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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34163F it is the complementary color #CBE9C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34163F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34163F shade: #39163A, #4A284D, #5B3A60, #6C4C73 and #7D5E86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34163F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34163F shade: #34163F, #23042C, #120019 and #010006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34163F shade: #341640, #401640, #401634, #401629 and #40161E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34163F shade: #341640, #291640, #1E1640 and #161640

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34163F shade matches the following richer shades: #341640, #380F47, #3B084E and #3E0155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34163F shade: #341640, #311D39, #2E2432, #2B2B2B and #273224

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34163F shade: #1E1640, #291640, #341640, #3F1640 and #401635

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34163F shade: #020103, #1B0B21, #341640, #4E215E and #672B7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34163F shade: #34163F, #40161A and #164023

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34163F shade: #34163F, #403416 and #164034

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34163F shade: #34163F, #40161A, #224016 and #16403C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34163F shade: #34163F, #401F16, #224016 and #163740

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 65 / 0 / 75

HEX #34163F

RGB 52 22 63

HSL 283.9, 0.48%, 0.17%

LAB 13.61, 23.04, -20.03

 

Complementary color

CMYK 13 / 0 / 18 / 9

HEX #CBE9C0

RGB 203 233 192

HSL 103.9, 0.48%, 0.83%

LAB 89.29, -17.24, 16.69

 

CMYK 2 / 62 / 0 / 77

HEX #39163A

RGB 57 22 58

HSL 298.33, 0.45%, 0.16%

LAB 14.11, 23.48, -15.64

 

CMYK 4 / 48 / 0 / 70

HEX #4A284D

RGB 74 40 77

HSL 295.14, 0.32%, 0.23%

LAB 21.98, 22.68, -16.28

 

CMYK 5 / 40 / 0 / 62

HEX #5B3A60

RGB 91 58 96

HSL 292.11, 0.25%, 0.3%

LAB 29.65, 21.79, -16.71

 

CMYK 6 / 34 / 0 / 55

HEX #6C4C73

RGB 108 76 115

HSL 289.23, 0.2%, 0.37%

LAB 37.11, 20.97, -17.07

 

CMYK 7 / 30 / 0 / 47

HEX #7D5E86

RGB 125 94 134

HSL 286.5, 0.18%, 0.45%

LAB 44.36, 20.24, -17.4

 

CMYK 17 / 65 / 0 / 75

HEX #34163F

RGB 52 22 63

HSL 283.9, 0.48%, 0.17%

LAB 13.61, 23.04, -20.03

 

CMYK 20 / 91 / 0 / 83

HEX #23042C

RGB 35 4 44

HSL 286.5, 0.83%, 0.09%

LAB 5.65, 22.8, -19.06

 

CMYK 28 / 100 / 0 / 90

HEX #120019

RGB 18 0 25

HSL 283.2, 1%, 0.05%

LAB 1.8, 9.67, -10.29

 

CMYK 83 / 100 / 0 / 98

HEX #010006

RGB 1 0 6

HSL 250, 1%, 0.01%

LAB 0.18, 1.1, -2.18

 

CMYK 19 / 66 / 0 / 75

HEX #341640

RGB 52 22 64

HSL 282.86, 0.49%, 0.17%

LAB 13.67, 23.3, -20.62

 

CMYK 0 / 66 / 0 / 75

HEX #401640

RGB 64 22 64

HSL 300, 0.49%, 0.17%

LAB 15.66, 27.07, -17.35

 

CMYK 0 / 66 / 19 / 75

HEX #401634

RGB 64 22 52

HSL 317.14, 0.49%, 0.17%

LAB 15.02, 24.69, -9.86

 

CMYK 0 / 66 / 36 / 75

HEX #401629

RGB 64 22 41

HSL 332.86, 0.49%, 0.17%

LAB 14.53, 22.84, -2.66

 

CMYK 0 / 66 / 53 / 75

HEX #40161E

RGB 64 22 30

HSL 348.57, 0.49%, 0.17%

LAB 14.16, 21.34, 4.83

 

CMYK 19 / 66 / 0 / 75

HEX #341640

RGB 52 22 64

HSL 282.86, 0.49%, 0.17%

LAB 13.67, 23.3, -20.62

 

CMYK 36 / 66 / 0 / 75

HEX #291640

RGB 41 22 64

HSL 267.14, 0.49%, 0.17%

LAB 12.06, 19.95, -23.3

 

CMYK 53 / 66 / 0 / 75

HEX #1E1640

RGB 30 22 64

HSL 251.43, 0.49%, 0.17%

LAB 10.7, 16.87, -25.55

 

CMYK 66 / 66 / 0 / 75

HEX #161640

RGB 22 22 64

HSL 240, 0.49%, 0.17%

LAB 9.91, 14.92, -26.87

 

CMYK 19 / 66 / 0 / 75

HEX #341640

RGB 52 22 64

HSL 282.86, 0.49%, 0.17%

LAB 13.67, 23.3, -20.62

 

CMYK 21 / 79 / 0 / 72

HEX #380F47

RGB 56 15 71

HSL 283.93, 0.65%, 0.17%

LAB 13.46, 29.97, -25.84

 

CMYK 24 / 90 / 0 / 69

HEX #3B084E

RGB 59 8 78

HSL 283.71, 0.81%, 0.17%

LAB 13.55, 35.17, -30.5

 

CMYK 27 / 99 / 0 / 67

HEX #3E0155

RGB 62 1 85

HSL 283.57, 0.98%, 0.17%

LAB 13.84, 39.88, -34.8

 

CMYK 19 / 66 / 0 / 75

HEX #341640

RGB 52 22 64

HSL 282.86, 0.49%, 0.17%

LAB 13.67, 23.3, -20.62

 

CMYK 14 / 49 / 0 / 78

HEX #311D39

RGB 49 29 57

HSL 282.86, 0.33%, 0.17%

LAB 14.55, 15.9, -14.33

 

CMYK 8 / 28 / 0 / 80

HEX #2E2432

RGB 46 36 50

HSL 282.86, 0.16%, 0.17%

LAB 15.87, 7.97, -7.38

 

CMYK 0 / 0 / 0 / 83

HEX #2B2B2B

RGB 43 43 43

HSL 0, 0%, 0.17%

LAB 17.53, 0, -0

 

CMYK 22 / 0 / 28 / 80

HEX #273224

RGB 39 50 36

HSL 107.14, 0.16%, 0.17%

LAB 19.39, -8.02, 7.42

 

CMYK 53 / 66 / 0 / 75

HEX #1E1640

RGB 30 22 64

HSL 251.43, 0.49%, 0.17%

LAB 10.7, 16.87, -25.55

 

CMYK 36 / 66 / 0 / 75

HEX #291640

RGB 41 22 64

HSL 267.14, 0.49%, 0.17%

LAB 12.06, 19.95, -23.3

 

CMYK 19 / 66 / 0 / 75

HEX #341640

RGB 52 22 64

HSL 282.86, 0.49%, 0.17%

LAB 13.67, 23.3, -20.62

 

CMYK 2 / 66 / 0 / 75

HEX #3F1640

RGB 63 22 64

HSL 298.57, 0.49%, 0.17%

LAB 15.49, 26.75, -17.63

 

CMYK 0 / 66 / 17 / 75

HEX #401635

RGB 64 22 53

HSL 315.71, 0.49%, 0.17%

LAB 15.07, 24.87, -10.5

 

CMYK 33 / 67 / 0 / 99

HEX #020103

RGB 2 1 3

HSL 270, 0.5%, 0.01%

LAB 0.37, 0.54, -0.67

 

CMYK 18 / 67 / 0 / 87

HEX #1B0B21

RGB 27 11 33

HSL 283.64, 0.5%, 0.09%

LAB 5.26, 12, -11.36

 

CMYK 19 / 66 / 0 / 75

HEX #341640

RGB 52 22 64

HSL 282.86, 0.49%, 0.17%

LAB 13.67, 23.3, -20.62

 

CMYK 17 / 65 / 0 / 63

HEX #4E215E

RGB 78 33 94

HSL 284.26, 0.48%, 0.25%

LAB 22, 31.99, -27.54

 

CMYK 18 / 66 / 0 / 51

HEX #672B7D

RGB 103 43 125

HSL 283.9, 0.49%, 0.33%

LAB 29.64, 40.55, -35.07

 

CMYK 17 / 65 / 0 / 75

HEX #34163F

RGB 52 22 63

HSL 283.9, 0.48%, 0.17%

LAB 13.61, 23.04, -20.03

 

CMYK 0 / 66 / 59 / 75

HEX #40161A

RGB 64 22 26

HSL 354.29, 0.49%, 0.17%

LAB 14.05, 20.89, 7.6

 

CMYK 66 / 0 / 45 / 75

HEX #164023

RGB 22 64 35

HSL 138.57, 0.49%, 0.17%

LAB 23.53, -22.35, 13.49

 

CMYK 17 / 65 / 0 / 75

HEX #34163F

RGB 52 22 63

HSL 283.9, 0.48%, 0.17%

LAB 13.61, 23.04, -20.03

 

CMYK 0 / 19 / 66 / 75

HEX #403416

RGB 64 52 22

HSL 42.86, 0.49%, 0.17%

LAB 22.32, 0.99, 20.69

 

CMYK 66 / 0 / 19 / 75

HEX #164034

RGB 22 64 52

HSL 162.86, 0.49%, 0.17%

LAB 23.95, -18.08, 3.01

 

CMYK 17 / 65 / 0 / 75

HEX #34163F

RGB 52 22 63

HSL 283.9, 0.48%, 0.17%

LAB 13.61, 23.04, -20.03

 

CMYK 0 / 66 / 59 / 75

HEX #40161A

RGB 64 22 26

HSL 354.29, 0.49%, 0.17%

LAB 14.05, 20.89, 7.6

 

CMYK 47 / 0 / 66 / 75

HEX #224016

RGB 34 64 22

HSL 102.86, 0.49%, 0.17%

LAB 23.88, -20.53, 21.86

 

CMYK 66 / 0 / 6 / 75

HEX #16403C

RGB 22 64 60

HSL 174.29, 0.49%, 0.17%

LAB 24.21, -15.64, -1.92

 

CMYK 17 / 65 / 0 / 75

HEX #34163F

RGB 52 22 63

HSL 283.9, 0.48%, 0.17%

LAB 13.61, 23.04, -20.03

 

CMYK 0 / 52 / 66 / 75

HEX #401F16

RGB 64 31 22

HSL 12.86, 0.49%, 0.17%

LAB 16.14, 14.93, 13.19

 

CMYK 47 / 0 / 66 / 75

HEX #224016

RGB 34 64 22

HSL 102.86, 0.49%, 0.17%

LAB 23.88, -20.53, 21.86

 

CMYK 66 / 14 / 0 / 75

HEX #163740

RGB 22 55 64

HSL 192.86, 0.49%, 0.17%

LAB 21.11, -8.85, -9.25

 

Description

Color code: HEX #34163F | qconv.com Color code: HEX #34163F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 22 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 22 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 65 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 65% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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