

 

CMYK 51 / 64 / 0 / 0

HEX #7D5BFF

RGB 125 91 255

HSL 252.44, 1%, 0.68%

LAB 50.76, 53.61, -77.14

 

CMYK 78 / 92 / 0 / 8

HEX #3413EB

RGB 52 19 235

HSL 249.17, 0.85%, 0.5%

LAB 32.24, 71.78, -96.62

 

CMYK 84 / 100 / 0 / 15

HEX #2301D8

RGB 35 1 216

HSL 249.49, 0.99%, 0.43%

LAB 27.67, 70.02, -93.37

 

CMYK 91 / 100 / 0 / 23

HEX #1200C5

RGB 18 0 197

HSL 245.48, 1%, 0.39%

LAB 24.19, 65.35, -88.11

 

CMYK 99 / 100 / 0 / 30

HEX #0100B2

RGB 1 0 178

HSL 240.34, 1%, 0.35%

LAB 20.91, 60.48, -82.32

 

CMYK 100 / 100 / 0 / 38

HEX #00009F

RGB 0 0 159

HSL 240, 1%, 0.31%

LAB 17.93, 55.64, -75.78

 

CMYK 78 / 92 / 0 / 8

HEX #3413EB

RGB 52 19 235

HSL 249.17, 0.85%, 0.5%

LAB 32.24, 71.78, -96.62

 

CMYK 53 / 92 / 0 / 8

HEX #6E13EB

RGB 110 19 235

HSL 265.28, 0.85%, 0.5%

LAB 37.44, 75.04, -87.83

 

CMYK 28 / 92 / 0 / 8

HEX #A913EB

RGB 169 19 235

HSL 281.67, 0.85%, 0.5%

LAB 45.5, 81.28, -74.3

 

CMYK 3 / 92 / 0 / 8

HEX #E313EB

RGB 227 19 235

HSL 297.78, 0.85%, 0.5%

LAB 54.86, 89.69, -58.69

 

CMYK 0 / 92 / 21 / 8

HEX #EB13B9

RGB 235 19 185

HSL 313.89, 0.85%, 0.5%

LAB 53.63, 84.44, -31.94

 

CMYK 78 / 92 / 0 / 8

HEX #3413EB

RGB 52 19 235

HSL 249.17, 0.85%, 0.5%

LAB 32.24, 71.78, -96.62

 

CMYK 92 / 92 / 0 / 8

HEX #1313EB

RGB 19 19 235

HSL 240, 0.85%, 0.5%

LAB 30.88, 71.07, -98.92

 

CMYK 78 / 92 / 0 / 8

HEX #3413EB

RGB 52 19 235

HSL 249.17, 0.85%, 0.5%

LAB 32.24, 71.78, -96.62

 

CMYK 78 / 92 / 0 / 8

HEX #3413EB

RGB 52 19 235

HSL 249.17, 0.85%, 0.5%

LAB 32.24, 71.78, -96.62

 

CMYK 69 / 82 / 0 / 16

HEX #4227D7

RGB 66 39 215

HSL 249.2, 0.69%, 0.5%

LAB 32.95, 60.62, -83.95

 

CMYK 59 / 69 / 0 / 24

HEX #503CC2

RGB 80 60 194

HSL 248.96, 0.53%, 0.5%

LAB 35.66, 45.49, -67.23

 

CMYK 45 / 53 / 0 / 32

HEX #5F51AD

RGB 95 81 173

HSL 249.13, 0.36%, 0.5%

LAB 40.14, 29.45, -47.54

 

CMYK 29 / 34 / 0 / 40

HEX #6D6599

RGB 109 101 153

HSL 249.23, 0.2%, 0.5%

LAB 45.44, 15.28, -27.21

 

CMYK 92 / 57 / 0 / 8

HEX #1366EB

RGB 19 102 235

HSL 216.94, 0.85%, 0.5%

LAB 46.5, 28.08, -73.14

 

CMYK 92 / 81 / 0 / 8

HEX #132CEB

RGB 19 44 235

HSL 233.06, 0.85%, 0.5%

LAB 33.85, 62.14, -93.97

 

CMYK 78 / 92 / 0 / 8

HEX #3313EB

RGB 51 19 235

HSL 248.89, 0.85%, 0.5%

LAB 32.19, 71.75, -96.72

 

CMYK 54 / 92 / 0 / 8

HEX #6D13EB

RGB 109 19 235

HSL 265, 0.85%, 0.5%

LAB 37.33, 74.96, -88.03

 

CMYK 29 / 92 / 0 / 8

HEX #A713EB

RGB 167 19 235

HSL 281.11, 0.85%, 0.5%

LAB 45.19, 81.02, -74.81

 

CMYK 78 / 92 / 0 / 38

HEX #230C9F

RGB 35 12 159

HSL 249.39, 0.86%, 0.34%

LAB 20.53, 52.94, -71.4

 

CMYK 78 / 92 / 0 / 23

HEX #2B10C5

RGB 43 16 197

HSL 248.95, 0.85%, 0.42%

LAB 26.49, 62.41, -84.24

 

CMYK 78 / 92 / 0 / 8

HEX #3413EB

RGB 52 19 235

HSL 249.17, 0.85%, 0.5%

LAB 32.24, 71.78, -96.62

 

CMYK 64 / 76 / 0 / 7

HEX #5539EE

RGB 85 57 238

HSL 249.28, 0.84%, 0.58%

LAB 39.63, 60.75, -85.99

 

CMYK 52 / 61 / 0 / 5

HEX #755FF2

RGB 117 95 242

HSL 248.98, 0.85%, 0.66%

LAB 49.95, 46.25, -71.24

 

CMYK 78 / 92 / 0 / 8

HEX #3413EB

RGB 52 19 235

HSL 249.17, 0.85%, 0.5%

LAB 32.24, 71.78, -96.62

 

CMYK 0 / 92 / 32 / 8

HEX #EB13A0

RGB 235 19 160

HSL 320.83, 0.85%, 0.5%

LAB 52.58, 81.68, -18.88

 

CMYK 69 / 0 / 92 / 8

HEX #49EB13

RGB 73 235 19

HSL 105, 0.85%, 0.5%

LAB 82.31, -73.87, 77.36

 

CMYK 78 / 92 / 0 / 8

HEX #3413EB

RGB 52 19 235

HSL 249.17, 0.85%, 0.5%

LAB 32.24, 71.78, -96.62

 

CMYK 0 / 78 / 92 / 8

HEX #EB3313

RGB 235 51 19

HSL 8.89, 0.85%, 0.5%

LAB 51.92, 67.52, 59.39

 

CMYK 92 / 0 / 78 / 8

HEX #13EB33

RGB 19 235 51

HSL 128.89, 0.85%, 0.5%

LAB 81.73, -78.64, 69.85

 

CMYK 78 / 92 / 0 / 8

HEX #3413EB

RGB 52 19 235

HSL 249.17, 0.85%, 0.5%

LAB 32.24, 71.78, -96.62

 

CMYK 0 / 92 / 32 / 8

HEX #EB13A0

RGB 235 19 160

HSL 320.83, 0.85%, 0.5%

LAB 52.58, 81.68, -18.88

 

CMYK 14 / 0 / 92 / 8

HEX #CBEB13

RGB 203 235 19

HSL 68.89, 0.85%, 0.5%

LAB 88.05, -33.2, 84.38

 

CMYK 92 / 0 / 60 / 8

HEX #13EB5E

RGB 19 235 94

HSL 140.83, 0.85%, 0.5%

LAB 82.04, -74.74, 54.3

 

CMYK 78 / 92 / 0 / 8

HEX #3413EB

RGB 52 19 235

HSL 249.17, 0.85%, 0.5%

LAB 32.24, 71.78, -96.62

 

CMYK 0 / 92 / 60 / 8

HEX #EB135E

RGB 235 19 94

HSL 339.17, 0.85%, 0.5%

LAB 50.61, 76.36, 18.11

 

CMYK 14 / 0 / 92 / 8

HEX #CBEB13

RGB 203 235 19

HSL 68.89, 0.85%, 0.5%

LAB 88.05, -33.2, 84.38

 

CMYK 92 / 0 / 32 / 8

HEX #13EBA0

RGB 19 235 160

HSL 159.17, 0.85%, 0.5%

LAB 82.96, -63.73, 23.52

 

Description

Color code: HEX #3413EB | qconv.com Color code: HEX #3413EB | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 19 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 19 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 92 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 92% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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