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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37DBB9 it is the complementary color #C82446. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37DBB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37DBB9 shade: #3CDBB4, #4DEDC7, #5EFFDA, #6FFFED and #80FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37DBB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37DBB9 shade: #37DBB9, #26C9A6, #15B793, #04A580 and #00936D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37DBB9 shade: #38DAB9, #38DA8D, #38DA61, #3BDA38 and #67DA38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37DBB9 shade: #38DAB9, #38D0DA, #38A4DA, #3879DA and #384DDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37DBB9 shade matches the following richer shades: #38DAB9 and #25EDC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37DBB9 shade: #38DAB9, #4BC7AD, #5EB4A2, #71A197 and #848E8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37DBB9 shade: #38DA61, #38DA8C, #38DAB7, #38D2DA and #38A7DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37DBB9 shade: #1DA287, #24C5A4, #38DAB9, #5BE1C5 and #7EE7D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37DBB9 shade: #37DBB9, #383BDA and #DA7638

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37DBB9 shade: #37DBB9, #B738DA and #DAB738

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37DBB9 shade: #37DBB9, #383BDA, #DA385B and #DAD738

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37DBB9 shade: #37DBB9, #6638DA, #DA385B and #ACDA38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 16 / 14

HEX #37DBB9

RGB 55 219 185

HSL 167.56, 0.69%, 0.54%

LAB 79.03, -48.97, 4.92

 

Complementary color

CMYK 0 / 82 / 65 / 22

HEX #C82446

RGB 200 36 70

HSL 347.56, 0.69%, 0.46%

LAB 44.21, 63.19, 23.13

 

CMYK 73 / 0 / 18 / 14

HEX #3CDBB4

RGB 60 219 180

HSL 165.28, 0.69%, 0.55%

LAB 78.99, -49.6, 7.54

 

CMYK 68 / 0 / 16 / 7

HEX #4DEDC7

RGB 77 237 199

HSL 165.75, 0.82%, 0.62%

LAB 85.13, -50.15, 6.38

 

CMYK 63 / 0 / 15 / 0

HEX #5EFFDA

RGB 94 255 218

HSL 166.21, 1%, 0.68%

LAB 91.22, -50.52, 5.31

 

CMYK 56 / 0 / 7 / 0

HEX #6FFFED

RGB 111 255 237

HSL 172.5, 1%, 0.72%

LAB 92.14, -42.99, -3.13

 

CMYK 50 / 0 / 0 / 0

HEX #80FFFF

RGB 128 255 255

HSL 180, 1%, 0.75%

LAB 93.16, -35.22, -10.88

 

CMYK 75 / 0 / 16 / 14

HEX #37DBB9

RGB 55 219 185

HSL 167.56, 0.69%, 0.54%

LAB 79.03, -48.97, 4.92

 

CMYK 81 / 0 / 17 / 21

HEX #26C9A6

RGB 38 201 166

HSL 167.12, 0.68%, 0.47%

LAB 72.85, -48.05, 6.18

 

CMYK 89 / 0 / 20 / 28

HEX #15B793

RGB 21 183 147

HSL 166.67, 0.79%, 0.4%

LAB 66.62, -46.78, 7.58

 

CMYK 98 / 0 / 22 / 35

HEX #04A580

RGB 4 165 128

HSL 166.21, 0.95%, 0.33%

LAB 60.33, -45.11, 9.13

 

CMYK 100 / 0 / 26 / 42

HEX #00936D

RGB 0 147 109

HSL 164.49, 1%, 0.29%

LAB 54, -42.82, 10.89

 

CMYK 74 / 0 / 15 / 15

HEX #38DAB9

RGB 56 218 185

HSL 167.78, 0.69%, 0.54%

LAB 78.74, -48.44, 4.51

 

CMYK 74 / 0 / 35 / 15

HEX #38DA8D

RGB 56 218 141

HSL 151.48, 0.69%, 0.54%

LAB 77.82, -58.34, 26.4

 

CMYK 74 / 0 / 56 / 15

HEX #38DA61

RGB 56 218 97

HSL 135.19, 0.69%, 0.54%

LAB 77.19, -65.61, 47.37

 

CMYK 73 / 0 / 74 / 15

HEX #3BDA38

RGB 59 218 56

HSL 118.89, 0.69%, 0.54%

LAB 76.9, -69.36, 63.74

 

CMYK 53 / 0 / 74 / 15

HEX #67DA38

RGB 103 218 56

HSL 102.59, 0.69%, 0.54%

LAB 78.06, -59.86, 65.29

 

CMYK 74 / 0 / 15 / 15

HEX #38DAB9

RGB 56 218 185

HSL 167.78, 0.69%, 0.54%

LAB 78.74, -48.44, 4.51

 

CMYK 74 / 5 / 0 / 15

HEX #38D0DA

RGB 56 208 218

HSL 183.7, 0.69%, 0.54%

LAB 76.69, -34.96, -16.22

 

CMYK 74 / 25 / 0 / 15

HEX #38A4DA

RGB 56 164 218

HSL 200, 0.69%, 0.54%

LAB 63.72, -12.66, -36.11

 

CMYK 74 / 44 / 0 / 15

HEX #3879DA

RGB 56 121 218

HSL 215.93, 0.69%, 0.54%

LAB 51.36, 12.53, -55.65

 

CMYK 74 / 65 / 0 / 15

HEX #384DDA

RGB 56 77 218

HSL 232.22, 0.69%, 0.54%

LAB 39.93, 40.29, -74.18

 

CMYK 74 / 0 / 15 / 15

HEX #38DAB9

RGB 56 218 185

HSL 167.78, 0.69%, 0.54%

LAB 78.74, -48.44, 4.51

 

CMYK 84 / 0 / 17 / 7

HEX #25EDC4

RGB 37 237 196

HSL 167.7, 0.85%, 0.54%

LAB 84.46, -55.18, 6.9

 

CMYK 74 / 0 / 15 / 15

HEX #38DAB9

RGB 56 218 185

HSL 167.78, 0.69%, 0.54%

LAB 78.74, -48.44, 4.51

 

CMYK 62 / 0 / 13 / 22

HEX #4BC7AD

RGB 75 199 173

HSL 167.42, 0.53%, 0.54%

LAB 73.13, -40.49, 2.88

 

CMYK 48 / 0 / 10 / 29

HEX #5EB4A2

RGB 94 180 162

HSL 167.44, 0.36%, 0.54%

LAB 67.75, -30.45, 1.15

 

CMYK 30 / 0 / 6 / 37

HEX #71A197

RGB 113 161 151

HSL 167.5, 0.2%, 0.54%

LAB 62.71, -18.29, 0.04

 

CMYK 7 / 0 / 1 / 44

HEX #848E8C

RGB 132 142 140

HSL 168, 0.04%, 0.54%

LAB 58.17, -4.03, -0.19

 

CMYK 74 / 0 / 56 / 15

HEX #38DA61

RGB 56 218 97

HSL 135.19, 0.69%, 0.54%

LAB 77.19, -65.61, 47.37

 

CMYK 74 / 0 / 36 / 15

HEX #38DA8C

RGB 56 218 140

HSL 151.11, 0.69%, 0.54%

LAB 77.8, -58.54, 26.9

 

CMYK 74 / 0 / 16 / 15

HEX #38DAB7

RGB 56 218 183

HSL 167.04, 0.69%, 0.54%

LAB 78.7, -48.94, 5.51

 

CMYK 74 / 4 / 0 / 15

HEX #38D2DA

RGB 56 210 218

HSL 182.96, 0.69%, 0.54%

LAB 77.28, -35.89, -15.33

 

CMYK 74 / 23 / 0 / 15

HEX #38A7DA

RGB 56 167 218

HSL 198.89, 0.69%, 0.54%

LAB 64.6, -14.29, -34.74

 

CMYK 82 / 0 / 17 / 36

HEX #1DA287

RGB 29 162 135

HSL 167.82, 0.7%, 0.37%

LAB 59.75, -40.46, 4.4

 

CMYK 82 / 0 / 17 / 23

HEX #24C5A4

RGB 36 197 164

HSL 167.7, 0.69%, 0.46%

LAB 71.55, -47.08, 5.38

 

CMYK 74 / 0 / 15 / 15

HEX #38DAB9

RGB 56 218 185

HSL 167.78, 0.69%, 0.54%

LAB 78.74, -48.44, 4.51

 

CMYK 60 / 0 / 12 / 12

HEX #5BE1C5

RGB 91 225 197

HSL 167.46, 0.69%, 0.62%

LAB 81.9, -43.2, 2.8

 

CMYK 45 / 0 / 10 / 9

HEX #7EE7D1

RGB 126 231 209

HSL 167.43, 0.69%, 0.7%

LAB 85.09, -35.68, 1.25

 

CMYK 75 / 0 / 16 / 14

HEX #37DBB9

RGB 55 219 185

HSL 167.56, 0.69%, 0.54%

LAB 79.03, -48.97, 4.92

 

CMYK 74 / 73 / 0 / 15

HEX #383BDA

RGB 56 59 218

HSL 238.89, 0.69%, 0.54%

LAB 36.04, 50.89, -80.58

 

CMYK 0 / 46 / 74 / 15

HEX #DA7638

RGB 218 118 56

HSL 22.96, 0.69%, 0.54%

LAB 60.02, 34.44, 49.93

 

CMYK 75 / 0 / 16 / 14

HEX #37DBB9

RGB 55 219 185

HSL 167.56, 0.69%, 0.54%

LAB 79.03, -48.97, 4.92

 

CMYK 16 / 74 / 0 / 15

HEX #B738DA

RGB 183 56 218

HSL 287.04, 0.69%, 0.54%

LAB 49.44, 71.44, -58.14

 

CMYK 0 / 16 / 74 / 15

HEX #DAB738

RGB 218 183 56

HSL 47.04, 0.69%, 0.54%

LAB 75.49, -0.19, 65.28

 

CMYK 75 / 0 / 16 / 14

HEX #37DBB9

RGB 55 219 185

HSL 167.56, 0.69%, 0.54%

LAB 79.03, -48.97, 4.92

 

CMYK 74 / 73 / 0 / 15

HEX #383BDA

RGB 56 59 218

HSL 238.89, 0.69%, 0.54%

LAB 36.04, 50.89, -80.58

 

CMYK 0 / 74 / 58 / 15

HEX #DA385B

RGB 218 56 91

HSL 347.04, 0.69%, 0.54%

LAB 50.08, 63.77, 18.67

 

CMYK 0 / 1 / 74 / 15

HEX #DAD738

RGB 218 215 56

HSL 58.89, 0.69%, 0.54%

LAB 83.86, -16.49, 73.15

 

CMYK 75 / 0 / 16 / 14

HEX #37DBB9

RGB 55 219 185

HSL 167.56, 0.69%, 0.54%

LAB 79.03, -48.97, 4.92

 

CMYK 53 / 74 / 0 / 15

HEX #6638DA

RGB 102 56 218

HSL 257.04, 0.69%, 0.54%

LAB 39.1, 57.66, -75.43

 

CMYK 0 / 74 / 58 / 15

HEX #DA385B

RGB 218 56 91

HSL 347.04, 0.69%, 0.54%

LAB 50.08, 63.77, 18.67

 

CMYK 21 / 0 / 74 / 15

HEX #ACDA38

RGB 172 218 56

HSL 77.04, 0.69%, 0.54%

LAB 81.4, -36.59, 69.67

 

Description

Color code: HEX #37DBB9 | qconv.com Color code: HEX #37DBB9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 219 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 219 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 16 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 16% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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