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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37A025 it is the complementary color #C85FDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37A025. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37A025 shade: #3CA020, #4DB233, #5EC446, #6FD659 and #80E86C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37A025. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37A025 shade: #37A025, #268E12, #157C00, #046A00 and #005800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37A025 shade: #37A125, #59A125, #7AA125, #9BA125 and #A18525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37A025 shade: #37A125, #25A135, #25A156, #25A177 and #25A198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37A025 shade matches the following richer shades: #37A125, #2CB115 and #21C105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37A025 shade: #37A125, #439135, #4E8045, #597056 and #656066

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37A025 shade: #7AA125, #59A125, #38A125, #25A134 and #25A155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37A025 shade: #205E16, #2C7F1D, #37A125, #43C22D and #5AD345

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37A025 shade: #37A025, #259AA1 and #A12569

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37A025 shade: #37A025, #2538A1 and #A12538

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37A025 shade: #37A025, #259AA1, #8E25A1 and #A12B25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37A025 shade: #37A025, #2575A1, #8E25A1 and #A15025

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 77 / 37

HEX #37A025

RGB 55 160 37

HSL 111.22, 0.62%, 0.39%

LAB 58.12, -52.44, 51.59

 

Complementary color

CMYK 8 / 56 / 0 / 15

HEX #C85FDA

RGB 200 95 218

HSL 291.22, 0.62%, 0.61%

LAB 57.58, 59.28, -45.02

 

CMYK 63 / 0 / 80 / 37

HEX #3CA020

RGB 60 160 32

HSL 106.88, 0.67%, 0.38%

LAB 58.23, -51.61, 53.39

 

CMYK 57 / 0 / 71 / 30

HEX #4DB233

RGB 77 178 51

HSL 107.72, 0.55%, 0.45%

LAB 64.69, -52.51, 53.32

 

CMYK 52 / 0 / 64 / 23

HEX #5EC446

RGB 94 196 70

HSL 108.57, 0.52%, 0.52%

LAB 71.08, -53.02, 52.63

 

CMYK 48 / 0 / 58 / 16

HEX #6FD659

RGB 111 214 89

HSL 109.44, 0.6%, 0.59%

LAB 77.4, -53.27, 51.63

 

CMYK 45 / 0 / 53 / 9

HEX #80E86C

RGB 128 232 108

HSL 110.32, 0.73%, 0.67%

LAB 83.64, -53.36, 50.5

 

CMYK 66 / 0 / 77 / 37

HEX #37A025

RGB 55 160 37

HSL 111.22, 0.62%, 0.39%

LAB 58.12, -52.44, 51.59

 

CMYK 73 / 0 / 87 / 44

HEX #268E12

RGB 38 142 18

HSL 110.32, 0.78%, 0.31%

LAB 51.61, -50.9, 51

 

CMYK 83 / 0 / 100 / 51

HEX #157C00

RGB 21 124 0

HSL 109.84, 1%, 0.24%

LAB 45.05, -48.51, 49.04

 

CMYK 96 / 0 / 100 / 58

HEX #046A00

RGB 4 106 0

HSL 117.74, 1%, 0.21%

LAB 38.44, -44.77, 43.67

 

CMYK 100 / 0 / 100 / 65

HEX #005800

RGB 0 88 0

HSL 120, 1%, 0.17%

LAB 31.76, -39.68, 38.3

 

CMYK 66 / 0 / 77 / 37

HEX #37A125

RGB 55 161 37

HSL 111.29, 0.63%, 0.39%

LAB 58.45, -52.79, 51.91

 

CMYK 45 / 0 / 77 / 37

HEX #59A125

RGB 89 161 37

HSL 94.84, 0.63%, 0.39%

LAB 59.66, -43.31, 53.51

 

CMYK 24 / 0 / 77 / 37

HEX #7AA125

RGB 122 161 37

HSL 78.87, 0.63%, 0.39%

LAB 61.45, -31.05, 55.84

 

CMYK 4 / 0 / 77 / 37

HEX #9BA125

RGB 155 161 37

HSL 62.9, 0.63%, 0.39%

LAB 63.83, -17.05, 58.92

 

CMYK 0 / 17 / 77 / 37

HEX #A18525

RGB 161 133 37

HSL 46.45, 0.63%, 0.39%

LAB 56.57, 0.65, 52.36

 

CMYK 66 / 0 / 77 / 37

HEX #37A125

RGB 55 161 37

HSL 111.29, 0.63%, 0.39%

LAB 58.45, -52.79, 51.91

 

CMYK 77 / 0 / 67 / 37

HEX #25A135

RGB 37 161 53

HSL 127.74, 0.63%, 0.39%

LAB 58.17, -54.7, 45.29

 

CMYK 77 / 0 / 47 / 37

HEX #25A156

RGB 37 161 86

HSL 143.71, 0.63%, 0.39%

LAB 58.56, -50.06, 29.74

 

CMYK 77 / 0 / 26 / 37

HEX #25A177

RGB 37 161 119

HSL 159.68, 0.63%, 0.39%

LAB 59.17, -43.21, 12.57

 

CMYK 77 / 0 / 6 / 37

HEX #25A198

RGB 37 161 152

HSL 175.65, 0.63%, 0.39%

LAB 60.02, -34.44, -4.78

 

CMYK 66 / 0 / 77 / 37

HEX #37A125

RGB 55 161 37

HSL 111.29, 0.63%, 0.39%

LAB 58.45, -52.79, 51.91

 

CMYK 75 / 0 / 88 / 31

HEX #2CB115

RGB 44 177 21

HSL 111.15, 0.79%, 0.39%

LAB 63.37, -60.98, 60.73

 

CMYK 83 / 0 / 97 / 24

HEX #21C105

RGB 33 193 5

HSL 111.06, 0.95%, 0.39%

LAB 68.37, -67.63, 67.18

 

CMYK 66 / 0 / 77 / 37

HEX #37A125

RGB 55 161 37

HSL 111.29, 0.63%, 0.39%

LAB 58.45, -52.79, 51.91

 

CMYK 54 / 0 / 63 / 43

HEX #439135

RGB 67 145 53

HSL 110.87, 0.46%, 0.39%

LAB 53.71, -42.31, 40.58

 

CMYK 39 / 0 / 46 / 50

HEX #4E8045

RGB 78 128 69

HSL 110.85, 0.3%, 0.39%

LAB 48.87, -29.23, 26.78

 

CMYK 21 / 0 / 23 / 56

HEX #597056

RGB 89 112 86

HSL 113.08, 0.13%, 0.39%

LAB 44.78, -14.01, 11.73

 

CMYK 1 / 6 / 0 / 60

HEX #656066

RGB 101 96 102

HSL 290, 0.03%, 0.39%

LAB 41.36, 3.22, -2.7

 

CMYK 24 / 0 / 77 / 37

HEX #7AA125

RGB 122 161 37

HSL 78.87, 0.63%, 0.39%

LAB 61.45, -31.05, 55.84

 

CMYK 45 / 0 / 77 / 37

HEX #59A125

RGB 89 161 37

HSL 94.84, 0.63%, 0.39%

LAB 59.66, -43.31, 53.51

 

CMYK 65 / 0 / 77 / 37

HEX #38A125

RGB 56 161 37

HSL 110.81, 0.63%, 0.39%

LAB 58.47, -52.57, 51.95

 

CMYK 77 / 0 / 68 / 37

HEX #25A134

RGB 37 161 52

HSL 127.26, 0.63%, 0.39%

LAB 58.16, -54.8, 45.71

 

CMYK 77 / 0 / 47 / 37

HEX #25A155

RGB 37 161 85

HSL 143.23, 0.63%, 0.39%

LAB 58.55, -50.23, 30.25

 

CMYK 66 / 0 / 77 / 63

HEX #205E16

RGB 32 94 22

HSL 111.67, 0.62%, 0.23%

LAB 34.74, -34.64, 33.64

 

CMYK 65 / 0 / 77 / 50

HEX #2C7F1D

RGB 44 127 29

HSL 110.82, 0.63%, 0.31%

LAB 46.71, -43.7, 43.08

 

CMYK 66 / 0 / 77 / 37

HEX #37A125

RGB 55 161 37

HSL 111.29, 0.63%, 0.39%

LAB 58.45, -52.79, 51.91

 

CMYK 65 / 0 / 77 / 24

HEX #43C22D

RGB 67 194 45

HSL 111.14, 0.62%, 0.47%

LAB 69.45, -60.93, 60.09

 

CMYK 57 / 0 / 67 / 17

HEX #5AD345

RGB 90 211 69

HSL 111.13, 0.62%, 0.55%

LAB 75.57, -59.71, 57.86

 

CMYK 66 / 0 / 77 / 37

HEX #37A025

RGB 55 160 37

HSL 111.22, 0.62%, 0.39%

LAB 58.12, -52.44, 51.59

 

CMYK 77 / 4 / 0 / 37

HEX #259AA1

RGB 37 154 161

HSL 183.39, 0.63%, 0.39%

LAB 58.11, -28.37, -12.74

 

CMYK 0 / 77 / 35 / 37

HEX #A12569

RGB 161 37 105

HSL 327.1, 0.63%, 0.39%

LAB 37.7, 55.19, -9.16

 

CMYK 66 / 0 / 77 / 37

HEX #37A025

RGB 55 160 37

HSL 111.22, 0.62%, 0.39%

LAB 58.12, -52.44, 51.59

 

CMYK 77 / 65 / 0 / 37

HEX #2538A1

RGB 37 56 161

HSL 230.81, 0.63%, 0.39%

LAB 28.89, 31.07, -58.8

 

CMYK 0 / 77 / 65 / 37

HEX #A12538

RGB 161 37 56

HSL 350.81, 0.63%, 0.39%

LAB 36.34, 50.9, 20.25

 

CMYK 66 / 0 / 77 / 37

HEX #37A025

RGB 55 160 37

HSL 111.22, 0.62%, 0.39%

LAB 58.12, -52.44, 51.59

 

CMYK 77 / 4 / 0 / 37

HEX #259AA1

RGB 37 154 161

HSL 183.39, 0.63%, 0.39%

LAB 58.11, -28.37, -12.74

 

CMYK 12 / 77 / 0 / 37

HEX #8E25A1

RGB 142 37 161

HSL 290.81, 0.63%, 0.39%

LAB 37.2, 59.14, -44.78

 

CMYK 0 / 73 / 77 / 37

HEX #A12B25

RGB 161 43 37

HSL 2.9, 0.63%, 0.39%

LAB 36.82, 47.83, 32.49

 

CMYK 66 / 0 / 77 / 37

HEX #37A025

RGB 55 160 37

HSL 111.22, 0.62%, 0.39%

LAB 58.12, -52.44, 51.59

 

CMYK 77 / 27 / 0 / 37

HEX #2575A1

RGB 37 117 161

HSL 201.29, 0.63%, 0.39%

LAB 46.56, -8.43, -30.47

 

CMYK 12 / 77 / 0 / 37

HEX #8E25A1

RGB 142 37 161

HSL 290.81, 0.63%, 0.39%

LAB 37.2, 59.14, -44.78

 

CMYK 0 / 50 / 77 / 37

HEX #A15025

RGB 161 80 37

HSL 20.81, 0.63%, 0.39%

LAB 43.43, 30.44, 39.47

 

Description

Color code: HEX #37A025 | qconv.com Color code: HEX #37A025 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 160 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 160 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 77 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 77% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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