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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #338D5F it is the complementary color #CC72A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #338D5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #338D5F shade: #388D5A, #499F6D, #5AB180, #6BC393 and #7CD5A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #338D5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #338D5F shade: #338D5F, #227B4C, #116939, #005726 and #004513

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #338D5F shade: #338E5F, #338E47, #378E33, #508E33 and #698E33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #338D5F shade: #338E5F, #338E78, #338B8E, #33738E and #335A8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #338D5F shade matches the following richer shades: #338E5F, #239E5F, #14AD5F and #04BD5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #338D5F shade: #338E5F, #437E60, #526F60, #625F60 and #724F61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #338D5F shade: #378E33, #338E47, #338E5F, #338E77 and #338C8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #338D5F shade: #1D5137, #28704B, #338E5F, #3EAC74 and #53C188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #338D5F shade: #338D5F, #33508E and #8E3A33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #338D5F shade: #338D5F, #5F338E and #8E5F33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #338D5F shade: #338D5F, #33508E, #8E3362 and #8E7133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #338D5F shade: #338D5F, #33348E, #8E3362 and #8E8C33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 33 / 45

HEX #338D5F

RGB 51 141 95

HSL 149.33, 0.47%, 0.38%

LAB 52.49, -37.88, 16.86

 

Complementary color

CMYK 0 / 44 / 22 / 20

HEX #CC72A0

RGB 204 114 160

HSL 329.33, 0.47%, 0.62%

LAB 59.35, 41.16, -9.12

 

CMYK 60 / 0 / 36 / 45

HEX #388D5A

RGB 56 141 90

HSL 144, 0.43%, 0.39%

LAB 52.54, -37.81, 19.77

 

CMYK 54 / 0 / 31 / 38

HEX #499F6D

RGB 73 159 109

HSL 145.12, 0.37%, 0.45%

LAB 59.27, -37.79, 18.41

 

CMYK 49 / 0 / 28 / 31

HEX #5AB180

RGB 90 177 128

HSL 146.21, 0.36%, 0.52%

LAB 65.89, -37.65, 17.17

 

CMYK 45 / 0 / 25 / 24

HEX #6BC393

RGB 107 195 147

HSL 147.27, 0.42%, 0.59%

LAB 72.4, -37.45, 16.04

 

CMYK 42 / 0 / 22 / 16

HEX #7CD5A6

RGB 124 213 166

HSL 148.31, 0.51%, 0.66%

LAB 78.83, -37.22, 15

 

CMYK 64 / 0 / 33 / 45

HEX #338D5F

RGB 51 141 95

HSL 149.33, 0.47%, 0.38%

LAB 52.49, -37.88, 16.86

 

CMYK 72 / 0 / 38 / 52

HEX #227B4C

RGB 34 123 76

HSL 148.31, 0.57%, 0.31%

LAB 45.67, -37.53, 18.38

 

CMYK 84 / 0 / 46 / 59

HEX #116939

RGB 17 105 57

HSL 147.27, 0.72%, 0.24%

LAB 38.76, -36.7, 20.1

 

CMYK 100 / 0 / 56 / 66

HEX #005726

RGB 0 87 38

HSL 146.21, 1%, 0.17%

LAB 31.71, -35.3, 21.99

 

CMYK 100 / 0 / 72 / 73

HEX #004513

RGB 0 69 19

HSL 136.52, 1%, 0.14%

LAB 24.65, -31.74, 24.04

 

CMYK 64 / 0 / 33 / 44

HEX #338E5F

RGB 51 142 95

HSL 149.01, 0.47%, 0.38%

LAB 52.81, -38.31, 17.3

 

CMYK 64 / 0 / 50 / 44

HEX #338E47

RGB 51 142 71

HSL 133.19, 0.47%, 0.38%

LAB 52.4, -42.79, 29.93

 

CMYK 61 / 0 / 64 / 44

HEX #378E33

RGB 55 142 51

HSL 117.36, 0.47%, 0.38%

LAB 52.28, -44.57, 39.79

 

CMYK 44 / 0 / 64 / 44

HEX #508E33

RGB 80 142 51

HSL 100.88, 0.47%, 0.38%

LAB 53.27, -37.18, 41.16

 

CMYK 26 / 0 / 64 / 44

HEX #698E33

RGB 105 142 51

HSL 84.4, 0.47%, 0.38%

LAB 54.65, -27.88, 43.07

 

CMYK 64 / 0 / 33 / 44

HEX #338E5F

RGB 51 142 95

HSL 149.01, 0.47%, 0.38%

LAB 52.81, -38.31, 17.3

 

CMYK 64 / 0 / 15 / 44

HEX #338E78

RGB 51 142 120

HSL 165.49, 0.47%, 0.38%

LAB 53.39, -32.37, 3.83

 

CMYK 64 / 2 / 0 / 44

HEX #338B8E

RGB 51 139 142

HSL 181.98, 0.47%, 0.38%

LAB 53.08, -24.72, -9.35

 

CMYK 64 / 19 / 0 / 44

HEX #33738E

RGB 51 115 142

HSL 197.8, 0.47%, 0.38%

LAB 45.52, -11.74, -20.83

 

CMYK 64 / 37 / 0 / 44

HEX #335A8E

RGB 51 90 142

HSL 214.29, 0.47%, 0.38%

LAB 37.79, 3.44, -32.9

 

CMYK 64 / 0 / 33 / 44

HEX #338E5F

RGB 51 142 95

HSL 149.01, 0.47%, 0.38%

LAB 52.81, -38.31, 17.3

 

CMYK 78 / 0 / 40 / 38

HEX #239E5F

RGB 35 158 95

HSL 149.27, 0.64%, 0.38%

LAB 57.69, -47.52, 23.79

 

CMYK 88 / 0 / 45 / 32

HEX #14AD5F

RGB 20 173 95

HSL 149.41, 0.79%, 0.38%

LAB 62.39, -54.54, 29.9

 

CMYK 98 / 0 / 50 / 26

HEX #04BD5E

RGB 4 189 94

HSL 149.19, 0.96%, 0.38%

LAB 67.45, -60.97, 36.8

 

CMYK 64 / 0 / 33 / 44

HEX #338E5F

RGB 51 142 95

HSL 149.01, 0.47%, 0.38%

LAB 52.81, -38.31, 17.3

 

CMYK 47 / 0 / 24 / 51

HEX #437E60

RGB 67 126 96

HSL 149.49, 0.31%, 0.38%

LAB 48.21, -26.72, 10.45

 

CMYK 26 / 0 / 14 / 56

HEX #526F60

RGB 82 111 96

HSL 148.97, 0.15%, 0.38%

LAB 44.24, -13.99, 4.94

 

CMYK 0 / 3 / 2 / 62

HEX #625F60

RGB 98 95 96

HSL 340, 0.02%, 0.38%

LAB 40.61, 1.4, -0.15

 

CMYK 0 / 31 / 15 / 55

HEX #724F61

RGB 114 79 97

HSL 329.14, 0.18%, 0.38%

LAB 37.9, 17.76, -4.58

 

CMYK 61 / 0 / 64 / 44

HEX #378E33

RGB 55 142 51

HSL 117.36, 0.47%, 0.38%

LAB 52.28, -44.57, 39.79

 

CMYK 64 / 0 / 50 / 44

HEX #338E47

RGB 51 142 71

HSL 133.19, 0.47%, 0.38%

LAB 52.4, -42.79, 29.93

 

CMYK 64 / 0 / 33 / 44

HEX #338E5F

RGB 51 142 95

HSL 149.01, 0.47%, 0.38%

LAB 52.81, -38.31, 17.3

 

CMYK 64 / 0 / 16 / 44

HEX #338E77

RGB 51 142 119

HSL 164.84, 0.47%, 0.38%

LAB 53.36, -32.63, 4.37

 

CMYK 64 / 1 / 0 / 44

HEX #338C8E

RGB 51 140 142

HSL 181.32, 0.47%, 0.38%

LAB 53.4, -25.22, -8.88

 

CMYK 64 / 0 / 32 / 68

HEX #1D5137

RGB 29 81 55

HSL 150, 0.47%, 0.22%

LAB 30.45, -24.32, 10.25

 

CMYK 64 / 0 / 33 / 56

HEX #28704B

RGB 40 112 75

HSL 149.17, 0.47%, 0.3%

LAB 42.07, -31.75, 14.12

 

CMYK 64 / 0 / 33 / 44

HEX #338E5F

RGB 51 142 95

HSL 149.01, 0.47%, 0.38%

LAB 52.81, -38.31, 17.3

 

CMYK 64 / 0 / 33 / 33

HEX #3EAC74

RGB 62 172 116

HSL 149.45, 0.47%, 0.46%

LAB 63.17, -44.39, 19.84

 

CMYK 57 / 0 / 30 / 24

HEX #53C188

RGB 83 193 136

HSL 148.91, 0.47%, 0.54%

LAB 70.7, -44.71, 19.45

 

CMYK 64 / 0 / 33 / 45

HEX #338D5F

RGB 51 141 95

HSL 149.33, 0.47%, 0.38%

LAB 52.49, -37.88, 16.86

 

CMYK 64 / 44 / 0 / 44

HEX #33508E

RGB 51 80 142

HSL 220.88, 0.47%, 0.38%

LAB 34.79, 9.95, -37.66

 

CMYK 0 / 59 / 64 / 44

HEX #8E3A33

RGB 142 58 51

HSL 4.62, 0.47%, 0.38%

LAB 36.01, 35.16, 22.25

 

CMYK 64 / 0 / 33 / 45

HEX #338D5F

RGB 51 141 95

HSL 149.33, 0.47%, 0.38%

LAB 52.49, -37.88, 16.86

 

CMYK 33 / 64 / 0 / 44

HEX #5F338E

RGB 95 51 142

HSL 269.01, 0.47%, 0.38%

LAB 31.24, 38.45, -43.15

 

CMYK 0 / 33 / 64 / 44

HEX #8E5F33

RGB 142 95 51

HSL 29.01, 0.47%, 0.38%

LAB 44.48, 14.49, 32.5

 

CMYK 64 / 0 / 33 / 45

HEX #338D5F

RGB 51 141 95

HSL 149.33, 0.47%, 0.38%

LAB 52.49, -37.88, 16.86

 

CMYK 64 / 44 / 0 / 44

HEX #33508E

RGB 51 80 142

HSL 220.88, 0.47%, 0.38%

LAB 34.79, 9.95, -37.66

 

CMYK 0 / 64 / 31 / 44

HEX #8E3362

RGB 142 51 98

HSL 329.01, 0.47%, 0.38%

LAB 35.98, 43.36, -7.64

 

CMYK 0 / 20 / 64 / 44

HEX #8E7133

RGB 142 113 51

HSL 40.88, 0.47%, 0.38%

LAB 49.25, 4.04, 37.96

 

CMYK 64 / 0 / 33 / 45

HEX #338D5F

RGB 51 141 95

HSL 149.33, 0.47%, 0.38%

LAB 52.49, -37.88, 16.86

 

CMYK 64 / 63 / 0 / 44

HEX #33348E

RGB 51 52 142

HSL 239.34, 0.47%, 0.38%

LAB 27.05, 28.65, -50.14

 

CMYK 0 / 64 / 31 / 44

HEX #8E3362

RGB 142 51 98

HSL 329.01, 0.47%, 0.38%

LAB 35.98, 43.36, -7.64

 

CMYK 0 / 1 / 64 / 44

HEX #8E8C33

RGB 142 140 51

HSL 58.68, 0.47%, 0.38%

LAB 56.83, -11.01, 46.23

 

Description

Color code: HEX #338D5F | qconv.com Color code: HEX #338D5F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 141 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 141 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 33 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 33% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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