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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37D7FA it is the complementary color #C82805. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37D7FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37D7FA shade: #3CD7F5, #4DE9FF, #5EFBFF, #6FFFFF and #80FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37D7FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37D7FA shade: #37D7FA, #26C5E7, #15B3D4, #04A1C1 and #008FAE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37D7FA shade: #38D7F9, #38A2F9, #386EF9, #383AF9 and #6A38F9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37D7FA shade: #38D7F9, #38A2F9, #386EF9, #383AF9 and #3838F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37D7FA shade matches the following richer shades: #38D7F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37D7FA shade: #38D7F9, #48CCE9, #59C1D8, #69B7C8 and #7AACB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37D7FA shade: #38F9B2, #38F9E6, #38D9F9, #38A5F9 and #3872F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37D7FA shade: #05B3D9, #0FCFF8, #38D7F9, #60DFFA and #88E7FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37D7FA shade: #37D7FA, #7F38F9 and #F9CC38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37D7FA shade: #37D7FA, #F938D9 and #D9F938

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37D7FA shade: #37D7FA, #7F38F9, #F95838 and #B2F938

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37D7FA shade: #37D7FA, #B938F9, #F95838 and #78F938

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 14 / 0 / 2

HEX #37D7FA

RGB 55 215 250

HSL 190.77, 0.95%, 0.6%

LAB 79.79, -28.67, -28.62

 

Complementary color

CMYK 0 / 80 / 98 / 22

HEX #C82805

RGB 200 40 5

HSL 10.77, 0.95%, 0.4%

LAB 43.96, 60.23, 55.3

 

CMYK 76 / 12 / 0 / 4

HEX #3CD7F5

RGB 60 215 245

HSL 189.73, 0.9%, 0.6%

LAB 79.7, -29.73, -26.09

 

CMYK 70 / 9 / 0 / 0

HEX #4DE9FF

RGB 77 233 255

HSL 187.42, 1%, 0.65%

LAB 85.54, -33.38, -22.46

 

CMYK 63 / 2 / 0 / 0

HEX #5EFBFF

RGB 94 251 255

HSL 181.49, 1%, 0.68%

LAB 91.05, -39.37, -14.13

 

CMYK 56 / 0 / 0 / 0

HEX #6FFFFF

RGB 111 255 255

HSL 180, 1%, 0.72%

LAB 92.63, -38.44, -11.72

 

CMYK 50 / 0 / 0 / 0

HEX #80FFFF

RGB 128 255 255

HSL 180, 1%, 0.75%

LAB 93.16, -35.22, -10.88

 

CMYK 78 / 14 / 0 / 2

HEX #37D7FA

RGB 55 215 250

HSL 190.77, 0.95%, 0.6%

LAB 79.79, -28.67, -28.62

 

CMYK 84 / 15 / 0 / 9

HEX #26C5E7

RGB 38 197 231

HSL 190.57, 0.8%, 0.53%

LAB 73.62, -27.26, -27.92

 

CMYK 90 / 16 / 0 / 17

HEX #15B3D4

RGB 21 179 212

HSL 190.37, 0.82%, 0.46%

LAB 67.39, -25.52, -27.15

 

CMYK 98 / 17 / 0 / 24

HEX #04A1C1

RGB 4 161 193

HSL 190.16, 0.96%, 0.39%

LAB 61.1, -23.4, -26.29

 

CMYK 100 / 18 / 0 / 32

HEX #008FAE

RGB 0 143 174

HSL 190.69, 1%, 0.34%

LAB 54.76, -20.77, -25.3

 

CMYK 78 / 14 / 0 / 2

HEX #38D7F9

RGB 56 215 249

HSL 190.57, 0.94%, 0.6%

LAB 79.77, -28.89, -28.12

 

CMYK 78 / 35 / 0 / 2

HEX #38A2F9

RGB 56 162 249

HSL 207.05, 0.94%, 0.6%

LAB 64.58, -0.77, -51.79

 

CMYK 78 / 56 / 0 / 2

HEX #386EF9

RGB 56 110 249

HSL 223.21, 0.94%, 0.6%

LAB 50.49, 30.77, -74.42

 

CMYK 78 / 77 / 0 / 2

HEX #383AF9

RGB 56 58 249

HSL 239.38, 0.94%, 0.6%

LAB 39.08, 61.17, -93.16

 

CMYK 57 / 78 / 0 / 2

HEX #6A38F9

RGB 106 56 249

HSL 255.54, 0.94%, 0.6%

LAB 42.36, 66.48, -87.63

 

CMYK 78 / 14 / 0 / 2

HEX #38D7F9

RGB 56 215 249

HSL 190.57, 0.94%, 0.6%

LAB 79.77, -28.89, -28.12

 

CMYK 78 / 35 / 0 / 2

HEX #38A2F9

RGB 56 162 249

HSL 207.05, 0.94%, 0.6%

LAB 64.58, -0.77, -51.79

 

CMYK 78 / 56 / 0 / 2

HEX #386EF9

RGB 56 110 249

HSL 223.21, 0.94%, 0.6%

LAB 50.49, 30.77, -74.42

 

CMYK 78 / 77 / 0 / 2

HEX #383AF9

RGB 56 58 249

HSL 239.38, 0.94%, 0.6%

LAB 39.08, 61.17, -93.16

 

CMYK 78 / 78 / 0 / 2

HEX #3838F9

RGB 56 56 249

HSL 240, 0.94%, 0.6%

LAB 38.74, 62.16, -93.73

 

CMYK 78 / 14 / 0 / 2

HEX #38D7F9

RGB 56 215 249

HSL 190.57, 0.94%, 0.6%

LAB 79.77, -28.89, -28.12

 

CMYK 78 / 14 / 0 / 2

HEX #38D7F9

RGB 56 215 249

HSL 190.57, 0.94%, 0.6%

LAB 79.77, -28.89, -28.12

 

CMYK 69 / 12 / 0 / 9

HEX #48CCE9

RGB 72 204 233

HSL 190.81, 0.79%, 0.6%

LAB 76.34, -26.57, -24.78

 

CMYK 59 / 11 / 0 / 15

HEX #59C1D8

RGB 89 193 216

HSL 190.87, 0.62%, 0.6%

LAB 73.04, -23.42, -20.58

 

CMYK 48 / 9 / 0 / 22

HEX #69B7C8

RGB 105 183 200

HSL 190.74, 0.46%, 0.6%

LAB 70.2, -19.49, -16.08

 

CMYK 33 / 6 / 0 / 28

HEX #7AACB7

RGB 122 172 183

HSL 190.82, 0.3%, 0.6%

LAB 67.32, -13.78, -10.95

 

CMYK 78 / 0 / 29 / 2

HEX #38F9B2

RGB 56 249 178

HSL 157.93, 0.94%, 0.6%

LAB 87.88, -62.29, 21.09

 

CMYK 78 / 0 / 8 / 2

HEX #38F9E6

RGB 56 249 230

HSL 174.09, 0.94%, 0.6%

LAB 89.07, -49.81, -4.14

 

CMYK 78 / 13 / 0 / 2

HEX #38D9F9

RGB 56 217 249

HSL 189.95, 0.94%, 0.6%

LAB 80.35, -29.86, -27.23

 

CMYK 78 / 34 / 0 / 2

HEX #38A5F9

RGB 56 165 249

HSL 206.11, 0.94%, 0.6%

LAB 65.43, -2.48, -50.45

 

CMYK 78 / 54 / 0 / 2

HEX #3872F9

RGB 56 114 249

HSL 221.97, 0.94%, 0.6%

LAB 51.51, 28.27, -72.76

 

CMYK 98 / 18 / 0 / 15

HEX #05B3D9

RGB 5 179 217

HSL 190.75, 0.95%, 0.44%

LAB 67.49, -24.39, -29.75

 

CMYK 94 / 17 / 0 / 3

HEX #0FCFF8

RGB 15 207 248

HSL 190.56, 0.94%, 0.52%

LAB 76.98, -27.81, -31.91

 

CMYK 78 / 14 / 0 / 2

HEX #38D7F9

RGB 56 215 249

HSL 190.57, 0.94%, 0.6%

LAB 79.77, -28.89, -28.12

 

CMYK 62 / 11 / 0 / 2

HEX #60DFFA

RGB 96 223 250

HSL 190.52, 0.94%, 0.68%

LAB 83, -27.27, -23.64

 

CMYK 46 / 8 / 0 / 2

HEX #88E7FB

RGB 136 231 251

HSL 190.43, 0.93%, 0.76%

LAB 86.68, -23.06, -18.47

 

CMYK 78 / 14 / 0 / 2

HEX #37D7FA

RGB 55 215 250

HSL 190.77, 0.95%, 0.6%

LAB 79.79, -28.67, -28.62

 

CMYK 49 / 78 / 0 / 2

HEX #7F38F9

RGB 127 56 249

HSL 262.07, 0.94%, 0.6%

LAB 44.49, 69.03, -84.04

 

CMYK 0 / 18 / 78 / 2

HEX #F9CC38

RGB 249 204 56

HSL 46.01, 0.94%, 0.6%

LAB 83.76, 2.15, 74.07

 

CMYK 78 / 14 / 0 / 2

HEX #37D7FA

RGB 55 215 250

HSL 190.77, 0.95%, 0.6%

LAB 79.79, -28.67, -28.62

 

CMYK 0 / 78 / 13 / 2

HEX #F938D9

RGB 249 56 217

HSL 309.95, 0.94%, 0.6%

LAB 59.87, 84.54, -40.36

 

CMYK 13 / 0 / 78 / 2

HEX #D9F938

RGB 217 249 56

HSL 69.95, 0.94%, 0.6%

LAB 92.92, -33.07, 81.41

 

CMYK 78 / 14 / 0 / 2

HEX #37D7FA

RGB 55 215 250

HSL 190.77, 0.95%, 0.6%

LAB 79.79, -28.67, -28.62

 

CMYK 49 / 78 / 0 / 2

HEX #7F38F9

RGB 127 56 249

HSL 262.07, 0.94%, 0.6%

LAB 44.49, 69.03, -84.04

 

CMYK 0 / 65 / 78 / 2

HEX #F95838

RGB 249 88 56

HSL 9.95, 0.94%, 0.6%

LAB 59.35, 59.87, 50.75

 

CMYK 29 / 0 / 78 / 2

HEX #B2F938

RGB 178 249 56

HSL 82.07, 0.94%, 0.6%

LAB 90.55, -47.86, 78.37

 

CMYK 78 / 14 / 0 / 2

HEX #37D7FA

RGB 55 215 250

HSL 190.77, 0.95%, 0.6%

LAB 79.79, -28.67, -28.62

 

CMYK 26 / 78 / 0 / 2

HEX #B938F9

RGB 185 56 249

HSL 280.1, 0.94%, 0.6%

LAB 51.82, 77.7, -71.77

 

CMYK 0 / 65 / 78 / 2

HEX #F95838

RGB 249 88 56

HSL 9.95, 0.94%, 0.6%

LAB 59.35, 59.87, 50.75

 

CMYK 52 / 0 / 78 / 2

HEX #78F938

RGB 120 249 56

HSL 100.1, 0.94%, 0.6%

LAB 87.98, -66.35, 75.05

 

Description

Color code: HEX #37D7FA | qconv.com Color code: HEX #37D7FA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 215 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 215 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 14 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 14% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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