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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37C104 it is the complementary color #C83EFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37C104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37C104 shade: #3CC100, #4DD312, #5EE525, #6FF738 and #80FF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37C104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37C104 shade: #37C104, #26AF00, #159D00, #048B00 and #007900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37C104 shade: #37C203, #6AC203, #9EC203, #C2B303 and #C28003

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37C104 shade: #37C203, #04C203, #03C237, #03C26A and #03C29E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37C104 shade matches the following richer shades: #37C203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37C104 shade: #37C203, #3EB214, #46A224, #4D9234 and #558244

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37C104 shade: #9FC203, #6CC203, #3AC203, #07C203 and #03C233

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37C104 shade: #207202, #2B9A03, #37C203, #43EB04 and #5AFA1E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37C104 shade: #37C104, #03C2B3 and #C20386

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37C104 shade: #37C104, #033AC2 and #C2033A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37C104 shade: #37C104, #03C2B3, #8C03C2 and #C20313

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37C104 shade: #37C104, #0399C2, #8C03C2 and #C22D03

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 98 / 24

HEX #37C104

RGB 55 193 4

HSL 103.81, 0.96%, 0.39%

LAB 68.72, -64.52, 67.73

 

Complementary color

CMYK 20 / 75 / 0 / 2

HEX #C83EFB

RGB 200 62 251

HSL 283.81, 0.96%, 0.61%

LAB 54.75, 78.74, -68.03

 

CMYK 69 / 0 / 100 / 24

HEX #3CC100

RGB 60 193 0

HSL 101.35, 1%, 0.38%

LAB 68.82, -63.67, 68.31

 

CMYK 64 / 0 / 91 / 17

HEX #4DD312

RGB 77 211 18

HSL 101.66, 0.84%, 0.45%

LAB 74.96, -65.56, 71.4

 

CMYK 59 / 0 / 84 / 10

HEX #5EE525

RGB 94 229 37

HSL 102.19, 0.79%, 0.52%

LAB 81.04, -66.98, 73.29

 

CMYK 55 / 0 / 77 / 3

HEX #6FF738

RGB 111 247 56

HSL 102.72, 0.92%, 0.59%

LAB 87.09, -68, 74.1

 

CMYK 50 / 0 / 71 / 0

HEX #80FF4B

RGB 128 255 75

HSL 102.33, 1%, 0.65%

LAB 90.15, -65.15, 71.2

 

CMYK 72 / 0 / 98 / 24

HEX #37C104

RGB 55 193 4

HSL 103.81, 0.96%, 0.39%

LAB 68.72, -64.52, 67.73

 

CMYK 78 / 0 / 100 / 31

HEX #26AF00

RGB 38 175 0

HSL 106.97, 1%, 0.34%

LAB 62.57, -61.84, 63.15

 

CMYK 87 / 0 / 100 / 38

HEX #159D00

RGB 21 157 0

HSL 111.97, 1%, 0.31%

LAB 56.36, -58.54, 58.09

 

CMYK 97 / 0 / 100 / 45

HEX #048B00

RGB 4 139 0

HSL 118.27, 1%, 0.27%

LAB 50.09, -54.6, 53

 

CMYK 100 / 0 / 100 / 53

HEX #007900

RGB 0 121 0

HSL 120, 1%, 0.24%

LAB 43.76, -49.65, 47.92

 

CMYK 72 / 0 / 98 / 24

HEX #37C203

RGB 55 194 3

HSL 103.66, 0.97%, 0.39%

LAB 69.04, -64.85, 68.1

 

CMYK 45 / 0 / 98 / 24

HEX #6AC203

RGB 106 194 3

HSL 87.64, 0.97%, 0.39%

LAB 70.63, -51.98, 70.03

 

CMYK 19 / 0 / 98 / 24

HEX #9EC203

RGB 158 194 3

HSL 71.31, 0.97%, 0.39%

LAB 73.45, -32.71, 73.44

 

CMYK 0 / 8 / 98 / 24

HEX #C2B303

RGB 194 179 3

HSL 55.29, 0.97%, 0.39%

LAB 72.04, -9.89, 73.62

 

CMYK 0 / 34 / 98 / 24

HEX #C28003

RGB 194 128 3

HSL 39.27, 0.97%, 0.39%

LAB 58.89, 17.55, 64.34

 

CMYK 72 / 0 / 98 / 24

HEX #37C203

RGB 55 194 3

HSL 103.66, 0.97%, 0.39%

LAB 69.04, -64.85, 68.1

 

CMYK 98 / 0 / 98 / 24

HEX #04C203

RGB 4 194 3

HSL 119.69, 0.97%, 0.39%

LAB 68.47, -69.92, 67.4

 

CMYK 98 / 0 / 72 / 24

HEX #03C237

RGB 3 194 55

HSL 136.34, 0.97%, 0.39%

LAB 68.66, -67.44, 55.54

 

CMYK 98 / 0 / 45 / 24

HEX #03C26A

RGB 3 194 106

HSL 152.36, 0.97%, 0.39%

LAB 69.21, -60.63, 32.98

 

CMYK 98 / 0 / 19 / 24

HEX #03C29E

RGB 3 194 158

HSL 168.69, 0.97%, 0.39%

LAB 70.23, -49.18, 6.71

 

CMYK 72 / 0 / 98 / 24

HEX #37C203

RGB 55 194 3

HSL 103.66, 0.97%, 0.39%

LAB 69.04, -64.85, 68.1

 

CMYK 72 / 0 / 98 / 24

HEX #37C203

RGB 55 194 3

HSL 103.66, 0.97%, 0.39%

LAB 69.04, -64.85, 68.1

 

CMYK 65 / 0 / 89 / 30

HEX #3EB214

RGB 62 178 20

HSL 104.05, 0.8%, 0.39%

LAB 64.09, -57.92, 61.71

 

CMYK 57 / 0 / 78 / 36

HEX #46A224

RGB 70 162 36

HSL 103.81, 0.64%, 0.39%

LAB 59.22, -49.52, 53.16

 

CMYK 47 / 0 / 64 / 43

HEX #4D9234

RGB 77 146 52

HSL 104.04, 0.47%, 0.39%

LAB 54.43, -39.78, 41.95

 

CMYK 35 / 0 / 48 / 49

HEX #558244

RGB 85 130 68

HSL 103.55, 0.31%, 0.39%

LAB 49.87, -27.84, 28.67

 

CMYK 18 / 0 / 98 / 24

HEX #9FC203

RGB 159 194 3

HSL 70.99, 0.97%, 0.39%

LAB 73.52, -32.3, 73.52

 

CMYK 44 / 0 / 98 / 24

HEX #6CC203

RGB 108 194 3

HSL 87.02, 0.97%, 0.39%

LAB 70.72, -51.33, 70.14

 

CMYK 70 / 0 / 98 / 24

HEX #3AC203

RGB 58 194 3

HSL 102.72, 0.97%, 0.39%

LAB 69.1, -64.3, 68.17

 

CMYK 96 / 0 / 98 / 24

HEX #07C203

RGB 7 194 3

HSL 118.74, 0.97%, 0.39%

LAB 68.49, -69.8, 67.42

 

CMYK 98 / 0 / 74 / 24

HEX #03C233

RGB 3 194 51

HSL 135.08, 0.97%, 0.39%

LAB 68.64, -67.78, 56.97

 

CMYK 72 / 0 / 98 / 55

HEX #207202

RGB 32 114 2

HSL 103.93, 0.97%, 0.23%

LAB 41.76, -43.21, 46.03

 

CMYK 72 / 0 / 98 / 40

HEX #2B9A03

RGB 43 154 3

HSL 104.11, 0.96%, 0.31%

LAB 55.72, -54.39, 57.25

 

CMYK 72 / 0 / 98 / 24

HEX #37C203

RGB 55 194 3

HSL 103.66, 0.97%, 0.39%

LAB 69.04, -64.85, 68.1

 

CMYK 71 / 0 / 98 / 8

HEX #43EB04

RGB 67 235 4

HSL 103.64, 0.97%, 0.47%

LAB 82.17, -75.16, 78.65

 

CMYK 64 / 0 / 88 / 2

HEX #5AFA1E

RGB 90 250 30

HSL 103.64, 0.96%, 0.55%

LAB 87.31, -74.91, 80.08

 

CMYK 72 / 0 / 98 / 24

HEX #37C104

RGB 55 193 4

HSL 103.81, 0.96%, 0.39%

LAB 68.72, -64.52, 67.73

 

CMYK 98 / 0 / 8 / 24

HEX #03C2B3

RGB 3 194 179

HSL 175.29, 0.97%, 0.39%

LAB 70.77, -43.46, -3.95

 

CMYK 0 / 98 / 31 / 24

HEX #C20386

RGB 194 3 134

HSL 318.85, 0.97%, 0.39%

LAB 43.15, 72.05, -18.35

 

CMYK 72 / 0 / 98 / 24

HEX #37C104

RGB 55 193 4

HSL 103.81, 0.96%, 0.39%

LAB 68.72, -64.52, 67.73

 

CMYK 98 / 70 / 0 / 24

HEX #033AC2

RGB 3 58 194

HSL 222.72, 0.97%, 0.39%

LAB 31.67, 40.29, -73.92

 

CMYK 0 / 98 / 70 / 24

HEX #C2033A

RGB 194 3 58

HSL 342.72, 0.97%, 0.39%

LAB 40.96, 66.26, 26.24

 

CMYK 72 / 0 / 98 / 24

HEX #37C104

RGB 55 193 4

HSL 103.81, 0.96%, 0.39%

LAB 68.72, -64.52, 67.73

 

CMYK 98 / 0 / 8 / 24

HEX #03C2B3

RGB 3 194 179

HSL 175.29, 0.97%, 0.39%

LAB 70.77, -43.46, -3.95

 

CMYK 28 / 98 / 0 / 24

HEX #8C03C2

RGB 140 3 194

HSL 283.04, 0.97%, 0.39%

LAB 37, 71.84, -64.75

 

CMYK 0 / 98 / 90 / 24

HEX #C20313

RGB 194 3 19

HSL 354.97, 0.97%, 0.39%

LAB 40.54, 65.12, 47.79

 

CMYK 72 / 0 / 98 / 24

HEX #37C104

RGB 55 193 4

HSL 103.81, 0.96%, 0.39%

LAB 68.72, -64.52, 67.73

 

CMYK 98 / 21 / 0 / 24

HEX #0399C2

RGB 3 153 194

HSL 192.88, 0.97%, 0.39%

LAB 58.69, -18.88, -30.57

 

CMYK 28 / 98 / 0 / 24

HEX #8C03C2

RGB 140 3 194

HSL 283.04, 0.97%, 0.39%

LAB 37, 71.84, -64.75

 

CMYK 0 / 77 / 98 / 24

HEX #C22D03

RGB 194 45 3

HSL 13.19, 0.97%, 0.39%

LAB 43.29, 56.93, 54.92

 

Description

Color code: HEX #37C104 | qconv.com Color code: HEX #37C104 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 193 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 193 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 98 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 98% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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