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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37C88A it is the complementary color #C83775. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37C88A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37C88A shade: #3CC885, #4DDA98, #5EECAB, #6FFEBE and #80FFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37C88A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37C88A shade: #37C88A, #26B677, #15A464, #049251 and #00803E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37C88A shade: #36C88A, #36C862, #36C83B, #59C836 and #80C836

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37C88A shade: #36C88A, #36C8B1, #36B7C8, #3690C8 and #3669C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37C88A shade matches the following richer shades: #36C88A, #22DC8C and #0DF18F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37C88A shade: #36C88A, #4BB387, #609E84, #748A81 and #89757E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37C88A shade: #36C83B, #36C862, #36C889, #36C8AF and #36B9C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37C88A shade: #25875D, #2DA773, #36C88A, #57D19C and #77D9AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37C88A shade: #37C88A, #3658C8 and #C84F36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37C88A shade: #37C88A, #8936C8 and #C88936

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37C88A shade: #37C88A, #3658C8, #C83675 and #C8A636

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37C88A shade: #37C88A, #4036C8, #C83675 and #BEC836

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 31 / 22

HEX #37C88A

RGB 55 200 138

HSL 154.34, 0.57%, 0.5%

LAB 72.2, -52.23, 20.33

 

Complementary color

CMYK 0 / 73 / 42 / 22

HEX #C83775

RGB 200 55 117

HSL 334.34, 0.57%, 0.5%

LAB 47.36, 61.15, -1.49

 

CMYK 70 / 0 / 34 / 22

HEX #3CC885

RGB 60 200 133

HSL 151.29, 0.56%, 0.51%

LAB 72.2, -52.52, 23

 

CMYK 65 / 0 / 30 / 15

HEX #4DDA98

RGB 77 218 152

HSL 151.91, 0.66%, 0.58%

LAB 78.45, -52.89, 21.62

 

CMYK 60 / 0 / 28 / 7

HEX #5EECAB

RGB 94 236 171

HSL 152.54, 0.79%, 0.65%

LAB 84.64, -53.09, 20.34

 

CMYK 56 / 0 / 25 / 0

HEX #6FFEBE

RGB 111 254 190

HSL 153.15, 0.99%, 0.72%

LAB 90.77, -53.15, 19.16

 

CMYK 50 / 0 / 18 / 0

HEX #80FFD1

RGB 128 255 209

HSL 158.27, 1%, 0.75%

LAB 92, -45.94, 11.22

 

CMYK 73 / 0 / 31 / 22

HEX #37C88A

RGB 55 200 138

HSL 154.34, 0.57%, 0.5%

LAB 72.2, -52.23, 20.33

 

CMYK 79 / 0 / 35 / 29

HEX #26B677

RGB 38 182 119

HSL 153.75, 0.65%, 0.43%

LAB 65.9, -51.45, 21.85

 

CMYK 87 / 0 / 39 / 36

HEX #15A464

RGB 21 164 100

HSL 153.15, 0.77%, 0.36%

LAB 59.55, -50.25, 23.52

 

CMYK 97 / 0 / 45 / 43

HEX #049251

RGB 4 146 81

HSL 152.54, 0.95%, 0.29%

LAB 53.14, -48.5, 25.37

 

CMYK 100 / 0 / 52 / 50

HEX #00803E

RGB 0 128 62

HSL 149.06, 1%, 0.25%

LAB 46.69, -45.86, 27.4

 

CMYK 73 / 0 / 31 / 22

HEX #36C88A

RGB 54 200 138

HSL 154.52, 0.57%, 0.5%

LAB 72.18, -52.37, 20.3

 

CMYK 73 / 0 / 51 / 22

HEX #36C862

RGB 54 200 98

HSL 138.08, 0.57%, 0.5%

LAB 71.54, -59.63, 40.02

 

CMYK 73 / 0 / 71 / 22

HEX #36C83B

RGB 54 200 59

HSL 122.05, 0.57%, 0.5%

LAB 71.15, -64.23, 56.8

 

CMYK 56 / 0 / 73 / 22

HEX #59C836

RGB 89 200 54

HSL 105.62, 0.57%, 0.5%

LAB 72.03, -57.2, 59.81

 

CMYK 36 / 0 / 73 / 22

HEX #80C836

RGB 128 200 54

HSL 89.59, 0.57%, 0.5%

LAB 73.65, -45.16, 61.97

 

CMYK 73 / 0 / 31 / 22

HEX #36C88A

RGB 54 200 138

HSL 154.52, 0.57%, 0.5%

LAB 72.18, -52.37, 20.3

 

CMYK 73 / 0 / 12 / 22

HEX #36C8B1

RGB 54 200 177

HSL 170.55, 0.57%, 0.5%

LAB 73.07, -43.06, 0.57

 

CMYK 73 / 9 / 0 / 22

HEX #36B7C8

RGB 54 183 200

HSL 186.99, 0.57%, 0.5%

LAB 68.62, -28.61, -18.63

 

CMYK 73 / 28 / 0 / 22

HEX #3690C8

RGB 54 144 200

HSL 203.01, 0.57%, 0.5%

LAB 56.98, -7.94, -36.57

 

CMYK 73 / 48 / 0 / 22

HEX #3669C8

RGB 54 105 200

HSL 219.04, 0.57%, 0.5%

LAB 45.71, 15.7, -54.46

 

CMYK 73 / 0 / 31 / 22

HEX #36C88A

RGB 54 200 138

HSL 154.52, 0.57%, 0.5%

LAB 72.18, -52.37, 20.3

 

CMYK 85 / 0 / 36 / 14

HEX #22DC8C

RGB 34 220 140

HSL 154.19, 0.73%, 0.5%

LAB 78.12, -61.58, 27.28

 

CMYK 95 / 0 / 41 / 5

HEX #0DF18F

RGB 13 241 143

HSL 154.21, 0.9%, 0.5%

LAB 84.47, -69.38, 34.17

 

CMYK 73 / 0 / 31 / 22

HEX #36C88A

RGB 54 200 138

HSL 154.52, 0.57%, 0.5%

LAB 72.18, -52.37, 20.3

 

CMYK 58 / 0 / 25 / 30

HEX #4BB387

RGB 75 179 135

HSL 154.62, 0.41%, 0.5%

LAB 66.12, -40.64, 13.6

 

CMYK 39 / 0 / 16 / 38

HEX #609E84

RGB 96 158 132

HSL 154.84, 0.24%, 0.5%

LAB 60.43, -26.15, 7.33

 

CMYK 16 / 0 / 7 / 46

HEX #748A81

RGB 116 138 129

HSL 155.45, 0.09%, 0.5%

LAB 55.56, -9.79, 2.17

 

CMYK 0 / 15 / 8 / 46

HEX #89757E

RGB 137 117 126

HSL 333, 0.08%, 0.5%

LAB 51.32, 9.4, -2.05

 

CMYK 73 / 0 / 71 / 22

HEX #36C83B

RGB 54 200 59

HSL 122.05, 0.57%, 0.5%

LAB 71.15, -64.23, 56.8

 

CMYK 73 / 0 / 51 / 22

HEX #36C862

RGB 54 200 98

HSL 138.08, 0.57%, 0.5%

LAB 71.54, -59.63, 40.02

 

CMYK 73 / 0 / 32 / 22

HEX #36C889

RGB 54 200 137

HSL 154.11, 0.57%, 0.5%

LAB 72.16, -52.58, 20.81

 

CMYK 73 / 0 / 13 / 22

HEX #36C8AF

RGB 54 200 175

HSL 169.73, 0.57%, 0.5%

LAB 73.02, -43.58, 1.57

 

CMYK 73 / 8 / 0 / 22

HEX #36B9C8

RGB 54 185 200

HSL 186.16, 0.57%, 0.5%

LAB 69.22, -29.59, -17.72

 

CMYK 73 / 0 / 31 / 47

HEX #25875D

RGB 37 135 93

HSL 154.29, 0.57%, 0.34%

LAB 50.11, -38.36, 14.68

 

CMYK 73 / 0 / 31 / 35

HEX #2DA773

RGB 45 167 115

HSL 154.43, 0.58%, 0.42%

LAB 61.16, -45.49, 17.57

 

CMYK 73 / 0 / 31 / 22

HEX #36C88A

RGB 54 200 138

HSL 154.52, 0.57%, 0.5%

LAB 72.18, -52.37, 20.3

 

CMYK 58 / 0 / 25 / 18

HEX #57D19C

RGB 87 209 156

HSL 153.93, 0.57%, 0.58%

LAB 76.09, -46.46, 16.27

 

CMYK 45 / 0 / 19 / 15

HEX #77D9AF

RGB 119 217 175

HSL 154.29, 0.56%, 0.66%

LAB 79.98, -38.51, 11.83

 

CMYK 73 / 0 / 31 / 22

HEX #37C88A

RGB 55 200 138

HSL 154.34, 0.57%, 0.5%

LAB 72.2, -52.23, 20.33

 

CMYK 73 / 56 / 0 / 22

HEX #3658C8

RGB 54 88 200

HSL 226.03, 0.57%, 0.5%

LAB 41.11, 26.63, -61.9

 

CMYK 0 / 61 / 73 / 22

HEX #C84F36

RGB 200 79 54

HSL 10.27, 0.57%, 0.5%

LAB 49.66, 46.79, 39.04

 

CMYK 73 / 0 / 31 / 22

HEX #37C88A

RGB 55 200 138

HSL 154.34, 0.57%, 0.5%

LAB 72.2, -52.23, 20.33

 

CMYK 32 / 73 / 0 / 22

HEX #8936C8

RGB 137 54 200

HSL 274.11, 0.57%, 0.5%

LAB 41.42, 59.79, -61.08

 

CMYK 0 / 32 / 73 / 22

HEX #C88936

RGB 200 137 54

HSL 34.11, 0.57%, 0.5%

LAB 62.03, 16.61, 52.18

 

CMYK 73 / 0 / 31 / 22

HEX #37C88A

RGB 55 200 138

HSL 154.34, 0.57%, 0.5%

LAB 72.2, -52.23, 20.33

 

CMYK 73 / 56 / 0 / 22

HEX #3658C8

RGB 54 88 200

HSL 226.03, 0.57%, 0.5%

LAB 41.11, 26.63, -61.9

 

CMYK 0 / 73 / 42 / 22

HEX #C83675

RGB 200 54 117

HSL 334.11, 0.57%, 0.5%

LAB 47.24, 61.49, -1.67

 

CMYK 0 / 17 / 73 / 22

HEX #C8A636

RGB 200 166 54

HSL 46.03, 0.57%, 0.5%

LAB 69.34, 0.89, 59.48

 

CMYK 73 / 0 / 31 / 22

HEX #37C88A

RGB 55 200 138

HSL 154.34, 0.57%, 0.5%

LAB 72.2, -52.23, 20.33

 

CMYK 68 / 73 / 0 / 22

HEX #4036C8

RGB 64 54 200

HSL 244.11, 0.57%, 0.5%

LAB 33.77, 48.64, -73.89

 

CMYK 0 / 73 / 42 / 22

HEX #C83675

RGB 200 54 117

HSL 334.11, 0.57%, 0.5%

LAB 47.24, 61.49, -1.67

 

CMYK 5 / 0 / 73 / 22

HEX #BEC836

RGB 190 200 54

HSL 64.11, 0.57%, 0.5%

LAB 77.59, -20.9, 67.14

 

Description

Color code: HEX #37C88A | qconv.com Color code: HEX #37C88A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 200 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 200 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 31 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 31% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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