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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37DB74 it is the complementary color #C8248B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37DB74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37DB74 shade: #3CDB6F, #4DED82, #5EFF95, #6FFFA8 and #80FFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37DB74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37DB74 shade: #37DB74, #26C961, #15B74E, #04A53B and #009328

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37DB74 shade: #38DA74, #38DA49, #53DA38, #7FDA38 and #ABDA38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37DB74 shade: #38DA74, #38DAA0, #38DACC, #38BDDA and #3891DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37DB74 shade matches the following richer shades: #38DA74 and #25ED70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37DB74 shade: #38DA74, #4BC779, #5EB47E, #71A183 and #848E88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37DB74 shade: #53DA38, #38DA48, #38DA74, #38DA9F and #38DACA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37DB74 shade: #1DA24F, #24C560, #38DA74, #5BE18D and #7EE7A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37DB74 shade: #37DB74, #387EDA and #DA383E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37DB74 shade: #37DB74, #7438DA and #DA7438

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37DB74 shade: #37DB74, #387EDA, #DA389F and #DA9438

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37DB74 shade: #37DB74, #384EDA, #DA389F and #DAC538

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 47 / 14

HEX #37DB74

RGB 55 219 116

HSL 142.32, 0.69%, 0.54%

LAB 77.72, -63.3, 38.92

 

Complementary color

CMYK 0 / 82 / 31 / 22

HEX #C8248B

RGB 200 36 139

HSL 322.32, 0.69%, 0.46%

LAB 46.18, 69, -16.65

 

CMYK 73 / 0 / 49 / 14

HEX #3CDB6F

RGB 60 219 111

HSL 139.25, 0.69%, 0.55%

LAB 77.74, -63.38, 41.41

 

CMYK 68 / 0 / 45 / 7

HEX #4DED82

RGB 77 237 130

HSL 139.88, 0.82%, 0.62%

LAB 83.84, -64.03, 39.92

 

CMYK 63 / 0 / 42 / 0

HEX #5EFF95

RGB 94 255 149

HSL 140.5, 1%, 0.68%

LAB 89.89, -64.43, 38.5

 

CMYK 56 / 0 / 34 / 0

HEX #6FFFA8

RGB 111 255 168

HSL 143.75, 1%, 0.72%

LAB 90.66, -57.76, 30.16

 

CMYK 50 / 0 / 27 / 0

HEX #80FFBB

RGB 128 255 187

HSL 147.87, 1%, 0.75%

LAB 91.55, -50.4, 21.85

 

CMYK 75 / 0 / 47 / 14

HEX #37DB74

RGB 55 219 116

HSL 142.32, 0.69%, 0.54%

LAB 77.72, -63.3, 38.92

 

CMYK 81 / 0 / 52 / 21

HEX #26C961

RGB 38 201 97

HSL 141.72, 0.68%, 0.47%

LAB 71.59, -62.19, 40.52

 

CMYK 89 / 0 / 57 / 28

HEX #15B74E

RGB 21 183 78

HSL 141.11, 0.79%, 0.4%

LAB 65.42, -60.56, 42.15

 

CMYK 98 / 0 / 64 / 35

HEX #04A53B

RGB 4 165 59

HSL 140.5, 0.95%, 0.33%

LAB 59.21, -58.27, 43.71

 

CMYK 100 / 0 / 73 / 42

HEX #009328

RGB 0 147 40

HSL 136.33, 1%, 0.29%

LAB 52.97, -54.99, 45.01

 

CMYK 74 / 0 / 47 / 15

HEX #38DA74

RGB 56 218 116

HSL 142.22, 0.69%, 0.54%

LAB 77.43, -62.82, 38.56

 

CMYK 74 / 0 / 67 / 15

HEX #38DA49

RGB 56 218 73

HSL 126.3, 0.69%, 0.54%

LAB 76.96, -68.37, 57.52

 

CMYK 62 / 0 / 74 / 15

HEX #53DA38

RGB 83 218 56

HSL 110, 0.69%, 0.54%

LAB 77.44, -64.8, 64.47

 

CMYK 42 / 0 / 74 / 15

HEX #7FDA38

RGB 127 218 56

HSL 93.7, 0.69%, 0.54%

LAB 79.01, -52.72, 66.54

 

CMYK 22 / 0 / 74 / 15

HEX #ABDA38

RGB 171 218 56

HSL 77.41, 0.69%, 0.54%

LAB 81.34, -36.98, 69.59

 

CMYK 74 / 0 / 47 / 15

HEX #38DA74

RGB 56 218 116

HSL 142.22, 0.69%, 0.54%

LAB 77.43, -62.82, 38.56

 

CMYK 74 / 0 / 27 / 15

HEX #38DAA0

RGB 56 218 160

HSL 158.52, 0.69%, 0.54%

LAB 78.18, -54.37, 16.97

 

CMYK 74 / 0 / 6 / 15

HEX #38DACC

RGB 56 218 204

HSL 174.81, 0.69%, 0.54%

LAB 79.24, -43.46, -4.91

 

CMYK 74 / 13 / 0 / 15

HEX #38BDDA

RGB 56 189 218

HSL 190.74, 0.69%, 0.54%

LAB 71.08, -25.75, -24.74

 

CMYK 74 / 33 / 0 / 15

HEX #3891DA

RGB 56 145 218

HSL 207.04, 0.69%, 0.54%

LAB 58.18, -1.93, -44.79

 

CMYK 74 / 0 / 47 / 15

HEX #38DA74

RGB 56 218 116

HSL 142.22, 0.69%, 0.54%

LAB 77.43, -62.82, 38.56

 

CMYK 84 / 0 / 53 / 7

HEX #25ED70

RGB 37 237 112

HSL 142.5, 0.85%, 0.54%

LAB 82.98, -71.81, 47.33

 

CMYK 74 / 0 / 47 / 15

HEX #38DA74

RGB 56 218 116

HSL 142.22, 0.69%, 0.54%

LAB 77.43, -62.82, 38.56

 

CMYK 62 / 0 / 39 / 22

HEX #4BC779

RGB 75 199 121

HSL 142.26, 0.53%, 0.54%

LAB 72.04, -51.72, 29.14

 

CMYK 48 / 0 / 30 / 29

HEX #5EB47E

RGB 94 180 126

HSL 142.33, 0.36%, 0.54%

LAB 66.92, -38.34, 19.71

 

CMYK 30 / 0 / 19 / 37

HEX #71A183

RGB 113 161 131

HSL 142.5, 0.2%, 0.54%

LAB 62.2, -22.58, 10.53

 

CMYK 7 / 0 / 4 / 44

HEX #848E88

RGB 132 142 136

HSL 144, 0.04%, 0.54%

LAB 58.06, -4.84, 1.94

 

CMYK 62 / 0 / 74 / 15

HEX #53DA38

RGB 83 218 56

HSL 110, 0.69%, 0.54%

LAB 77.44, -64.8, 64.47

 

CMYK 74 / 0 / 67 / 15

HEX #38DA48

RGB 56 218 72

HSL 125.93, 0.69%, 0.54%

LAB 76.95, -68.47, 57.91

 

CMYK 74 / 0 / 47 / 15

HEX #38DA74

RGB 56 218 116

HSL 142.22, 0.69%, 0.54%

LAB 77.43, -62.82, 38.56

 

CMYK 74 / 0 / 27 / 15

HEX #38DA9F

RGB 56 218 159

HSL 158.15, 0.69%, 0.54%

LAB 78.16, -54.59, 17.47

 

CMYK 74 / 0 / 7 / 15

HEX #38DACA

RGB 56 218 202

HSL 174.07, 0.69%, 0.54%

LAB 79.18, -44, -3.92

 

CMYK 82 / 0 / 51 / 36

HEX #1DA24F

RGB 29 162 79

HSL 142.56, 0.7%, 0.37%

LAB 58.66, -52.6, 33.48

 

CMYK 82 / 0 / 51 / 23

HEX #24C560

RGB 36 197 96

HSL 142.36, 0.69%, 0.46%

LAB 70.28, -61.21, 39.39

 

CMYK 74 / 0 / 47 / 15

HEX #38DA74

RGB 56 218 116

HSL 142.22, 0.69%, 0.54%

LAB 77.43, -62.82, 38.56

 

CMYK 60 / 0 / 37 / 12

HEX #5BE18D

RGB 91 225 141

HSL 142.39, 0.69%, 0.62%

LAB 80.74, -55.05, 30.45

 

CMYK 45 / 0 / 29 / 9

HEX #7EE7A5

RGB 126 231 165

HSL 142.29, 0.69%, 0.7%

LAB 84.12, -44.86, 22.89

 

CMYK 75 / 0 / 47 / 14

HEX #37DB74

RGB 55 219 116

HSL 142.32, 0.69%, 0.54%

LAB 77.72, -63.3, 38.92

 

CMYK 74 / 42 / 0 / 15

HEX #387EDA

RGB 56 126 218

HSL 214.07, 0.69%, 0.54%

LAB 52.76, 9.45, -53.41

 

CMYK 0 / 74 / 72 / 15

HEX #DA383E

RGB 218 56 62

HSL 357.78, 0.69%, 0.54%

LAB 49.59, 62.17, 35.32

 

CMYK 75 / 0 / 47 / 14

HEX #37DB74

RGB 55 219 116

HSL 142.32, 0.69%, 0.54%

LAB 77.72, -63.3, 38.92

 

CMYK 47 / 74 / 0 / 15

HEX #7438DA

RGB 116 56 218

HSL 262.22, 0.69%, 0.54%

LAB 40.58, 59.7, -72.94

 

CMYK 0 / 47 / 74 / 15

HEX #DA7438

RGB 218 116 56

HSL 22.22, 0.69%, 0.54%

LAB 59.6, 35.47, 49.49

 

CMYK 75 / 0 / 47 / 14

HEX #37DB74

RGB 55 219 116

HSL 142.32, 0.69%, 0.54%

LAB 77.72, -63.3, 38.92

 

CMYK 74 / 42 / 0 / 15

HEX #387EDA

RGB 56 126 218

HSL 214.07, 0.69%, 0.54%

LAB 52.76, 9.45, -53.41

 

CMYK 0 / 74 / 27 / 15

HEX #DA389F

RGB 218 56 159

HSL 321.85, 0.69%, 0.54%

LAB 52.1, 70.16, -19.29

 

CMYK 0 / 32 / 74 / 15

HEX #DA9438

RGB 218 148 56

HSL 34.07, 0.69%, 0.54%

LAB 66.8, 18.47, 56.81

 

CMYK 75 / 0 / 47 / 14

HEX #37DB74

RGB 55 219 116

HSL 142.32, 0.69%, 0.54%

LAB 77.72, -63.3, 38.92

 

CMYK 74 / 64 / 0 / 15

HEX #384EDA

RGB 56 78 218

HSL 231.85, 0.69%, 0.54%

LAB 40.17, 39.67, -73.8

 

CMYK 0 / 74 / 27 / 15

HEX #DA389F

RGB 218 56 159

HSL 321.85, 0.69%, 0.54%

LAB 52.1, 70.16, -19.29

 

CMYK 0 / 10 / 74 / 15

HEX #DAC538

RGB 218 197 56

HSL 52.22, 0.69%, 0.54%

LAB 79.11, -7.44, 68.72

 

Description

Color code: HEX #37DB74 | qconv.com Color code: HEX #37DB74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 219 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 219 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 47 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 47% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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