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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37CD0C it is the complementary color #C832F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37CD0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37CD0C shade: #3CCD07, #4DDF1A, #5EF12D, #6FFF40 and #80FF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37CD0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37CD0C shade: #37CD0C, #26BB00, #15A900, #049700 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37CD0C shade: #37CF0C, #6CCF0C, #A0CF0C, #CFC90C and #CF940C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37CD0C shade: #37CF0C, #0CCF15, #0CCF49, #0CCF7E and #0CCFB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37CD0C shade matches the following richer shades: #37CF0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37CD0C shade: #37CF0C, #41BD1D, #4BAB2F, #559A41 and #5E8853

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37CD0C shade: #A1CF0C, #6DCF0C, #39CF0C, #0CCF12 and #0CCF46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37CD0C shade: #228107, #2DA809, #37CF0C, #44F113 and #63F33A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37CD0C shade: #37CD0C, #0CCFC8 and #CF0C87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37CD0C shade: #37CD0C, #0C39CF and #CF0C39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37CD0C shade: #37CD0C, #0CCFC8, #A10CCF and #CF0C12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37CD0C shade: #37CD0C, #0C9BCF, #A10CCF and #CF400C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 94 / 20

HEX #37CD0C

RGB 55 205 12

HSL 106.63, 0.89%, 0.43%

LAB 72.56, -68.03, 69.99

 

Complementary color

CMYK 18 / 79 / 0 / 5

HEX #C832F3

RGB 200 50 243

HSL 286.63, 0.89%, 0.57%

LAB 52.98, 80.87, -66.43

 

CMYK 71 / 0 / 97 / 20

HEX #3CCD07

RGB 60 205 7

HSL 103.94, 0.93%, 0.42%

LAB 72.65, -67.27, 70.63

 

CMYK 65 / 0 / 88 / 13

HEX #4DDF1A

RGB 77 223 26

HSL 104.47, 0.79%, 0.49%

LAB 78.71, -69.19, 73.3

 

CMYK 61 / 0 / 81 / 5

HEX #5EF12D

RGB 94 241 45

HSL 105, 0.88%, 0.56%

LAB 84.73, -70.6, 74.7

 

CMYK 56 / 0 / 75 / 0

HEX #6FFF40

RGB 111 255 64

HSL 105.24, 1%, 0.63%

LAB 89.52, -70.27, 74.02

 

CMYK 50 / 0 / 67 / 0

HEX #80FF53

RGB 128 255 83

HSL 104.3, 1%, 0.66%

LAB 90.2, -64.56, 68.36

 

CMYK 73 / 0 / 94 / 20

HEX #37CD0C

RGB 55 205 12

HSL 106.63, 0.89%, 0.43%

LAB 72.56, -68.03, 69.99

 

CMYK 80 / 0 / 100 / 27

HEX #26BB00

RGB 38 187 0

HSL 107.81, 1%, 0.37%

LAB 66.48, -65.4, 66.27

 

CMYK 88 / 0 / 100 / 34

HEX #15A900

RGB 21 169 0

HSL 112.54, 1%, 0.33%

LAB 60.37, -62.03, 61.3

 

CMYK 97 / 0 / 100 / 41

HEX #049700

RGB 4 151 0

HSL 118.41, 1%, 0.3%

LAB 54.2, -58.05, 56.3

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 73 / 0 / 94 / 19

HEX #37CF0C

RGB 55 207 12

HSL 106.77, 0.89%, 0.43%

LAB 73.2, -68.64, 70.51

 

CMYK 48 / 0 / 94 / 19

HEX #6CCF0C

RGB 108 207 12

HSL 90.46, 0.89%, 0.43%

LAB 74.72, -56.14, 72.39

 

CMYK 23 / 0 / 94 / 19

HEX #A0CF0C

RGB 160 207 12

HSL 74.46, 0.89%, 0.43%

LAB 77.36, -37.72, 75.6

 

CMYK 0 / 3 / 94 / 19

HEX #CFC90C

RGB 207 201 12

HSL 58.15, 0.89%, 0.43%

LAB 79.08, -15.32, 78.4

 

CMYK 0 / 29 / 94 / 19

HEX #CF940C

RGB 207 148 12

HSL 41.85, 0.89%, 0.43%

LAB 65.34, 12.48, 68.22

 

CMYK 73 / 0 / 94 / 19

HEX #37CF0C

RGB 55 207 12

HSL 106.77, 0.89%, 0.43%

LAB 73.2, -68.64, 70.51

 

CMYK 94 / 0 / 90 / 19

HEX #0CCF15

RGB 12 207 21

HSL 122.77, 0.89%, 0.43%

LAB 72.73, -72.71, 68.67

 

CMYK 94 / 0 / 65 / 19

HEX #0CCF49

RGB 12 207 73

HSL 138.77, 0.89%, 0.43%

LAB 73.01, -69.12, 53.06

 

CMYK 94 / 0 / 39 / 19

HEX #0CCF7E

RGB 12 207 126

HSL 155.08, 0.89%, 0.43%

LAB 73.68, -61.03, 28.55

 

CMYK 94 / 0 / 14 / 19

HEX #0CCFB3

RGB 12 207 179

HSL 171.38, 0.89%, 0.43%

LAB 74.8, -48.68, 1.95

 

CMYK 73 / 0 / 94 / 19

HEX #37CF0C

RGB 55 207 12

HSL 106.77, 0.89%, 0.43%

LAB 73.2, -68.64, 70.51

 

CMYK 73 / 0 / 94 / 19

HEX #37CF0C

RGB 55 207 12

HSL 106.77, 0.89%, 0.43%

LAB 73.2, -68.64, 70.51

 

CMYK 66 / 0 / 85 / 26

HEX #41BD1D

RGB 65 189 29

HSL 106.5, 0.73%, 0.43%

LAB 67.73, -60.57, 62.98

 

CMYK 56 / 0 / 73 / 33

HEX #4BAB2F

RGB 75 171 47

HSL 106.45, 0.57%, 0.43%

LAB 62.36, -50.75, 52.43

 

CMYK 45 / 0 / 58 / 40

HEX #559A41

RGB 85 154 65

HSL 106.52, 0.41%, 0.43%

LAB 57.49, -39.21, 39.41

 

CMYK 31 / 0 / 39 / 47

HEX #5E8853

RGB 94 136 83

HSL 107.55, 0.24%, 0.43%

LAB 52.52, -25.27, 23.95

 

CMYK 22 / 0 / 94 / 19

HEX #A1CF0C

RGB 161 207 12

HSL 74.15, 0.89%, 0.43%

LAB 77.42, -37.33, 75.67

 

CMYK 47 / 0 / 94 / 19

HEX #6DCF0C

RGB 109 207 12

HSL 90.15, 0.89%, 0.43%

LAB 74.76, -55.84, 72.44

 

CMYK 72 / 0 / 94 / 19

HEX #39CF0C

RGB 57 207 12

HSL 106.15, 0.89%, 0.43%

LAB 73.23, -68.31, 70.56

 

CMYK 94 / 0 / 91 / 19

HEX #0CCF12

RGB 12 207 18

HSL 121.85, 0.89%, 0.43%

LAB 72.73, -72.8, 69.14

 

CMYK 94 / 0 / 66 / 19

HEX #0CCF46

RGB 12 207 70

HSL 137.85, 0.89%, 0.43%

LAB 72.99, -69.44, 54.28

 

CMYK 74 / 0 / 95 / 49

HEX #228107

RGB 34 129 7

HSL 106.72, 0.9%, 0.27%

LAB 47.05, -47.74, 49.32

 

CMYK 73 / 0 / 95 / 34

HEX #2DA809

RGB 45 168 9

HSL 106.42, 0.9%, 0.35%

LAB 60.41, -58.36, 60.23

 

CMYK 73 / 0 / 94 / 19

HEX #37CF0C

RGB 55 207 12

HSL 106.77, 0.89%, 0.43%

LAB 73.2, -68.64, 70.51

 

CMYK 72 / 0 / 92 / 5

HEX #44F113

RGB 68 241 19

HSL 106.76, 0.89%, 0.51%

LAB 84.06, -76.52, 78.77

 

CMYK 59 / 0 / 76 / 5

HEX #63F33A

RGB 99 243 58

HSL 106.7, 0.89%, 0.59%

LAB 85.53, -69.43, 71.89

 

CMYK 73 / 0 / 94 / 20

HEX #37CD0C

RGB 55 205 12

HSL 106.63, 0.89%, 0.43%

LAB 72.56, -68.03, 69.99

 

CMYK 94 / 0 / 3 / 19

HEX #0CCFC8

RGB 12 207 200

HSL 177.85, 0.89%, 0.43%

LAB 75.37, -42.82, -8.54

 

CMYK 0 / 94 / 35 / 19

HEX #CF0C87

RGB 207 12 135

HSL 322.15, 0.89%, 0.43%

LAB 46.01, 74.03, -14.36

 

CMYK 73 / 0 / 94 / 20

HEX #37CD0C

RGB 55 205 12

HSL 106.63, 0.89%, 0.43%

LAB 72.56, -68.03, 69.99

 

CMYK 94 / 72 / 0 / 19

HEX #0C39CF

RGB 12 57 207

HSL 226.15, 0.89%, 0.43%

LAB 32.94, 45.86, -79.41

 

CMYK 0 / 94 / 72 / 19

HEX #CF0C39

RGB 207 12 57

HSL 346.15, 0.89%, 0.43%

LAB 43.98, 68.53, 31.14

 

CMYK 73 / 0 / 94 / 20

HEX #37CD0C

RGB 55 205 12

HSL 106.63, 0.89%, 0.43%

LAB 72.56, -68.03, 69.99

 

CMYK 94 / 0 / 3 / 19

HEX #0CCFC8

RGB 12 207 200

HSL 177.85, 0.89%, 0.43%

LAB 75.37, -42.82, -8.54

 

CMYK 22 / 94 / 0 / 19

HEX #A10CCF

RGB 161 12 207

HSL 285.85, 0.89%, 0.43%

LAB 41.76, 75.99, -64.42

 

CMYK 0 / 94 / 91 / 19

HEX #CF0C12

RGB 207 12 18

HSL 358.15, 0.89%, 0.43%

LAB 43.61, 67.51, 51.62

 

CMYK 73 / 0 / 94 / 20

HEX #37CD0C

RGB 55 205 12

HSL 106.63, 0.89%, 0.43%

LAB 72.56, -68.03, 69.99

 

CMYK 94 / 25 / 0 / 19

HEX #0C9BCF

RGB 12 155 207

HSL 196, 0.89%, 0.43%

LAB 59.91, -15.02, -35.97

 

CMYK 22 / 94 / 0 / 19

HEX #A10CCF

RGB 161 12 207

HSL 285.85, 0.89%, 0.43%

LAB 41.76, 75.99, -64.42

 

CMYK 0 / 69 / 94 / 19

HEX #CF400C

RGB 207 64 12

HSL 16, 0.89%, 0.43%

LAB 48.21, 54.47, 56.52

 

Description

Color code: HEX #37CD0C | qconv.com Color code: HEX #37CD0C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 205 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 205 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 94 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 94% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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